Tag: A Quiet Place

AFI Awards 2024: Reaction

Each year the American Film Institute (AFI) names their ten best films of the year and it’s become a reliable bell weather for 7-8 Best Picture nominees at the Oscars. How about a look at the past 15 years and their track record since the Academy expanded to more than five BP contenders?

2009: 5/10 match

2010: 9/10

2011: 7/9

2012: 8/9

2013: 7/9

2014: 6/8

2015: 6/8

2016: 7/9

2017: 7/9

2018: 5/8

2019: 7/9

2020: 6/8

2021: 8/10

2022: 7/10

2023: 8/10

There’s an important caveat as this is the American Film Institute. Therefore movies considered international do not make the cut. They often get a “special” award and that was the case with Roma, Parasite, and The Banshees of Inisherin.

Today’s AFI announcement was surprising in the sense that there was only one. Emilia Pérez was thought by most to be ineligible for the 10 due to its foreign flavor, but it managed to make the cut. The AFI list is as follows:

Anora

The Brutalist

A Complete Unknown

Conclave

Dune: Part Two

Emilia Pérez

Nickel Boys

A Real Pain

Sing Sing

Wicked

Not a shocker in the group. This seems like a key inclusion for Nickel Boys and A Real Pain in solidifying their status as legit BP players. I suspect that if some prognosticators knew Emilia would be eligible, several of them would’ve gone 10/10.

Let’s analyze, shall we? The AFI has a habit of naming mainstream pics that the Academy ignores. Examples in the last decade include Into the Woods, Inside Out, Star Wars: The Force Awakens, Straight Outta Compton, Zootopia, Wonder Woman, Mary Poppins Returns, A Quiet Place, Knives Out, Soul, Nope, and Spider-Man: Across the Spider-Verse.

Note the amount of animated features. This is where a nod for The Wild Robot wouldn’t have been unexpected. The fact that it didn’t land here is an indication of its chances in the Academy’s BP derby… none. The same might be said for Gladiator II. It’s been out of my top 10 and I had it placed 13th in Other Possibilities last weekend. Don’t be surprised it drops out of the top 15 in my next update.

Other features that could have benefitted from a spot here include The Substance, September 5, Nosferatu, Blitz, The Room Next Door, and recent Gotham recipient A Different Man.

That said… we don’t expect this to be the Oscar top ten…

Do we?!? It sure could be. Yes, that would be the first time AFI and the Academy match 10/10. Yet the only difference I have right now is The Substance over A Complete Unknown and the latter seems to be picking up some steam. We still have Critics Choice and their top ten en route. They’re another pretty reliable barometer. I’ll say right now, though, that at least 8 of AFI’s picks will be the Academy’s and perhaps more…

Keep an eye on this blog for all Oscar precursor chatter!

Heretic Box Office Prediction

A24 is hoping audiences make some noise for Heretic when it debuts November 8th. The horror thriller comes from Scott Beck and Bryan Woods, who wrote the blockbuster A Quiet Place and recently directed the megaflop 65. Sophie Thatcher and Chloe East costar as Mormon missionaries who knock on Hugh Grant’s wrong door.

Critics opened up to Heretic upon its screening at the Toronto Film Festival. The Rotten Tomatoes score is a certified fresh 95% with Metacritic at 71. Moviegoers have had plenty of scary material to feast on in 2024 and that could limit its potential. I could see a start in the $11.5 million range that Speak No Evil managed in September.

Heretic opening weekend prediction: $11.2 million

For my The Best Christmas Pageant Ever prediction, click here:

The Best Christmas Pageant Ever Box Office Prediction

Oscar Predictions: Heretic

A24 has premiered Heretic at the Toronto Film Festival before it hits multiplexes on November 15th. The psychological horror pic casts Sophie Thatcher and Chloe East as Mormon missionaries who knock on Hugh Grant’s wrong door. Scott Beck and Bryan Woods co-direct. They are best known for penning the wildly successful A Quiet Place in 2018. On the flip side, they helmed and scripted Adam Driver’s dino adventure 65 last year. It was a box office and critical failure.

