Tag: academy awards

Oscar Watch: Loving

loving

Earlier this year, I wrote an Oscar Watch post for the Jeff Nichols sci-fi drama Midnight Special, which premiered to mostly positive feedback at the Berlin Film Festival. Yet since then – it was released to soft box office numbers and its awards prospects have considerably dimmed.

Nichols, director of acclaimed pics such as Take Shelter and Mud, may have another Oscar ace up his sleeve though as Special is not his only 2016 feature. His 1950s set interracial romance Loving has just premiered at the Cannes Film Festival and early word is encouraging. Joel Edgerton and Ruth Negga star as a Virginia couple whose marital union was illegal at the time. Both performances are garnering strong notices and it’s possible that both could find themselves factors in the Actor and Actress categories. Frequent Nichols collaborator Michael Shannon has a supporting role that’s said to be too small for any legit chance in Supporting Actor.

Helping even further, Focus Features has set a U.S. release date of November 4, right in the heart of Oscar season. If Loving is able to break through with audiences in the way it’s currently doing with the festival crowd overseas, it could find itself receiving Academy love in the Picture and Director races, too. Time will tell.

Oscar Watch: Florence Foster Jenkins

When Meryl Streep is starring in any movie, it’s automatic for Oscar prognosticators to take notice. Such is the case with Florence Foster Jenkins, the comedic drama biopic of an opera singer known for her awful voice. Streep is the title character.

The pic, directed by The Queen’s Stephen Frears and co-starring Hugh Grant, will be released in the United Kingdom in early May but won’t get its domestic release until late August. So while American audiences will have to wait awhile, critics have not. Early word is quite positive and Streep has once again been singled out for her work. It’s also said the be quite a crowd pleaser and that could only increase the likelihood that its star receives her 20th — yes, 20th — Oscar nod.

Oscar Watch: The Jungle Book

Disney has been on a binge remaking their animated classics as of late with 2014’s Maleficent and 2015’s Cinderella. Both were huge hits. This looks to extend to 2016 when Jon Favreau’s The Jungle Book opens Friday.

That this remake of the 1967 animated tale and Rudyard Kipling’s written works is headed for box office domination isn’t so surprising. What is a bit surprising is the rapturous critical reaction Jungle has garnered. It sits at 91% on Rotten Tomatoes at press time.

This begs the question: could The Jungle Book swing its way into the hearts of Oscar voters? It’s only April, but the overall gushing reaction can’t hurt. Obviously we’re early in the Academy season to say the least. And truth be told, Book probably won’t find itself among the five to ten pics recognized.

Where might it get more attention for a gold statue nod? Well, critics have been over the moon on its visual effects. While plenty more summer blockbusters and some fall releases will be strong contenders in that race, early Jungle notices could make it hard to ignore.

Oscar Watch: Everybody Wants Some!!

This past week, Richard Linklater’s latest pic Everybody Wants Some!! came out in limited release and critical reaction has been strong. This has become typical for its director, who previous effort Boyhood received much Oscar attention (eventually losing in 2014 to Birdman).

His new effort is described as a “spiritual sequel” to his 1993 acclaimed cult classic Dazed and Confused. The 1980s set comedy features a cast of unknowns, though that might not be for long. You’ll recall that the “unknowns” from the aforementioned Dazed included Ben Affleck, Matthew McConaughey, Joey Lauren Adams, Milla Jovovich, and Parker Posey. Everybody currently has a Rotten Tomatoes score of 90%.

So what does this all mean for its Oscar prospects? I would say this stands at outside shot at Best Picture and Director attention, though it’s probably unlikely. Where Some!! could shine is in the Original Screenplay category for Linklater. If so, it would mark his fourth nomination in the writing races (for Boyhood and Before Sunset and Before Midnight). That would appear to be its best chance at Academy attention several months down the road and it’d be foolish to count this celebrated director out.

Oscar Watch: Hello, My Name Is Doris

This past weekend, comedic drama Hello, My Name Is Doris impressed box office observers by making nearly a million dollars on just 128 screens. The film premiered at the SXSW Film Fesitval days ago to positive response with a current rating of 85% on Rotten Tomatoes.

