Tag: academy awards

Todd’s October Oscar Predictions: Best Supporting Actor

This evening on the blog, we continue forward with my second round of predictions (October edition) for Oscar nominees in the six major categories. Yesterday it was Supporting Actress and now we’re onto Supporting Actor. Since my initial round of predictions over a month and a half ago, much has changed.

In fact, only two of my predicted five nominees from that original prognostication post made the cut this time around: Tom Hardy in The Revenant and Mark Rylance for Bridge of Spies. 

Gone are Bradley Cooper in David O. Russell’s Joy and I’ve substituted him for his supporting costar Robert De Niro. It’s worth noting that Russell’s last three films resulted in Supporting nods for Christian Bale in The Fighter (who won), De Niro in Silver Linings Playbook, and Cooper in American Hustle. In other words, Russell’s actors get nominated.

Also out are Harvey Keitel in Youth and Kurt Russell for The Hateful Eight, though both remain possibilities. Word around Hollywood is that Samuel L. Jackson is the standout male performance in Hateful Eight, though it’s unclear at this juncture whether he’ll be campaigned for in lead or supporting.

Joining the fray are Michael Keaton for Spotlight (whose nomination seems the most assured at this juncture) and Benicio del Toro for his acclaimed role in Sicario.

Other possibilities are plentiful, including Mark Ruffalo for Spotlight. If that were to occur and Keaton got recognized as well, it’d be the first time in 24 years that two actors from the same picture were nominated in this category. That was Bugsy when both Harvey Keitel and Ben Kingsley got nods.

This is a very fluid category, as evidenced by the major changes I’ve made since early September and we’ll see if it continues along its unpredictable path when my third round of predictions comes in November.

TODD’S BEST SUPPORTING ACTOR PREDICTIONS (ROUND TWO)

Benicio del Toro, Sicario

Robert De Niro, Joy

Tom Hardy, The Revenant

Michael Keaton, Spotlight

Mark Rylance, Bridge of Spies

Other Possibilities:

Bradley Cooper, Joy

Paul Dano, Love and Mercy

Joel Edgerton, Black Mass

Idris Elba, Beasts of No Nation

Samuel L. Jackson, The Hateful Eight

Harvey Keitel, Youth

Seth Rogen, Steve Jobs

Mark Ruffalo, Spotlight

Kurt Russell, The Hateful Eight

Jacob Tremblay, Room

I’ll be back with Best Actress tomorrow!

Todd’s October Oscar Predictions: Best Supporting Actress

Tonight we begin my second round of Oscar predictions in the six top categories and it begins with Best Supporting Actress. Since my initial round of estimates, the list of possible nominees in this race has been diminished greatly – from 24 names to just 10 that I see as real possibilities.

Three of my original five nominees remain: Jennifer Jason Leigh in Quentin Tarantino’s The Hateful Eight, Rooney Mara in Todd Haynes’s Carol, and Kate Winslet in Danny Boyle’s Steve Jobs. We also have the inclusion of Alicia Vikander in Tom Hooper’s The Danish Girl. Originally I predicted her in the Actress race but it’s since become clear that her studio will make their campaign in this category. As for another earlier predicted nominee, Elizabeth Olsen in I Saw the Light – that pic has since been met with mostly poor reviews and just got pushed to 2016.

So who’s our fifth? Names being bandied about include Rachel McAdams in Spotlight, Jane Fonda in Youth, Julie Walters in Brooklyn (who I predicted last time), Elizabeth Banks in Love and Mercy, and Diane Ladd in Joy (there’s not much buzz yet for her, but director David O. Russell’s last three films have resulted in four nominations in this category). Yet for now I’ll go with Joan Allen in Room, the upcoming indie pic that is getting raves from critics and film festival crowds. We’ll see how much changes when my third round comes in November and I’ll have Supporting Actor up tomorrow.

TODD’S BEST SUPPORTING ACTRESS PREDICTIONS (ROUND TWO)

Joan Allen, Room

Jennifer Jason Leigh, The Hateful Eight

Rooney Mara, Carol

Alicia Vikander, The Danish Girl

Kate Winslet, Steve Jobs

Other Possibilities:

Elizabeth Banks, Love and Mercy

Jane Fonda, Youth

Diane Ladd, Joy

Rachel McAdams, Spotlight

Julie Walters, Brooklyn

Oscar Watch: Bridge of Spies

This evening one of the year’s biggest potential Oscar contenders had its first screenings in Hollywood and at the New York Film Festival: Steven Spielberg’s Cold War era espionage thriller Bridge of Spies. From the moment this project was announced, its chance at Academy attention was never in doubt. Spielberg has won two Director awards and been nominated a total of seven times. Nine of his movies have been nominated for the big prize with Schindler’s List being the only winner. Star Tom Hanks has won Actor twice and been nominated on three other occasions. Co-screenwriters Joel and Ethan Coen are Oscar winning directors in their own right whose screenplays for Fargo and No Country for Old Men also nabbed them statues in addition to three other writing nods. So, yeah, Bridge of Spies seemed like a legit contender.

