Tag: A24

April 19-21 Box Office Predictions

Three fresh titles attempt to prevent Civil War from a second weekend atop the charts after a strong premiere. We have vampire flick Abigail, Guy Ritchie’s spy action comedy The Ministry of Ungentlemanly Warfare, and the anime spy action comedy Spy x Family Code: White rolling out. My detailed prediction posts on the trio can be found here:

Abigail Box Office Prediction
The Ministry of Ungentlemanly Warfare Box Office Prediction
Spy x Family Code: White Box Office Prediction

It could be a genuine photo finish for the top spot. I spy Civil War dropping in the mid 50s as a hefty fall seems likely given the weaker B- Cinemascore grade. That could allow any of the newbies to compete for #1. I’m giving it to Abigail for what would be a so-so start.

Spy x Family Code: White could threaten in the low double digits, but I have it just under $10 million for a third place showing.

As for Warfare, I’m expecting Ritchie’s latest to be a flop despite pretty decent reviews. I have it rounding out the top five behind the fourth frame of Godzilla x Kong: The New Empire.

Here’s how I have the high five shaking out:

1. Abigail

Predicted Gross: $13.1 million

2. Civil War

Predicted Gross: $11.8 million

3. Spy x Family Code: White

Predicted Gross: $9.8 million

4. Godzilla x Kong: The New Empire

Predicted Gross: $8.7 million

5. The Ministry of Ungentlemanly Warfare

Predicted Gross: $7.6 million

Box Office Results (April 12-14)

Alex Garland’s buzzy Civil War opened near the higher end of its anticipated range with $25.7 million, besting my $18 million forecast. That’s a record for A24 whose previous largest beginning was held by 2018’s Hereditary in the low teens.

Godzilla x Kong: The New Empire slipped to second after two weeks in 1st with $15.5 million, on target with my $15.9 million take. The monster mash has amassed $158 million thus far.

Ghostbusters: Frozen Empire was third with $5.7 million (I was right there at $5.6 million) for $96 million in its four weeks of release.

Kung Fu Panda 4 was fourth as it added $5.5 million to its now $173 million haul. I projected $5.1 million.

Dune: Part Two rounded out the top five with $4.3 million and I incorrectly had it on the outside looking in. The seven week tally is $272 million.

Finally, Monkey Man fell a steep 60% in its sophomore frame to $4 million (I went with $4.9 million) for $17 million overall.

And that does it for now, folks! Until next time…

April 12-14 Box Office Predictions

A24 is looking for Civil War to be their biggest box office breakout so far when it opens this weekend. You can peruse my detailed prediction post on the newcomer here:

Civil War Box Office Prediction

In order to set the all-time opening premiere record for the studio, it needs to eclipse the low teens start Hereditary managed in 2018. That shouldn’t be a problem as I have it posting a high teens beginning. That should be enough for a #1 perch.

That means Godzilla x Kong: The New Empire should slide to second after two weeks atop the charts with a high 40s-low 50s decline. The other sequel with Empire at the end – Ghostbusters: Frozen Empire – might maintain its third place position as I have current #2 Monkey Man experiencing a larger drop. I actually have Monkey sliding three spots. Kung Fu Panda 4 may manage to rise from 5th to 4th as its fall should be less than the sophomore frame of The First Omen, which had a highly disappointing debut (more on that below).

And with that, my forecast for the top 5:

1. Civil War

Predicted Gross: $18 million

2. Godzilla x Kong: The New Empire

Predicted Gross: $15.9 million

3. Ghostbusters: Frozen Empire

Predicted Gross: $5.6 million

4. Kung Fu Panda 4

Predicted Gross: $5.1 million

5. Monkey Man

Predicted Gross: $4.9 million

Box Office Results (April 5-7)

Godzilla x Kong: The New Empire, as anticipated, had an understandable 61% second weekend plummet to $31.2 million. That’s right on target with my $31.8 million prediction as the impressive two-week total is $134 million.

Dev Patel’s inaugural behind the camera project Monkey Man was runner-up and kicked off on the lower end of expectations. With $10.1 million, it came in well under my $16.6 million take.

Ghostbusters: Frozen Empire was third with $9 million in its third haunting. That’s hotter than my $7.6 million projection as it has amassed $88 million.

