Tag: academy awards

Oscar Watch: Just Mercy

Just Mercy has premiered at the Toronto Film Festival ahead of its stateside Christmas release. Early reviews indicate the true life courtroom drama is a crowd pleasing tearjerker that has the potential for acting nominations and maybe more.

Michael B. Jordan plays a lawyer attempting to free Jamie Foxx’s wrongfully imprisoned murder convict. Brie Larson costars in this effort from Destin Daniel Cretton, who’s worked with the actress twice before in Short Term 12 and The Glass Castle.

Yet it’s Jordan and Foxx getting the bulk of attention. Despite acclaimed work in Fruitvale Station, Creed, and Black Panther (all from Ryan Coogler), Jordan hasn’t scored an Oscar nod. The lead actor race is looking crowded, but he could have a shot. Foxx might have a better chance in supporting. It’s been 15 years since he’s been in the awards mix. In 2004, he won Best Actor in Ray and nabbed a Supporting Actor nod simultaneously for Collateral. This could be the type of comeback role the Academy notices.

If Mercy manages to score with audiences (which it most certainly could do), recognition in  Best Picture or for its Adapted Screenplay may factor in as well. Bottom line: this pic increased its visibility playing in our neighbor to the north. My Oscar Watch posts will continue…

Oscar Watch: The Personal History of David Copperfield

In the first of what will be several Oscar Watch posts from screenings at the Toronto Film Festival, we consider The Personal History of David Copperfield. Armando Iannucci serves as director for the Charles Dickens based satire with Dev Patel (Oscar nominee in 2016’s Lion) in the title role. Costars include Tilda Swinton, Hugh Laurie, Peter Capaldi, and Ben Whishaw.

The film is said to be a crowd pleaser. Iannucci has received Academy attention previously with his Original Screenplay for 2009’s In the Loop. Last year’s The Death of Stalin was considered a contender in Adapted Screenplay, though that nod never came. He’s best known stateside for creating HBO’s Veep.

While I don’t foresee Copperfield vying for Picture or any of the acting categories (though Patel is getting raves), Adapted Screenplay could be feasible. That’s with a rather large caveat. A number of the contenders in that race (The Irishman, Jojo Rabbit, A Beautiful Day in the Neighborhood, Little Women) are still unseen. That’s changing shortly and we may have a better idea whether there’s any room for this soon. My Oscar Watch posts will continue…

2019 Oscar Predictions: September 5th Edition

A lot can change in a week and that’s certainly the case in my second edition of weekly Oscar predictions for 2019. That’s because the Venice and Telluride festivals have happened and numerous contenders have emerged. Some have seen their fortunes dwindle (like Steven Soderbergh’s The Laundromat or Edward Norton’s Motherless Brooklyn). Other films and performances have received a serious boost like Ford v Ferrari, Waves (not even on my radar last week), The Two Popes, and Renee Zellweger in Judy.

While last Thursday provided my pre festival rankings, there’s plenty of movement that’s occurred since then. And by next Thursday… the picture will begin more clear with the Toronto Film Festival beginning today and where several other high profile hopefuls will screen.

Let’s get to it, shall we?

BEST PICTURE

Predicted Nominees:

1. The Irishman (PR: 1)

2. Marriage Story (PR: 2)

3. Once Upon a Time in Hollywood (PR: 3)

4. Ford v Ferrari (PR: 11)

5. Parasite (PR: 7)

6. 1917 (PR: 4)

7. Little Women (PR: 5)

8. Jojo Rabbit (PR, 10)

9. The Two Popes (PR: Not Ranked)

Other Possibilities:

