Canadian horror flick Undertone was made for a teensy reported budget of $500k with the A24 pickup arriving in theaters this weekend. It marks the directorial debut Ian Tuason with Nina Kiri and Adam DiMarco starring.
While its distributor hopes to turn a nifty profit considering the price tag, Undertone is worthy of an Oscar Predictions post for one specific reason. While the 78% Rotten Tomatoes rating and 67 Metacritic are fine, Undertone‘s plot centers on paranormal noises and other auditory aspects.
That raises the possibility of this scoring a Sound nomination. The question is whether the Academy’s voters remember it. That might depend on A24’s campaign. The biggest challenge might be making the shortlist of ten for consideration. Heavy hitters such as The Odyssey and Dune: Part Three loom. If Undertone does get named among the ten, a spot in the top five seems likely. My Oscar Prediction posts will continue…
A24 is looking for Undertone to scare up some business with the low-budget (reportedly $500k) Canadian horror pic dropping on March 13th. From writer/director Ian Tuason and starring Nina Kiri and Adam DiMarco, the distributor picked up the title after its premiere last summer at Fantasia Fest. At that time, it landed mostly solid reviews with 88% on Rotten Tomatoes and a 68 Metacritic.
That said, it’s hard to envision this having mass appeal as it should cater strictly to attentive genre followers. With no star power driving it and muted buzz, I suspect a debut under $5 million sounds about right.
Undertone opening weekend prediction: $4.9 million
Chris Pratt and Rebecca Ferguson headline the sci-fi thriller Mercy this weekend and it looks to be the only newbie with a shot at the top spot or top 5 for that matter. You can peruse my detailed prediction post on it here:
With word-of-mouth lacking, Mercy has the air of a streaming title that is going the multiplex route. A debut over $10 million is certainly possible, but I’m going a tad lower. My estimate would put it just behind Avatar: Fire and Ash which I’m giving an unexpected sixth week atop the rankings.
28 Years Later: The Bone Temple was a major disappointment out of the gate (more on that below). Despite an encouraging A- Cinemascore grade (the best of the four features in the long running franchise), it should experience the heftiest decline in the upper half of the charts. That likely means a slide from 2nd to 5th. Holdovers Zootopia 2 and The Housemaid should remain sturdier.
Return to Silent Hill is another new offering. I didn’t do an individual post for the horror threequel and I have it at $2.2 million, putting it well outside the top 5.
Here’s how I have it shaking out:
1. Avatar: Fire and Ash
Predicted Gross: $9.8 million
2. Mercy
Predicted Gross: $9.3 million
3. Zootopia 2
Predicted Gross: $6.8 million
4. The Housemaid
Predicted Gross: $6.2 million
5. 28 Years Later: The Bone Temple
Predicted Gross: $5.5 million
Box Office Results (January 16-18)
In an unanticipated twist, Avatar: Fire and Ash managed to place 1st for a fifth week over MLK weekend with $14.4 million from Friday to Sunday. That’s a tad below my $15.5 million forecast as the third pic in the series is up to $364 million.
28 Years Later: The Bone Temple severely underperformed with $12.5 million for runner-up status. Even with the MLK Monday factored in ($14.4 million over four days), that’s less than half of what predecessor 28 Years Later brought in last summer and easily under my $20.1 million take.
Zootopia 2 was third in weekend #8 with $9.1 million, in line with my $8.6 million call. The Disney sequel stands at $390 million with $400 million around the corner.
The Housemaid was fourth with $8.5 million (I said $8.9 million) as the blockbuster thriller crossed nine digits with $107 million after five weeks.
Marty Supreme rounded out the top five and I incorrectly didn’t have it there. With an additional $5.4 million in its coffers, the total stands at $79 million and it has become A24’s largest domestic earner.
Finally, Primate was sixth with $5 million, not matching my $6 million projection. The rabid chimp saga has made $19 million after two weeks.
A couple of months back, Benny Safdie’s The Smashing Machine played the festival circuit prior to its release and saw its awards prospects tumble. Benny’s brother Josh (they made Good Time and Uncut Gems together among others) goes solo with Marty Supreme on Christmas Day. After a “surprise” showing at the New York Film Festival last month, the review embargo is lifted today. Unlike Machine, Marty should be a smash at the Oscars and elsewhere.
