As I continue to catch up on Cannes titles that screened days ago, Latvian animator Gints Zilbalodis is receiving acclaim for his full-length feature debut Flow. The tale of a feline who escapes a flood and must adapt to a new environment, this is the filmmaker’s follow-up to his praised short film Away.
Reviews are strong for Flow with a 100% RT rating. It might be all about the distribution deal for this one. If a streamer or studio with campaigning talents pick it up, this could be catnip for Academy voters in the Animated Feature competition. My Oscar Prediction posts will continue…
Former and future Star Wars lead Daisy Ridley is generating some career best notices for Young Woman and the Sea, out this weekend in limited fashion. Originally slated for a Disney Plus only rollout, Norwegian filmmaker Joachim Rønning (director of 2012’s internationally nominated Kon-Tiki) helms the true life 1920s set sports biopic. Ridley plays swimming champion Gertrude Ederle with a supporting cast including Christopher Eccleston, Stephen Graham, Tilda Cobham-Hervey, Kim Bodnia, and Glenn Fleshler.
The Disney/Bruckheimer production has not been heavily marketed and the studios may have missed an opportunity. I’m sure it’ll eventually gain eyeballs once it does move to streaming. Reviews indicate it’s an old-fashioned solid crowdpleaser. The RT score is 86%.
We saw Annette Bening nominated at the preceding Oscars in Actress for inhabiting a well-known swimmer in Nyad. I doubt that will occur with Ridley despite many critics lapping it up. My Oscar Prediction posts will continue…
Nearly four and a half years ago, Will Smith and Martin Lawrence were riding high with Bad Boys for Life. The third entry in the buddy cop franchise that began nearly 30 years ago set series best marks with $73 million over the four-day MLK frame in January 2020. It ended up with just over $200 million domestically.
And then things got weird. Life was the last mega-grosser before the pandemic hit and stalled the industry for many months. Smith, meanwhile, became embroiled in the infamous Oscar slap controversy two years later with Chris Rock. The directors of part 3 – Adil El Arbi and Bilall Fallah – followed Life up with Batgirl which Warner Bros shockingly decided to shelve for eternity.
So it kind of feels like there’s a lot riding on Bad Boys: Ride or Die when it opens June 7th. Smith and Lawrence are back alongside Joe Pantoliano, Vanessa Hudgens, Alexander Ludwig, Paola Núñez, Jacob Scipio, and DJ Khaled. The Batgirl makers return as well. Newcomers to part 4 include Tiffany Haddish, Eric Dane, Ioan Gruffudd, Rhea Seehorn, Melanie Liburd, and Tasha Smith (pulling an Aunt Viv and replacing Theresa Randle as Lawrence’s wife).
Bad Boys hopes to shake up a summer season where plenty of titles have fallen below expectations. This is also the first test of Smith’s star power post slap. I do not expect it to match the earnings of its predecessor. Part 3 took in $62 million for the three-day portion of its premiere. Sony would probably be satisfied with that and it would quell any “Smith’s career is dead” chatter.
I’m estimating a start that might not totally quell that conversation in the mid to late 40s.
Bad Boys: Ride or Die opening weekend prediction: $47.3 million
The Cannes Film Festival is complete and it has vaulted some pictures into contention while essentially eliminating others. Those on the others list include Francis Ford Coppola’s Megalopolis, Horizon: An American Saga – Chapter 1 from Kevin Costner, and Paul Schrader’s Oh, Canada.
On the other hand, Andrea Arnold’s Bird and Ali Abbasi’s The Apprentice still have life, but certainly are not sure things. Same goes for Kinds of Kindness from Yorgos Lanthimos and Jacques Audiard’s Emila Pérez (I’m pretty high on its chances though).
The film that did itself the most good is Sean Baker’s Anora which took the Palme d’Or over the long weekend. It now climbs into my Picture, Director, and Actress (Mikey Madison) fields.
While the Iranian drama The Seed of the Sacred Fig by Mohammad Rasoulof is unlikely to be submitted for International Feature Film, there’s a chance it contends in BP and you’ll see it listed here for the first time as a possibility.
Let’s get into all of it and you can anticipate the next update in a couple of weeks!