Early reaction from Canada indicates that Heretic mostly succeeds. The Rotten Tomatoes score is 89 with Metacritic at 67. Critics are certainly directing their applause to Grant in his creepy role. Despite four Golden Globe nominations for feature films (all in Musical/Comedy and he won for 1994’s Four Weddings and a Funeral), the Academy has yet to mention his name. That won’t change here as this genre rarely gets noticed by the voters. My Oscar Prediction posts will continue…

July 5-7 Box Office Predictions

Inside Out 2 has been responsible for animation domination and kickstarting the summer season for the past three weeks. Now it’s time for a new sequel to take over as Despicable Me 4 debuts Wednesday and looks to rule the holiday frame. We also have Ti West’s horror trilogy capper MaXXXine out Friday. My detailed prediction posts on both can be accessed here:

Despicable Me 4 Box Office Prediction
MaXXXine Box Office Prediction

While not setting a franchise record like other follow-ups lately, I have Despicable Me 4 from Illumination Entertainment premiering in line with other entrees. That means a three-day near $80 million with over $125 million when counting Wednesday and Independence Day.

As for MaXXXine, my readers think I’m low. However, I’m struggling to see why it would debut too much higher than predecessors X and Pearl. I have it slated for a fifth place showing, but perhaps I’m not being generous enough.

Inside Out 2 will slide to second with perhaps a low to mid 40s percentage ease considering the Despicable competition. A Quiet Place: Day One may experience a 50-55% drop after its series best start (more on that below). The 4 slot (barring a MaXXXine over performance) should go to Bad Boys: Ride or Die with Horizon: An American Saga – Chapter 1 in sixth after its so-so unveiling.

Here’s how I see it playing out:

1. Despicable Me 4

Predicted Gross: $79.4 million (Friday to Sunday); $126.3 million (Wednesday to Sunday)

2. Inside Out 2

Predicted Gross: $32.6 million

3. A Quiet Place: Day One

Predicted Gross: $24 million

4. Bad Boys: Ride or Die

Predicted Gross: $6.8 million

5. MaXXXine

Predicted Gross: $5.7 million

6. Horizon: An American Saga – Chapter 1

Predicted Gross: $5.4 million

Box Office Results (June 28-30)

Despite the aforementioned loud opening from A Quiet Place: Day One, Disney/Pixar ruled the roost for a third weekend with Inside Out 2. It took in $57.5 million (just below my $61.5 million prediction) for a three-week haul of $469 million. The sequel also crossed a billion bucks worldwide.

Day One was second with $52.2 million, eclipsing my estimate of $46.3 million and the $50.2 million that A Quiet Place earned back in 2018. I do think its sophomore weekend dip will be more pronounced than part 1 (which only fell by a third). Either way it’s a fine result for a franchise that looks to keep chugging along.

The news wasn’t as good for Kevin Costner as his Western epic Horizon: An American Saga – Chapter 1 lassoed $11 million in third compared to my $14.8 million projection. Reportedly self-funded by its star/writer/director, this is on the lower end of its range and troubling considering the rumored $100 million price tag.

Bad Boys: Ride or Die was fourth with $10.3 million (I said $11.2 million) for a four-week gross of $165 million.

Indian sci-fi tale Kalki 2898 AD was fifth with $5.2 million and I incorrectly had it outside the high five and didn’t do a forecast.

The Bikeriders plummeted 66% to sixth with $3.3 million (I was generous at $4.6 million) for a mere $16 million in ten days.

Finally, Yorgos Lanthimos’s anthology Kinds of Kindness was ninth on just under 500 screens with $1.5 million. I thought it might get a bit more with a $3.2 million call.

And that does it for now, folks! Until next time…

Oscar Predictions – A Quiet Place: Day One

Horror prequel A Quiet Place: Day One is out this weekend with a fresh creative team behind and in front of the camera. Michael Sarnoski, best known for Pig with Nicolas Cage, directs with Lupita Nyong’o, Joseph Quinn, and Alex Wolff entering the franchise. Djimon Hounsou reprises his turn from A Quiet Place Part II.

The review embargo is up and it is slightly behind its two predecessors. 2018’s original posted 96% on RT with 2021’s follow-up at 91%. Day One currently stands at 86%. There is particular praise for Nyong’o who probably came close to a Best Actress nom in this genre with 2019’s Us.

At the 91st Academy Awards, A Quiet Place was up for Sound Editing (this was right before Sound Editing and Sound Mixing were combined into Best Sound). It ultimately lost to Bohemian Rhapsody and was its sole nod. Side note: Emily Blunt took home a surprise Supporting Actress SAG prize for the pic while missing the Oscar cut.

