Justin Kurzel’s 1980s set true crime thriller The Order casts Jude Law as an FBI agent infiltrating a group of white supremacists. It’s received a Venice Film Festival bow prior to the planned December 6th theatrical release. Nicholas Hoult, Tye Sheridan, Jurnee Smollett, and Marc Maron costar.
Two-time nominee Law (for The Talented Mr. Ripley and Cold Mountain) hasn’t been in the awards conversation for over two decades. He’s getting some fine notices for his work here as is the film itself. However, the 78% RT score certainly contains some so-so reviews. I wouldn’t expect this to enter the chat for prognosticators. My Oscar Prediction posts will continue…
Based on Colson Whitehead’s 2019 bestseller, the 1960s set racial drama Nickel Boys has been unveiled at Telluride before its October 25th limited theatrical bow. From RaMell Ross (best known for the Oscar nominated 2018 documentary Hale County This Morning, Evening), Boys will stream on Amazon Prime after the awards qualifying run. Ethan Herisse, Brandon Wilson, Aunjanue Ellis-Taylor, Fred Hechinger, Hamish Linklater, and Daveed Diggs star.
Some early reaction from Colorado indicates this is one of the year’s best. That’s not across the board. The pic is apparently told from first person perspective and the style is being lauded and criticized depending on the write-up. Surprisingly, initial reviews are not spending much time on the cast. I’ve had Ellis-Taylor (a 2021 Supporting Actress nominee for King Richard) listed at #1 in my Supporting Actress nominees for a few weeks. She could still get in depending on the competition, but she may drop out of my projected quintet altogether (update later today on this blog!). Newcomer Herisse faces long odds in Actor due to growing competition and no other performers seem primed to receive chatter.
Boys could still have enough vocal admirers that Best Picture is doable along with Adapted Screenplay and even the cinematography despite some gripes. My Oscar Prediction posts will continue…
Tim Fehlbaum’s September 5 covers similar ground as Steven Spielberg’s 2005 Best Picture nominee Munich regarding the 1972 Olympics hostage crisis. This version, which premiered at Venice and made its way over to Telluride, tells it from the perspective of the ABC broadcasting crew covering the games. John Magaro, Peter Sarsgaard, Ben Chaplin, and Leonie Benesch star.
Reviews from Italy and Colorado are impressive as the pic has emerged as a festival sleeper in recent days. Part of its flying under the radar status is the current lack of a stateside distributor. That should change soon. The question is whether September 5 gets dated for a 2024 release or if the buyer waits for 2025 consideration. Either way, I wouldn’t sleep on its chances for Picture, Original Screenplay, and Editing if it is granted a serious campaign. In 2003, Sarsgaard likely barely missed the Supporting Actor cut for Shattered Glass. Of the main cast, he might receive the heftiest push as legendary sports executive Roone Arledge. My Oscar Prediction posts will continue…
George Clooney and Brad Pitt bring their considerable star power to Wolfs which premiered out of competition in Venice. The action comedy receives a limited theatrical release on September 20th before it streams on Apple TV the following weekend. Jon Watts, after helming the last three Spider-Man titles for the MCU, directs with Amy Ryan, Austin Abrams, and Poorna Jagannathan among the supporting players.
Several critics are essentially giving this a pass for coasting well enough on the charisma of its leads. Other reviews are less charitable and it currently sports a 73% Rotten Tomatoes score. Clooney is a four-time acting nominee with a Supporting Actor victory for 2005’s Syriana. As for Pitt? Well, he’s a four-time acting nominee with a Supporting Actor victory for 2019’s Once Upon a Time in Hollywood. They have other nominations for their directing (Clooney) and producing work (both).
It would seem Wolfs was not made for the Academy’s consideration. Apple should get plenty of viewers to bite. My Oscar Predictions will continue…
I’m Still Here, not to be confused with that 2010 mockumentary where Joaquin Phoenix become a rapper, is a Brazilian family drama from Walter Salles. It arrives more than a quarter century after Central Station, which was nominated for Best Foreign Language Film (now International Feature Film) and Actress (Fernanda Montenegro) and two decades behind his acclaimed The Motorcycle Diaries (which won a Best Original Song statue from the Academy).
His first Brazilian language feature in 16 years, Here has premiered at the Venice Film Festival to stellar reviews. Fernanda Torres is getting kudos in the lead role. We don’t know yet how competitive Best Actress will be and Torres could certainly get a push from distributor Sony Pictures Classics. I wouldn’t expect her to be in my projected quintet when I update my picks tomorrow, but I won’t leave her off my list of other possibilities. Torres’s mother happens to be Fernanda Montenegro (now in her 90s) and she appears in Here in what’s said to be a brief role.
