Tag: A Haunting in Venice

October 13-15 Box Office Predictions

This coming weekend should be very lucky for a songstress you may have heard of named Taylor Swift. Her cinematic airing of The Eras Tour is out on approximately 4000 screens as it looks to dominate the box office. You can peruse my detailed prediction post on it here:

Taylor Swift: The Eras Tour Box Office Prediction

The power of Swift has propelled the concert doc to hefty pre sales totaling over $100 million worldwide. I’m projecting the domestic take will fall just shy of $140 million. That would give it the third best premiere of 2023 behind only Barbie and The Super Mario Bros. Movie.

No other studio dared to open anything against Taylor and her army of Swifties. In fact, The Exorcist Believer moved up its release date to this past weekend. It had a so-so start (more on that below). With a meh C Cinemascore grade, I look for it to fall in the low to mid 60s in its sophomore frame.

The rest of the top five will be filled with holdovers likely dropping in the low to high 40s. Everything should slide a spot with PAW Patrol: The Mighty Movie, Sax X, and The Creator populating 3-5 in their third weekends.

Here’s how I think it’ll play out:

1. Taylor Swift: The Eras Tour

Predicted Gross: $139.6 million

2. The Exorcist: Believer

Predicted Gross: $9.7 million

3. PAW Patrol: The Mighty Movie

Predicted Gross: $6.6 million

4. Saw X

Predicted Gross: $4.1 million

5. The Creator

Predicted Gross: $3.5 million

Box Office Results (October 6-8)

David Gordon Green’s take on another iconic horror franchise couldn’t come close to his Halloween numbers as The Exorcist: Believer fell slightly short of expectations. The poorly reviewed direct sequel to the 1973 classic scared up $26.4 million compared to my $31.9 million prediction. That’s not terrible, but Universal reportedly ponied up $400 million for the rights to the series with two sequels planned. A mid 20s beginning (coupled with that unimpressive Cinemascore grade) could spell trouble ahead.

PAW Patrol: The Mighty Movie was second with $11.3 million, a bit under my $12.8 million forecast. The animated sequel has grossed a sturdy $38 million in ten days of release.

Saw X had an understandable 57% decline for third with $7.8 million (I was close with $8.3 million). Jigsaw and company’s tenth go-round has $32 million in the bank thus far.

The Creator was fourth with $6.2 million (I said $5.9 million) for a disappointing $25 million in its first two weeks.

I incorrectly didn’t project numbers for The Blind and A Haunting in Venice. They were 5th and 6th respectively with $3.2 million and $2.6 million. The Blind has made $10 million in two weeks while Venice is at $35 million after four frames.

The error was placing The Nun II in fifth. It was seventh with $2.6 million. My prediction? $2.6 million! This horror sequel has achieved $81 million.

And that does it for now, folks! Until next time…

September 29-October 1 Box Office Predictions

After the worst box office weekend of 2023, Hollywood hopes to rebound with a quartet of new releases. We have sci-fi action pic The Creator from Gareth Edwards, the return of Jigsaw in Saw X, animated canine sequel PAW Patrol: The Mighty Movie, and the wide expansion of the GameStop stock dramedy Dumb Money. My detailed prediction posts on all of them can be accessed here:

The Creator Box Office Prediction
Saw X Box Office Prediction
PAW Patrol: The Mighty Movie Box Office Prediction
Dumb Money Box Office Prediction

The newcomers should manage to populate the 1-4 slots. The Creator seems poised for #1 though I’m projecting it’ll fall under $20 million for a so-so high teens start.

As for the runner-up position, it could be either of the sequels. The Saw franchise seems to have run out of steam in recent years. My low double digits estimate means a third place start as I see PAW getting into the low teens.

Dumb Money has done fair business in limited release and the expansion might mean mid single digits for fourth position. The lone holdover in the top five should be unlikely three-week champ The Nun II.

Here’s how I see it shaking out:

1. The Creator

Predicted Gross: $17.9 million

2. PAW Patrol: The Mighty Movie

Predicted Gross: $16.3 million

3. Saw X

Predicted Gross: $15.7 million

4. Dumb Money

Predicted Gross: $5.5 million

5. The Nun II

Predicted Gross: $4.7 million

Box Office Results (September 22-24)

Neither Hercule Poirot last weekend nor Jason Statham and Sylvester Stallone could dethrone The Nun II from a third weekend atop the charts. The horror sequel edged Expend4bles with $8.5 million, a little above my $7.5 million take. The three-week total is $69 million.

Expend4bles was a huge disappointment in second with only $8 million compared to my $12.8 million prediction. The nine year break between sequels probably didn’t help, but I would’ve thought it could at least hit $10 million.

A Haunting in Venice had a scary 56% drop for third in its sophomore frame with $6.3 million. I was a bit more generous at $7.2 million. The ten-day tally is a weak $25 million.

The Equalizer 3 was fourth with $4.9 million, on target with my $4.7 million forecast for $81 million overall.

Barbie rounded out the top five with $3.2 million (I said $3.1 million) for a 2023 best $630 million in ten weeks.

