In 2018, Ian Bonhôte and Peter Ettedgui’s documentary McQueen focused on British fashion director Alexander McQueen. It earned strong reviews, but wasn’t much of an awards player. The filmmakers are back with a higher profile doc six years later in Super/Man: The Christopher Reeve Story. It recounts the performer’s career and life following his paralysis resulting from a horse riding accident.
Early reaction from its Sundance screening is that it’s an emotionally stirring watch. The RT score is 100%. Like Will & Harper (my previous Oscar Predictions write-up), Super/Man should be subject to a bidding war by studios and streamers. This appears destined to be one of the most watched docs of 2024.
That doesn’t always translate to the Academy taking notice. In the just announced Oscar noms, Still: A Michael J. Fox Movie (also acclaimed and with similar themes) made the Documentary Feature shortlist. It did not make the final five. This story should have at least an equal shot at the ultimate quintet. My Oscar Prediction posts will continue…
Will & Harper seems to be quite a crowd favorite at Sundance. The documentary follows Will Ferrell and best friend Harper Steele on a road trip following Harper’s recent gender transition. Josh Greenbaum, who made Barb and Star Go to Vista Del Mar and Strays, chronicles the journey.
Not all the reviews are raves, but it does have a 100% RT score. Obviously Ferrell’s star power and the subject matter could result in lots of eyeballs on this doc. It should be scooped by a streamer or studio in short order and there’s already rumors it might land the largest doc deal in Sundance history.
Just because this appears bound to be one of the highest profile pics in its genre doesn’t mean it’ll generate awards attention. Yet if viewers respond the way the Park City group is (multiple standing O’s), it could be in the conversation. My Oscar Prediction posts will continue…
The most positive reviews of Freaky Tales, which has screened at Sundance, indicate it might be more at home coming in a VHS box. Called a love letter to the 80s era it is set in and to the city of Oakland, Anna Boden and Ryan Fleck (the team behind Half Nelson and Captain Marvel) direct the action drama depicting four connected stories. The cast includes Pedro Pascal, Jay Ellis, Normani, Dominique Thorne, Ben Mendelsohn, Ji-young Yoo, Jack Champion, and the late Angus Cloud. Fun fact: Too Short, famed Oakland rapper, narrates.
Critics extolling its virtues and shortfalls bring up Pulp Fiction and Tarantino. Yet unlike that 30-year-old classic, reaction is mixed with a 71% Rotten Tomatoes score. And unlike Fiction, it is likely a fact that Freaky Tales won’t be an awards contender. My Oscar Prediction posts will continue…
A Real Pain is the second directorial feature from Jesse Eisenberg after When You Finish Saving the World. The dramedy about two cousins (Eisenberg and Kieran Culkin) on a Holocaust tour following their Grandma’s death could be a real contender next year. Searchlight Pictures apparently thinks so since it forked over $10 million for distribution rights after its Sundance premiere.
Reviews indicate this is a crowdpleaser that delicately balances tough subjects with humor. The RT score is 100%. Eisenberg, a Best Actor nominee in 2010 for The Social Network, could be in line for an Original Screenplay nod (that seems more likely than Director). Costars include Jennifer Grey (of Ferris Bueller and Dirty Dancing fame) and Will Sharpe. It could be Culkin (a freshly minted Emmy recipient for Succession) that garners acting attention in supporting. We usually see at least one Best Picture nominee start its journey in Park City (this year’s is Past Lives). A Real Pain is in contention. My Oscar Prediction posts will continue…
And they’re out! After a year of speculation, nominees for the 96th Academy Awards have been released. It was a morning where it felt weird that the 10 Best Picture contenders were relatively easy to project… and that it went according to script. However, the Academy’s picks veered off-script elsewhere as they always do.
