Molly Shannon was a force of nature during her six-year SNL tenure from the mid 90s to early 00s (a terrific era for the show). The Ohio native did plenty of impressions including Monica Lewinsky when that was the biggest story in the nation.
Yet it was her wholly original characters that makes her one of the greats. There is, of course, the awkward Catholic student Mary Katherine Gallagher who would eventually get her own cinematic spin-off Superstar. There’s the exuberant 50-year-old (and proud of it) Sally O’Malley and cohost of “The Dog Show” on those bizarre bits with Will Ferrell. Her cohosting gig alongside Ana Gasteyer on “Delicious Dish” is legendary. A personal favorite is Jeannie Darcy, an untalented stand-up comedian that she brought back during a recent hosting stint. Shannon, on the other hand, made the best of her considerable talents. #17 will be up soon!
Before co-creating another iconic sketch comedy show with Portandia and contributing to the occasionally brilliant Documentary Now! alongside Bill Hader, Fred Armisen was hitting home runs on Saturday Night Live.
His background in music (he would eventually be the bandleader on Late Night with Seth Meyers) provided some SNL highlights. There’s Garth and Kat, a musical duo with Kristin Wiig where incomprehensible tunes are made up on the spot at the Update desk. We have a clever Prince impersonation alongside Maya Rudolph’s Beyoncé.
Other impressions include President Obama, Joy Behar, and a hilariously inappropriate take on former New York Governor David Paterson. Vanessa Bayer and Armisen spun comedic gold into being shy friends with dictators. My personal favorite Armisen creation might be the condescending and sensitive to the touch Regine, who creeped out Jason Sudeikis’s friends at a house gathering. Or my favorite might be his Queen Elizabeth II. There’s a lot to choose from when considering Armisen’s arsenal of material. #18 will be up soon!
The Academy voters have been very tolerant of the Dutch in the 21st century when it comes to the International Feature Film race. Two of their submitted features – 2010’s In a Better World and 2020’s Another Round – won the prize. Six more were nominated: 2006’s After the Wedding, 2012’s A Royal Affair and The Hunt from 2013, A War in 2015, 2016’s Land of Mine, and 2021’s Flee.
Denmark has chosen the black & white historical true crime thriller The Girl with the Needle as their horse for IFF. From director Magnus von Horn, it premiered at Cannes before playing in Toronto. Vic Carmen Sonne and Trine Dyrholm star. Hitting the coasts on December 6th, Needle drew positive fest reactions with 91% on Rotten Tomatoes and 82 on Metacritic.
As I’ve mentioned previously on posts covering submissions in this competition, there are three assumed frontrunners in Emilia Pérez, The Seed of the Sacred Fig, and I’m Still Here. Based on its country’s recent track record, Needle is certainly a possibility to fill one of the other two slots. My Oscar Prediction posts will continue…
Kamala Harris may have lost the 2024 Presidential election, but the race gave audiences another opportunity to appreciate the comedic talents of Maya Rudolph on Saturday Night Live. Returning to the show 17 years after her departure, her impression of the VP and Democratic nominee for POTUS was fantastic and an easy highlight of the ongoing 50th season.
That’s no surprise to those who watched Rudolph in her seven years on the show and subsequent appearances. The Groundlings alum gave us sidesplitting impersonations of Oprah Winfrey, Beyonce, Donatella Versace, and Whitney Houston. That’s in addition to one of my all-time favorite bits where she warbles the National Anthem and her “Bronx Beat” talk show alongside Amy Poehler. #19 will be up soon!
Before he was Austin Powers or Dr. Evil or Shrek (or… The Love Guru), Canadian native and Second City performer Mike Myers introduced a slew of notable characters to a glowing era in SNL history. There was bathtub artist Simon and “Coffee Talk” host Linda Richman in segments that included cameos from his idol Barbra Streisand and Madonna. Let’s not forget the wonderfully weird Dieter of “Sprockets”, the off-kilter German talk show.
It was as Aurora, Illinois teen Wayne Campbell alongside Dana Carvey’s Garth in “Wayne’s World” sketches that made him a phenomenon in the early 90s. These bits led to a blockbuster 1992 movie (and a less regarded sequel). Myers would obviously continue his memorable creations on the silver screen and it was SNL that paved the way. #20 will be up soon!
Denzel Washington’s work in Gladiator II is so strong and he is so entertaining to watch that it’s a bit distracting. There are other distractions that are undoubtedly negatives like subpar CG baboons and the choice to fill the Colosseum with frickin sharks. With the two-time Oscar winner having a ball as an ambitious former slave turned gladiator manager, it made me want the movie to be trained more on him. Instead his Macrinus is trapped in a long gestating sequel to the 2000 Best Picture recipient that might not work much at all without him. It’s like if Denzel’s Alonzo Harris character in Training Day was dropped into a Fast and Furious flick. There’s plenty of fun to be had thanks to him, but it stalls when he’s not around.
Ridley Scott returns to the director’s chair for this follow-up set 16 years after Maximus (Russell Crowe) drew his brave last breath in Rome. The city is not in great shape although the expansive wide shots make it look breathtaking. Co-emperors Geta (Joseph Quinn) and Caracella (Fred Hechinger) are unstable rulers with a thirst for overpowering more territories. Caracella is also a syphilitic lunatic with a pet monkey he eventually empowers so that’s good for a couple of bonkers moments. The boys’ chief general is Acadius (Pedro Pascal) who’s married to Lucilla (Connie Nielsen). As you’ll recall, she is the sister to Gladiator‘s Commodus (Joaquin Phoenix) and former lover to Crowe’s Maximus. Acadius conquers, but he conquers with compassion (awww). He has plans to depose Geta and Caracella (and maybe that monkey) and return Rome to its former glory.