10. The Report (PR: 9)

11. The Farewell (PR: 6)

12. Waves (PR: Not Ranked)

13. Pain and Glory (PR: 16)

14. A Beautiful Day in the Neighborhood (PR: 12)

15. Joker (PR: 15)

16. A Hidden Life (PR: 19)

17. Dark Waters (PR: 17)

18. Bombshell (PR: 13)

19. The Lighthouse (PR: 21)

20. Harriet (PR: 14)

21. Just Mercy (PR: 20)

22. Rocketman (PR: 22)

23. Queen and Slim (PR: Not Ranked)

24. The Laundromat (PR: 8)

25. Ad Astra (PR: 23)

Dropped Out:

Booksmart

Avengers: Endgame

The Goldfinch

BEST DIRECTOR

Predicted Nominees:

1. Martin Scorsese, The Irishman (PR: 1)

2. Quentin Tarantino, Once Upon a Time in Hollywood (PR: 2)

3. Noah Baumbach, Marriage Story (PR: 4)

4. Bong Joon-Ho, Parasite (PR: 5)

5. Sam Mendes, 1917 (PR: 3)

Other Possibilities:

6. James Mangold, Ford v Ferrari (PR: 12)

7. Pedro Almodovar, Pain and Glory (PR: 8)

8. Greta Gerwig, Little Women (PR: 6)

9. Trey Edward Shults, Waves (PR: Not Ranked)

10. Taika Waititi, Jojo Rabbit (PR: 10)

11. Fernando Meirelles, The Two Popes (PR: Not Ranked)

12. Marielle Heller, A Beautiful Day in the Neighborhood (PR: 13)

13. Terrence Malick, A Hidden Life (PR: 11)

14. Todd Haynes, Dark Waters (PR: 14)

15. Lulu Wang, The Farewell (PR: 9)

Dropped Out:

Steven Soderbergh, The Laundromat

Kasi Lemmons, Harriet

BEST ACTRESS

Predicted Nominees:

1. Scarlett Johansson, Marriage Story (PR: 1)

2. Renee Zellweger, Judy (PR: 5)

3. Saoirse Ronan, Little Women (PR: 3)

4. Cynthia Erivo, Harriet (PR: 2)

5. Alfre Woodard, Clemency (PR: 7)

Other Possibilities:

6. Awkwafina, The Farewell (PR: 4)

7. Charlize Theron, Bombshell (PR: 6)

8. Natalie Portman, Lucy in the Sky (PR: 12)

9. Lupita Nyong’o, Us (PR: 8)

10. Helen Mirren, The Good Liar (PR: 9)

11. Jodie Turner-Smith, Queen and Slim (PR: 10)

12. Kristen Stewart, Seberg (PR: 15)

13. Lesley Manville, Ordinary Love (PR: Not Ranked)

14. Felicity Jones, The Aeronauts (PR: 13)

15. Elisabeth Moss, Her Smell (PR: 11)

Dropped Out:

Beanie Feldstein, Booksmart

BEST ACTOR

Predicted Nominees:

1. Adam Driver, Marriage Story (PR: 1)

2. Leonardo DiCaprio, Once Upon a Time in Hollywood (PR: 2)

3. Antonio Banderas, Pain and Glory (PR: 3)

4. Jonathan Pryce, The Two Popes (PR: 9)

5. Joaquin Phoenix, Joker (PR: 6)

Other Possibilities:

6. Christian Bale, Ford v Ferrari (PR: 8)

7. Robert De Niro, The Irishman (PR: 4)

8. Taron Egerton, Rocketman (PR: 5)

9. Eddie Murphy, Dolemite Is My Name (PR: 7)

10. Mark Ruffalo, Dark Waters (PR: 12)

11. Ian McKellen, The Good Liar (PR: 13)

12. Adam Sandler, Uncut Gems (PR: 14)

13. Daniel Kaluuya, Queen and Slim (PR: 15)

14. Robert Pattinson, The Lighthouse (PR: Not Ranked)

15. Michael B. Jordan, Just Mercy (PR: 11)

Dropped Out:

Adam Driver, The Report

BEST SUPPORTING ACTRESS

Predicted Nominees:

1. Laura Dern, Marriage Story (PR: 2)

2. Annette Bening, The Report (PR: 1)

3. Margot Robbie, Once Upon a Time in Hollywood (PR: 4)

4. Shuzhen Zhou, The Farewell (PR: 3)

5. Florence Pugh, Little Women (PR: 8)

Other Possibilities:

6. Meryl Streep, The Laundromat (PR: 5)

7. Meryl Streep, Little Women (PR: 7)

8. Penelope Cruz, Pain and Glory (PR: Not Ranked)

9. Janelle Monae, Harriet (PR: 10)

10. Scarlett Johansson, Jojo Rabbit (PR: 11)

11. Nicole Kidman, Bombshell (PR: 9)

12. Jennifer Hudson, Cats (PR: 13)

13. Anna Paquin, The Irishman (PR: 12)

14. Anne Hathaway, Dark Waters (PR: 6)

15. Taylor Russell, Waves (PR: Not Ranked)

Dropped Out:

Catherine Deneuve, The Truth

Nicole Kidman, The Goldfinch

BEST SUPPORTING ACTOR

Predicted Nominees:

1. Brad Pitt, Once Upon a Time in Hollywood (PR: 1)

2. Willem Dafoe, The Lighthouse (PR: 2)

3. Al Pacino, The Irishman (PR: 4)

4. Anthony Hopkins, The Two Popes (PR: Not Ranked)

5. Taika Waititi, Jojo Rabbit (PR: 8)

Other Possibilities:

6. Tom Hanks, A Beautiful Day in the Neighborhood (PR: 6)

7. Alan Alda, Marriage Story (PR: Not Ranked)

8. Joe Pesci, The Irishman (PR: 7)

9. Kelvin Harrison, Jr., Waves (PR: Not Ranked)

10. Jamie Bell, Rocketman (PR: 10)

11. Jamie Foxx, Just Mercy (PR: 5)

12. John Lithgow, Bombshell (PR: 9)

13. Gary Oldman, The Laundromat (PR: 3)

14. Matt Damon, Ford v Ferrari (PR: Not Ranked)

15. Tracy Letts, Ford v Ferrari (PR: Not Ranked)

Dropped Out:

Ray Liotta, Marriage Story

Matthew Rhys, A Beautiful Day in the Neighborhood

Wesley Snipes, Dolemite Is My Name

Leslie Odom, Jr., Harriet

Timothee Chalamet, Little Women

BEST ADAPTED SCREENPLAY

Predicted Nominees:

1. The Irishman (PR: 1)

2. Jojo Rabbit (PR: 4)

3. Little Women (PR: 3)

4. Dark Waters (PR: 5)

5. The Laundromat (PR: 2)

Other Possibilities:

6. A Beautiful Day in the Neighborhood (PR: 6)

7. Joker (PR: 7)

8. Just Mercy (PR: 9)

9. The Goldfinch (PR: 11)

10. The Good Liar (PR: 12)

11. Toy Story 4 (PR: 8)

12. Motherless Brooklyn (PR: 14)

13. The King (PR: Not Ranked)

14. Downton Abbey (Not Ranked)

15. Judy (PR: 13)

Dropped Out:

Ford v Ferrari (moved to Original)

Avengers: Endgame

BEST ORIGINAL SCREENPLAY

Predicted Nominees:

1. Marriage Story (PR: 1)

2. Once Upon a Time in Hollywood (PR: 2)

3. The Two Popes (PR: Not Ranked)

4. Parasite (PR: 5)

5. The Report (PR: 4)

Other Possibilities:

6. The Farewell (PR: 3)

7. Pain and Glory (PR: 7)

8. Waves (Not Ranked)

9. Ford v Ferrari (PR: Not Ranked – moved from Adapted)

10. Booksmart (PR: 6)

11. The Lighthouse (PR: 12)

12. Bombshell (PR: 9)

13. Harriet (PR: 11)

14. 1917 (PR: 8)

15.  Dolemite Is My Name (PR: 10)

Dropped Out:

Ad Astra

Us

Queen and Slim

Expect more changes next week when much of the Toronto happenings will have transpired! Until then…

Oscar Watch: It Chapter Two

Two years ago, Andy Muschietti’s adaptation of the Stephen King novel It broke box office records in the horror genre and became an instant audience favorite. Yet it didn’t end up registering with awards voters in any fashion… not even for Pennywise’s creepy makeup job.

