In 2018, documentary filmmakers Elizabeth Chai Vasarhelyi and Jimmy Chin had a breakout hit with the climbing tale Free Solo. It took gold for Best Documentary Feature at the Oscars. The duo has debuted their latest true life saga The Rescue at Telluride and Toronto.
This story goes below ground in recounting the Tham Luang cave rescue in the summer of 2018. Early reviews from the festival circuit indicate they have made another stunner (100% on Rotten Tomatoes). Based on these reactions, I think it’s safe to assume The Rescue will make one of the five slots in the race that the directors triumphed in three years ago. The only caveat is that the documentary branch of the Academy is sometimes known for shocking snubs.
That said, there’s no doubt that The Rescue is not only in line for a nod, but it is a serious threat to win.
Stateside audiences may know Melanie Laurent best as Shosanna in Quentin Tarantino’s Inglourious Basterds, but the French actress has been directing in her native county for a decade now. Following Adopted (2011) and Respire (2014), her latest is The Mad Women’s Ball and it is streaming on Amazon Prime as of yesterday.
Laurent costars in the thriller that premiered days ago in Toronto. Costarring Lou de Laage and Emmanuelle Bercot, Ball currently has a 77% Rotten Tomatoes score. That’s under her predecessor Respire (93%). I’m not so sure France will even submit this for the Academy’s consideration in International Feature Film and this appears unlikely to find its way on ballots in any other categories.
My Oscar Prediction posts for the films of 2021 will continue…
Michael Caine, the legendary 88-year-old Brit, has had a unique Oscar history. He’s 2 for 2 with victories when nominated for Supporting Actor (1986’s Hannah and Her Sisters, 1999’s The Cider House Rules). Yet Caine is 0 for 4 when up for Best Actor (1966’s Alfie, 1972’s Sleuth, 1983’s Educating Rita, 2002’s The Quiet American).
This weekend, his dramedy Best Sellers is out via streaming services. It casts him as a cantankerous author adapting to the industry in the 21st century. Lina Roessler directs with a supporting cast including Aubrey Plaza, Scott Speedman, and Cary Elwes.
While Caine is receiving solid notices for his performance, the picture itself is garnering mixed takes. The Rotten Tomatoes meter stands at 61%. Due to this, it’s a safe bet that the star won’t be contending for a 7th nod with the Academy. I suppose the Golden Globes (if they happen this year) are a slight possibility in the Musical/Comedy race, but that could also be a crowded field due to a high number of genre selections in the former. My Oscar Predictions posts for the films of 2021 will continue…
The Good House, from directors Maya Forbes and Wally Wolodarsky, has premiered in Toronto and it marks the third cinematic pairing of Sigourney Weaver and Kevin Kline. The two starred in the 1993 political comedy Dave and Ang Lee’s 1997 acclaimed drama The Ice Storm.
House combines both genres and initial reviews specifically praise Weaver’s work. The three time Oscar nominee received all her nods in the 1980s with Aliens, Working Girl, and Gorillas in the Mist. A consistent fixture in leading and supporting roles for over 40 years, she could be a part away from more serious awards consideration.
I doubt The Good House lays the foundation for that. Best Actress simply looks too crowded for that occur despite the critical appreciation. My Oscar Prediction posts will continue…
For about a decade starting in the early 80s, the films of Barry Levinson were a magnet for awards nominations. 1988’s Rain Man won Best Picture and Levinson took directing honors. 1991’s Bugsy scored numerous nods including the aforementioned big races. The Natural and Good Morning, Vietnam earned acting mentions. Levinson received screenplay nominations for Diner and Avalon.
Over the past decade or so, the filmmaker’s most acclaimed titles have come on the small screen with several HBO movies. His previous big screen offering was the panned 2015 Bill Murray vehicle Rock the Kasbah.
Those fortunes could change with The Survivor, which has screened in Toronto. The black and white Holocaust drama tells the true life story of Harry Haft (Ben Foster). During his captivity at Auschwitz, he was forced to box fellow prisoners in order to survive. Costars include Billy Magnussen, Danny DeVito, Vicky Krieps, Peter Sarsgaard, and John Leguizamo.
Reviews from our neighbor up north have resulted in an 88% Rotten Tomatoes score. Not all the generally positive reaction are raves, but there’s one consistency. Foster is being heralded for his role. Despite praised performances in Hell or High Water and Leave No Trace, Foster has yet to capture the attention of Oscar voters. The actor reportedly lost a tremendous amount of weight for the part. That has been a recipe for making the ballot for plenty of winners and contenders including Matthew McConaughey (Dallas Buyers Club) and Joaquin Phoenix (Joker) to name just two. The Best Actor race probably has two slots filled already with Will Smith (King Richard) and Benedict Cumberbatch (The Power of the Dog). Hopefuls are waiting in the wings like Denzel Washington (The Tragedy of Macbeth), Bradley Cooper (Nightmare Alley), and Leonardo DiCaprio (Don’t Look Up). There’s other performances from the fest circuit such as Phoenix (C’Mon C’Mon), Peter Dinklage (Cyrano), and Clifton Collins Jr. (Jockey) in the mix.