Where Here has the best opportunity at Academy exposure is in International Feature Film (assuming it is Brazil’s pick). I’ve had it in my five for a few weeks and the Venice chatter solidifies the notion. I would put it behind Emilia Pérez (if France selects it) and The Seed of the Sacred Fig (Germany’s choice) as far as winning odds. My Oscar Prediction posts will continue…
Jason Reitman had a one-two punch of consecutive Best Picture nominees with Juno and Up in the Air in 2007 and 2009. Some follow-ups generated solid reviews (Young Adult, Tully) while others (Labor Day, The Front Runner) drew more mixed reactions. None have received significant awards buzz in the past decade and a half. Will that change with Saturday Night?
The Sony Pictures dramedy is slated for release on October 11th which is the 49th anniversary of the iconic sketch show it celebrates. This recounts the chaotic moments leading up to the premiere of Saturday Night Live. Gabriel LaBelle (who essentially played young Steven Spielberg in 2022’s The Fabelmans) is 30-year-old Lorne Michaels. The extensive supporting cast (some playing 1975 legends with others as future legends) includes Cooper Hoffman, Rachel Sennott, Cory Michael Smith, Ella Hunt, Dylan O’Brien, Emily Fairn, Matt Wood, Lamorne Morris, Kim Matula, Finn Wolfhard, Nicholas Braun (as Andy Kaufman and Jim Henson), Andrew Barth Feldman, Willem Dafoe, Matthew Rhys, J.K. Simmons, and Jon Batiste.
Having just played Telluride and hitting Toronto shortly, early word-of-mouth is primarily on the fresh side. There are some high profile reviews of the thumbs down variety. I would say Saturday Night stands a shot at a Best Picture nomination, but it is a coin flip at the moment as we await how competitors pan out. Down ballot categories like Costume Design and (especially) Film Editing could occur especially if it sneaks into BP.
As for the cast, LaBelle is getting quality ink. Yet some of the strongest notices are going to Sennott as writer Rosie Schuster and Smith as Chevy Chase. I’m skeptical any of the performers break into their respective categories though the SAG Awards could certainly nominate the cast in their Ensemble race. Speaking of other shows, the Golden Globes could put it up for Musical/Comedy assuming Sony campaigns for it there and LaBelle could make the Actor (Musical/Comedy) quintet.
At the Academy Awards, there is almost always a picture or two that is up solely for its screenplay. This is a distinct possibility with Saturday Night and its original screenplay from Reitman and Gil Kenan. My Oscar Prediction posts will continue…
Brady Corbet’s The Brutalist is a three and a half hour historical epic about a Holocaust survivor played by Adrien Brody. 22 years ago, Brody became the youngest actor to ever win Best Actor (at 29) as another survivor in Roman Polanski’s The Pianist. It was a surprise victory over such heavyweights as Jack Nicholson (About Schmidt) and Daniel Day-Lewis (Gangs of New York). Two plus decades later, Brody appears in the awards mix again at age 51.
Early word-of-mouth from the Venice Film Festival indicates that The Brutalist could be a contender in numerous categories. Some reactions have used the masterpiece word while others have been more tempered in their praise. All have seemed impressed by its scope.
The director’s predecessor, 2018’s musical drama Vox Lux with Natalie Portman, drew more mixed notices and didn’t end up as an awards player. That’s unlikely to be the case this time. Corbet’s third feature is definitely a possibility in Picture and Director for the 97th Academy Awards (assuming a distributor snatches it up for a 2024 calendar release).
Brody’s filmography has gone through some valleys since his gold statute for The Pianist, but a second Best Actor nom seems highly achievable. The supporting cast includes Felicity Jones (a Supporting Actress victor for 2014’s The Theory of Everything), Joe Alwyn, Alessandro Nivola, Jonathan Hyde, and Guy Pearce. General consensus is that Pearce is the standout as Brody’s father. A Supporting Actor nod would mark his first trip to the dance despite a lengthy and distinguished career (many thought he deserved recognition for 2001’s Memento).
Original Screenplay, Cinematography, Film Editing, and Production Design are also potential inclusions as The Brutalist could be an across the board hopeful like last year’s The Zone of Interest. My Oscar Prediction posts will continue…
The Piano Lesson is the third adaptation of an August Wilson play in the past decade seeking Oscar glory. This is a Washington family affair with siblings Malcolm directing and John David headlining. Their father Denzel is a producer. Piano has played at Telluride (with Toronto next) before its limited November 8th theatrical release and November 22nd Netflix premiere. Cast members include Samuel L. Jackson, Ray Fisher, Michael Potts, Erykah Badu, Corey Hawkins, and Danielle Deadwyler.
