Two weeks after Den of Thieves 2: Pantera started Lionsgate on a positive 2025 note after a disastrous 2024, the studio looks for Flight Risk to keep things looking up. Out January 24th, Mel Gibson directs the action thriller starring Mark Wahlberg, Topher Grace, and Michelle Dockery.
Originally slated for October of last year, this marks Gibson’s first behind the camera exercise since 2016’s Best Picture nominee Hacksaw Ridge. He recently costarred with Wahlberg in 2022’s largely forgotten Father Stu.
Competing for a male audience with the NFL playoffs could be a tall order (as well as the general January doldrums at multiplexes). Another hurdle is that audiences may be used to seeing Wahlberg in direct to streaming fare with Spenser Confidential, Infinite and The Union being recent examples in the genre.
My guess is this gets to low double digits and maybe into the teens.
Flight Risk opening weekend prediction: $11.3 million
The nominees for the Producers Guild of America (PGA) unveiled the ten nominees for their best motion picture and five contenders for an animated offering today. When it comes to BP nominees, the PGA has a mostly impressive track record matching with the Oscar list.
Most notably, there was a 10/10 correlation last year. It was 8/10 in 2021 and 7/10 in 2020 and 2022. Let’s walk through the nominated features with how I did in my predictions and some commentary.
Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures
Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Perez, A Real Pain, September 5, The Substance, Wicked
How I Did: 8/10
When I made my projections for this race, I stated that I believe there to be 8 safe pictures for PGA and at Oscar: Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Perez, The Substance, and Wicked. That certainly appears to hold true for the upcoming nods as the octet is up at PGA.
It’s the last two slots that are tricky to figure and the PGA just made it trickier. A Real Pain and September 5 are in over my picks of Challengers and Nickel Boys. I’ll also note that Nosferatu or Sing Sing being included here could have helped their fortunes.
This is certainly a boost for A Real Pain which has missed some key precursors lately and an unexpected slot for September 5 which has been largely absent in other lists.
Unlike last year, I don’t think we’re going to see a 10/10 match. 8 for 10 seems assured and 9 for 10 is certainly doable.
Outstanding Producer of Animated Theatrical Motion Pictures
Flow, Inside Out 2, Moana 2, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot
How I Did: 4/5
Every Despicable Me predecessor made the cut at PGA, so I went with Despicable Me 4 over Wallace. It was not to be.
I’ll have winner predictions up shortly before the event which is slated for February 8th.
Leigh Whannell follows up his acclaimed horror reboot The Invisible Man from 2020 with another iconic interpretation of a genre classic in Wolf Man this weekend. Christopher Abbott and Julia Garner headline the low-budget Universal/Blumhouse production with Matilda Firth and Sam Jaeger costarring.
Originally planned as a vehicle for director Derek Cianfrance to star Ryan Gosling, Wolf is not generating the same acclaim as its replacement filmmaker’s previous venture. Invisible topped out at 92% on Rotten Tomatoes and 72 for Metacritic. Wolf currently sports a 60% Tomato meter with Metacritic at 49.
The only race where Wolf stands a shot at awards attention is Makeup & Hairstyling (for the latter designation of that category). 2010’s The Wolfman with Benicio del Toro and Emily Blunt actually won the Oscar for Makeup (before the Academy apparently cared about hair). A safe assumption is that voters won’t have this picture fresh in their minds a year from now to nominate it, but let’s see how competition stacks up. My Oscar Prediction posts will continue…
Nominations for the 78th BAFTA Awards, airing February 16th, were unveiled today and we have another key Oscar precursor to pontificate about. I went 91 for 123 with Conclave (as I forecasted) leading all pictures in contention. It even managed to get 12 nods and that’s ahead of my call of 11. Let’s walk through each race with how I did and some general commentary.
Best Film
Anora, The Brutalist, A Complete Unknown, Conclave, Emilia Pérez
How I Did: 4/5
I predicted The Substance over Unknown, which continues its highly impressive precursor run. This should come down to The Brutalist vs. Conclave unless the Brits really fall for Anora or Pérez.
Outstanding British Film
Bird, Blitz, Conclave, Gladiator II, Hard Truths, Kneecap, Lee, Love Lies Bleeding, The Outrun, Wallace & Gromit: Vengeance Most Fowl
How I Did: 9/10
I thought Civil War would make the cut instead of Love Lies Bleeding. As the only Best Film contender in this bunch, Conclave has an obvious edge.
Outstanding Debut By a British Writer, Director or Producer
Oof. I went with Bring Them Down, Grand Theft Hamlet, and The Taste of Mango over Hoard, my alternate Monkey Man, and Sister Midnight. This is a pretty easy pick with Kneecap out front.
