Tag: 2005

Best Picture 2005: The Expanded Ten

Previously on the blog, I completed a series on a particular piece of speculative Oscar history. From 2009 to the present, there has been anywhere from 8-10 Best Pictures nominees at the Academy Awards. The number has been set at 10 for the past couple of years and fluctuated previously. Before 2009, it was a quintet of films competing for the prize. I penned 14 posts making predictions on which five pics would have made the cut if it had stayed at that smaller number. **Click on that Oscar History tab on the blog to access all of them!

Now my speculation turns to the reverse. What if the Academy had always honored 10 motion pictures? From 1944-2008, there was a set five vying for attention. For a completist view, there were five for the first two Oscars (1929 and 1930). We had eight in 1931. From 1932 to 1943, it was ten.

This series will project the other five that I believe would’ve gotten in. I’ve already covered 2006-08 and you can peruse my posts on them here:

Best Picture 2006: The Expanded Ten
Best Picture 2007: The Expanded Ten
Best Picture 2008: The Expanded Ten

We do know half of the titles that would populate the ten. Those would be the ones that made the quintet 18 years back. During that 78th Oscar ceremony, Jack Nicholson made the surprise announcement that race relations drama Crash from Paul Haggis was the Best Picture winner. Of its seven total nominations, it also won Original Screenplay and Film Editing.

It stands as one of the bigger upsets in the Academy’s history as it took gold over the heavily favored Brokeback Mountain by Ang Lee. He won Director and the cowboy romance also received Adapted Screenplay and Original Score. The other three nominees: Bennett Miller’s Capote (for which Philip Seymour Hoffman took Best Actor), George Clooney’s Good Night, and Good Luck, and Steven Spielberg’s Munich.

2005 was the rare year where the Director nominees matched perfectly with BP so we can’t pluck out other movies from that competition. A look at the other categories do give us clues as to the other features that might’ve gotten in.

James Mangold’s Cash couple biopic Walk the Line landed Joaquin Phoenix a Best Actor nod and Reese Witherspoon the Actress statue. With a total of five mentions, a Golden Globe victory in the Musical/Comedy race, and a Critics Choice slot, it’s pretty safe to assume it makes the ten.

Same goes for The Constant Gardner from Fernando Meirelles. Rachel Weisz took Supporting Actress and it received three other noms in addition to Golden Globe and Critics Choice inclusions.

Another Critics Choicer nominee, Rob Marshall’s Memoirs of a Geisha got 6 tech nods and won 3 (Art Direction, Cinematography, Costume Design). I went back and forth on this one, but ultimately decided it probably makes the dance.

A fourth Critics Choice match goes to Ron Howard’s Cinderella Man. The boxing drama could be left off. It missed some key nods including Russell Crowe’s lead performance (Paul Giamatti was nominated for supporting) and screenplay. I think it might have just snuck in at the bottom of hopefuls.

With one picture left to plug in, there’s plenty of contenders. Hustle & Flow saw a surprise win (for Three 6 Mafia) in Original Song and Terrence Howard made the Actor five. Woody Allen’s Match Point had a sole nom in Original Screenplay, but made the Globes cut in Drama. Joe Wright’s Pride & Prejudice rendering saw Keira Knightley up in Actress in addition to three other mentions.

Ultimately my final choice came to this trio. Peter Jackson’s King Kong went 3 for 4 on its tech inclusions (Sound Editing, Sound Mixing, Visual Effects). However, it was generally considered a bit of a disappointment at the box office and with some critics. That said, I almost picked it.

Syriana by Stephen Gaghan gave George Clooney a Supporting Actor Oscar and was up for Original Screenplay. Yet it failed to see a Critics Choice or Globe BP nod. Nevertheless I almost picked it.

I chose to go with David Cronenberg’s A History of Violence. It received two noms for Supporting Actor (William Hurt) and Original Screenplay and was a critical darling. I went with the Academy honoring a work from the acclaimed director (especially since most of his efforts are far from Oscar friendly).

That means my expanded 2005 ten consists of:

A History of Violence

Brokeback Mountain

Capote

Cinderella Man

The Constant Gardner

Crash

Good Night, and Good Luck

Memoirs of a Geisha

Munich

Walk the Line

I’ll have 2004 up in short order!