Best Picture
Predicted Nominees:
1. Blitz (Previous Ranking: 1) (Even)
2. Dune: Part Two (PR: 2) (E)
3. Sing Sing (PR: 4) (+1)
4. Conclave (PR: 3) (-1)
5. Queer (PR: 5) (E)
6. The End (PR: 6) (E)
7. Anora (PR: Not Ranked)
8. His Three Daughters (PR: 7) (-1)
9. Emilia Pérez (PR: 8) (-1)
10. The Piano Lesson (PR: 9) (-1)
Other Possibilities:
11. Joker: Folie à Deux (PR: 11) (E)
12. The Apprentice (PR: 10) (-2)
13. Kinds of Kindness (PR: 18) (+5)
14. Nightbitch (PR: 12) (-2)
15. The Fire Inside (PR: 17) (+2)
16. Furiosa: A Mad Max Saga (PR: 15) (-1)
17. Dìdi (PR: 14) (-3)
18. Hit Man (PR: 19) (+1)
19. Bird (PR: 13) (-6)
20. Maria (PR: 22) (+2)
21. Here (PR: 25) (+4)
22. The Seed of the Sacred Fig (PR: Not Ranked)
23. The Nickel Boys (PR: 24) (+1)
24. A Real Pain (PR: 20) (-4)
25. Civil War (PR: 21) (-4)
Dropped Out:
Horizon: An American Saga – Chapter 2
Gladiator II
Best Director
Predicted Nominees:
1. Steve McQueen, Blitz (PR: 1) (E)
2. Denis Villeneuve, Dune: Part Two (PR: 2) (E)
3. Edward Berger, Conclave (PR: 3) (E)
4. Joshua Oppenheimer, The End (PR: 5) (+1)
5. Sean Baker, Anora (PR: Not Ranked)
Other Possibilities:
6. Luca Guadagnino, Queer (PR: 4) (-2)
7. Azazel Jacobs, His Three Daughters (PR: 6) (-1)
8. Greg Kwedar, Sing Sing (PR: 7) (-1)
9. Jacques Audiard, Emila Pérez (PR: 8) (-1)
10. Todd Phillips, Joker: Folie à Deux (PR: 9) (-1)
11. Yorgos Lanthimos, Kinds of Kindness (PR: Not Ranked)
12. Malcolm Washington, The Piano Lesson (PR: 13) (+1)
13. Marielle Heller, Nightbitch (PR: 11) (-2)
14. George Miller, Furiosa: A Mad Max Saga (PR: 15) (+1)
15. Mohammad Rasoulof, The Seed of the Sacred Fig (PR: Not Ranked)
Dropped Out:
Ali Abbasi, The Apprentice
Kevin Costner, Horizon: An American Saga – Chapter 2
Andrea Arnold, Bird
Best Actress
Predicted Nominees:
1. Angelina Jolie, Maria (PR: 1) (E)
2. Saoirse Ronan, The Outrun (PR: 2) (E)
3. Mikey Madison, Anora (PR: Not Ranked)
4. Amy Adams, Nightbitch (PR: 4) (E)
5. Natasha Lyonne, His Three Daughters (PR: 3) (-2)
Other Possibilities:
6. Lady Gaga, Joker: Folie à Deux (PR: 6) (E)
7. Zoe Saldaña, Emilia Pérez (PR: 5) (-2)
8. Tilda Swinton, The End (PR: 7) (-1)
9. Ryan Destiny, The Fire Inside (PR: 8) (-1)
10. Demi Moore, The Substance (PR: Not Ranked)
11. Jessica Lange, Long Day’s Journey Into Night (PR: 11) (E)
12. Marianne Jean-Baptiste, Hard Truths (PR: 10) (-2)
13. Zendaya, Challengers (PR: 9) (-4)
14. Jodie Comer, The Bikeriders (PR: Not Ranked) – moved from Supporting
15. Noemie Merlant, Emmanuelle (PR: 14) (-1)
Dropped Out:
Florence Pugh, We Live in Time
Anne Hathaway, Mother Mary
Emma Stone, Kinds of Kindness
Best Actor
Predicted Nominees:
1. Colman Domingo, Sing Sing (PR: 1) (E)
2. Ralph Fiennes, Conclave (PR: 2) (E)
3. Daniel Craig, Queer (PR: 3) (E)
4. André Holland, The Actor (PR: 5) (+1)
5. Glen Powell, Hit Man (PR: 6) (+1)
Other Possibilities:
6. Sebastian Stan, The Apprentice (PR: 5) (-1)
7. Joaquin Phoenix, Joker: Folie à Deux (PR: 7) (E)
8. John David Washington, The Piano Lesson (PR: 8) (E)
9. George MacKay, The End (PR: 9) (E)
10. Jesse Plemons, Kinds of Kindness (PR: Not Ranked)
11. Kingsley Ben-Adir, Bob Marley: One Love (PR: 12) (+1)
12. Paul Bettany, The Collaboration (PR: 15) (+3)
13. Sebastian Stan, A Different Man (PR: Not Ranked)
14. Tom Hanks, Here (PR: 14) (E)
15. Paul Mescal, Gladiator II (PR: 10) (-5)
Dropped Out:
Kevin Costner, Horizon: An America Saga – Chapter 2
Andrew Garfield, We Live in Time
Best Supporting Actress
