Questlove, from the hip hop group The Roots and bandleader on The Tonight Show with Jimmy Fallon, took Sundance by storm four years ago with Summer of Soul. That documentary focused on 1969’s Harlem Cultural Festival won the Audience Award and Grand Jury Prize for its genre at the Utah event. Over a year later, it would emerge as Best Documentary Feature at the 94th Academy Awards.
The filmmaker’s follow-up is Sly Lives! (aka The Burden of Black Genius) and it too has kicked off in Park City. Centered on the life and career of the enigmatic Sly Stone of Sly and the Family Stone, it’s slated for a Hulu streaming bow in February.
Word-of-mouth is encouraging though some critics are not as effusive as they were with Soul. Academy voters may take that into consideration when evaluating whether to take Sly higher into the awards convo next year. My Oscar Prediction posts will continue…
Omaha is not centered around the play calls of legendary quarterback Peyton Manning. Instead this Sundance premiere is a road trip drama anchored by John Magaro’s performance. He plays a father taking his kids (Molly Belle Wright and Wyatt Solis) cross country in a directorial debut from Cole Webley.
Reviews are complimentary thus far with particular attention paid to Magaro. Despite receiving acclaim in pics like First Cow, Past Lives, and September 5, he’s yet to have his Oscar bait role. A distributor would really need to work some magic for Omaha to be that project. Maybe some Indie Spirit attention is likelier. My Oscar Prediction posts will continue…
Rose Byrne has been highly visible on the big screen in horror flicks like the Insidious franchise, superhero adventures such as X-Men: First Class, and multiple comedies including Bridesmaids, Spy, and Instant Family. The Australian actress received Emmy nods for her supporting role in the acclaimed Damages in 2009 and 2010.
She has yet to have a cinematic vehicle that’s driven significant awards talk. That may change this year with If I Had Legs I’d Kick You. Focused on the not so great aspects of motherhood (there are comparisons to Nightbitch), Byrne is being lauded in Mary Bronstein’s second directorial feature. The eclectic supporting cast includes Conan O’Brien (who’ll be hosting the Oscars in a few weeks), Danielle Macdonald, Delaney Quinn, A$AP Rocky, and Christian Slater.
Premiering at Sundance, critics are already proclaiming Byrne’s performance as a 2025 highlight. I would expect distributor A24 to mount a serious campaign for Best Actress. The frenetic energy of the pic is being likened to Uncut Gems. It’s worth noting that 2019 A24 title did not end up getting Adam Sandler his first Academy nod despite a major push.
Obviously we’ll need to see how competition is as the months roll along, but I could envision Byrne being in the conversation. My Oscar Prediction posts will continue…
Diane Warren: Relentless is playing the festival circuit chronicling the prolific songwriter’s life. Directed by Bess Kargman, the documentary’s subject is no stranger to Oscar attention.
In 1987, Warren received her first Academy nod for Original Song with “Nothing’s Gonna Stop Us Now” from Mannequin (performed by Starship). Yesterday she nabbed her 16th (!) nomination with “The Journey” from The Six Triple Eight (performed by H.E.R.). In between there’s been well-known tunes like Celine Dion’s “Because You Loved Me” from Up Close & Personal and Aerosmith’s “I Don’t Wanna Miss a Thing” from Armageddon. In recent years, her tracks were nominated from pictures in 2014, 2015, 2017, 2018, 2019, 2020, 2021, 2022, 2023, and 2024. What do they all have in common? None of them took home the gold. The Academy did give Warren an honorary Oscar in 2022.
It would be quite a story if a doc about her life ended up earning Oscar glory. Apparently her well-known status as an Academy loser is covered. Don’t count on it happening. At 83% on Rotten Tomatoes, reviews are fine but not strong enough to be a contender. Yet there’s a caveat. “Dear Me” (sung by Kesha) is the main song in the pic and the full version was released today. You can hear snippets in the trailer. I wouldn’t be surprised based on history if it makes the cut in Original Song marking Warren’s 17th try. My Oscar Prediction posts will continue…
Three years ago at the Sundance Film Festival, Sophie Hyde premiered her dramedy Good Luck to You, Leo Grande where Emma Thompson earned an Actress (Musical or Comedy) nom. It also rounded up a few BAFTA mentions. In 2025, the writer/director is back in Park City with Jimpa. Olivia Colman stars as a mom taking her non-binary teen to visit their gay grandpa (or Jimpa) in Amsterdam. John Lithgow is the title character with newcomer Aud Mason-Hyde as the teen. Costars include Tilda Cobham-Hervey, Daniel Henshall, Kate Box, Eamon Farren, and Zoë Love Smith.
