Tag: academy awards

Oscar Watch: Cold War

Four years ago, Polish filmmaker Pawel Pawlikowski saw his feature Ida take the Best Foreign Language Film Oscar. This year at the Cannes Film Festival, his new drama Cold War earned him the Best Director prize there. Now that it’s also played at Venice, the film continues to gather steam for the 2018 Academy Awards.

Most reviews have been raves and it’s highly likely that Poland will submit this as its selection for Oscar attention. Its inclusion in Foreign Language Film appears to be a given. The big question is whether it could possibly cross over and compete in Best Picture.

At best, there’s usually only one foreign feature that makes the leap into the largest race of all. In 2018, that slot appears to already be filled by Alfonso Cuaron’s Roma. However, if a number of American features fail to meet expectations, you never know.

Additionally, the lead actress in War is Joanna Kulig and critics have hailed her work. A nomination for her could be a long shot. Once again, Roma could have a greater chance at recognition with the work of newcomer Yalitza Aparicio.

Bottom line: Cold War is in fine position with Foreign Language Film, while anything else is a far more unclear question mark.

My Oscar Watch posts will continue…

Oscar Watch: At Eternity’s Gate

Willem Dafoe has received three Oscar nominations for Best Supporting Actor in his long and distinguished career: 1986’s Platoon, 2000’s Shadow of the Vampire, and just last year for The Florida Project. He has never gotten recognition in lead Actor, but that is likely to change with At Eternity’s Gate. Featuring Dafoe as Vincent Van Gogh in his final days, the Julian Schnabel directed pic has debuted at the Venice Film Festival. Early buzz suggests its star stands an excellent chance at a nomination.

Most of the critical reaction is encouraging, but the picture itself is certainly a question mark in all other categories. Schnabel has certainly received Academy love before. 2000’s Before Night Falls saw Javier Bardem get a Best Actor nod. 2007’s The Diving Bell and the Butterfly garnered four nominations, including Best Director. Original Screenplay and Cinematography could be two additional categories where this is considered.

As far as Dafoe’s costars, Oscar Isaac is a possibility as fellow painter Paul Gauguin. Yet it’s also entirely feasible that CBS Films will focus the bulk of its campaign on Dafoe. They may not have to try too hard.

Bottom line: any other races are uncertain, but Dafoe looks poised for his first walk down the red carpet as a Best Actor nominee.

At Eternity’s Gate is out domestically on November 16. My Oscar Watch posts will continue…

Oscar Watch: White Boy Rick

Ahead of its stateside bow in just two weeks, White Boy Rick has premiered at the Telluride Film Festival. The 1980s set crime pic tells the true story of Richard Wershe Jr. (played by newcomer Richie Merritt), who became a drug kingpin and FBI informant at age 14 in Detroit. Matthew McConaughey plays his father with French director Yann Demange (maker of the acclaimed 2014 indie ‘71) behind the camera.

White Boy Rick was never exactly looked at as a major Oscar contender, but it was a curiosity as to whether its two main actors could receive attention. McConaughey is just five years removed from a gold statue for Dallas Buyers Club. While some early reviews have commended him and Merritt, there’s been an overall mixed to negative vibe from critics.

Bottom line: This should be a total non-factor when it comes to Academy Awards chatter.

The film opens September 14. My Oscar Watch posts will continue…

Oscar Watch: The Sisters Brothers

Two notable Westerns have had their debuts an ocean away at Venice and Oscar attention could be questionable for both. The first is The Ballad of Buster Scruggs, the latest effort from the Coen Brothers. Today brings us The Sisters Brothers, The first English language project from acclaimed French filmmaker Jacques Audiard (whose titles include A Prophet and Rust and Bone).