However, up until this evening, no one had seen it. The verdict? Very solid. Early reviews are awfully positive with critics hailing it as an old fashioned yarn with a terrific star turn from Hanks, whose performance has been noted as Jimmy Stewart-esque. On the supporting side, acclaimed stage actor Mark Rylance is getting raves as an alleged Russian spy. Hanks may be the big name, but I think Rylance’s nomination in Supporting Actor is virtually assured. As for Mr. Hanks, nomination #6 could certainly be coming, but I don’t believe it’s a guarantee. After all, he was snubbed for Captain Phillips two years ago and it contains some of the most remarkable work of his storied career. On the other hand, the Actor race seems less competitive than in 2013 so that could assist him greatly.

The screenings buzz puts Bridge right in line for Picture and Director nominations. I predicted it would get a Picture nod in my first round of prognostications and see no reason why it wouldn’t still be included when I do my second round later this week.

Oscar Watch: The Walk

Opening today in limited IMAX release is Robert Zemeckis’s The Walk, which recounts the true life tale of French high wire artist Philippe Petit’s adventures walking across the Twin Towers of the World Trade Center over 40 years ago. The pic had its premiere last week at the New York Film Festival and it certainly has its admirers (to the tune of a solid 84% on Rotten Tomatoes). Could it be a factor in the Oscar race?

The answer: doubtful. While reviews have been mostly positive, they haven’t been over the moon and many critics have said the film is only really worth it for a thrilling last forty minutes or so. As the lead, Joseph Gordon Levitt has gotten fine notices but appears to be a long shot in the Best Actor race. It’s worth noting that Gordon Levitt was once seen as a potential double threat for a nod in 2015 until his title performance in Oliver Stone’s Snowden was pushed to 2016. Supporting players Ben Kingsley and James Badge Dale appear unlikely to be factors.

Even with reviewers praising the directorial effort of Zemeckis (who won in 1994 for Forrest Gump), his nomination seems improbable. If the movie itself becomes a runaway hit, it could sneak into Best Picture but I wouldn’t bet on it.

Two areas where The Walk could garner notice is in Visual Effects and Cinematography, yet those races are bound to be crowded as well.

Bottom line: at this time, I wouldn’t list The Walk as much of a threat for Academy attention, but it could always be subject to change.

Oscar Watch: Sicario

This weekend, crime thriller Sicario played on six screens and posted the highest theater per screen average so far in 2015. The film, which stars Emily Blunt, Benicio del Toro and Josh Brolin has been riding on a wave of solid buzz since it debuted on the festival circuit. Sicario comes from director Denis Villeneuve, who made 2013’s acclaimed Prisoners and will soon helm the Blade Runner sequel.

If Sicario continues its impressive box office performance (it opens wide October 2), it could be in the conversation for a Best Picture nomination. The same could be said for Blunt in the Actress race and del Toro (who won in 2000 for Traffic) in Supporting Actor. As has been discussed on this blog before, while Blunt is getting raves – the category of Actress is especially crowded this year and it could hinder her. I would say that as it currently stands, it may be a long shot for any nominations to occur, but it’s certainly a possibility. It also may not hurt that its border patrol theme is in the news a lot thanks to certain Presidential candidates.

Oscar Watch: Truth

One of the more eagerly anticipated titles to premiere at the Toronto Film Festival was James Vanderbilt’s Truth. The pic focuses on the controversy that enveloped CBS newsman Dan Rather and his reporting of President George W. Bush’s National Guard service during the 2004 election. Robert Redford plays Rather with Cate Blanchett playing his producer. Costars include Dennis Quaid, Topher Grace and Elisabeth Moss.

After its festival debut, reviews were mostly positive and it currently sits at 79% on Rotten Tomatoes. Having said that, Truth probably didn’t break out enough to gain major awards traction. Redford is a long shot to be in the mix for Best Actor and while Blanchett earned strong notices, she’ll most likely be a player in the lead actress category for Carol and not this.

So while Truth didn’t crash and burn like some other titles did at Toronto, it’s chances of real Oscar attention appears limited at best. It comes out October 16.

Oscar Watch: Our Brand Is Crisis

On the last two occasions that Sandra Bullock has headlined a picture with dramatic elements, it’s resulted in a 2009 Oscar win for The Blind Side and a 2013 nomination for Gravity. Therefore, it is no surprise that her upcoming comedic drama Our Brand Is Crisis (out October 30) was garnering talk of a third nomination.

However, its screening at the Toronto Film Festival has mostly muted that chatter. The film, in which Bullock plays a political operative assigned to help a struggling Bolivian president win reelection, was met with mixed word of mouth at the festival. Its Rotten Tomatoes score stands at just 44% currently. While her performance has been received well, readers of this blog may be familiar with the recent theme of Best Actress being very crowded this year. That will likely leave Bullock on the outside looking in. In fact, one of the category front runners is Cate Blanchett for Carol, whose winning role in Blue Jasmine probably kept Bullock from a second gold statue. Costars including Billy Bob Thornton and Ann Dowd also shouldn’t be a factor and the picture itself has virtually zero hope in the big race.