Colman had a four year Oscar run where she achieved 3 nominations: 2018’s The Favourite (where she won), 2020’s The Father in supporting, and 2021’s The Lost Daughter in lead. Lithgow nabbed back-to-back mentions in Supporting Actor over four decades ago with 1982’s The World According to Garp and 1983’s Terms of Endearment (winning neither). Both of these roles seem like Academy bait.
However, initial reaction is mixed with 67% on Rotten Tomatoes. Perhaps its eventual distributor will mount a campaign. Lithgow, in what’s said to be quite a revealing role, seems due for one. His turn in Conclave last year turned out not to be that part as costars Ralph Fiennes and Isabella Rossellini were the focal points. I’m just not convinced this’ll be a major awards player at all. My Oscar Prediction posts will continue…
Horror pic Companion looks to earn its budget back quickly when it debuts January 31st. From writer/director Drew Hancock, Sophie Thatcher and Jack Quaid headline with a supporting cast including Lukas Gage, Megan Suri, Harvey Guillén, and Rupert Friend.
Buzz among genre fans is decent with 90% on Rotten Tomatoes and 76 on Metacritic. With a reported price of tag of only $10 million, this should be a profitable venture for Warner Bros. I could see this performing similarly to last fall’s Heretic out of the gate. It also featured burgeoning scream queen Thatcher (no relation that I’m aware of) and took in $11 million for its start. I’ll say Companion is right in that range.
Companion opening weekend prediction: $10.6 million
At last year’s Academy Awards, Mstyslav Chernov’s 20 Days in Mariupol received the Documentary Feature prize. Ukrainian filmmaker will look to achieve the same at next year’s ceremony with 2000 Meters to Andriivka.
Focused on the Russia/Ukraine war like Mariupol, Andriivka has premiered at the Sundance Film Festival (also like Chernov’s predecessor). Before we delve into this project, let’s talk Sundance for a moment. The Park City (for now) event kicked off today so you can expect several Oscar Prediction posts covering its screenings.
While Sundance can give us BP nominees like CODA, Judas and the Black Messiah, and Minari to name some recents, that didn’t happen today though A Real Pain probably came close. Where the fest does provide lots of contenders is with their docs. Four of today’s Documentary Feature nominees for the 97th Academy Awards screened at Sundance: Black Box Diaries, Porcelain War, Soundtrack to a Coup d’Etat, and Sugarcane.
With that context is out of the way, back to Andriivka. Early reviews and WOM indicates that this could be another contender for Chernov. There is the matter of whether voters might feel they just honored the director. Let’s see how its distribution plays out too, but I wouldn’t discount this being in the mix. My Oscar Prediction posts will continue…
DreamWorks Animation looks for Dog Man to top the charts when it debuts January 31st. A spin-off of 2017’s Captain Underpants: The First Epic Movie, Peter Hastings directs and provides the voice of the title canine. The adaptation of Dav Pilkey’s graphic novel features behind the mic work from Pete Davidson, Lil Rel Howery, Isla Fisher, Poppy Liu, Stephen Root, Billy Boyd, and Ricky Gervais.
In the summer of 2017, Underpants dropped with a $23.9 million premiere. That turned out to be a front loaded opening as it ended up with $73.9 million domestically. That could be right around where Dog sits and that should be enough for a first place showing.
Bowen Yang and Rachel Sennott announced nominees for the 97th Academy Awards this morning after being delayed from last week due to the California wildfires. For the ceremony airing March 2nd (hosted by Conan O’Brien), I went 89 for 105 in my picks. I’ll allow myself a pat on the back as I managed to go 20/20 in the four acting derbies and 10/10 in the screenplay races.
As predicted, Emilia Pérez led all hopefuls and it managed to nab 13 nominations (I projected it would get 11). The Brutalist and Wicked followed with 10 apiece while A Complete Unknown and Conclave generated 8.
Let’s walk through each competition with how I did and some initial thoughts, shall we?
BEST PICTURE
Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Pérez, I’m Still Here, Nickel Boys, The Substance, Wicked
How I Did: 9/10
The surprise of the morning was Brazilian drama I’m Still Here making the cut. I had A Real Pain instead. As has been discussed frequently on the blog, this is an uncharacteristically open BP field with several winner possibilities. Readers know that I’ve had The Brutalist listed in 1st and I see no reason to change that, but Anora, A Complete Unknown, Conclave (to a lesser degree… we’ll get to that), Pérez, and maybe Wicked loom.