This weekend, the eagerly awaited sequel arrives and the review embargo has floated away. Chapter Two holds a decent 79% Rotten Tomatoes score, but that’s beneath the 86% achieved by its predecessor. A consistent theme in much of the critical reaction is that many parts work, but that it’s also overlong and doesn’t quite measure up to chapter one.

If It couldn’t garner Oscar attention, don’t expect this to. I will make make one further prediction. Another common factor in the reviews is praise for Bill Hader’s performance and he’s said to be a scene stealer. Don’t be surprised to see some chatter and wishful thinking for a Supporting Actor nod that will never come to pass. My Oscar Watch posts will continue…

Oscar Watch: The King

The Venice and Telluride fests have certainly made this year’s Best Actor race interesting and potentially jam packed. So let’s add another to the mix in the form of The King. Based primarily on Shakespeare’s Henry V, the historical action drama casts Timothee Chalamet in the title role. David Michod (best known for 2010’s Animal Kingdom) directs with a supporting cast including Robert Pattinson, Joel Edgerton (who co-wrote the script with Michod), Lily-Rose Depp, Sean Harris, and Ben Mendelsohn.

Screening in Venice before its Netflix bow in November, the reviews are solid though probably not Best Picture material level. Yet for the third year in a row, it’s Chalamet (all of 23 years old) commanding the most attention. In 2017, the actor scored a Supporting Actor nod for Call Me by Your Name. Last year, he was on the radar screen in the same category for Beautiful Boy. The nomination never came.

This would be his first look at the lead prize. Overcrowding could be his downfall. Netflix has already seen two of their possibilities solidify their status over the weekend with Adam Driver (Marriage Story) and Jonathan Pryce (The Two Popes). And they’ve still got Robert De Niro (The Irishman) and Eddie Murphy (Dolemite Is My Name) coming to a festival near you. This could all leave Chalamet on the outside looking in, but he’s got a chance to hear his name called among the five eventual contenders. My Oscar Watch posts will continue…

Oscar Watch: The Aeronauts

Flying into Telluride this weekend is the hot air balloon adventure The Aeronauts, which reunites The Theory of Everything costars Felicity Jones and Eddie Redmayne. The Amazon Studios production comes with high hopes (a reported $80 million budget) and early reviews suggest it’s fast paced and fun entertainment. Tom Harper directs. Earlier this year, he put out the indie country music drama Wild Rose with an acclaimed performance from Jessie Buckley.

Jones and Redmayne both nabbed Academy nods five years ago for Theory with the latter winning Best Actor. Since then, they’ve moved on to franchise material like Rogue One: A Star Wars Story and the Fantastic Beasts pics. Their reunion is highly unlikely to make them return nominees.

If The Aeronauts can factor in anywhere, perhaps it’s Visual Effects. Yet that could be a tall order considering competition that could include heavy hitters such as Avengers: Endgame, The Lion King, and this December’s Star Wars: The Rise of Skywalker. Production Design and Costume Design might be reachable as well. My Oscar Watch posts will continue…

Oscar Watch: The Two Popes

It seems as if The Two Popes has emerged as a bright spot at the Telluride Film Festival over the weekend. The Netflix production casts Anthony Hopkins as Pope Benedict XVI and Jonathan Pryce as the future Pope Francis. Reviews suggest it’s an engaging and often funny experience that audiences should approve of. Fernando Meirelles directs and he’s a previous nominee for 2002’s City of God. He also made The Constant Gardner in 2005 for which Rachel Weisz won a Supporting Actress gold statue.