It’s not, I realize, an accident that it’s taken until paragraph 3 to mention the star of the movie. That would be Lucius (Paul Mescal). Introduced to us as Hanno, he’s living a seemingly pleasant laundry hanging life with his wife in the province of Numidia when Acadius and his army come a’conquering. His wife’s screen time is short-lived (just like Maximus’s in the original) and he’s soon vowing revenge on the Roman power structure. Lucius was a boy in the first film played by Spencer Treat Clark – son of Maximus and Lucilla who was sent away for his own protection. Maybe I should have said spoiler alert with the lineage reveal, but it’s right there in the trailer.
When Denzel’s Macrinus offers him a chance to achieve vengeance, Lucius is booked for battle in the same Colosseum like his departed dad. That brings us back to dodgy computer generated baboons and filling the iconic arena with sharks. Apparently water logged events did occur at that venue historically though the participation of the finned feeders was unlikely. The fights are more effective in Gladiator II on the human scale when they don’t involve aquatic or jungle creatures.
The film’s biggest flaw is that Mescal’s Lucius doesn’t have the screen presence that Crowe did. He’s not helped by the screenplay where he’s a bit of a blank slate. Maximus struck fear onscreen when he was unmasked and revealed as a super warrior. I didn’t buy it as much with his offspring when he comes out and plays.
Washington, though, is a blast as he schemes for power (and probably his 10th Oscar nomination). I’d offer that Gladiator II is worth watching for him. Yes, there’s plenty of impressive technical work and sometimes it elevates beyond a rehash of part 1’s beats (though often it doesn’t). Without Macrinus in attendance, the Colosseum would feel considerably emptier.
Spellbound is not a remake of the Alfred Hitchcock classic with Ingmar Bergman and Gregory Peck. It’s an animated musical fantasy from Vicky Jenson (who directed the first Best Animated Feature Oscar victor Shrek) that’s out on Netflix today. Rachel Zegler, John Lithgow, Jenifer Lewis, Titus Burgess, Nathan Lane, Javier Bardem, and Nicole Kidman lend their voices to the project.
This is the second project from Skydance Animation after 2022’s Luck. That feature (which premiered on AppleTV+) drew mixed reviews and attracted scant awards attention. With 62% on Rotten Tomatoes and 54 on Metacritic, the storyline should be the same for Spellbound. My Oscar Prediction posts will continue…
So we actually have 51 cast members in my all-time top 50 because it’s impossible not to put these two together. Let’s be honest – Saturday Night Live is a show that can swing from a strong episode one weekend to a weaker outing the next. Sometimes this depends on the host or maybe the third episode in as many weeks tends to run out of gas.
Yet in the past decade, Weekend Update has been a consistent highlight thanks to the coanchoring skills of Michael Che and Colin Jost. The latter has been on staff as a writer since 2005 while the former came on board in 2013. Lorne Michaels paired them together at the beginning of season 40 on air and they’re still going in season 50.
The Che/Jost Update started off shaky. It didn’t take long for them to hit their stride and this is best evidenced by the hilariously inappropriate Joke Swap bit they do each year. That’s when the anchors pen off-color gags for one another to read without the deliverer having seen it. As Banya from Seinfeld would say, it’s (comedy) gold. They also expertly manage top-notch performers including Kate McKinnon, Cecily Strong, Heidi Gardner, Pete Davidson, Bowen Yang, and more doing some of their best work on the fake news set. Che and Jost are in the upper echelon of SNLers behind the Update desk in its half century of existence. #21 will be up soon!
Disney looks to smash its own Thanksgiving opening records when Moana 2 lands in theaters on Wednesday, November 27th. The sequel to 2016’s musical adventure is directed by David Derrick Jr., Jason Hand, and Dana Ledoux Miller. Auli’i Cravalho, Dwayne Johnson, Temuera Morrison, Nicole Scherzinger, Rachel House, and Alan Tudyk reprise their voiceover work. Klaheesi Lambert-Tsuda, Rose Matafeo, and David Fane are new faces behind the mic.
Eight Turkey years ago, Moana took in $248 million domestically. It set the all-time Friday to Sunday opening Thanksgiving frame high mark with $56.6 million and that record still stands. Ralph Breaks the Internet from the Mouse Factory holds the five-day best of premiere at $84.7 million (just edging Moana‘s $82 million). Moana 2 seems poised to rather easily surpass those figures.
The follow-up is additionally looking to top Frozen II‘s largest three and five-day grosses for any picture over the holiday. That would be $85.9 million and $125 million, respectively. I don’t think that’s a guarantee, but part 1 is well-regarded enough that I think it gets there with some room to spare.
Moana 2 opening weekend prediction: $92.1 million (Friday to Sunday); $130.3 million (Wednesday to Monday)
On a weekend where the eyes of box office forecasters are trained on the debuts of Wicked and Gladiator II, Angel Studios will attempt to find an audience with Bonhoeffer. The historical drama is directed by Todd Komarnicki with Jonas Dassler playing the anti-Nazi dissident title character. Costars include August Diehl, David Jonsson, Flula Borg, Moritz Bleibtreu, and Clarke Peters.
Last summer, the film’s distributor found massive and unexpected success in the form of Sound of Freedom. Since then, their openings have been quieter. That includes After Death ($5.1 million), The Shift ($4.4 million), Cabrini ($7.2 million), and Sight ($2.8 million).
If this manages to reach $4 million, that should be enough to put it in fourth place. That’s exactly where I’m putting it.
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