BEST DIRECTOR
Jacques Audiard (Emilia Pérez), Sean Baker (Anora), Brady Corbet (The Brutalist), Coralie Fargeat (The Substance), James Mangold (A Complete Unknown)
How I Did: 4/5
DGA nominee Mangold is in the quintet over Edward Berger (Conclave). The latter has his second significant snub just two years after being left off for All Quiet on the Western Front. Even if The Brutalist doesn’t emerge as the BP victor, Corbet is the frontrunner. I think Conclave‘s BP chances took a hit with Berger missing.
BEST ACTRESS
Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Mikey Madison (Anora), Demi Moore (The Substance), Fernanda Torres (I’m Still Here)
How I Did: 5/5
The narrative for Moore might be too enticing for the Academy to ignore, but I’m beginning to wonder if Torres is a bigger threat than even Madison to upset. I’ll note that all nominees are from BP contenders.
BEST ACTOR
Adrien Brody (The Brutalist), Timothée Chalmaet (A Complete Unknown), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave), Sebastian Stan (The Apprentice)
How I Did: 5/5
The showdown should come down to Brody v. Chalamet.
BEST SUPPORTING ACTRESS
Monica Barbaro (A Complete Unknown), Ariana Grande (Wicked), Felicity Jones (The Brutalist), Isabella Rossellini (Conclave), Zoe Saldaña (Emilia Pérez)
How I Did: 5/5
Like Actress, all nominees hail from BP hopefuls with Grande v. Saldaña anticipated to be the storyline.
BEST SUPPORTING ACTOR
Yura Borisov (Anora), Kieran Culkin (A Real Pain), Edward Norton (A Complete Unknown), Guy Pearce (The Brutalist), Jeremy Strong (The Apprentice)
How I Did: 5/5
Culkin is out front, but it’s worth noting that A Real Pain missed BP. Does this open the door for Norton or Pearce?
BEST ORIGINAL SCREENPLAY
Anora, The Brutalist, A Real Pain, September 5, The Substance
How I Did: 5/5
This is where Anora is expected to shine.
BEST ADAPTED SCREENPLAY
A Complete Unknown, Conclave, Emilia Pérez, Nickel Boys, Sing Sing
How I Did: 5/5
This is where Conclave is expected to shine.
BEST INTERNATIONAL FEATURE FILM
Emilia Pérez, Flow, The Girl with the Needle, I’m Still Here, The Seed of the Sacred Fig
How I Did: 3/5
After those acting and screenplay runs, my predictions come back down to Earth. My alternate Flow and Needle are in over Kneecap and Vermiglio. Despite I’m Still Here being an unanticipated addition to BP, Pérez should receive this.
BEST ANIMATED FEATURE
Flow, Inside Out 2, Memoir of a Snail. Wallace & Gromit: Vengeance Most Fowl, The Wild Robot
How I Did: 5/5
This was probably the race that all prognosticators nailed as this was an easy quintet to project. Flow vs. The Wild Robot.
BEST DOCUMENTARY FEATURE
Black Box Diaries, No Other Land, Porcelain War, Soundtrack to a Coup d’Etat, Sugarcane
How I Did: 3/5
Black Box Diaries and my alternate Soundtrack are in with Daughters (a surprising snub) and Will & Harper out. The Doc branch can hard to figure out though No Other Land is racking up early precursor awards.
BEST CINEMATOGRAPHY
The Brutalist, Dune: Part Two, Emilia Pérez, Maria, Nosferatu
How I Did: 3/5
My alternate Pérez and Maria (in its sole nom) are in over A Complete Unknown and Conclave. This is probably going to The Brutalist.
BEST COSTUME DESIGN
A Complete Unknown, Conclave, Gladiator II, Nosferatu, Wicked
How I Did: 4/5
Conclave (which was my runner-up) makes it in over Dune: Part Two. It should be noted that Dune‘s 5 nominations is certainly on the lower end of its expected range. Wicked is the frontrunner.
BEST FILM EDITING
Anora, The Brutalist, Conclave, Emilia Pérez, Wicked
How I Did: 3/5
I went with an upset by leaving off my alternate Anora, but it’s in and so is Wicked over A Complete Unknown and Dune. This is a tricky race to figure out and, frankly, I’m not ready to designate a favorite quite yet.
BEST MAKEUP & HAIRSTYLING
A Different Man, Emilia Pérez, Nosferatu, The Substance, Wicked
How I Did: 5/5
This is where The Substance could materialize.
BEST ORIGINAL SCORE
The Brutalist, Conclave, Emilia Pérez, Wicked, The Wild Robot
How I Did: 3/5
It’s Wicked and Wild (my alt) over Challengers (which was blanked this morning) and Nosferatu. This could be a Brutalist prize.