Summer 2005: The Top Ten Hits and More

Last week on the blog, we took a trip down nostalgia lane recounting the top ten summer movies from 20 years ago and other notable pictures and flops from that season. This evening, we go back a decade and have a look at what had moviegoers buzzing way back in 2005.

That summer’s top hit was the one we expected it to be as it marked the end of one trilogy that was considered disappointing. Yet it’s a performer in the middle of the pack that started one of the most beloved recent trilogies in recent film history.

Let’s go back in time, my friends:

10. The 40-Year-Old Virgin

Domestic Gross: $109 million

As Judd Apatow prepares to release his fifth feature with Trainwreck on Friday, this is where it started with him as this critically acclaimed comedy rocketed Steve Carell into movie stardom.

9. Fantastic Four

Domestic Gross: $154 million

Critics may not have dug it (27% on Rotten Tomatoes) but the adaptation of the famed Marvel Comic with Jessica Alba and Michael Chiklis scored with audiences enough to warrant a 2007 sequel. A new franchise reboot hits theaters this August.

8. The Longest Yard

Domestic Gross: $158 million

Adam Sandler took over the Burt Reynolds role in this remake of the 1974 prison football comedy with Chris Rock and Reynolds himself costarring.

7. Mr. & Mrs. Smith

Domestic Gross: $186 million

The action comedy from director Doug Liman earned plenty of headlines due to the real life romance between stars Brad Pitt and Angelina Jolie and hefty box office came along with it. The couple will reunite onscreen again in this fall’s By the Sea. 

6. Madagascar

Domestic Gross: $193 million

With no Pixar film on the docket, Dreamworks Madagascar was the top animated feature of the summer and has since spawned two sequels and a spin-off.

5. Batman Begins

Domestic Gross: $205 million

It’s hard to remember now, but Chris Nolan’s reboot of the Dark Knight’s world did quite well, but wasn’t a mega ton blockbuster like its 2008 and 2012 sequels would be. Still, it immediately wiped the bad taste out of the mouth of audiences left by Joel Schumacher’s Batman and Robin from eight summers ago. Of course, this began the trilogy that has become the gold standard in superhero flicks.

4. Charlie and the Chocolate Factory

Domestic Gross: $206 million

Tim Burton’s retelling of Roald Dahl’s classic book starred Johnny Depp as Willy Wonka. It may not have the beloved status as 1971’s offering with Gene Wilder, but it made the studio very happy with its massive earnings.

3. Wedding Crashers

Domestic Gross: $209 million

The sleeper hit of the season paired Vince Vaughn and Owen Wilson and helped invigorate (along with #10 Virgin) the R-rated comedy. The two would appear again in the considerably less successful The Internship eight years later.

2. War of the Worlds

Domestic Gross: $234 million

Steven Spielberg directed Tom Cruise in this version of H.G. Wells renowned sci-fi novel and crowds turned out in droves so much that it’s Mr. Cruise’s highest grossing domestic earner of all time.

1. Star Wars Episode III: Revenge of the Sith

Domestic Gross: $380 million

Sith easily took the crown for the summer’s champion and it concluded George Lucas’s second trilogy that received mixed reactions from critics and audiences… and that’s putting it kindly. This third episode is widely considered an improvement over Phantom Menace and Attack of the Clones. Of course, we’ll see what JJ Abrams manages to do this December when Episode 7 is released… in case you hadn’t heard.

And now, some other notable pictures outside the top ten:

13. March of the Penguins

Domestic Gross: $77 million

This little French documentary that could astonished box office watchers with its magnificent stateside gross. Bottom line: people dig penguins.

18. Cinderella Man

Domestic Gross: $61 million

Critics mostly lauded Ron Howard’s Depression era boxing tale with Russell Crowe and Renee Zellwegger, but it under performed at the box office at the time of its release (not quite enough to put it in the total flop column though).

20. Crash

Domestic Gross: $54 million

Paul Haggis’s L.A. set racial drama came out of nowhere to score solid business. It went on to win Best Picture, which was a surprise over front runner Brokeback Mountain, which came out in the fall.

And now for the flops…

Nicole Kidman and Will Ferrell headlined Nora Ephron’s Bewitched, based on the 1960s TV comedy. Audiences and critics reacted with ambivalence and the $85 million budgeted pic managed just $63 million domestically.