I went 84 for 105 overall. Let’s walk through each race one by one with who got in, how I did, and some quick initial thoughts. As I have every year, I will do individual Case Of posts for the hopefuls in Picture, Director, and the four acting derbies. That will kick off very soon…
Picture
Nominees: American Fiction, Anatomy of a Fall, Barbie, The Holdovers, Killers of the Flower Moon, Maestro, Oppenheimer, Past Lives, Poor Things, The Zone of Interest
How I Did: 10/10
Oscar BP matches the PGA ten, as we all suspected. This was, frankly, one of the easiest lineups to project in years. That said, there was a sneaking suspicion that voters would surprise us with a sleeper pick or two. It didn’t materialize and Oppenheimer (leading the charge with 13 noms) is out front.
Director
Nominees: Jonathan Glazer (The Zone of Interest), Yorgos Lanthimos (Poor Things), Christopher Nolan (Oppenheimer), Martin Scorsese (Killers of the Flower Moon), Justine Triet (Anatomy of a Fall)
How I Did: 4/5
Triet makes the cut over Greta Gerwig for Barbie. Now would be a good time to mention that Barbie underperformed. It was anticipated to land double digit noms and managed 8. Nolan is the favorite.
Actress
Nominees: Annette Bening (Nyad), Lily Gladstone (Killers of the Flower Moon), Sandra Hüller (Anatomy of a Fall), Carey Mulligan (Maestro), Emma Stone (Poor Things)
How I Did: 4/5
Bening as Nyad jumps into the Actress pool instead of Margot Robbie as Barbie in another high profile omission for 2023’s biggest blockbuster. This should come down to Gladstone vs. Stone, but I wouldn’t completely discount a Hüller upset.
Actor
Nominees: Bradley Cooper (Maestro), Colman Domingo (Rustin), Paul Giamatti (The Holdovers), Cillian Murphy (Oppenheimer), Jeffrey Wright (American Fiction)
How I Did: 5/5
Leonardo DiCaprio in Killers of the Flower Moon seemed to lose steam in the last couple of weeks and that played out as I anticipated. Despite its 10 mentions, Killers had some significant misses this morning. As for those in contention, Giamatti vs. Murphy with Cooper as a potential spoiler.
Supporting Actress
Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Color Purple), America Ferrera (Barbie), Jodie Foster (Nyad), Da’Vine Joy Randolph (The Holdovers)
How I Did: 3/5
Blunt, Brooks, and Randolph all seemed safe and those last two slots were a bear to figure. Ferrera and Foster are in over Penelope Cruz (Ferrari) and Sandra Hüller (The Zone of Interest), who missed the chance to become the Academy’s 13th double acting nominee. Randolph will be tough to beat.
Supporting Actor
Nominees: Sterling K. Brown (American Fiction), Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Ryan Gosling (Barbie), Mark Ruffalo (Poor Things)
How I Did: 5/5
I’ll pat myself on the back for this one since this was arguably as tricky as Supporting Actress. Downey Jr. is in the lead.
Original Screenplay
Nominees: Anatomy of a Fall, The Holdovers, Maestro, May December, Past Lives
How I Did: 4/5
Maestro (which had a good morning) over Saltburn (which came up empty-handed). I’d look for Holdovers to take this though Anatomy is a threat.
Adapted Screenplay
Nominees: American Fiction, Barbie, Oppenheimer, Poor Things, The Zone of Interest
How I Did: 4/5
In one of the more unexpected developments, Killers misses this in favor of Zone. This is a difficult race to project. I would say everything but Zone has a chance.
International Feature Film
Nominees: Io Capitano, Perfect Days, Society of the Snow, The Teachers’ Lounge, The Zone of Interest
How I Did: 3/5
Capitano and Lounge instead of Fallen Leaves and Tótem. Since Zone is the sole contender for BP, this is one of the simplest categories to call.
Animated Feature
Nominees: The Boy and the Heron, Elemental, Nimona, Robot Dreams, Spider-Man: Across the Spider-Verse
How I Did: 4/5
Dreams over Suzume as the animated race should come down to Heron and Spider-Man.
Documentary Feature
Nominees: Bobi Wine: The People’s President, The Eternal Memory, Four Daughters, To Kill a Tiger, 20 Days in Mariupol
How I Did: 3/5
This is always a tricky competition to figure out. Bobi and Tiger make the quintet over Beyond Utopia (a surprising miss) and Still: A Michael J. Fox Movie. Projecting the winner is easier as Mariupol is the odds on favorite.