The bulk of the film’s praise has been devoted to its lead star, Sally Field, playing an older woman romancing a younger man. If distributor Roadside Attractions is able to mount a credible campaign, Field could find herself in line for her fourth nomination in just under 40 years. In 1979, she was victorious in Best Actress for her title role in Norma Rae and in 1984, won again for Places in the Heart. In 2012, she was nominated in Supporting Actress in Lincoln. 

This is highly likely to be the only category where Doris could be a factor. Costars including Max Greenfield, Stephen Root, Natasha Lyonne, and Tyne Daly shouldn’t garner attention. While reviews are strong, March is awfully early in the Academy’s season and her inclusion may depend on how solid the race for Actress becomes (a question mark currently).

That said, Field is a beloved performer whose track record with the Academy has been sterling over four decades. They’re capable of liking her – really, really liking her. It’d be foolish to completely count her out.

Oscar Watch: Zootopia and Sausage Party

Two wildly different 2016 animated features could both find themselves in the Best Animated Feature category come Oscar time next year.

The first is Disney’s Zootopia, which has ruled the box office kingdom for the last two weeks and looks to reach an eventual gross of $275-$300 million domestically. With a fantastic 99% Rotten Tomatoes score and bragging rights for being the biggest opener of all time for a traditionally animated tale, there is little doubt it will be among the five nominees. It could even win, though its biggest competitor might be Disney/Pixar’s Finding Nemo sequel Finding Dory, which is out this summer.

Our second possibility is Sausage Party, which screened in a rough cut at the South by Southwest Festival last night. Billed as the first hard R rated CG flick, Party comes from the minds of Seth Rogen and his writing/producing partner Evan Goldberg. In addition to Mr. Rogen, featured voices include Kristin Wiig, Jonah Hill, Michael Cera, James Franco, Danny McBride, Craig Robinson, Edward Norton, and Salma Hayek. It’s not out until August, but word of mouth from the festival is strong and this looks to be a potential sleeper hit come summer. This isn’t your typical animated material that the Academy would recognize, but it might be tough for them to ignore.

We’ll see how this race plays out as more competition is released in the coming months, but we may already have a couple of major possibilities in the mix.

16 for ’16: Oscar Contenders

The Academy Awards honoring the best of 2015 aired just over a week ago. So what does that mean? Well, it means that it’s time for incredibly early Oscar speculation on the films and performers that could factor into next year’s ceremony.

This evening on the blog, I take a look at 16 pictures that may find themslves in contention a year from now. Obviously, this is about as premature as it gets and there will be LOTS more speculation as the year rolls along. Yet here’s a first look at 16 for ’16 Oscar potentials:

Billy Lynn’s Long Halftime Walk

Release Date: November 11

Ang Lee has directed four Best Picture nominees over the past two decades and received two wins for his direction (Brokeback Mountain, Life of Pi). This Iraq War themed drama (based on a well received novel) featuring newcomer Joe Alwyn and familiar faces Garrett Hedlund, Kristen Stewart, Vin Diesel, Steve Martin, and Chris Tucker is highly likely to receive some chatter.

The Birth of a Nation

Release Date: October 7

Focusing on the true story of the slave rebellion led by Nat Turner, this passion project from Nate Parker (who stars and directs) received glowing reviews out of the Sundance Film Festival and picked up an Oscar friendly release date.

Collateral Beauty

Release Date: December 16

The Devil Wears Prada director David Frankel helms this comedic drama with an all-star cast that includes Will Smith, Kate Winslet, Keira Knightley, Helen Mirren, Edward Norton, and Jonah Hill.

Finding Dory

Release Date: June 17

Pixar has found itself in the Best Picture mix before with both 2009’s Up and 2010’s Toy Story 3. This sequel to 2003’s beloved Finding Nemo may follow suit and it should at the least be a major contender in Best Animated Feature.

Florence Foster Jenkins

Release Date: TBD

Put Meryl Streep in anything and she might be a possibility for an Actress nomination. So it is with Stephen Frears’ comedy/drama, which casts the 19 times nominated and 3 time winning Streep as the opera singing title character.

The Founder

Release Date: August 5

Michael Keaton has found himself featured in the last two Best Picture winners (Birdman, Spotlight). Could it be a three-peat with this biopic, which finds Keaton as McDonald’s founder Ray Kroc? John Lee Hancock (The Blind Side, Saving Mr. Banks) directs with Laura Dern costarring.