Said to be a violent romp with comedic touches, the cast includes John C. Reilly, Joaquin Phoenix, Jake Gyllenhaal, and Riz Ahmed. The performance getting the most attention is Reilly’s. Could the Academy honor the venerable actor 16 years after his sole nod in Supporting Actor for Chicago? Like any other nominations in the major categories, it’s likely a long shot. Even though Venice reviews have been pretty sturdy, I just don’t envision this as a player for Oscar voters.

Two exceptions could be Cinematography and the Original Score from Alexandre Desplat, an Academy favorite who’s won twice already for The Grand Budapest Hotel and The Shape of Water.

Bottom line: despite solid buzz, don’t expect that to translate to significant awards chatter for The Sisters Brothers.

The film opens stateside on September 21. My Oscar Watch posts will continue…

Oscar Watch: Destroyer

Going into the Telluride Film Festival, one storyline was the possibility of Nicole Kidman garnering Oscar buzz for two roles. In the Supporting realm, her part in Boy Erased seemed like a somewhat safe bet for attention. That film’s mixed reaction has brought her inclusion in that race as more of a question mark.

When it comes to lead Actress, Kidman stars in the crime thriller Destroyer from director Karyn Kusama. Reaction from Colorado on the picture itself is also mixed. Some reviews have compared it to the work of Michael Mann while others have criticized its confusing storyline. Yet everyone seems to agree that Kidman is terrific in an unglamorous role.

Expect Annapurna Pictures to focus all of its Academy campaign on the four-time nominee and one time winner (for 2002’s The Hours). Don’t expect much chatter for the Picture, Director, or costars Sebastian Stan, Tatiana Maslany, Toby Kebbell, and Bradley Whitford.

Bottom line: the Boy Erased reaction lessens Kidman’s chances at a nod in Supporting Actress. The buzz about her performance in Destroyer bolsters her shot at lead.

The film opens domestically on Christmas. My Oscar Watch posts will continue…

Oscar Watch: Can You Ever Forgive Me?

There have been numerous examples of comedic actors who go the serious route in hopes of getting some Oscar love. Yet Melissa McCarthy nabbed her Academy nomination early on for 2011’s Bridesmaids and did so for a role that relied on laughs. The Telluride Film Festival saw the debut of Can You Ever Forgive Me? over the weekend. And it raises the possibility of another nod for the actress. The dramedy tells the true life story of Lee Israel, an author who became known more for her forgeries than literary works.

Marielle Heller directs the Fox Searchlight production and early reviews suggest it’s a winner. In addition to McCarthy getting solid notices, critics have also praised the supporting work of Richard E. Grant as her partner in crime.

The studio behind Forgive could have a difficult task getting this recognized by Oscar voters if it doesn’t break through with its star’s fan base. However, the buzz out of Colorado suggests both actors have a shot at nominations. With Grant, Supporting Actor is the only acting race in my opinion that doesn’t have a definite nominee yet. So his chances could even be better than his more well-known costar.

Bottom line: Telluride has raised the possibility of the two principal performers here making the shortlist.

Can You Ever Forgive Me? opens domestically October 19. My Oscar Watch posts will continue…

Oscar Watch: Boy Erased

Among the most anticipated titles from the Telluride Film Festival is Joel Edgerton’s Boy Erased, the second directorial effort from the actor following 2015’s well-regarded thriller The Gift. This one comes packed with Oscar pedigree. Based on a 2016 novel, Erased focuses on the issue of gay conversion therapy. The cast includes Lucas Hedges (recent nominee for Manchester by the Sea) and former winners Russell Crowe and Nicole Kidman. Edgerton also costars.

With its subject matter and impressive cast, it was to easy to look at this as a serious contender. However, buzz out of Colorado is a bit mixed. Some writers have noted their feeling that Boy isn’t as effective as The Miseducation of Cameron Post, which covered the same themes earlier this year. We are early in the reviews process, but first reactions indicate maybe this won’t be a major contender.