Early reviews are decent with some gripes about its stagey nature. Before we get to its awards chances, let’s take a look at how fellow Wilson adaptations Fences in 2016 and Ma Rainey’s Black Bottom in 2020 performed. Fences, directed by Denzel, landed four nominations: Picture, Denzel in Actor, Viola Davis in Supporting Actress for which she won, and Adapted Screenplay. Ma Rainey managed five mentions for Actor (Chadwick Boseman), Actress (Viola Davis), Costume Design (where it took gold), Makeup & Hairstyling (another victory), and Production Design.
With that track record, Piano has rightfully been viewed as a serious contender in numerous races. This weekend’s buzz solidifies some of that chatter while muddying other possibilities. Danielle Deadwyler appears to be the cast’s standout. It is not yet known if Netflix will campaign for her in lead or supporting though the latter seems more likely. If they do, a nod seems close to assured and that would come two years after she was snubbed in Actress for Till.
For weeks, I’ve had Samuel L. Jackson listed in 1st place in Supporting Actor. Despite a career with a lengthy list of highlights, his sole nom came 30 years ago for Pulp Fiction. Now I’m not even sure he makes the cut as his costar Ray Fisher is getting equally strong ink. Jackson could make the final quintet. However, I suspect I’ll at least drop him from the top slot. John David Washington faces longer odds in lead Actor, but let’s see how crowded that competition becomes.
Best Picture is a question mark. I think it could make it in though it would be at the bottom of the 10 hopefuls and may miss altogether. Down the line techs like Costume Design, Makeup & Hairstyling, and Production Design (the ones Rainey received) could happen with Adapted Screenplay in the mix. One must wonder if Netflix decides to push Emilia Pérez as their #1 option and the answer is probably yes. My Oscar Prediction posts will continue…
Edward Berger’s Conclave has premiered at Telluride prior to its November 1st domestic release. It is the filmmaker’s eagerly anticipated follow-up to 2022’s All Quiet on the Western Front, which garnered nine Oscar nominations with victories in International Feature Film, Cinematography, Original Score, and Production Design. Conclave is based on a 2016 novel by Robert Harris. The thriller focuses on the behind closed doors battle to be the next Pope. Ralph Fiennes stars with Stanley Tucci, John Lithgow, Isabella Rossellini, Lucian Msamati, and Carlos Diehz supporting.
Long seen as a potential across the board awards player, Conclave has seemingly lived up to the hype based on initial chatter. That especially holds true with Fiennes. The veteran actor has only been in contention twice at the Academy Awards for 1993’s Schindler’s List in supporting and 1996’s The English Patient in lead. Early reviews indicated that he’s not only a contender, but a threat to win.
The supporting cast is a little trickier to figure out. There is a possibility that Focus Features may train their focus on Fiennes for the gold. If anyone comes along for the ride, it appears Tucci might have an edge for Lithgow or Msamati. In Supporting Actress, Rossellini’s role is said to be small but crucial. Her inclusion should depend on how competition plays out. I don’t see any of the supporting performers as threats to emerge victorious.
I’ve had Conclave in my Best Picture lineup the whole way and that feels validated this weekend. I don’t think Berger is automatic for Director. Yet the fact that he was notably snubbed for Western Front could help his chances. Adapted Screenplay, Cinematography, Costume Design, Film Editing, Original Score, Production Design, and Sound are all possibilities. For a movie about a high profile campaign, Conclave appears ready to start its own. My Oscar Prediction posts will continue…
Morgan Neville’s Piece by Piece looks to build awards momentum at the Telluride and Toronto festivals before its October 11th domestic bow. The unique documentary is a biopic of musician Pharrell Williams told via Lego animation. It includes interviews (Lego style) with artists its subject has collaborated with including Jay-Z, Justin Timberlake, Gwen Stefani, Snoop Dogg, Kendrick Lamar, and Busta Rhymes.
2013’s 20 Feet from Stardom from Neville (focused on background singers) took home the Oscar for Documentary Feature. Five years later, his Mister Rogers doc Won’t You Be My Neighbor? was widely expected to be nominated and ended up snubbed.
Piece by Piece is a head scratcher. Focus Features will surely campaign for it in Animated Feature and Documentary Feature. Early reviews are mostly complimentary though not gushing. I think it stands a stronger chance in Animated Feature. However, competition is real with titles such as Inside Out 2, The Wild Robot, Wallace & Gromit: Vengeance Most Fowl, Flow, Moana 2, and Memoir of a Snail. The mishmash’s best chance at recognition could be one of its original songs where Pharrell has competed before with “Happy” from Despicable Me 2.
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