My Big Fat Greek Wedding 3 was sixth with $3 million. I went with $2.6 million and the romantic comedy threequel has grossed $23 million after three weeks.

That’s all for now, folks! Until next time…

September 22-24 Box Office Predictions

Jason Statham and Sylvester Stallone look to top the charts as Expend4bles, the fourth entry in the action franchise, is the only new wide release this weekend. You can peruse my detailed prediction post on it here:

Expend4bles Box Office Prediction

I have it just under the teens and that’s a far cry from the mid 30s/high 20s premieres that parts 1 and 2 achieved. It’s also below the $15.8 million that The Expendables 3 made in 2014. That said, given the weak box office frame happening, it should be enough for a #1 debut.

Just as the competition for #1 was a photo finish this past weekend (more on that below), The Nun II and A Haunting in Venice should duke it out for the runner-up spot.

Nos. 4 and 5 should go to holdover threequels The Equalizer 3 and My Big Fat Greek Wedding 3. However, Barbie might manage to stay fifth depending on the Greek drop and the fact that it’s playing on IMAX screens this weekend.

Here’s how I think it’ll shake out from 1-6:

1. Expend4bles

Predicted Gross: $12.8 million

2. The Nun II

Predicted Gross: $7.5 million

3. A Haunting in Venice

Predicted Gross: $7.2 million

4. The Equalizer 3

Predicted Gross: $4.9 million

5. Barbie

Predicted Gross: $3.1 million

6. My Big Fat Greek Wedding 3

Predicted Gross: $2.6 million

Box Office Results (September 15-17)

In a minor upset, The Nun II managed to remain #1 for a second weekend. That upends the conventional wisdom that A Haunting in Venice would claim the top slot. With a better than expected 55% fall (decent for the horror genre), The Nun II made $14.5 million compared to my $10.9 million projection. The scary sequel has made $56 million in two weeks.

A Haunting in Venice, the third Kenneth Branagh entry in his Hercule Poirot series, was a close second with $14.2 million. That’s right on track with my $14.6 million take. Considering last year’s Death on the Nile struggled as well, I wouldn’t anticipate seeing the mustachioed detective for a fourth mystery.

The Equalizer 3 was third with $7.2 million, in line with my $7 million call. Denzel Washington’s alleged capper to his franchise has made $73 million in three weeks.

My Big Fat Greek Wedding 3 saw a sophomore frame decline above 50% with $4.7 million (I was more generous at $5.9 million). Total is just $18 million.

Barbie rounded out the top five with $3.8 million (I said $3.6 million) to bring its nine-week haul to $625 million.

And that does it for now, folks! Until next time…

September 15-17 Box Office Predictions

Sequel heavy September chugs along this weekend as Kenneth Branagh’s A Haunting in Venice continues his Hercule Poirot series and seeks a #1 start. You can peruse my detailed prediction post on it here:

A Haunting in Venice Box Office Prediction

The follow-up to 2017’s Murder on the Orient Express and last year’s Death on the Nile is actually receiving some of the best reviews of the trio. I suspect it may manage to top what Nile did while only reaching about half of what Express grossed out of the gate.

After a solid if unspectacular start, The Nun II may see a high 60s plummet that’s fairly normal for its genre. That would mean a second place showing barely in the double digits.

Holdover threequels The Equalizer 3 and My Big Fat Greek Wedding 3 will likely populate the 3-4 slots with drops in the low to mid 40s while Barbie should round out the top five. I figure the year’s biggest hit will remain in the high five as I look for Jawan to have a hefty decline after its impressive premiere (more on that below).

Here’s how I envision that top five:

1. A Haunting in Venice

Predicted Gross: $14.6 million

2. The Nun II

Predicted Gross: $10.9 million

3. The Equalizer 3

Predicted Gross: $7 million

4. My Big Fat Greek Wedding 3

Predicted Gross: $5.9 million

5. Barbie

Predicted Gross: $3.6 million

Box Office Results (September 8-10)

The Nun II didn’t come anywhere near the franchise Conjuring Universe peak $53 million that its predecessor made in 2018. It still scared up a respectable $32.6 million, under my $38.7 million prognosis.

The Equalizer 3 tumbled in the mid 60s during its sophomore frame with $12 million, below my $15.4 million call. The two-week total is $61 million as it hopes to hit $100 million like parts 1 and 2. It’s a legit question mark as to whether it gets there.

My Big Fat Greek Wedding 3 debuted in line with my expectations with a meh $10 million (I said $10.3 million). That is slightly better than other estimates though it’s well under the $16 million of part 2 from 2016.

Acclaimed Hindi action flick Jawan admittedly was not on my radar screen like it should’ve been. The $6.1 million haul put it in fourth place with the second strongest per theater average after The Nun II.

Barbie rounded out the top five with $5.7 million (I went with $6.4 million) as its eight week total rose to a massive $620 million.

I incorrectly had Blue Beetle in the top five, but it was sixth with $3.8 million. I was right on pace with $3.9 million. The DCU disappointment made $63 million in four weeks.