Predicted Nominees:
1. Isabella Rossellini, Conclave (PR: 1) (E)
2. Saoirse Ronan, Blitz (PR: 3) (+1)
3. Karla Sofia Gascón, Emilia Perez (PR: 2) (-1)
4. Carrie Coon, His Three Daughters (PR: 4) (E)
5. Aunjanue Ellis-Taylor, The Nickel Boys (PR: 5) (E)
Other Possibilities:
6. Danielle Deadwyler, The Piano Lesson (PR: 6) (E)
7. Joan Chen, Dídi (PR: 8) (+1)
8. Elizabeth Olsen, His Three Daughters (PR: 9) (+1)
9. Catherine Keener, Joker: Folie à Deux (PR: Not Ranked)
10. Lesley Manville, Queer (PR: 10) (E)
11. Valeria Golino, Maria (PR: Not Ranked)
12. Toni Collette, Juror No. 2 (PR: 13) (+1)
13. Robin Wright, Here (PR: 12) (-1)
14. Erin Kellyman, Blitz (PR: Not Ranked)
15. Naomi Watts, Emmanuelle (PR: 14) (-1)
Dropped Out:
Maria Bakalova, The Apprentice
Jodie Comer, The Bikeriders (moved to Actress)
Cailee Spaeny, Civil War
Best Supporting Actor
Predicted Nominees:
1. Clarence Maclin, Sing Sing (PR: 2) (+1)
2. Samuel L. Jackson, The Piano Lesson (PR: 3) (+1)
3. Stanley Tucci, Conclave (PR: 1) (-2)
4. Kieran Culkin, A Real Pain (PR: 5) (+1)
5. Brian Tyree Henry, The Fire Inside (PR: 7) (+2)
Other Possibilities:
6. Jeremy Strong, The Apprentice (PR: 4) (-2)
7. Drew Starkey, Queer (PR: 6) (-1)
8. John Lithgow, Conclave (PR: 10) (+2)
9. Harris Dickinson, Blitz (PR: 8) (-1)
10. Adam Pearson, A Different Man (PR: 11) (+1)
11. Barry Keoghan, Bird (PR: 9) (-2)
12. Michael Shannon, The End (PR: Not Ranked)
13. Brendan Gleeson, Joker: Folie à Deux (PR: Not Ranked)
Mohammad Rasoulof, an acclaimed Iranian filmmaker living in exile, is garnering acclaim for The Seed of the Sacred Fig at it Cannes unveiling. Neon has already picked up the distribution rights to the nearly three hour political thriller. It won a Special Jury prize at the festival. Soheila Golestani, Missagh Zareh, Mahsa Rostami, and Satereh Maleki star.
With a 100% Rotten Tomatoes score and a lengthy standing O in the French Riviera, Fig might be the type of International Feature Film that the Academy would honor with a nom. There’s a caveat. Iran will clearly not submit it as a contender. Just this month the nation sentenced Rasoulof to eight years in prison. However, he was able to flee to Germany and made the trek to France for his premiere. Either one of those European countries could theoretically put this up for consideration.
If so, Seed stands a chance at IFF but that’s unclear at press time. My Oscar Prediction posts will continue…
The Cannes Film Festival of 2024 is complete and, as always, it made the Oscar picture a little clearer with potential nominees as well as films that won’t be on the radar screen based on their French buzz.
One picture that did itself the most favors is Sean Baker’s Anora. The latest dramedy from The Florida Project drew raves and was named the Palme d’Or recipient (the highest Cannes prize). Three of the past four Palme winners (Parasite, Triangle of Sadness, Anatomy of a Fall) ended up with a BP nod from the Academy.
The film’s leading lady Mikey Madison did not take Best Actress. That instead went to a quartet of performers (Karla Sofia Gascón, Selena Gomez, Adriana Paz, Zoe Saldaña) from Jacques Audiard’s Emilia Pérez, which also entered the BP conversation. It is uncertain at this point whether Gascón or Saldaña, in particular, will be slotted in lead Actress or supporting come Oscar time. I currently have Gascón in the latter and Saldaña in the former and both have solid shots at inclusion.