Part II did not get a Sound mention three years later as Dune was the victor. Day‘s only shot on Oscar night is Sound and it’s a coin flip whether it gets in. You’re safe to assume it won’t take the statue even if it makes the quintet thanks to Dune: Part Two. My Oscar Prediction posts will continue…

A Quiet Place: Day One Box Office Prediction

Michael Sarnoski, director of Pig, takes over a highly profitable horror franchise from John Krasinski with A Quiet Place: Day One. Paramount is hoping the prequel continues to bring home the bacon. With Krasinski (who just released the family friendly IF) and spouse Emily Blunt (recently in The Fall Guy) out of the mix, Lupita Nyong’o, Joseph Quinn, Alex Wolff, and Djimon Hounsou (a returnee from the second entry) headline.

In the spring of 2018, A Quiet Place made loud noises at multiplexes with a $50 million beginning and $188 million overall domestic haul. The 2021 sequel (delayed a year due to the pandemic) earned $48 million out of the gate with $160 million total stateside.

Scary movies have seen underwhelming premieres for the most part in 2024. Day One should be an exception. That said, I don’t see a compelling reason why this would significantly top its predecessors. A $50 million plus debut is possible. I suspect it will fall in line with its predecessor from three years ago in the mid to high 40s range.

A Quiet Place: Day One opening weekend prediction: $46.3 million

For my Horizon: An American Saga – Chapter 1 prediction, click here:

Horizon: An American Saga – Chapter 1 Box Office Prediction

For my Kinds of Kindness prediction, click here:

Kinds of Kindness Box Office Prediction

Oscar Predictions: IF

After massive box office success with the two A Quiet Place horror pics, John Krasinski is in family mode when IF debuts Friday. Combining live-action with animation, Ryan Reynolds headlines the human cast with a ginormous list of familiar faces voicing imaginary friends from Steve Carell to Emily Blunt to George Clooney to Matt Damon and Bradley Cooper and many more.

The review embargo is up and reaction is mixed. With a 59% RT score, any awards prospects are shaky. The one exception could be Visual Effects, but I don’t even think it’s guaranteed to make the shortlist (let alone the final five). In other words, putting this anywhere in your Academy forecast represents a big… well, you know. My Oscar Prediction posts will continue…

IF Box Office Prediction

Paramount is banking on John Krasinski’s latest directorial project to make lots of noise at multiplexes when IF debuts on May 17th. Mixing live-action with animation, the comedy’s real-life cast consists of Ryan Reynolds, Cailey Fleming, Fiona Shaw, Alan Kim, Liza Colón-Zayas, Bobby Moynihan, and Krasinski himself. The sprawling list of performers providing voiceover work includes the filmmaker’s Office costar Steve Carell, Phoebe Waller-Bridge, Krasinski’s spouse Emily Blunt, the late Louis Gossett Jr., Matt Damon, Maya Rudolph, Jon Stewart, Sam Rockwell, Sebastian Maniscalco, Christopher Meloni, Richard Jenkins, Awkwafina, Blake Lively, George Clooney, Matthew Rhys, Bradley Cooper, Amy Schumer, Keegan-Michael Key, and Vince Vaughn.

Handling screenplay duties as well, this is a far cry from the director’s A Quiet Place pics. The summer’s first feature geared toward families, this should capitalize on the absence of genre material in the marketplace (it’s been two months since Kung Fu Panda 4). The title, by the way, stands for Imaginary Friend.

The chance for this to rise above expectations seems real. I think it could make $50 million for starters. It could also start out slowly and hope for decent legs in subsequent weekends. A worst case scenario could be $25-30 million. I’m giving it $35-40 million out of the gate.

IF opening weekend prediction: $38.3 million

For my The Strangers: Chapter 1 prediction, click here:

The Strangers: Chapter 1 Box Office Prediction

For my Back to Black prediction, click here:

Back to Black Box Office Prediction

Oscars: The Case of Emily Blunt in Oppenheimer

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at the Supporting Actress quintet and it starts with Emily Blunt in Oppenheimer. Let’s get to it!

Previous Oscar Acting Nominations:

None

The Case for Emily Blunt:

Despite an impressive filmography covering dramas, action/adventure pics, family fare, and horror hits – from Sicario and Edge of Tomorrow to A Quiet Place to Mary Poppins Returns and Jungle Cruise – Blunt has somehow never nabbed an Oscar nod until now for the BP frontrunner. That’s despite her six Golden Globes noms for feature films and four SAG mentions. There could be an overdue vibe occurring and Oppenheimer‘s coattails could be large. As the alcoholic wife of the title character, she’s landed recognition in key precursors like the Globes, SAG, BAFTA, and Critics Choice.

The Case Against Emily Blunt:

The Globes and Critics Choice have gone with Da’Vine Joy Randolph in The Holdovers and she is certainly the favorite. A SAG or BAFTA victory win may be needed to show any strength. Voters may honor her costars Cillian Murphy and Robert Downey Jr. in their races and that might feel like enough.