The First Omen, as mentioned, might have been victim to horror genre overload. Despite mostly heavenly reviews, the demonic prequel was DOA with $8.3 million. I was more generous at $13.3 million.

Kung Fu Panda 4 rounded out the top five at $7.7 million (I said $6.5 million) as the animated sequel is up to $165 million in five weeks and has grossed more than parts 2 and 3 domestically already. It will not, however, match the $215 million that the original took in.

Finally, Dune: Part Two was sixth with $7.4 million (I said $6.7 million) for a six-week bounty of $265 million.

And that does it for now, folks! Until next time…

Oscar Predictions: Janet Planet

Pulitzer Prize winning playwright Annie Baker enters the cinematic realm penning and directing Janet Planet. The coming-of-age drama doesn’t hit screens until June 21st, but it debuted at Telluride last fall and a trailer is now up. Julianne Nicholson, newcomer Zoe Ziegler, Elias Koteas, Sophie Okonedo, and Will Patton are among the cast members.

Reviews range from raves to just so-so write-ups with a RT score at 83%. Variety, for example, lovingly compares it to the acclaimed Eighth Grade (another A24 project). Praise for Nicholson and Ziegler is particularly strong. The former is one of those actresses who may not be far away from their Oscar play. An Emmy winner for Mare of Easttown, Nicholson has shown up recently in Blonde and Dream Scenario and draws positive notices everywhere she turns up.

I’m not confident Janet Planet is that project. A24 would need to mount a serious campaign and they might be preoccupied elsewhere. My Oscar Prediction posts will continue…

Civil War Box Office Prediction

Civil War breaks out in theaters on April 12th after a buzzy premiere at South by Southwest last month. The dystopian action flick from Alex Garland imagines a nation deeply divided in what should be timely programming in this election year. Kirsten Dunst, Wagner Moura, Cailee Spaeny, Stephen McKinley Henderson, Nick Offerman, and Jesse Plemons are among the ensemble.

This marks Garland’s fourth directorial feature after the acclaimed Ex Machina from 2015 and 2018’s Annihilation and 2022’s Men which generated considerably more mixed reviews. Notices for War are strong with a 92% RT rating. The A24 release looks to set an all-time best opening for the distributor by topping Hereditary‘s $13.6 million debut.

That record should be set, but by how much is the question for the $50 million budgeted project. Some estimates have this at $20 million or more. I’m being a tad more conservative in the high teens.

Civil War opening weekend prediction: $18 million

Oscar Predictions: Problemista

The 2024 edition of South by Southwest recently concluded, but Problemista from Julio Torres premiered at the fest last year. Distributor A24 has at last put it into theaters this month. The quirky pic is written and directed by and stars Torres, a former SNL scribe who also co-created the HBO series Los Espookys. His directorial debut features Tilda Swinton, RZA, Greta Lee, Catalina Saavedra, James Scully, and Isabella Rossellini.

Reviews are mostly complimentary for the black comedy with an 89% RT score and particular kudos for the script and Swinton’s work. The reaction isn’t strong enough for this to have any Oscar viability. Maybe the Indie Spirit Awards will give Torres a nod in the First Screenplay competition. My Oscar Prediction posts will continue…

Oscar Predictions: Civil War

Alex Garland’s directorial debut Ex Machina was a critically hailed sci-fi effort that earned its maker an Original Screenplay nomination and a Visual Effects win at the 2014 Oscar ceremony. His follow-ups Annihilation (despite solid reviews) and Men (which drew a considerably more mixed reaction) did not generate much awards chatter post release. Garland’s fourth feature Civil War has been unveiled at South by Southwest prior to its April 12th debut. The dystopian thriller stars Kirsten Dunst, Wagner Moura, Cailee Spaeny, Stephen McKinley Henderson, Nick Offerman, and Jesse Plemons. This reunites the husband/wife team of Dunst and Plemons after The Power of the Dog.

Several critics are highly impressed with Civil War, which is being called both a love letter to journalists and a tense political action pic. The Rotten Tomatoes score is 88%. I’m not convinced that this will become a BP or directing or original screenplay player, but it’s within the realm of possibility. Tech nods seem more doable, including Sound and perhaps Cinematography.