In addition to Madison’s legit chances for an Actress recognition from the Academy, Demi Moore announced herself as a hopeful for her first nom in the heralded body horror tale The Substance from Coralie Fargeat. She is your Cannes honoree for Best Screenplay.
Anora‘s Sean Baker did not take Best Director (Cannes spreads the love). Miguel Gomes took that prize for the period drama Grand Tour. I wouldn’t pencil him in for a Director nom from the Academy. You have to go back to Pawel Pawlikowski and Cold War in 2018 for the previous Cannes winner who nabbed an Oscar mention. That is the only example in the 21st century.
Jesse Plemons is the Best Actor from Kinds of Kindness. Yorgos Lanthimos’s latest got its share of appreciative notices and I do believe it could contend for two or three Oscars. Plemons might be one of the benefactors.
As far as other acting possibilities, The Apprentice didn’t pick up any hardware. I do think Sebastian Stan (as Donald Trump in the 70s and 80s) and Jeremy Strong (as his mentor Roy Cohn) entered the Actor and Supporting Actor discussion. I also wouldn’t discount Nykiya Adams and Barry Keoghan in Actress and Supporting Actor for Andrea Arnold’s Bird.
Of course not all Cannes debuts lead to high praise. Francis Ford Coppola’s Megalopolis, Kevin Costner’s Horizon: An America Saga – Chapter 1, and Paul Schrader’s Oh, Canada all lessened their viability moving forward.
Keep an eye on the blog for new post Cannes projections in the six major races!
A cloud of subpar reviews hangs over Atlas, a sci-fi thriller about AI that begins streaming on Netflix this weekend. Jennifer Lopez headlines with Simu Liu, Sterling K. Brown (fresh off his first Oscar nod for American Fiction), and Mark Strong costarring. Brad Peyton, best known for the Dwayne Johnson trilogy of Journey 2: The Mysterious Island, San Andreas, and Rampage, directs.
Critical reaction to this is far from rock solid with a Rotten Tomatoes rating of 18%. The only awards play to be considered would be its Visual Effects and they are being commended more than other aspects. I doubt it ultimately contends in that competition. My Oscar Prediction posts will continue…
A fight between two elementary school boys leads to other drama in the Norwegian film Armand from first time director Halfdan Ullmann Tøndel. It has premiered at Cannes prior to its planned September bow in its native land. Domestic distribution is pending. Renate Reinsve, who wowed critics in 2021’s The Worst Person in the World, stars alongside Ellen Dorrit Petersen, Thea Lambrechts Vaulen, Endre Hellesveit, Øystein Røger, and Vera Veijovic.
There is praise for Reinsve’s work and the cinematography, but some of the reviews are tempered in their enthusiasm. The RT score is 75%. It wouldn’t surprise me if Norway goes with Armand as their selection for International Feature Film. The aforementioned Worst Person was a contender in the race three years back and lost to Drive My Car. Prior to that, you have to go back to 2012 and Kon-Tiki for the previous Norwegian nominee (they’re 0 for 6 total as far as wins).
Perhaps Armand can make the shortlist, but I don’t see it in the final quintet. My Oscar Prediction posts will continue…
Ahead of its May 31st bow on Disney+, Jim Henson Idea Man has premiered at Cannes. The high profile doc chronicles the life of the famed puppeteer including his creation of Sesame Street and the Muppets. Oscar winner Ron Howard directs.
It is a safe assumption that this will be one of the most viewed documentaries of 2024. Critical reaction is appreciative though some of the early reviews aren’t overly glowing. The RT score is 88%.
The voters in this particular branch of the Academy often don’t go for pics based on iconic figures. Two recent examples include Won’t You Be My Neighbor? from 2018 and Still: A Michael J. Fox Movie from last year. I suspect the story may play out the same for this. My Oscar Prediction posts will continue…
Italian filmmaker Paolo Sorrentino’s filmography has experienced success at the Oscars. In 2013, The Great Beauty took the prize for International Feature Film (then titled Best Foreign Language Film). 2021’s The Hand of God was up for IFF and ultimately fell short to Drive My Car. His latest is Parthenope which has premiered at Cannes.
The Naples set drama stars newcomer Celeste Dalla Porta in the title role alongside Stefenia Sandrelli, Gary Oldman, Silvio Orlando, Luisa Ranieri, and Isabella Ferrari.
Reviews from the Riviera aren’t pretty with many suggesting it’s the auteur’s darkest hour… or rather two hours and change. With a Rotten Tomatoes score of 15%, I doubt Italy will bother to submit this as their contender in the international competition. My Oscar Prediction posts will continue…
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