The Verdict:

For quite some time, I had Danielle Brooks (The Color Purple) as the runner-up to Randolph. I’d say the spot belongs to Blunt now. However, nothing has happened yet to show that Randolph is vulnerable.

My Case Of Posts will continue with Sterling K. Brown in American Fiction…

30th Annual SAG Awards: Nominations Reaction

A major Oscar precursor day kicked off with the Screen Actors Guild nods for the 30th ceremony coming next month. Per usual, the acting branch struck us with some highly expected nominations and a smattering of unexpected inclusions and snubs.

I went for 22 for 30 in my picks. Let’s break down the six races one by one with how I did and some initial analysis, shall we?

Outstanding Performance by a Cast in a Motion Picture

Nominees: American Fiction, Barbie, The Color Purple, Killers of the Flower Moon, Oppenheimer

How I Did: 3/5

A nice morning for American Fiction overall with its 3 nominations and The Color Purple got some sorely needed recognition here. They get in over my calls of Poor Things (which I’m surprised didn’t make it) and Saltburn (which was a bit of a surprise selection on my part).

While Purple‘s inclusion is helpful, there’s usually at least one SAG Ensemble contender that doesn’t get a BP nod from the Academy. Barbie, Killers, and Oppenheimer all appear to be shoo-in nominees and Fiction is looking safer by the day…

Outstanding Performance by a Female Actor in Leading Role

Nominees: Annette Bening (Nyad), Lily Gladstone (Killers of the Flower Moon), Carey Mulligan (Maestro), Margot Robbie (Barbie), Emma Stone (Poor Things)

How I Did: 5/5 (!)

The actors branch often go with known names over relatively unknown ones and that’s why I had Bening over Sandra Huller (Anatomy of a Fall) or Cailee Spaeny (Priscilla). This is where Fantasia Barrino (The Color Purple) could’ve moved up as far as viability, but it didn’t materialize. This should be a showdown between Gladstone and Stone.

Outstanding Performance by a Male Actor in Leading Role

Nominees: Bradley Cooper (Maestro), Colman Domingo (Rustin), Paul Giamatti (The Holdovers), Cillian Murphy (Oppenheimer), Jeffrey Wright (American Fiction)

How I Did: 4/5

Domingo making the quintet is not a shocker by any stretch. Yet I am a bit taken aback that SAG didn’t nominate Leonardo DiCaprio for Killers of the Flower Moon (so much for them always going with the big names). This might be where Cooper needs to show he’s a threat to win. Otherwise it’s Murphy or Giamatti unless Wright can score an upset.

Outstanding Performance by a Female Actor in a Supporting Role

Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Color Purple), Penelope Cruz (Ferrari), Jodie Foster (Nyad), Da’Vine Joy Randolph (The Holdovers)

How I Did: 4/5

Cruz is in over my Rosamund Pike (Saltburn) pick. The other four seemed likely contenders and the five spot was wide open. Others who could’ve helped themselves today include Rachel McAdams (Are You There God? It’s Me Margaret), Julianne Moore (May December), and America Ferrera (Barbie). Randolph is considered the frontrunner to potentially sweep the season. I will note that SAG seems to adore Blunt (she scored an upset victory here in 2018 for A Quiet Place).

Outstanding Performance by a Male Actor in a Supporting Role

Nominees: Sterling K. Brown (American Fiction), Willem Dafoe (Poor Things), Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Ryan Gosling (Barbie)

How I Did: 3/5

This could turn out to the most fascinating acting derby of the season. It certainly was this morning. Brown and De Niro are named over Charles Melton (May December) and Mark Ruffalo (Poor Things). Seeing Dafoe be the sole Things nominee instead of Ruffalo is unexpected. So is Melton missing and we now have to consider whether he’s strong or not for the Oscar quintet. Basically we have seven legit contenders vying for five slots. As far as a winner with SAG, Gosling will try to show he’s a competitor to the slightly favored Downey Jr.

Outstanding Performance by a Stunt Ensemble in a Motion Picture

Nominees: Barbie, Guardians of the Galaxy Vol. 3, Indiana Jones and the Dial of Destiny, John Wick Chapter 4, Mission: Impossible – Dead Reckoning Part One

How I Did: 3/5

This sequel heavy lineup sees Barbie (?) and Guardians in over The Creator and Ferrari. I’ll make a bold prediction that a sequel wins… and it’s probably Wick or Mission.

You can expect my final SAG winner predictions shortly before its February 24th airdate!