BEST ORIGINAL SONG
“El Mal” from Emilia Pérez; “The Journey” from The Six Triple Eight; “Like a Bird” from Sing Sing; “Mi Camino” from Emilia Pérez; “Never Too Late” from Elton John: Never Too Late
How I Did: 3/5
“Like a Bird” and Sir Elton’s ditty are part of the mix over “Harper and Will Go West” from Will & Harper and “Kiss the Sky” from The Wild Robot, which was expected to make it. The Pérez tracks are out front with “El Mal” as your Globe victor.
BEST PRODUCTION DESIGN
The Brutalist, Conclave, Dune: Part Two, Nosferatu, Wicked
How I Did: 5/5
This could be a Wicked win.
BEST SOUND
A Complete Unknown, Dune: Part Two, Emilia Pérez, Wicked, The Wild Robot
How I Did: 3/5
My alt Pérez and The Wild Robot (in a category where few were predicting it) instead of Blitz and Gladiator II (which had a poor morning with only Costume Design). While Dune could take this, I question whether the subpar five noms makes it vulnerable to others.
BEST VISUAL EFFECTS
Alien: Romulus, Better Man, Dune: Part Two, Kingdom of the Planet of the Apes, Wicked
How I Did: 4/5
My alt Wicked and not Twisters represented here. The same logic from Sound applies to VE with Dune. Could Alien or Better Man pose a threat?
And there you have it, folks! It’s now time to start my Case Of posts. Readers of the blog may recall that I do individual posts for the 10 BP nominees and the 25 director and acting hopefuls where I lay out the case for and against their winning. Those will be up in short order.
Here’s how the nominations tallies played out:
13 Nominations
Emilia Pérez
10 Nominations
The Brutalist, Wicked
8 Nominations
A Complete Unknown, Conclave
6 Nominations
Anora
5 Nominations
Dune: Part Two, The Substance
4 Nominations
Nosferatu
3 Nominations
I’m Still Here, Sing Sing, The Wild Robot
2 Nominations
The Apprentice, Flow, Nickel Boys, A Real Pain
1 Nomination
Alien: Romulus. Better Man, Black Box Diaries, A Different Man, Elton John: Never Too Late, The Girl with the Needle, Gladiator II, Inside Out 2, Kingdom of the Planet of the Apes, Maria, Memoir of a Snail, No Other Land, Porcelain War, The Seed of the Sacred Fig, September 5, The Six Triple Eight, Soundtrack to a Coup d’Etat, Sugarcane, Wallace & Gromit: Vengeance Most Fowl
Mark Wahlberg looks to guide Flight Risk to #1 this weekend and Angel Studios premieres their latest drama Brave the Dark. You can peruse my detailed prediction posts on the newcomers here:
The doldrums of January should continue at multiplexes with Flight Risk seeking action fans to get onboard. Directed by his Daddy’s Home 2 and Father Stu costar Mel Gibson, I have Wahlberg’s latest in the low double digits. That should be enough for the top spot.
After returning to first place by a nose, Mufasa: The Lion King should slip to second with One of Them Days in third after a better than anticipated runner-up showing (more on that below).
The fourth slot could be close between Brave the Dark and Sonic the Hedgehog 3‘s 6th frame. Wolf Man had a disappointing rollout and could ease to sixth with a decline in the mid 50s or so.
And with that, here’s how I envision the top 6:
1. Flight Risk
Predicted Gross: $11.3 million
2. Mufasa: The Lion King
Predicted Gross: $8.7 million
3. One of Them Days
Predicted Gross: $6.8 million
4. Sonic the Hedgehog 3
Predicted Gross: $5.1 million
5. Brave the Dark
Predicted Gross: $5.1 million
6. Wolf Man
Predicted Gross: $4.6 million
Box Office Results (January 17-19)
In the weakest MLK weekend in nearly a quarter century, Mufasa: The Lion King managed to climb back into the winners circle with $12 million from Friday to Sunday. That’s ahead of my $9.5 million call and it gives the Disney property $206 million after five weeks.
Buddy comedy One of Them Days starring Keke Palmer and SZA rode a wave of solid reviews to second place and $11.8 million, easily overshadowing my $7.8 million projection. This is the first 2025 title to exceed expectations.
The same cannot be said for Wolf Man. Blumhouse’s horror reboot received plenty of subpar critical notices and audiences turned away. While I had it pegged for 1st at $16.6 million, it was third with only $10.8 million.
Sonic the Hedgehog 3 was fourth with $8.6 million compared to my $6.6 million estimate for a five-week total of $216 million.
Last weekend’s champ Den of Thieves 2: Pantera fell to fifth with $6.5 million. The 56% drop was steeper than I figured as I had it at $8.2 million. The ten-day take is $26 million.
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