Children’s and Family Film
Flow, Kensuke’s Kingdom, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot
How I Did: 3/4
I went with Young Woman and the Sea over Kingdom. This new category could go to Robot, but watch out for Flow or even Wallace.
Film Not in the English Language
All We Imagine as Light, Emilia Pérez, I’m Still Here, Kneecap, The Seed of the Sacred Fig
How I Did: 4/5
I called a bit of an upset with La Chimera popping up in this quintet instead of Fig. The safe money is on Pérez for the victory.
Documentary
Black Box Diaries, Daughters, No Other Land, Super/Man: The Christopher Reeve Story, Will & Harper
How I Did: 5/5 (!)
No Other Land has dominated early critics groups and is the favorite.
Animated Film
Flow, Inside Out 2, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot
How I Did: 3/4
Like Children’s and Family Film, this could be a three-way battle between Flow, Wallace, and Robot. I predicted Memoir of a Snail instead of Inside Out 2.
Director
Jacques Audiard (Emilia Pérez), Sean Baker (Anora), Edward Berger (Conclave), Brady Corbet (The Brutalist), Coralie Fargeat (The Substance), Denis Villeneuve (Dune: Part Two)
How I Did: 5/6
I feel like Villeneuve needed this to say viable in the Oscar convo and he gets in over my pick of Payal Kapadia for All We Imagine as Light. Even if it doesn’t win Best Film, Corbet is likely in the lead. Yet I wouldn’t discount Berger with the nomination leading Conclave.
Original Screenplay
Anora, The Brutalist, Kneecap, A Real Pain, The Substance
How I Did: 5/5 (!)
This is where Anora could get a prize.
Adapted Screenplay
A Complete Unknown, Conclave, Emilia Pérez, Nickel Boys, Sing Sing
How I Did: 4/5
Sing Sing joins the party over Wicked. This should be a Conclave win.
Actress
Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Marianne Jean-Baptiste (Hard Truths), Mikey Madison (Anora), Demi Moore (The Substance), Saoirse Ronan (The Outrun)
How I Did: 5/6
I wouldn’t ignore the possibility of a surprise with Jean-Baptiste, but should be between Madison and Moore. Ronan finally gets some precursor attention over my pick of Kate Winslet in Lee.
Actor
Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave), Hugh Grant (Heretic), Sebastian Stan (The Apprentice)
How I Did: 5/6
Mr. Grant makes the sextet over the rather unexpected omission of Daniel Craig in Queer. Expect either Brody or Chalamet for the gold.
Supporting Actress
Jamie Lee Curtis (The Last Showgirl), Selena Gomez (Emilia Pérez), Ariana Grande (Wicked), Felicity Jones (The Brutalist), Isabella Rossellini (Conclave), Zoe Saldaña (Emilia Pérez)
How I Did: 4/6
Saldaña is the frontrunner. Curtis (fresh off her SAG nod) and Gomez compete instead of Michele Austin (Hard Truths) and Margaret Qualley (The Substance). Except for Grande and Saldaña, the battle for the three slots in this race at the Oscars is fascinating with several performers in contention.
Supporting Actor
Yura Borisov (Anora), Kieran Culkin (A Real Pain), Clarence Maclin (Sing Sing), Edward Norton (A Complete Unknown), Guy Pearce (The Brutalist), Jeremy Strong (The Apprentice)
How I Did: 5/6
I thought maybe Denzel Washington would get his (somehow) first BAFTA nomination for Gladiator II. It didn’t happen and went to Clarence Maclin instead. Culkin is the frontrunner with Pearce as a potential spoiler.
Casting
Anora, The Apprentice, A Complete Unknown, Conclave, Kneecap
How I Did: 2/5
This unpredictable race proved to be just that. I went with Blitz, Emilia Pérez, and Wicked and not The Apprentice, A Complete Unknown, and Kneecap. The winner? Your guess is as good as mine. Let’s say Anora for now.
Cinematography
The Brutalist, Conclave, Dune: Part Two, Emilia Pérez, Nosferatu
How I Did: 4/5
Perez over Anora with The Brutalist or perhaps Conclave out front.
Costume Design
Blitz, A Complete Unknown, Conclave, Nosferatu, Wicked
How I Did: 2/5
Ouch. I said Beetlejuice Beetlejuice, Dune: Part Two, and Gladiator II and not Blitz, A Complete Unknown or Conclave. This should be Wicked.
