Alex Garland’s directorial debut Ex Machina was a critically hailed sci-fi effort that earned its maker an Original Screenplay nomination and a Visual Effects win at the 2014 Oscar ceremony. His follow-ups Annihilation (despite solid reviews) and Men (which drew a considerably more mixed reaction) did not generate much awards chatter post release. Garland’s fourth feature Civil War has been unveiled at South by Southwest prior to its April 12th debut. The dystopian thriller stars Kirsten Dunst, Wagner Moura, Cailee Spaeny, Stephen McKinley Henderson, Nick Offerman, and Jesse Plemons. This reunites the husband/wife team of Dunst and Plemons after The Power of the Dog.
Several critics are highly impressed with Civil War, which is being called both a love letter to journalists and a tense political action pic. The Rotten Tomatoes score is 88%. I’m not convinced that this will become a BP or directing or original screenplay player, but it’s within the realm of possibility. Tech nods seem more doable, including Sound and perhaps Cinematography.
As for the cast, Dunst and Spaeny are receiving the most attention. Dunst is coming off her first nomination for Dog in 2021 while Spaeny would be vying for her first (she probably came close to getting in for last year’s Priscilla). I would say Civil War needs to get in the BP conversation for either to have a shot and that will remain unclear for some time. My Oscar Prediction posts will continue…
South by Southwest is happening now and giving us some potential awards players (keep an eye out for my imminent Civil War post for example). It was at last year’s SXSW that festival goers were first exposed to Late Night with the Devil. Australian brothers Colin and Cameron Cairnes direct the 1970s set found footage horror flick with David Dastmalchian as a talk show host showcasing some demonic guests. Laura Gordon, Ian Bliss, and Fayssal Bazzi costar.
Devil is finally slated for stateside distribution on March 22nd with a Shudder streaming bow on April 19th. Many reviews are raves and it sports a 100% RT score. Dastmalchian, a memorable character who you may recognize from Prisoners, The Suicide Squad, Dune, and Oppenheimer, is being praised for this rare lead role.
That said, this is not the kind of material that awards voters notice… at least at the big dance. Perhaps the Indie Spirit Awards will be more attuned to its scare tactics. My Oscar Prediction posts will continue…
On Sunday, Michael Keaton took part in a humorous bit with Arnold Schwarzenegger and Danny DeVito during the 96th Academy Awards. It was related to the fact that the Twins stars were both Batman villains. In the history of the Oscars, Keaton’s sole nod is for 2014’s Birdman. He stars in his second directorial feature Knox Goes Away, which hits theaters in limited fashion Friday.
Playing a hitman diagnosed with dementia, the thriller premiered last fall at the Toronto Film Festival. Costars include James Marsden, Al Pacino (who had his own viral moment at the Oscars three days ago), Marcia Gay Harden, and Suzy Nakamura. The jury’s verdict from Canada months ago and in recent days is split to negative with 50% on RT. It’s safe to assume this won’t mark Keaton’s second nomination in front of the camera or behind it. My Oscar Prediction posts will continue…
Ryan Gosling (fresh off his third Oscar nom for Barbie) and Emily Blunt (just up for her first with Oppenheimer) lead the cast of The Fall Guy, slated for May 3rd. We are a month and a half away from that release, but it had a splashy debut at South by Southwest and the buzz is substantial. David Leitch (the man behind John Wick, Atomic Blonde, Deadpool 2, and Bullet Train) directs with a supporting cast including Aaron Taylor-Johnson, Winston Duke, Stephanie Hsu, and Hannah Waddingham.
Based on the 1980s action TV series starring Lee Majors, Gosling plays a stunt man once again after portraying the same profession in The Place Beyond the Pines and Drive. Critics are calling it a lovingly crafted and quite funny and romantic homage to the cinematic workers who put themselves in danger for our entertainment. It stands at 92% on Rotten Tomatoes.
While we wait for the Academy to develop a category honoring stunt performers (like SAG does), The Fall Guy‘s best and perhaps only hope at recognition is in tech races like Sound (feasible) and Visual Effects (maybe more of a reach). Assuming Universal campaigns for it in Musical/Comedy at the Golden Globes, its luck could be better with potential nods in Film, Actor, and Actress. And, yes, its chances for inclusion in the SAG Stunt Ensemble race seems like a no brainer. My Oscar Prediction posts will continue…
Dev Patel’s directorial debut Monkey Man received its first look at South by Southwest prior to an April 5th release. The hardcore action flick is getting some cheers. With 91% on Rotten Tomatoes, the actor turned filmmaker and co-writer (a Supporting Actor nominee for 2016’s Lion) could have a spring sleeper hit. Jordan Peele is among the producers with a supporting cast including Sharlto Copley, Pitobash, Vipin Sharma, Sikandar Kher, and Sobhita Dhulipala.
While some reviews hone in on the overall style with shoutouts to the cinematography, Monkey isn’t really the type of material Oscar goes for. The chances of it factoring in any race seems minor. Where it might pop up is at next year’s DGA Awards with Patel in the First-Time Feature category. My Oscar Prediction posts will continue…
For his performance as Rustin, Colman Domingo was up for his first Oscar nomination last night as he ultimately fell short as expected to Cillian Murphy’s Oppenheimer. He could see a return to the ceremony quickly with Sing Sing. Greg Kwedar’s drama is based on a real life arts program from the maximum security prison in the title. Domingo leads a cast that includes Paul Raci (nominated for Supporting Actor in 2020 for Sound of Metal) and actual former inmates.