As for its cast, the lion’s share of attention was rumored to go to Kidman. Yet she may stand a better chance in the lead Actress category for Destroyer (expect that Oscar Watch post soon). Hedges, meanwhile, still has Ben Is Back on deck and Best Actor is already looking quite competitive.

Bottom line: instead of solidifying its standing as a likely nominee, word out of Telluride raises legitimate questions about its viability.

Boy Erased hits theaters November 2. My Oscar Watch posts will continue…

Oscar Watch: The Front Runner

Director Jason Reitman debuted his newest feature at the Telluride Film Festival this weekend. It’s a venue that he probably has affection for. Both 2007’s Juno and 2009’s Up in the Air premiered in Colorado and went on to garner Best Picture nominations. On the other hand, his last feature to open there (2014’s Labor Day) saw its awards hopes dashed upon critical reaction.

This brings us to The Front Runner, which recounts Gary Hart’s failed 1988 Presidential campaign. Hugh Jackman plays him with Vera Farmiga as his wife. The buzz from Telluride includes some solid reviews, with some claiming it shares the vibe of Robert Altman’s 1970s works. However, not all write-ups have been raves.

This puts The Front Runner in a position of uncertainty. It could face an uphill battle for Picture or Director nods (as well as Adapted Screenplay). Jackman has only one Academy Awards nomination to his credit for 2012’s Les Miserables. He didn’t manage to score recognition last year for two high-profile roles in Logan or The Greatest Showman. Farmiga also has one nod to her credit courtesy of Reitman’s Up in the Air. Both are possibilities, but far from slam dunks in Actor and Supporting Actress.

Bottom line: let’s see how future buzz plays out, but The Front Runner might find itself on the back burner for Oscar chatter.

The film opens November 7 in the United States. My Oscar Watch posts will continue…

Oscar Watch: Suspiria

Most horror remakes would not warrant an Oscar Watch post. However, when it’s an update of the 1977 Dario Argento cult classic and it’s directed by Luca Guadagnino – we come to the 2018 version of Suspiria.

The film premiered at the Venice Film Festival this weekend and it’s said to be a blend of gore and dance that departs significantly from its source material. Early critical reaction is very mixed and its drawn some comparisons to last year’s mother! That could be a sign that audiences could be baffled by this concoction.

Guadagnino saw his previous work, 2017 Call Me by Your Name, nab a Best Picture nomination. That will not happen here and I don’t expect it to play any role in other high-profile categories, including the performances of Dakota Johnson or Tilda Swinton.

The new Suspiria is said to place a greater emphasis on dance sequences. If there was an Oscar for Best Choreography, this could be a shoo-in. There could be the possibility of recognition in Production Design or for Radiohead lead singer Thom Yorke’s Original Score, but Suspiria is more likely to be a non-factor come Oscar time.

Bottom line: expect Suspiria to get lots of publicity, divide audiences, and generate controversy. Don’t expect awards attention.

The film comes out domestically on October 26. My Oscar Watch posts will continue…

Oscar Watch: Peterloo

Arriving nearly 200 years after the English massacre it focuses on, Mike Leigh’s Peterloo has premiered at the Venice Film Festival this weekend. Some of the early reviews are quite strong while others are a bit more mixed. Amazon Studios may have to put in a heavy push for it to get recognized in Best Picture or Director, but it’s certainly possible.

Another scenario, as I see it, is for Peterloo to follow a similar path as Leigh’s previous work. That would be 2014’s Mr. Turner, which picked up nominations for Best Cinematography, Production Design, Costume Design, and Score. Adding in Makeup and Hairstyling, Peterloo has a legitimate shot at all those down the line categories.

Depending on the strength of competition, Leigh could also find himself recognized in Original Screenplay. If so, it would mark his sixth time at a nod in that race. If he nabs a directing nod, it would be his third after Secrets & Lies and Vera Drake.

Bottom line: it’s uncertain, but Peterloo stands a decent shot at multiple nominations.

The film opens stateside on November 9. My Oscar Watch posts will continue…