Editing
Anora, Conclave, Dune: Part Two, Emilia Pérez, Kneecap
How I Did: 3/5
Predicted Challengers (which was blanked) and The Substance over Dune and Kneecap. Conclave could take this.
Make-Up and Hair
Dune: Part Two, Emilia Pérez, Nosferatu, The Substance, Wicked
How I Did: 4/5
Pérez over Beetlejuice as The Substance seeks the victory.
Original Score
The Brutalist, Conclave, Emilia Pérez, Nosferatu, The Wild Robot
How I Did: 3/5
Nosferatu and Robot over Blitz and The Substance. Like Best Film, this might be between The Brutalist and Conclave.
Production Design
The Brutalist, Conclave, Dune: Part Two, Nosferatu, Wicked
How I Did: 4/5
The Brutalist over Gladiator II (which had a poor showing today). This could be Wicked.
Sound
Blitz, Dune: Part Two, Gladiator II, The Substance, Wicked
How I Did: 2/5
Some real surprises here as Civil War, A Complete Unknown, and Emilia Pérez are out with Blitz, Gladiator II, and Wicked in. This should be Dune.
Special Visual Effects
Better Man, Dune: Part Two, Gladiator II, Kingdom of the Planet of the Apes, Wicked
How I Did: 4/5
Wicked instead of Alien: Romulus as Dune should get this (though Better Man has slight upset potential).
And there you have it! Keep an eye on the blog as we get closer to final Oscar predictions coming Sunday…
My final predictions for nominees at the 97th Academy Awards arrives this Sunday, January 19th (note the new date) prior to the announcement on Thursday, January 23rd. Note that new date too as the Academy pushed back the nomination unveilings due to the California wildfires. Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.
The fourth post in this series is Best Actor. If you missed my write-ups for the other three acting derbies, you can access them here:
Truth be told, this is the easiest quintet of the acting categories to forecast. There are five performers who have nabbed nominations in four of the most important precursors – the Golden Globes, SAG, Critics Choice, and the BAFTA long list. They are: Adrien Brody (The Brutalist), Timothee Chalamet (A Complete Unknown), Daniel Craig (Queer), Colman Domingo (Sing Sing), and Ralph Fiennes (Conclave). The safe bet is to predict this group being the Oscar hopefuls and that’s where my head is at currently.
However, Craig in particular could be vulnerable. Queer is not a contender in Best Picture or any other race with the possible exception of Adapted Screenplay (and that’s a long shot).
Before we discuss actors who could replace him, let’s spend a moment remembering those leading men who were once looked at as possibilities. This is before their movies flamed out or their roles just weren’t “baity” enough. It is also due to them not really showing up anywhere in precursors. I’m looking at you, Joaquin Phoenix in Joker: Folie à Deux. And Adam Driver in Megalopolis is in that club. Same goes for Paul Mescal (Gladiator II), Tom Hanks (Here), Kevin Costner (Horizon: An American Saga – Chapter 1), John David Washington (The Piano Lesson), Cillian Murphy (Small Things like These), and Andrew Garfield (We Live in Time).
There’s three gentlemen who made the BAFTA long list who really have no shot at Oscar glory – Kingsley Ben-Adir (Bob Marley: One Love), Jude Law (Firebrand), and Dev Patel (Monkey Man). There are Globe nominees in Actor (Musical or Comedy) that you could say the same about – Gabriel LaBelle (Saturday Night) and Jesse Plemons (Kinds of Kindness).
That leaves 5 performances jockeying for one slot: Jesse Eisenberg (A Real Pain), Hugh Grant (Heretic), Glen Powell (Hit Man), Sebastian Stan (The Apprentice), and Sebastian Stan (A Different Man). I remind you that, as of now, I’d put them all behind Craig. Let’s walk through them one by one, shall we?
Jesse Eisenberg’s fortunes could rise slightly if A Real Pain gets into Best Picture (which I am forecasting it won’t at press time). I suspect voters will only honor his costar Kieran Culkin in supporting and I’d rank him 4th out of these 5 possibilities. Eisenberg has only managed a Globe nod which he did not win.
Hugh Grant also nabbed a Globe nod in the horror pic Heretic and was BAFTA longlisted and is up at Critics Choice. Had he emerged victorious for Actor (Musical or Comedy) at the Globes, he might be a more attractive pick. This is a little tempting since he’s never received Oscar attention, but I have him 2nd out of the 5 possibilities.
Glen Powell has had a great couple of years with massive hits Top Gun: Maverick, Anyone but You, and Twisters. His turn in Richard Linklater’s acclaimed comedy was an early trendy pick for inclusion. Like Eisenberg and Grant, he was up at the Globes and fell short. I have him 5th out of 5 possibilities.