The 1950s set dramedy features Timothée Chalamet in the title role (as an ambitious ping pong star) with an eclectic supporting cast including Gwyneth Paltrow, Odessa A’Zion, Kevin O’Leary (of Shark Tank fame), Tyler Okonma (better known as Tyler, the Creator), Abel Ferrara, and Fran Drescher.
Early reaction from the Big Apple indicated this should be a major player at the Academy Awards and today’s critical reaction solidifies the buzz. Rotten Tomatoes is at 96% with 88 on Metacritic. Supreme has been perched in my top 5 possibilities for Best Picture throughout 2025 and that appears to be the right call. Like One Battle After Another, Hamnet, Sinners, and Sentimental Value – this is a BP prediction that you should feel comfortable writing in ink.
That same logic certainly applies to Chalamet in what many write-ups are calling career best work. He will turn 30 two days after Supreme‘s release, but he is going for nomination #3 after 2017’s Call Me by Your Name and last year’s A Complete Unknown. I’ve had him ranked 1st for months based on the notion that this seems like an awards friendly role. Chalamet was also the likely runner-up for Best Actor at the 97th ceremony when he fell short to Adrien Brody in The Brutalist. There is competition for the gold at the 98th production, especially from Battle‘s Leonardo DiCaprio and maybe Wagner Moura (The Secret Agent) and Ethan Hawke (Blue Moon). Yet the third time could definitely be the charm for Mr. Supreme.
Supporting Actress is tough to pinpoint. A’Zion is being called the breakout performance while Paltrow is being heralded for a comeback role. All scenarios are possible as they could both get in or cancel each other out. It makes it trickier that there’s potential double nominees for Sentimental Value with Elle Fanning and Inga Ibsdotter Lilleass and perhaps Sinners with Wunmi Mosaku and Hailee Steinfeld. If only one makes the cut, I’m a bit stumped as where the edge lies. I’ve had Paltrow ranked slightly above A’Zion. Precursors should assist in offering clues. Right now my gut says both do not make the quintet and one of them does. I could flip a coin at the moment between them.
As for other above the line races, Safdie’s inclusion in Director isn’t automatic but the embargo lapse makes me more confident he gets in. Original Screenplay (from Safdie and Ronald Bronstein) shouldn’t be a problem.
There is a number of possibilities in tech competitions and it starts with the new Best Casting award which Supreme (with its unexpected roster choices) looks tailor made for. The pic also seems viable in Best Cinematography (from two-time nominee Darius Khondji), Costume Design, Film Editing, Original Score, and Production Design. A best case scenario could even include Sound though I suspect several rivals could close that door.
This means the A24 release could rack up a dozen nods under the rosiest projections with high single digits seemingly happening. Wins might be hard to come by in a number of them, but its lead has boosted his chances even more with a month left in the calendar year. My Oscar Prediction posts will continue…
Blogger’s Update (11/25): It appears Eternity is opening on approximately 1500 screens which is lower than I assumed. Therefore my three-day estimate is declining from $4.3 million to $3 million and five-day from $6.1 million to $4.4 million.
The afterlife set rom com Eternity premieres over Thanksgiving after screening at the Toronto Film Festival in September. David Freyne directs with Miles Teller, Elizabeth Olsen, and Callum Turner making up a love triangle. Costars include John Early, Olga Merediz, and Da’Vine Joy Randolph.
A rare comic relief genre title from A24, word-of-mouth from the north of the border festival was decent if not overwhelmingly positive. The Rotten Tomatoes meter is at 83% with Metacritic at 65. Despite the presence of Teller and Olsen (who’ve had their share of high profile titles), this should struggle for eyeballs over the five-day holiday frame. Some of its intended audience could be catching up on Wicked: For Good, taking the kids to Zootopia 2, or simply waiting this out for streaming.
I’ll say mid single digits from Friday to Sunday with a couple million added when factoring Wednesday and Thursday.
Eternity opening weekend prediction: $3 million (Friday to Sunday); $4.4 million (Wednesday to Sunday)
Dwayne Johnson seeks rock solid returns when The Smashing Machine enters the box office ring on October 3rd. Marking the solo directorial debut of Benny Safdie (brother Josh has his own with Marty Supreme in December), Johnson stars as MMA fighter Mark Kerr with Emily Blunt as his wife. The supporting cast includes Ryan Bader, Bas Rutten and Oleksandr Usyk (all from the real life fight world).