Once again, that important festival in Canada has eliminated another Oscar hopeful from the mix. Look for more Oscar Watch posts following the same theme on the blog.

 

Oscar Watch: Freeheld

While the Cannes, Venice, and Telluride film festivals were successful in showcasing a number of Oscar hopefuls including Carol, The Danish Girl, Steve Jobs, and Spotlight, among others – this year’s in progress Toronto Film Festival has already premiered several titles that have seen their awards hope dim.

One is Freeheld, a domestic partnership drama starring Julianne Moore, Ellen Page, Steve Carell, and Michael Shannon. Directed by Peter Sollett and based on a 2007 documentary, this was looked at as a potential contender in several categories before it screened up north. Reviews have been very mixed and any chance it had at a Picture nod seems to have fallen by the wayside.

Still, it’s a little naive to completely count Moore in Best Actress out and her performance has received solid notices. Yet as mentioned in previous Oscar watch posts, that race is looking very crowded already with Cate Blanchett in Carol, possibly Alicia Vikander in The Danish Girl (though she could be recognized instead in Supporting), Carey Mulligan in Suffragette, Brie Larson in Room, Lily Tomlin in Grandma, Saoirse Ronan in Brooklyn, and the as yet unforeseen work of Jennifer Lawrence in Joy. In other words, the competition could crowd Moore out and Academy voters may be OK with that considering she won just last year for her work in Still Alice. She remains a possibility, however, and can’t be totally discounted. As for other performers, Michael Shannon has received positive word of mouth but is a long shot for Supporting Actor.

All in all, Toronto essentially dashed the hopes of Freeheld gaining any major traction in the 2015 awards derby.

Oscar Watch: Room

There have been Oscar years in the recent past where it could be said that the Best Actress category was fairly weak. As the film festival circuit rolls along, it’s becoming increasingly clear this will not be the case in 2015. Already there is strong momentum going for Carey Mulligan in Suffragette, Cate Blanchett in Carol, Saoirse Ronan for Brooklyn, and Lily Tomlin in Grandma. It remains to be seen whether Alicia Vikander will be campaigned for in the Actress or Supporting Actress race, but her work in The Danish Girl looks to be recognized either way. And there’s still Jennifer Lawrence’s work in David O. Russell’s Joy to be seen, among others.

We have another contender brought forth by the Telluride and Toronto Film Festivals with Brie Larson’s performance in the indie pic Room. Based on Emma Donoghue’s bestseller, the film casts Larson as a mom who’s trapped with her 5 year old son in a garden shed for a seven year period. Sounds like heady stuff and reviews coming out of the festivals have highlighted Larson’s work as award worthy. The real question is whether the picture is seen and released widely enough to vault the actress into real contention. It certainly seems possible and some critics have noted that Room could break through to audiences.

While reviews are positive and it sits at 100% on Rotten Tomatoes, they’re probably not quite strong enough to put this into the Best Picture race. Some reviewers have taken notice of Joan Allen’s role and she could find herself in the mix for Supporting Actress. There’s even a slight possibility that the young man playing the son, Jacob Tambley, could be a long shot in Supporting Actor (I wouldn’t count on it though).

The real story is Larson. Two years ago, she was the subject of awards buzz for her indie flick Short Term 12, but it never panned out. She’s been highly visible over the years in supporting parts in hits like 21 Jump Street and Trainwreck and Room is beginning to look like her first legit shot at Academy attention.

Oscar Watch: I Saw the Light

As you may have noticed on the blog over the past couple of weeks, the array of recent film festivals that includes Toronto, Telluride and Venice has assisted in making the 2015 Oscar race a bit clearer. These fests have vaulted such titles as The Danish Girl, Carol, Steve Jobs, The Martian, Suffragette, Spotlight and Black Mass into the conversation for various nominations. On the flip side, these festivals can also pretty much crush the hopes of other pictures that are screened and receive a negative reaction.

That appears to be the case with I Saw the Light, the biopic of country singer Hank Williams that has been mentioned as an Oscar contender. Then it screened and critical reaction has not been kind. In fact, it currently sits at a troubling 14% on Rotten Tomatoes. While the pic itself has been met negatively by reviewers, the performances are receiving high marks. Tom Hiddleston (known to most as Loki in the Marvel Cinematic Universe) stars as Williams. His work has gotten high marks but the bad reaction to the film itself probably means he won’t make the cut in the Best Actor race. Playing his wife, Elizabeth Olsen has had even better notices from critics. In my initial round of predictions a couple of weeks back, I included her as a nominee for Supporting Actress. She could still make the cut, but I’m far less certain than I was before. Don’t be surprised to see her name left out when I do my second round of predictions.

Bottom line: while these festivals do a great job at showcasing future Academy contenders, they can bury others. I Saw the Light appears to be just such a casualty.