Popes may not see white smoke for a Picture nod, but other races are definitely in play. An important question is category placement. It sounds as if the two actors are co-leads. Will the studio be creative to maximize the chances for both to get in? If only one can make it, I’d bet on the never nominated Pryce over four-time nominee Hopkins (who won nearly three decades ago for The Silence of the Lambs).

There’s also Andrew McCarten, who could get noticed for his praised Original Screenplay. He’s a bit of a Best Actor whisperer as a matter of fact. Three of the last five winners in that race starred in scripts written by him: Eddie Redmayne in 2014 for The Theory of Everything, Gary Oldman two years ago in Darkest Hour, and Rami Malek last year for Bohemian Rhapsody.

Bottom line: The Two Popes did well for itself in Colorado when it comes to awards viability. My Oscar Watch posts will continue…

Oscar Watch: Wasp Network

French director Olivier Assayas has flirted with Oscar attention before in titles such as Clouds of Sils Maria and Personal Shopper. Some of that awards chatter for both of them focused on the work of Kristen Stewart, but it never came to fruition.

His latest is the Stewart free Wasp Network which follows a group of Cuban spies in 1990s Miami. The cast includes Penelope Cruz, Edgar Ramirez, Gael Garcia Bernal, and Ana de Armas. It premiered at the Venice Film Festival over the weekend to mixed results with IndieWire deeming it a misfire.

Assayas is certainly a filmmaker with a critical following, but it appears Wasp will not fly onto the radar screen of Academy voters. My Oscar Watch posts will continue…

Oscar Watch: The Laundromat

Steven Soderbergh, Oscar winning director of Traffic, has apparently given us a fun and breezy true life story about tax evasion. It comes in the form of The Laundromat which has premiered at the Venice Film Festival. The pic is star studded as well with Meryl Streep, Gary Oldman, Antonio Banderas, Jeffrey Wright, James Cromwell, and Sharon Stone.

Reviews are out and they’re mostly solid. Yet from what I’ve seen thus far, I’m not sure if this will be an Oscar contender. Hitting Netflix in October, there’s been some comparisons to Adam McKay’s The Big Short, which did score several nods four years ago. There’s also mentions of Soderbergh’s 2009 pic The Informant! and that’s no accident since they share the same screenwriter – Scott Z. Burns.

Mr. Burns could get attention for his upcoming political drama The Report with Adam Driver and Annette Bening. Streep’s category placement is still uncertain but she seems to be a lead. It’s foolish to ever count her out, but she might also factor into Supporting Actress with the upcoming Little Women. Banderas looks to be a contender in lead for Pedro Almodovar’s Pain and Glory. Oldman won two years ago for Darkest Hour. And Netflix itself might focus more on Marriage Story and The Irishman.

In other words, that’s some significant players involved here who are getting mentions for other projects. While The Laundromat is getting mostly positive feedback, it may not translate to Academy attention (with the potential exception of Adapted Screenplay). My Oscar Watch posts will continue…

Oscar Watch: Ema

Chilean director Pablo Larrain has history with Oscar voters and at the Venice Film Festival, he’s returned to his home country and unveiled his latest feature Ema. A marital drama starring Mariana Di Girolamo and Gael Garcia Bernal set in the reggaeton dance community, this is bound to be Chile’s selection in the newly coined Best International Feature race.

in 2012, Larrain saw his acclaimed No land a nod for what was then called Best Foreign Language Film. Five years later, A Fantastic Woman won the gold statue. The director made his stateside debut with Jackie in 2016, in which Natalie Portman received an Actress nomination for her portrayal of the former First Lady.

Early reviews for Ema suggest it’s a vibrant winner. I suspect the Academy is highly likely to include it in their final five selections of honored pictures from across the globe. My Oscar Watch posts will continue…