Cinematography
Nominees: El Conde, Killers of the Flower Moon, Maestro, Oppenheimer, Poor Things
How I Did: 4/5
Conde over Zone of Interest as Oppenheimer looks to emerge.
Costume Design
Nominees: Barbie, Killers of the Flower Moon, Napoleon, Oppenheimer, Poor Things
How I Did: 4/5
Napoleon instead of The Color Purple (which can only claim 1 nomination for Supporting Actress). Barbie vs. Poor Things is the contest.
Film Editing
Nominees: Anatomy of a Fall, The Holdovers, Killers of the Flower Moon, Oppenheimer, Poor Things
How I Did: 4/5
I thought Maestro might make it and left off Poor Things. Worth noting that this is another Barbie miss. Oppenheimer is the one to pick.
Makeup and Hairstyling
Nominees: Golda, Maestro, Oppenheimer, Poor Things, Society of the Snow
How I Did: 4/5
I had Killers and not Snow. This category represents Maestro‘s strongest shot at a victory.
Original Score
Nominees: American Fiction, Indiana Jones and the Dial of Destiny, Killers of the Flower Moon, Oppenheimer, Poor Things
How I Did: 3/5
Fiction and Destiny over Society of the Snow and The Zone of Interest. Now would be a good time to mention that Fiction had a nice haul today with 5. This is Oppenheimer‘s to lose.
Original Song
Nominees: “The Fire Inside” from Flamin’ Hot, “I’m Just Ken” from Barbie, “It Never Went Away” from American Symphony, “Wahzhazhe (A Song for My People)” from Killers of the Flower Moon, “What Was I Made For?” from Barbie
How I Did: 4/5
Despite missing Documentary Feature, the tune from American Symphony is nominated over “Road to Freedom” from Rustin. This category may represent Barbie‘s likeliest trophy as it has a double shot. “What Was I Made For?” has the edge. And, of course, “Flamin’ Hot” marks yet another nom for Diane Warren.
Production Design
Nominees: Barbie, Killers of the Flower Moon, Napoleon, Oppenheimer, Poor Things
How I Did: 5/5
Another Barbie vs. Poor Things derby.
Sound
Nominees: The Creator, Maestro, Mission: Impossible – Dead Reckoning, Oppenheimer, The Zone of Interest
How I Did: 3/5
The Creator and Mission are unexpected double nominees. For Sound, they’re in over Ferrari (which was blanked) and Napoleon. This is one of the easiest ones to call… Oppenheimer.
Visual Effects
Nominees: The Creator, Godzilla Minus One, Guardians of the Galaxy Vol. 3, Mission: Impossible – Dead Reckoning, Napoleon
How I Did: 3/5
Unlike Sound, this is one of the hardest categories to project. Mission and Napoleon make the five instead of Indiana Jones and the Dial of Destiny and Spider-Man: Across the Spider-Verse (which was held to just Animated Feature). Maybe The Creator is the pick, but I could easily change my mind.
All this activity means these movies ended up with these numbers of nominations:
13 Nominations
Oppenheimer
11 Nominations
Poor Things
10 Nominations
Killers of the Flower Moon
8 Nominations
Barbie
7 Nominations
Maestro
5 Nominations
American Fiction, Anatomy of a Fall, The Holdovers, The Zone of Interest
3 Nominations
Napoleon
2 Nominations
The Creator, Mission: Impossible – Dead Reckoning, Nyad, Past Lives, Society of the Snow
1 Nomination
American Symphony, Bobi Wine: The People’s President, The Boy and the Heron, The Color Purple, El Conde, Elemental, The Eternal Memory, Flamin’ Hot, Four Daughters, Godzilla Minus One, Golda, Guardians of the Galaxy Vol. 3, Indiana Jones and the Dial of Destiny, Io Capitano, May December, Nimona, Perfect Days, Robot Dreams, Rustin, Spider-Man: Across the Spider-Verse, The Teachers’ Lounge, To Kill a Tiger, 20 Days in Mariupol
Exhibiting Forgiveness marks the directorial debut of Titus Kaphar and it was unveiled at Sundance over the weekend. The family drama stars André Holland, John Earl Jelks, Andra Day, and Aunjanue Ellis-Taylor.