First things first. The Survivor needs to find a distributor and a 2021 release date to qualify. It will likely do so. The next question is how hard its eventual studio/streamer pushes for Foster. The Survivor is also a possibility in Cinematography, Makeup and Hairstyling, and maybe even Picture and Director if its gets the right push.
Bottom line: I’ve yet to even mention The Survivor in my weekly Oscar predictions. I doubt I’ll be projecting it yet for inclusion in the aforementioned categories, but I do suspect it will bubble up for the first time in other possibilities. My Oscar Prediction posts for the films of 2021 will continue…
Over the past three decades, Clint Eastwood has made two Best Picture winners (1992’s Unforgiven, 2004’s Million Dollar Baby) and directed three nominees (2003’s Mystic River, 2006’s Letters from Iwo Jima, 2014’s American Sniper). So it stands to reason that anytime we see a new feature from the legend, an Oscar predictions post is warranted.
His latest is Cry Macho and the Western themed drama (based on a 1975 novel) was in development before Clint had won any gold hardware. Fun fact: Burt Lancaster was once tapped to headline it. The pic hits theaters and HBO Max Friday and the embargo was lifted today.
Eastwood’s return to the genre he’s most known for is split down the middle as far as critical reaction. Macho has a 52% Rotten Tomatoes rating at press time. This never seemed like much of an awards contender in his long filmography and reviews confirm just that. My Oscar Prediction posts for the films of 2021 will continue…
In 2016, Theodore Melfi’s Hidden Figures earned a Best Picture nomination. Melissa McCarthy is the beneficiary of two Oscar nods – one for her supporting comedic work in Bridesmaids ten years back and for her more dramatic turn in lead actress with 2018’s Can You Ever Forgive Me?
So on paper, The Starling might have some Academy cred. The dramedy premieres on Netflix September 24 and has screened in Toronto. Casting McCarthy as a grief stricken woman also dealing with the pesky title character, reviews are out. Several critics are downright negative. The Rotten Tomatoes score is perched at only 33%.
McCarthy has appealed to awards voters with her performances on the funny and serious side. This mix of the two won’t fly with them. My Oscar Watch posts for the films of 2021 will continue…
With the Venice and Telluride Film Festivals having just wrapped and Toronto going strong, there are fresh updates to my Oscar predictions in every category but Director!
Of course, the big question from the past week might be: Will a movie with the word “pizza” in it finally get a Best Picture nomination? That’s more possible than ever since Paul Thomas Anderson’s latest (which had the working title Soggy Bottom) is now apparently called Licorice Pizza. It makes perfect sense if you research the setting.
It’ll be a while before we know how much of a contender that one actually is. There is some movement based on actual buzz and it starts with Stephen Karam’s The Humans, which has screened at Toronto. I believe it could make the BP cut and I’ve got it in. I’m also returning West Side Story to the top ten. Dropping out are CODA and King Richard, though either could certainly find themselves back in the mix.
In other developments:
Penelope Cruz’s Venice win for Best Actress gets her back in the top five. Falling out is Jennifer Hudson for Respect.
I now have Bradley Cooper as a double nominee. In addition to him maintaining the top spot in Supporting Actor for Pizza (that’s gonna take some getting used to), he’s listed in Actor for Nightmare Alley. He takes the place of Adam Driver in House of Gucci.
With category placement still in flux for certain pics, I’ve chosen to put the ensemble for Belfast all in supporting. That means Caitriona Balfe is in for Supporting Actress over her costar Judi Dench. I’m also elevating Jayne Houdyshell (The Humans) and dropping Marlee Matlin (CODA). Furthermore, I have Frances McDormand moved to supporting from lead and she sits just on the outside at #6. Kirsten Dunst takes over the #1 position over Ann Dowd in Mass.
Jamie Dornan (Belfast) also enters the competition in supporting instead of lead, but he’s not in my five. There is one change: Jason Isaacs (Mass) over Jared Leto (House of Gucci).
C’Mon C’Mon gets the 5th slot in Original Screenplay over Spencer. And Belfast is now listed first instead of Pizza.
In Adapted Screenplay, The Humans and The Lost Daughter make the cut over The Tragedy of Macbeth and CODA. The latter did not have a good week as you can see (dropping out of Picture, Supporting Actress, and here).