Ridley Scott’s Kingdom of Heaven with Orlando Bloom captured none of the director’s Gladiator magic and it earned $47 million against its reported $130 million budget.

Michael Bay had found huge success with the Bad Boys movies, The Rock, and Armageddon, but his science fiction tale The Island with Ewan McGregor and Scarlett Johannson sputtered with a mere $35 million (rumored budget: $126M).

And, finally, Jamie Foxx was coming off Oscar glory in Ray but his action thriller Stealth was grounded with a $32 million gross against its $76M budget.

And that’ll do it, ladies and gentlemen, for our look back at the summer offerings of 2005. I hope you enjoyed and rest assured you’ll see posts next summer tapping our nostalgia for 1996 and 2006!

Top Ten Summer Music Hits of 2005: A Look Back

We’ve arrived at day three of my look back at the top 10 Billboard Summer Songs from the past 30 years, 20 years and tonight – from 10 years ago. If you missed my first two posts, they should be linked at the bottom of this here post. As with the previous entries, I’ll offer my thoughts on each track on a scale of 1 (summertime blues) to 10 (summertime classic). And I’ll reveal the all important answer as to whether said song is on my iTunes.

Let’s get to it with the ten most listened to songs of summer 2005:

10. “You and Me” by Lifehouse

OK, the list isn’t starting out so well. I’ve never been a fan of this band and “You and Me” (which I had completely forgotten about) didn’t change that. Listless and dull pop rock.

My Rating: 3

Is It On My iTunes? No

9. “Let Me Hold You” by Bow Wow featuring Omarion

The Columbus based rapper dropped the Lil from his name and entered grown folks territory with this R&B flavored ditty that samples Luther Vandross. It’s a perfectly passable radio diversion that is easily forgotten.

My Rating: 6

Is It On My iTunes? No

8. “Just a Lil Bit” by 50 Cent

Two years prior, 50 had a hip hop classic with “In Da Club”. This one isn’t close to that classic but it’s a pretty good effort from Mr. Cent.

My Rating: 6 and a half

Is It On My iTunes? No

7. “Lose Control” by Missy Elliot featuring Ciara and Fat Man Scoop

Now we’re getting somewhere! This is a genuine club banger from Missy and her brilliant producer Timbaland. Sounds as fresh today as it did a decade ago.

My Rating: 9 and a half

Is It On My iTunes? Yes

6. “Pon De Replay” by Rihanna

This is how it all started for superstar Rihanna and her debut single is a reggae influenced dancehall jam. Even better work would follow, but this was a nice start.

My Rating: 7 and a half

Is It On My iTunes? Yes

5. “Don’t Phunk With My Heart” by The Black Eyed Peas

The first single off their album Monkey Business, “Phunk” employs the sound we’ve come to expect from BEP. It’s goes down well and is easy to dance to, but this is not among their very best work.

My Rating: 7

Is It On My iTunes? No

4. “Behind These Hazel Eyes” by Kelly Clarkson

The inaugural American Idol champion followed up the massive “Since U Been Gone” with another tailor made hit to belt out alone in the car and only feel slightly guilty about it.

My Rating: 7 and a half

Is It On My iTunes? No

3. “Don’t Cha” by The Pussycat Dolls featuring Busta Rhymes

The group may have been manufactured but this single is a pop gem with a rap assist by Busta Rhymes that came from producer Cee-Lo Green.

My Rating: 8

Is It On My iTunes? No, but it should be

2. “Hollaback Girl” by Gwen Stefani

You might have grown sick of it, but this Pharrell produced infectious groove was a monster hit for a reason. It’s impossible to forget, especially that addictive chorus from No Doubt’s lead singer.

My Rating: 9 and a half

Is It On My iTunes? Yes

1. “We Belong Together” by Mariah Carey

It was a juggernaut of a song and a major comeback for Miss Mariah. It’s a slow tempo and simply produced track and there’s nothing really wrong with it, but it’s far from one of my favorite tunes from her.

My Rating: 6 and a half

Is It On My iTunes? No

And there you have it! The summer songs of 2005. I hope you enjoyed reading my throwback look back at the seasonal hits of 1985, 1995 and 2005.