Sporting a 100% RT rating, Forgiveness could be a real contender in some top tier races a year from now. With the right campaign, Picture and Original Screenplay are feasible. Holland could be a factor in lead Actor. With acclaimed turns in Moonlight and Passing, it could be time for major awards exposure (he also has a potentially baity part in The Actor in 2024). Jelks also is generating praise for his supporting work. This is one to keep an eye on throughout the long upcoming season. My Oscar Prediction posts will continue…
Writer/director Aaron Schimberg’s A Different Man was one of the more buzzed about titles premiering at Sundance and early reaction is that it lives up to the hype. With reviews indicating it crosses multiple genres, Sebastian Stan stars as a formerly disfigured man with Adam Pearson (who has neurofibromatosis in real life) playing him in a stage production. Renate Reinsve (who drew acclaim raves for 2021’s The Worst Person in the World) costars.
With a 90% RT score, critics are saying this is tough story to pull off and that Schimberg generally succeeds. One also gets the vibe that this is a very A24 production. Translation: mainstream crowds might be turned off.
That said, A24 could mount a campaign for two of the three top performers in particular. Stan is said to give a career best performance in lead while Pearson is getting plenty of attention for his supporting turn. You may recognize him from an extremely eerie scene in Jonathan Glazer’s Under the Skin from 2014. If those actors can be in contention, other top of the line races could follow. I wouldn’t count out a Makeup and Hairstyling nod either. Let’s see how hard its distributor pushes. My Oscar Prediction posts will continue…
A24 is having a solid Sundance so far (Love Lies Bleeding, A Different Man) and Jane Schoenbrun’s horror pic I Saw the TV Glow is part of it. It is the director’s sophomore effort behind We’re All Going to the World’s Fair with Justice Smith, Brigette Lundy-Paine, Danielle Deadwyler, Helena Howard, and Limp Bizkit’s Fred Durst headlining.
Glow is shining with a 100% RT rating. This seems destined for kudos throughout the year as critics are saying this is far from a sophomore slump. That said, A24 products can be too much for the Academy and that could be the case (especially considering the genre). Don’t be surprised if this ends up on some top ten lists. I wouldn’t expect the Academy’s to be one of them. My Oscar Prediction posts will continue…
In 2017, Yance Ford’s true crime doc Strong Island (centered on the murder of the filmmaker’s brother) contended for Documentary Feature at the Oscars, ultimately losing to Icarus. Island first screened at Sundance seven years ago. His follow-up is Power and it has also been unveiled at the Utah fest.
Focusing on American policing tactics, the handful of reviews out are a bit mixed. The RT score is 83% (Island had a clean 100%). Power might have a tougher road to make the Academy’s ultimate quintet, but I wouldn’t discount it if it manages to make the shortlisted 15. My Oscar Prediction posts will continue…
Rose Glass’s 2020 directorial debut Saint Maud was a critically hailed horror tale that originally screened at Toronto in 2019. Her sophomore effort Love Lies Bleeding (out March 8th) is a Sundance affair and it is one of the more eagerly awaited titles. The 80s set noirish thriller casts Kristen Stewart and Katy O’Brian as lovers embroiled in crime drama. Costars include Ed Harris, Jena Malone, Anna Baryshnikov, and Dave Franco.
From the reaction out of Utah, Bleeding should inspire strong reactions across the spectrum. The RT score is 90% (**Blogger’s Note: updated March 9th) with reviewers praising technical aspects (cinematography, score) and the cast (Stewart is particularly getting some shouts along with Harris). K-Stew has quite a presence at Sundance 2024. Her sci-fi two-hander Love Me with Steven Yeun is drawing mixed notices.
A24 apparently has a wild ride on its hands. If the studio play their cards right, supporting campaigns for Stewart (or maybe lead) and Harris are in order. On the other hand, this could be too out there for awards voters. My Oscar Prediction posts will continue…
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