The film was screened in Toronto all the way back in September of last year. A24 snatched up the rights based on the north of the border acclaim (the RT rating is 95%) and have slated a July release. If the studio mounts a spirited campaign (and they probably will), Sing Sing could be an across the board contender in Picture, Actor, Supporting Actor, Adapted Screenplay, and perhaps Original Score (where Bryce Dessner’s work is being singled out). My Oscar Prediction posts will continue…
After a year plus of speculation, the 96th Academy Awards have finally happened. As anticipated, Oppenheimer had a solid night by winning over half of its nominations with 7 trophies out of 13 nods. It emerged triumphant in the top of the line races where it was expected to do so: Picture, Director (Christopher Nolan), Actor (Cillian Murphy), and Supporting Actor (Robert Downey Jr.). **Fun fact: RDJ is the first former SNL cast member to win an Oscar. Oppenheimer also took the prizes for Cinematography, Film Editing, and Original Score. I correctly called those victories for the epic biopic correctly.
The real question of the night was what other movie would emerge as having a good night with the Academy. That answer turned out to be Poor Things. I only had Yorgos Lanthimos’s multi-genre experiencing generating one Oscar. It received four. I rightly had it pegged for Production Design. Yet it also took Makeup & Hairstyling over my pick of Maestro and Costume Design over my favored Barbie.
And then… Emma Stone took to the podium for her second Academy Award in 7 years over Lily Gladstone (Killers of the Flower Moon), who had seemed to grab the momentum after her SAG statue. It turned out to be the BAFTAs (where Stone won) that had the closest correlations with tonight’s show. Poor Things had a rich bounty that was better than my projections and pretty much everyone else’s.
The Zone of Interest, as widely projected, is the International Feature Film. In another slight surprise, it also was named for Best Sound over Oppenheimer (got that wrong).
Oppenheimer, Poor Things, and Zone were the only films with multiple golden pickups. Other BP nominees that nabbed a win were The Holdovers where Da’Vine Randolph completed her sweep in Supporting Actress and Anatomy of a Fall in Original Screenplay and American Fiction in Adapted Screenplay (got those right). Same goes for Barbie‘s sole trophy in Original Song with “What Was I Made For?” by Billie Eilish over “I’m Just Ken” (though Ryan Gosling’s performance of the tune was perhaps the evening’s highlight).
I correctly called 20 Days in Mariupol for Documentary Feature while The Boy and the Heron is Animated Feature over Spider-Man: Across the Spider-Verse (I went with Spidey). Another wrong projection: The Creator didn’t take Visual Effects as that went to Godzilla Minus One.
All in all, I went 14 for 20. I will note that in the six races I missed, my runners-up ended up with each one. And in perhaps the biggest shocker of the night, the ceremony actually wrapped up early and that was with host Jimmy Kimmel (who’s good at this assignment) stretching in the home stretch.
It’s been a blast trying to figure out the 96th Academy Awards! Now onto the 97th…
FINAL WIN TALLY
7 Wins
Oppenheimer
4 Wins
Poor Things
2 Wins
The Zone of Interest
1 Win
American Fiction, Anatomy of a Fall, Barbie, The Boy and the Heron, Godzilla Minus One, The Holdovers, 20 Days in Mariupol
As we await the final season of Stranger Things and a third Enola Holmes tale, Millie Bobby Brown’s Netflix adventures continue this weekend in Damsel. The fantasy comes from Juan Carlos Fresnadillo, best known for making zombie sequel 28 Weeks Later. Brown headlines with a supporting cast including Ray Winstone, Angela Bassett, Brooke Carter, Nick Robinson, Robin Wright, and Shohreh Aghdashloo voicing a dragon.
Reviews are of the mixed variety at 59% on RT. The genre can lead to certain tech nods. However, some of the criticism is directed toward the CGI and visual effects appears to be a non-starter. I doubt Netflix will stress Damsel in any awards campaign months down the road. My Oscar Prediction posts will continue…
American Dreamer premiered at the Tribeca Film Festival in the summer of 2022, but it’s finally making its way to theaters and streaming this weekend. Marking the directorial debut of Paul Dektor, it’s scripted by Theodore Melfi (best known for making and cowriting 2016’s BP nominee Hidden Figures). Peter Dinklage and Shirley MacLaine lead a cast that includes Kim Quinn, Danny Pudi, Danny Glover, and Matt Dillon.
Based on a segment from the radio program This American Life, reviews out of the NY fest nearly two years ago and since have resulted in only a 38% RT rating. That might help explain the long delay and this certainly won’t vie for any awards attention. My Oscar Prediction posts will continue…
While animated titles dealing with spiders or herons are the likeliest Best Animated Feature Oscar winner this Sunday, Kung Fu Panda 4 hopes to take the box office this weekend. DreamWorks Animation’s martial arts comedy comes from director Mike Mitchell with Jack Black reprising his role as Po. Dustin Hoffman, Awkwafina, Viola Davis, James Hong, Bryan Cranston, Ian McShane, Ke Huy Quan, Lori Tan Chinn, and Ronny Chieng also provide voiceover work.
The first pair of Panda pics in 2008 and 2011 both received Animated Feature nods from the Academy, losing respectively to Wall-E and Rango. The third edition in 2016 did not manage to make the quintet despite matching the original’s 87% RT score (the second one hit 81%). No. 4 currently sits at 78%. If competition is weak, perhaps this series could return to contention. I wouldn’t count on it. My Oscar Prediction posts will continue…
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