Free State of Jones

Release Date: May 13

2013 Best Actor winner Matthew McConaughey headlines this Civil War drama from Seabiscuit and Hunger Games director Gary Ross.

The Girl on the Train

Release Date: October 7

The Help‘s Tate Taylor directs this psychological thriller that could provide an Oscar friendly role for star Emily Blunt.

La La Land

Release Date:December 16

Damien Chazelle follows up his 2014 Oscar nominee Whiplash with this comedic musical drama starring Ryan Gosling, Emma Stone, and J.K. Simmons.

Nocturnal Animals

Release Date: TBD

Fashion designer Tom Ford follows up his acclaimed 2009 debut A Single Man with this drama featuring Jake Gyllenhaal, Amy Adams, Kim Basinger, Aaron Taylor-Johnson, and Michael Shannon.

Richard Pryor: Is It Something I Said?

Release Date: TBD

Lee Daniels directs this biopic of the legendary comedian with Mike Epps in the starring role and Oprah Winfrey and Eddie Murphy among the supporting cast.

Silence

Release Date: TBD

Andrew Garfield, Adam Driver, and Liam Neeson headline this historical drama from Martin Scorsese, who has seen five out his last six movies nominated for the big prize.

Sully

Release Date: September 9

Clint Eastwood follows up his 2014 nominee American Sniper with the true life tale of the title character pilot who pulled off the “Miracle on the Hudson” (which I like better as a title, by the way). Tom Hanks is Sully with Aaron Eckhart and Laura Linney backing him up.

A United Kingdom

Release Date: TBD

The period piece interracial romance features two stars who could be ripe for recognition – David Oyelowo and Rosamund Pike.

War Machine

Release Date: TBD

Release Date: This Afghanistan war comedy is likely to garner more attention than the last one, Tina Fey’s Whiskey Tango Foxtrot. Based on a bestselling novel, it stars Brad Pitt, Ben Kingsley, and Topher Grace.

The Zookeeper’s Wife

Release Date: TBD

This Holocaust themed drama (based on a bestseller) could be a factor in Picture and in Actress for Jessica Chastain’s lead role.

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Oscars 2015 Reaction

Well – after months of prognosticating the nominees and the winners of the 2015 Oscars, the season officially came to a close last night. This was a truly unpredictable year at the Academy Awards and it bore out with my so-so performance at just 13/21 on predictions. There were some REAL surprises last night and plenty of races that went according to plan. Let’s break it down with my various takes on the telecast and the winners:

  • The three picture race for the top category was just that with Tom McCarthy’s Spotlight winning over presumed front runner The Revenant (which was my prediction). The journalistic expose won only one other category (Original Screenplay, which I correctly predicted) and it’s the first Best Picture winner to be victorious in only two categories since 1952’s The Greatest Show on Earth.
  • Speaking of history, expected recipient Alejandro G. Inarritu is the first Director to win (for The Revenant) twice in a row (2014’s Birdman) in 65 years.
  • The sixth time was finally the charm for Leonardo DiCaprio as he picked up a golden statue for The Revenant, as he was widely expected to.
  • The female acting competitions went according to plan: Brie Larson in Actress for Room and Alicia Vikander for The Danish Girl in Supporting. Same goes for Foreign Language Film (Son of Saul), Animated Feature (Inside Out), Adapted Screenplay (The Big Short), and Documentary (Amy), even though I went with the upset pick of Cartel Land.
  • Sylvester Stallone was the heavy favorite in Supporting Actor for Creed, but the Academy instead went with Mark Rylance’s work in Bridge of Spies. This category has had a history of upsets (Alan Arkin in Little Miss Sunshine over Eddie Murphy in Dreamgirls circa 2006) and this is indeed another one.
  • It was a good night in the technical categories for George Miller’s Mad Max: Fury Road as it picked up six awards: Sound Editing, Sound Mixing, Production Design, Costume Design, Editing, and Makeup and Hairstyling. It was nominated in Cinematography, but that went as anticipated to The Revenant. The big shocker in the tech categories was Ex Machina‘s out of nowhere win for Visual Effects. This truly was a massive upset as I would have picked it fifth to win over competitors Mad Max, The Revenant, Star Wars: The Force Awakens, and The Martian.
  •  While Best Score went as planned to legendary Ennio Morricone for The Hateful Eight (for which he learned a long and deserved standing O), the Song category honored Sam Smith’s Spectre theme “Writing’s on the Wall” over expected winner “Til It Happens to You” by Lady Gaga from The Hunting Ground, just moments after her peformance was introduced by Vice President Joe Biden.
  • As for the show itself, Chris Rock’s handling of the #OscarsSoWhite controversy was handled with the edgy humor you’d expect from one of the greatest stand up comedians of all time. The telecast, per usual, was way longer than it should have been. The idea, however well intended, to allow winners to thank various people via a scroll at the bottom of the screen didn’t serve its intended purpose. Look for it to be gone next year. As solid as Rock was in his hosting duties, I couldn’t help but watch Louis C.K.’s brilliant introduction of the Best Documentary Short Subject race and hope that the Academy tabs him to host like… next year.