We are mere hours away from knowing whether Jessica Chastain (The Eyes of Tammy Faye) deserves her #3 placement in Actress. Those developments and more will be available when I update next Sunday. Until then, you can peruse all the movement below!
Best Picture
Predicted Nominees:
1. The Power of the Dog (Previous Ranking: 1)
2. Nightmare Alley (PR: 3)
3. House of Gucci (PR: 2)
4. Belfast (PR: 4)
5. Dune (PR: 6)
6. The Tragedy of Macbeth (PR: 5)
7. Licorice Pizza (PR: 7) – formerly Soggy Bottom
8. West Side Story (PR: 11)
9. Don’t Look Up (PR: 8)
10. The Humans (PR: 14)
Other Possibilities:
11. CODA (PR: 10)
12. King Richard (PR: 9)
13. The Hand of God (PR: 17)
14. Mass (PR: 12)
15. Spencer (PR: 13)
16. The French Dispatch (PR: 19)
17. Flee (PR: 16)
18. A Hero (PR: 15)
19. Tick, Tick… Boom! (PR: 20)
20. The Lost Daughter (PR: Not Ranked)
21. Passing (PR: 24)
22. Being the Ricardos (PR: 22)
23. Cyrano (PR: 18)
24. C’Mon C’Mon (PR: 25)
25. Parallel Mothers (PR: 23)
Dropped Out:
The Last Duel
Best Director
Predicted Nominees:
1. Jane Campion, The Power of the Dog (PR: 1)
2. Guillermo del Toro, Nightmare Alley (PR: 2)
3. Denis Villeneuve, Dune (PR: 3)
4. Kenneth Branagh, Belfast (PR: 5)
5. Ridley Scott, House of Gucci (PR: 4)
Other Possibilities:
6. Paul Thomas Anderson, Licorice Pizza (PR: 6)
7. Joel Coen, The Tragedy of Macbeth (PR: 7)
8. Steven Spielberg, West Side Story (PR: 10)
9. Adam McKay, Don’t Look Up (PR: 8)
10. Paolo Sorrentino, The Hand of God (PR: 15)
11. Pablo Larrain, Spencer (PR: 9)
12. Stephen Karam, The Humans (PR: Not Ranked)
13. Jonas Poher Rasmussen, Flee (PR: 13)
14. Asghar Farhadi, A Hero (PR: 11)
15. Wes Anderson, The French Dispatch (PR: Not Ranked)
Dropped Out:
Reinaldo Marcus Green, King Richard
Sian Heder, CODA
Best Actress
Predicted Nominees:
1. Kristin Stewart, Spencer (PR: 1)
2. Lady Gaga, House of Gucci (PR: 2)
3. Jessica Chastain, The Eyes of Tammy Faye (PR: 3)
4. Penelope Cruz, Parallel Mothers (PR: 6)
5. Olivia Colman, The Lost Daughter (PR: 4)
Other Possibilities:
6. Jennifer Hudson, Respect (PR: 5)
7. Cate Blanchett, Nightmare Alley (PR: 11)
8. Nicole Kidman, Being the Ricardos (PR: 10)
9. Rachel Zegler, West Side Story (PR: 15)
10. Emilia Jones, CODA (PR: 13)
11. Jodie Comer, The Last Duel (PR: 8)
12. Jennifer Lawrence, Don’t Look Up (PR: 12)
13. Renate Reinsve, The Worst Person in the World (PR: 14)
14. Tessa Thompson, Passing (PR: Not Ranked)
15. Halle Berry, Bruised (PR: Not Ranked)
Dropped Out:
Frances McDormand, The Tragedy of Macbeth (moved to Supporting Actress)
Caitriona Balfe, Belfast (moved to Supporting Actress)
Best Actor
Predicted Nominees:
1. Will Smith, King Richard (PR: 1)
2. Benedict Cumberbatch, The Power of the Dog (PR: 2)
3. Denzel Washington, The Tragedy of Macbeth (PR: 3)
4. Peter Dinklage, Cyrano (PR: 5)
5. Bradley Cooper, Nightmare Alley (PR: 8)
Other Possibilities:
6. Joaquin Phoenix, C’Mon C’Mon (PR: 7)
7. Adam Driver, House of Gucci (PR: 4)
8. Leonardo DiCaprio, Don’t Look Up (PR: 6)
9. Clifton Collins, Jr., Jockey (PR: 9)
10. Andrew Garfield, Tick, Tick… Boom! (PR: 10)
11. Nicolas Cage, Pig (PR: 12)
12. Amir Jadidi, A Hero (PR: 13)
13. Filippo Scott, The Hand of God (PR: Not Ranked)
14. Simon Rex, Red Rocket (PR: Not Ranked)
15. Adam Driver, Annette (PR: 14)
Dropped Out:
Jamie Dornan, Belfast (moved to Supporting)
Javier Bardem, Being the Ricardos
Best Supporting Actress
Predicted Nominees:
1. Kirsten Dunst, The Power of the Dog (PR: 2)
2. Ann Dowd, Mass (PR: 1)
3. Caitriona Balfe, Belfast (PR: Not Ranked – moved from lead)
4. Jayne Houdyshell, The Humans (PR: 6)
5. Ariana DeBose, West Side Story (PR: 5)
Other Possibilities:
6. Frances McDormand, The Tragedy of Macbeth (PR: Not Ranked – moved from lead)
7. Marlee Matlin, CODA (PR: 4)
8. Aunjanue Ellis, King Richard (PR: 7)
9. Toni Collette, Nightmare Alley (PR: 8)
10. Rooney Mara, Nightmare Alley (PR: 12)
11. Judi Dench, Belfast (PR: 3)
12. Meryl Streep, Don’t Look Up (PR: 10)
13. Ruth Negga, Passing (PR: 9)
14. Martha Plimpton, Mass (PR: 11)
15. Dakota Johnson, The Lost Daughter (PR: Not Ranked)
Dropped Out:
Nina Arianda, Being the Ricardos
Olga Merediz, In the Heights
Jessie Buckley, The Lost Daughter
Best Supporting Actor
Predicted Nominees:
1. Bradley Cooper, Licorice Pizza (PR: 1)
2. Richard Jenkins, The Humans (PR: 4)
3. Ciaran Hinds, Belfast (PR: 3)
4. Kodi Smit-McPhee, The Power of the Dog (PR: 2)
5. Jason Isaacs, Mass (PR: 6)
Other Possibilities:
6. Jared Leto, House of Gucci (PR: 5)
7. Jamie Dornan, Belfast (PR: Not Ranked – moved from lead)
8. Corey Hawkins, The Tragedy of Macbeth (PR: 7)
9. Jesse Plemons, The Power of the Dog (PR: 8)
10. Mark Rylance, Don’t Look Up (PR: 9)
11. Troy Kotsur, CODA (PR: 13)
12. Willem Dafoe, Nightmare Alley (PR: 10)
13. David Alvarez, West Side Story (PR: Not Ranked)
Adapting his own Tony Award winning play, Stephen Karam’s The Humans has debuted at the Toronto Film Festival. The initial buzz is encouraging for Oscar consideration. A Thanksgiving drama that critics are already calling a different kind of horror experience, the ensemble includes Beanie Feldstein, Steven Yeun, Jayne Houdyshell, Richard Jenkins, Amy Schumer, and June Squibb.
Coming as no real surprise, it’s Houdyshell (the only holdover from Broadway) and Jenkins who stand the best shots at acting recognition. Jenkins is a two-time nominee (once in lead for 2008’s The Visitor and in supporting for 2017’s The Shape of Water). Houdyshell is a newcomer to the dance. Based on early chatter, I suspect both have excellent shots in their respective supporting fields.
It is possible that the dark material (even the praising write-ups call it cold) could prevent The Humans from reaching Picture. However, I feel better about its chances now that it’s screened. Same goes for Adapted Screenplay. If it really catches the fancy of the Academy, the leftover effect could even be Karam making a bid for his direction.
Bottom line: The Humans has put itself in contention for numerous races. My Oscar Predictions posts for the films of 2021 will continue…
Eva Husson’s romantic British period piece Mothering Sunday sure looks like an awards contender on paper. Based on a 2016 novel by Graham Swift, the Lionsgate release (out stateside November 19) originally debuted at Cannes and has made its way to the Toronto Film Festival. Starring Odessa Young and Josh O’Connor, Sunday also features a trio of Oscar winner in its supporting cast (Olivia Colman, Colin Firth, Glenda Jackson).
Reviews thus far are pleasing with a 93% score on Rotten Tomatoes. Calling it a bleaker story set in a Downton Abbey world, this could find a niche audience. Yet even the positive critical reaction doesn’t indicate to me that it will resonate with the Academy. Competition could simply be too steep to make a play in the major races like Picture or Adapted Screenplay. Furthermore it’s said the high-profile supporting cast may not receive enough screen time to contend. Don’t cry for Colman, however. She’s already in the mix in Best Actress for The Lost Daughter.
Bottom line: perhaps Sunday could pop up in Production or Costume Design (though I doubt it) and that’s about the best hope. My Oscar Prediction posts for the films of 2021 will continue…
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