As for the cast, Dunst and Spaeny are receiving the most attention. Dunst is coming off her first nomination for Dog in 2021 while Spaeny would be vying for her first (she probably came close to getting in for last year’s Priscilla). I would say Civil War needs to get in the BP conversation for either to have a shot and that will remain unclear for some time. My Oscar Prediction posts will continue…

Oscar Predictions: Sing Sing

For his performance as Rustin, Colman Domingo was up for his first Oscar nomination last night as he ultimately fell short as expected to Cillian Murphy’s Oppenheimer. He could see a return to the ceremony quickly with Sing Sing. Greg Kwedar’s drama is based on a real life arts program from the maximum security prison in the title. Domingo leads a cast that includes Paul Raci (nominated for Supporting Actor in 2020 for Sound of Metal) and actual former inmates.

The film was screened in Toronto all the way back in September of last year. A24 snatched up the rights based on the north of the border acclaim (the RT rating is 95%) and have slated a July release. If the studio mounts a spirited campaign (and they probably will), Sing Sing could be an across the board contender in Picture, Actor, Supporting Actor, Adapted Screenplay, and perhaps Original Score (where Bryce Dessner’s work is being singled out). My Oscar Prediction posts will continue…

Oscar Predictions: A Different Man

Writer/director Aaron Schimberg’s A Different Man was one of the more buzzed about titles premiering at Sundance and early reaction is that it lives up to the hype. With reviews indicating it crosses multiple genres, Sebastian Stan stars as a formerly disfigured man with Adam Pearson (who has neurofibromatosis in real life) playing him in a stage production. Renate Reinsve (who drew acclaim raves for 2021’s The Worst Person in the World) costars.

With a 90% RT score, critics are saying this is tough story to pull off and that Schimberg generally succeeds. One also gets the vibe that this is a very A24 production. Translation: mainstream crowds might be turned off.

That said, A24 could mount a campaign for two of the three top performers in particular. Stan is said to give a career best performance in lead while Pearson is getting plenty of attention for his supporting turn. You may recognize him from an extremely eerie scene in Jonathan Glazer’s Under the Skin from 2014. If those actors can be in contention, other top of the line races could follow. I wouldn’t count out a Makeup and Hairstyling nod either. Let’s see how hard its distributor pushes. My Oscar Prediction posts will continue…

Oscar Predictions: I Saw the TV Glow

A24 is having a solid Sundance so far (Love Lies Bleeding, A Different Man) and Jane Schoenbrun’s horror pic I Saw the TV Glow is part of it. It is the director’s sophomore effort behind We’re All Going to the World’s Fair with Justice Smith, Brigette Lundy-Paine, Danielle Deadwyler, Helena Howard, and Limp Bizkit’s Fred Durst headlining.

Glow is shining with a 100% RT rating. This seems destined for kudos throughout the year as critics are saying this is far from a sophomore slump. That said, A24 products can be too much for the Academy and that could be the case (especially considering the genre). Don’t be surprised if this ends up on some top ten lists. I wouldn’t expect the Academy’s to be one of them. My Oscar Prediction posts will continue…

Oscar Predictions: Love Lies Bleeding

Rose Glass’s 2020 directorial debut Saint Maud was a critically hailed horror tale that originally screened at Toronto in 2019. Her sophomore effort Love Lies Bleeding (out March 8th) is a Sundance affair and it is one of the more eagerly awaited titles. The 80s set noirish thriller casts Kristen Stewart and Katy O’Brian as lovers embroiled in crime drama. Costars include Ed Harris, Jena Malone, Anna Baryshnikov, and Dave Franco.

From the reaction out of Utah, Bleeding should inspire strong reactions across the spectrum. The RT score is 90% (**Blogger’s Note: updated March 9th) with reviewers praising technical aspects (cinematography, score) and the cast (Stewart is particularly getting some shouts along with Harris). K-Stew has quite a presence at Sundance 2024. Her sci-fi two-hander Love Me with Steven Yeun is drawing mixed notices.

A24 apparently has a wild ride on its hands. If the studio play their cards right, supporting campaigns for Stewart (or maybe lead) and Harris are in order. On the other hand, this could be too out there for awards voters. My Oscar Prediction posts will continue…