And there you have it! Another Oscar season that’s come and gone. Before we know it, I’ll be predicting the 2016 films and performers that could be recognized a year from now…

Todd’s FINAL 2015 Oscar Predictions

One week from tonight, the 88th Annual Academy Awards will air with Chris Rock hosting and unlike some other years, there is real and legitimate intrigue as to what will win the big prize in Best Picture. Meanwhile, other categories have strong front runners but upsets are always possible. So with seven days to go, here are my FINAL predictions for who will win in each categories, with the exception of the three short film races. Here we go!

BEST PICTURE

For Room, Mad Max: Fury Road, The Martian, Brooklyn and Bridge of Spies – it’s an honor to be nominated. This is truly a close race between the trio of The Big Short, The Revenant and Spotlight and any one of them could easily emerge victorious. All have won important precursors. Of the three, my gut is that Short is running third in this tight derby. All week my inclination has been to pick Spotlight, but The Revenant seems to have the hot hand in these late proceedings.

FINAL PICK: The Revenant

Runner-Up: Spotlight

BEST DIRECTOR

Alejandro Gonzalez Inarritu looks poised to win his second directing prize in a row after 2014’s Birdman for his work in The Revenant. If so, he would be the first auteur to do that in 65 years. In my estimation, only George Miller could be an upset winner for Mad Max, but that’s doubtful. Inarritu has won the Golden Globe and the DGA and is a safe bet.

FINAL PICK: Inarritu

Runner-Up: Miller

BEST ACTOR

Speaking of safe bets involving The Revenant, Leonardo DiCaprio at last looks poised to win a gold statue. He is the heavy favorite over competitors Matt Damon, Michael Fassbender, Eddie Redmayne and Bryan Cranston.

FINAL PICK: DiCaprio

Runner-Up: Ummmm… Cranston? Seriously, Leo is a major favorite

BEST ACTRESS

Saoirse Ronan (Brooklyn) and Charlotte Rampling (45 Years) could be spoilers, but the front runner is definitely Brie Larson’s turn in Room.

FINAL PICK: Larson

Runner-Up: Ronan

BEST SUPPORTING ACTOR

If the Academy doesn’t go for nostalgia here, you might see Mark Rylance win for Bridge of Spies. Yet I do believe Sylvester Stallone will knock out his foes for Creed.

FINAL PICK: Stallone

Runner-Up: Rylance

BEST SUPPORTING ACTRESS

Kate Winslet (Steve Jobs) has won some precursors and Rooney Mara (Carol) stands an outside shot, but Alicia Vikander had a big 2015 and I’ll pick her for The Danish Girl.

FINAL PICK: Vikander

Runner-Up: Winslet

For the remainder of the categories, I’m simply listing my picks with the runner-up:

BEST ORIGINAL SCREENPLAY

FINAL PICK: Spotlight

Runner-Up: Inside Out

BEST ADAPTED SCREENPLAY

FINAL PICK: The Big Short

Runner-Up: Room

BEST ANIMATED FEATURE

FINAL PICK: Inside Out

Runner-Up: Anomalisa

BEST FOREIGN LANGUAGE FILM

FINAL PICK: Son of Saul

Runner-Up: Mustang

BEST DOCUMENTARY FEATURE

FINAL PICK: Cartel Land

Runner-Up: Amy

BEST ORIGINAL SCORE

FINAL PICK: The Hateful Eight

Runner-Up: Star Wars: The Force Awakens

BEST ORIGINAL SONG

FINAL PICK: “Til It Happens to You” from The Hunting Ground

Runner-Up: “Earned It” from Fifty Shades of Grey

BEST SOUND EDITING

FINAL PICK: The Revenant

Runner-Up: Mad Max: Fury Road

BEST SOUND MIXING

FINAL PICK: Mad Max: Fury Road

Runner-Up: The Revenant

BEST PRODUCTION DESIGN

FINAL PICK: Mad Max: Fury Road

Runner-Up: The Revenant

BEST CINEMATOGRAPHY

FINAL PICK: The Revenant

Runner-Up: Mad Max: Fury Road

BEST MAKEUP AND HAIRSTYLING

FINAL PICK: Mad Max: Fury Road

Runner-Up: The Revenant

BEST COSTUME DESIGN

FINAL PICK: Carol

Runner-Up: Mad Max: Fury Road

BEST FILM EDITING

FINAL PICK: The Big Short

Runner-Up: Mad Max: Fury Road

BEST VISUAL EFFECTS

FINAL PICK: Mad Max: Fury Road

Runner-Up: Star Wars: The Force Awakens

Oscar History: 2011

For the Academy Awards, 2011 will forever be known as the year when a French black and white silent film came out of nowhere to win three major categories, including Best Picture. That would be The Artist and it picked up momentum over its rivals, becoming one of the more unlikely recipients of the prize in some time.

During that year, the number of Picture nominees was nine and it beat out The Descendants, Extremely Loud and Incredibly Close, The Help, Hugo, Midnight in Paris, Moneyball, The Tree of Life, and War Horse. 

As for some others I may have considered, my favorite film of the year was Nicolas Winding Refn’s Drive. Another personal favorite: David Fincher’s The Girl with the Dragon Tattoo. Furthermore, the expanded list of nominees could have given the Academy a chance to nominate some of the better blockbusters that year: Rise of the Planet of the Apes or Mission: Impossible – Ghost Protocol for example.

The Artist‘s auteur Michel Hazanavicius would win Director over stellar competitors: Woody Allen (Midnight in Paris), Terrence Malick (The Tree of Life), Alexander Payne (The Descendants), and Martin Scorsese (Hugo). Again, Mr. Refn and Mr. Fincher would have made my cut.

The Artist love continued in Best Actor where Jean Dujardin took the prize over Demian Bichir (A Better Life), George Clooney (The Descendants), Gary Oldman in his first (??) nomination (Tinker Tailor Soldier Spy), and Brad Pitt (Moneyball).

I may have found room for Ryan Gosling’s silent but strong work in Drive or perhaps even Steve Carell in Crazy, Stupid, Love – in which he showed off real dramatic acting chops coupled with his comedic abilities for the first time.

Awards darling Meryl Streep took Best Actress for her portrayal of Margaret Thatcher (no relation) in The Iron Lady. Othern nominees: Glenn Close (Albert Nobbs), Viola Davis (The Help), Rooney Mara (The Girl with the Dragon Tattoo), and Michelle Williams (My Week with Marilyn).

The Academy’s penchant for ignoring comedy was shown here as Kristin Wiig should have merited consideration for her megahit Bridesmaids.

Beloved veteran Christopher Plummer won Supporting Actor for Beginners over Kenneth Branagh (My Week with Marilyn), Jonah Hill (Moneyball), Nick Nolte (Warrior), and Max Von Sydow (Extremely Loud and Incredibly Close).

Two others I may have made room for: Albert Brooks in Drive and especially the brilliant motion capture work of Andy Serkis in Rise of the Planet of the Apes.

Octavia Spencer was victorious in Supporting Actress for The Help over her costar Jessica Chastain, as well as Berenice Bejo (The Artist), Melissa McCarthy in the rare nod for comedy in Bridesmaids, and Janet McTeer (Albert Nobbs).

Two other comedic performances worthy of consideration: Rose Byrne in Bridesmaids and Jennifer Aniston’s scene stealing work in Horrible Bosses. I also would have found room for Shailene Woodley in The Descendants.

And that’s your Oscar history for 2011, folks! I’ll have 2012 up in the near future.