And that does it for now, folks! Until next time…

Oscar Predictions: A Haunting in Venice

Nearly half a century ago, Sidney Lumet’s cinematic adaptation of Agatha Christie’s Murder on the Orient Express tracked down six nominations. This included a Supporting Actress victory for Ingrid Bergman.

Kenneth Branagh’s 2017 version of the mystery found decent box office success and a Production Design nom at Critics Choice. Academy voters didn’t honor it anywhere and the same holds true for follow-up Death on the Nile from last year.

The third feature in the series is A Haunting in Venice (out September 15th), based on Christie’s Hallowe’en Party. Kyle Allen, Camille Cottin, Jamie Dornan, Tina Fey, Jude Hill, Ali Khan, Emma Laird, Kelly Reilly, Riccardo Scamarcio, Michelle Yeoh, and Branagh’s Hercule Poirot make up the cast. With more horror elements than the previous pics, it hopes to scare up decent business. With the review embargo lifted, it holds the best Rotten Tomatoes score among the trio. Orient‘s is 61%, Nile is similar with 62%, and Haunting is posting 81% at this early stage (of course it could go down when more reaction comes in).

That said, Production Design and Costume Design are really the only feasible inclusions. I deduce the Academy will look to others for their final five. My Oscar Prediction posts will continue…

A Haunting in Venice Box Office Prediction

Kenneth Branagh’s grandly mustachioed master sleuth Hercule Poirot is back in cinemas on September 15th with A Haunting in Venice. Based on Agatha Christie’s 1969 work Hallowe’en Party, this is the third mystery in the franchise that began with Branagh’s 2017 version of Murder on the Orient Express and continued last year with Death on the Nile. In addition to its director/star, the cast includes Kyle Allen, Camille Cottin, Jamie Dornan, Tina Fey, Jude Hill, Ali Khan, Emma Laird, Kelly Reilly, Riccardo Scamarcio, and current Best Actress winner Michelle Yeoh.

The first trailer for Haunting definitely leaned on the horror elements of its story and not the fact that it’s a continuation of the Express and Nile series. That’s not surprising when you consider that Nile came in well under its predecessor. While the Orient remake made $28 million out of the gate and $102 million overall domestically, the oft delayed Nile only earned $12.9 million for its start and $45 million overall a year and a half ago.

That horror angle might be a smart one for 20th Century Studios, but genre fans might be satiated with The Nun II (out the weekend prior). I do think this manages to top Death though not by much.

A Haunting in Venice opening weekend prediction: $14.6 million

2022: The Year of Michelle Yeoh

My Year Of posts focusing on a half dozen performers who had us feeling ’22 continues with our second icon who turned the big 6-0 this year. The first was Tom Cruise and if you missed that post, you can find it here:

2022: The Year of Tom Cruise

The next sexagenarian is Michelle Yeoh. For the past three decades, U.S. audiences have seen the Malaysian legend fighting alongside Jackie Chan in the Supercop pics, James Bond in Tomorrow Never Dies, and Chow Yun-fat in Ang Lee’s acclaimed Crouching Tiger, Hidden Dragon. In recent years, she probably came close to a Supporting Actress nomination as the overbearing mother in Crazy Rich Asians. Last year, she joined the MCU in Shang-Chi and the Legend of the Ten Rings.

There were plenty of projects in 2022. She lent her voice to Minions: The Rise of Gru and Paws of Fury: The Legend of Hank. A small role popped up in Netflix’s YA fantasy The School for Good and Evil. None of those projects are why Yeoh made this cut.

Everything Everywhere All at Once is. The sophomore effort of the Daniels (Dan Kwan and Daniel Scheinert) is the multi-genre rumination on life that casts Yeoh as frazzled laundromat owner Evelyn. She also (due to a seemingly infinite multiverse) plays the role in many other iterations including a movie star, a woman with hot dogs for fingers, and a rock. It’s a one-of-a-kind picture with the role of a lifetime for its lead.

An Oscar nomination is a near certainty and a win is quite possible. The box office was impressive with $70 million domestically against a considerably smaller budget. Costars Ke Huy Quan, Stephanie Hsu, and Jamie Lee Curtis could all be headed for their own awards nods. I currently have Everything listed in 1st to take Best Picture.

A busy 2023 and beyond awaits Yeoh. More voice work is on deck with Transformers: Rise of the Beasts and Kenneth Branagh has put her in the ensemble of his third Poirot mystery A Haunting in Venice. Her Crazy Rich Asians director Jon M. Chu will be collaborating with her again on the two planned Wicked films (slated for 2024 and 2025). James Cameron has her showing up (apparently in human form) in the third and fourth Avatar pics.

Yeoh’s part in Everything was originally considered for her old costar Jackie Chan. That’s hard to picture now given her fantastic portrayal. She easily earns a spot in this series. My Year Of posts will continue with an actor who might’ve lost a friend in his Oscar contender, but gained plenty of praise for his body work throughout the year.