Seen as Johnson’s first legit bid for awards consideration, Machine debuted at Venice to mostly positive reviews (75% RT, 69 Metacritic). Steering away from broad based action and comedy (often set in jungles), A24 hopes the former wrestler’s latest plays well throughout October.
The MMA factor could help this get past my projection, but I don’t think the buzz is strong enough for this to reach $20 million. Even mid to high teens could be a challenge.
The Smashing Machine opening weekend prediction: $13.7 million
For my Taylor Swift: The Official Release Party of a Showgirl prediction, click here:
Miles Teller, Elizabeth Olsen and Callum Turner are in a love triangle in the afterlife set rom com Eternity from director David Freyne. The A24 title releases November 14th and played the Toronto Film Festival. Recent Supporting Actress winner Da’Vine Joy Randolph (said to steal some scenes) and John Early costar.
The studio is hoping its visible leads bring moviegoers out to a genre often relegated to streaming in recent years. Reviews are measured but saying it’s a decent crowdpleaser with 85% on Rotten Tomatoes and a 64 Metacritic. This is unlikely to factor into awards conversations unless it manages to sneak into Best Motion Picture – Musical/Comedy at the Golden Globes or with Olsen in lead Actress. I doubt it. My Oscar Prediction posts will continue…
Prior to an October 3rd release from A24, sports biopic The Smashing Machine has been unveiled at Venice with Toronto up next. A passion project of Dwayne “The Rock” Johnson, the former wrestler plays MMA fighter Mark Kerr in the solo directorial debut from Benny Safdie. Emily Blunt is Kerr’s wife with Ryan Bader, Bas Rutten, and Oleksandr Usyk providing support.
Usually front and center in franchise, action, or family fare (or a combo of them), Smashing has been circled as Johnson’s potential entry into the awards mix. Word-of-mouth from Italy confirms that with a 93% Rotten Tomatoes rating and 76 on Metacritic. Numerous reviews call it rather conventional and I doubt Best Picture, its direction, or the script will be up for consideration.
Johnson is a genuine threat to make the Best Actor quintet as is Emily Blunt for Supporting Actress. If she gets in, it would be her second nom in three years for that race behind 2023’s Oppenheimer. Since BP likely isn’t in the cards, it makes both of their inclusions questionable but achievable. The best bet might be Makeup and Hairstyling highlighting Johnson’s transformation for the role. My Oscar Prediction posts will continue…
You might not know it, but Ne Zha 2 is smashing records overseas before the A24 distributed English dub (featuring Michelle Yeoh among the voice cast) hits domestic venues this weekend. The animated Chinese fantasy is the follow-up to 2019’s original and comes from filmmaker Yang Yu, better known as Jiaozi.
The sequel was out in its home country in January before rolling out to additional territories throughout the winter and spring. With $2.2 billion in its coffers, Zha is already the highest grossing animated feature in history (surpassing Inside Out 2).
How will that translate to awards prospects? While it sports 96% on Rotten Tomatoes, the 63 Metacritic score indicates many reviews weren’t over the top in their praise. I will note that part one was China’s submission for Best International Feature Film back at the 92nd Academy Awards and it didn’t land a nom. That race seems out of reach for the 98th ceremony.
This could still manage to nab one of the five Best Animated Feature slots. Yet I’ll note that foreign competition is serious this time around with KPop Demon Hunters, Arco, and Scarlet among titles jockeying for position. My Oscar Prediction posts will continue…
Ari Aster’s fourth feature Eddington hits screens July 18th after a May premiere at Cannes. The small town set satire takes place during the height of COVID with Joaquin Phoenix (who starred in Aster’s predecessor Beau is Afraid) and the suddenly everywhere Pedro Pascal headlining. Other cast members include Luke Grimes, Deirdre O’Connell, Micheal Ward, Austin Butler, and Emma Stone.
Reviews from the French fest were mixed with 67% on Rotten Tomatoes and a 64 Metacritic. That buzz zapped any awards chatter for the A24 feature. This has the appearance of an autumn release trapped in midsummer and I am doubtful that adult crowds will turn up. For one thing, audiences might be hesitant to relive the lockdown days of a half decade ago. If this gets over $5 million, I’d be surprised.
Eddington opening weekend prediction: $3.4 million
For my I Know What You Did Last Summer prediction, click here:
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