Sebastian Stan’s embodiment of a young Donald Trump in The Apprentice was Globe nominated and BAFTA longlisted. The Critics Choice and SAG omissions sting though I’d rank him 1st of these 5 possibilities.
For our double shot of Stan, he did win Actor (Musical or Comedy) for his role in A Different Man at the Golden Globes. Yet none of the six nominated performers in that category are truly seen as viable hopefuls at Oscar. I have this iteration of Stan 3rd of these 5 possibilities.
OK. There you have it. My microscope analysis of Best Actor for the 97th Academy Awards. Let’s see how it shakes out Sunday when I do my final picks. My post for Best Director is up next!
Blumhouse’s horror remake Wolf Man looks to dominate the box office charts this weekend while Keke Palmer and SZA headline the buddy comedy One of Them Days. You can peruse my detailed prediction posts on the newcomers here:
Sporting a meager budget of reportedly $7 million, Wolf Man from The Invisible Man director Leigh Whannell could see a gross close to $20 million (or at least low to mid teens in the worst case scenario). That should mean an easy perch at #1 under either scenario.
As for One of Them Days, it has a shot of exceeding my expectations. However, my mid to single digits take should mean a fourth or fifth place showing depending on the drops of holdovers.
Den of Thieves 2: Pantera was able to snag the top spot this past weekend (more on that below). It may slide to third with a mid 40s decline with Mufasa: The Lion King staying put in second if it drops in the low to mid 30s.
Here’s how I envision the high five shaking out:
1. Wolf Man
Predicted Gross: $16.6 million
2. Mufasa: The Lion King
Predicted Gross: $9.5 million
3. Den of Thieves 2: Pantera
Predicted Gross: $8.2 million
4. One of Them Days
Predicted Gross: $7.8 million
5. Sonic the Hedgehog 3
Predicted Gross: $6.6 million
Box Office Results (January 10-12)
Gerard Butler scored bragging rights as Den of Thieves 2: Pantera managed first position with $15 million. That’s ahead of my $13.3 million forecast and right in line with the $15.2 million that its 2018 predecessor achieved for its start. This is a much needed boost for Lionsgate after a 2024 littered with bombs including Borderlands, The Crow, and Megalopolis.
Mufasa: The Lion King, after two weeks atop the box office mountain, was runner-up with $14.2 million. That’s on pace with my $14.4 million call as the Disney property’s fortunes rose to $189 million after four weeks.
Sonic the Hedgehog 3 was third with $11.3 million, on target with my $10.9 million prediction. The Sega threequel has amassed $204 million during its four-week run.
Nosferatu was fourth with $6.8 million, falling below my $8.6 million estimate. This horror remake stands at $81 million after three weeks.
Finally, Moana 2 rounded out the top five with $6.5 million (I said $6.3 million). The Mouse House sequel has grossed $434 million in seven weeks.
My final predictions for nominees at the 97th Academy Awards arrives this Wednesday, January 15th prior to the announcement on Sunday, January 19th. Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.
This third write-up brings us to Best Supporting Actress. If you missed the previous two posts covering Actress and Supporting Actor, you can find them here:
I often refer to the “pen” theory on this blog when discussing my Oscar forecasts. Those are performers and pictures whose nominations can be written in pen. For the 97th Academy Awards in Supporting Actress, I believe there’s two surefire selections.
Pop star Ariana Grande’s turn as Glinda has bewitched audiences worldwide. She’s received a key quartet of noms at the Golden Globes, Critics Choice, SAG, and the BAFTA long list. Her inclusion appears assured.
The same can be said for Zoe Saldaña in Emilia Pérez and I have her placed in 1st. That’s because Saldaña has also achieved the aforementioned precursors with a victory at the Globes.
And then it’s a bit of a free for all with 8 performers, in my view, vying for 3 slots. Before we discuss them, let’s take a moment to mention some actresses whose nods once seemed possible. Then their pictures debuted and either the movies were looked at as disappointments or their roles weren’t significant enough to warrant awards buzz. I’m talking about Lady Gaga from Joker: Folie à Deux, Toni Collettee in Juror #2, Lashana Lynch from Bob Marley: One Love, and Hong Chau in Kinds of Kindness, to name a few.
Despite making the BAFTA long list, don’t look for Adriana Paz in Emilia Pérez to contend with the focus on cast mates Karla Sofia Gascón in lead and Saldaña and Selena Gomez (we’ll get to her shortly) here. Emily Watson also made the BAFTA cut in Small Things like These but isn’t expected to factor into the Academy derby. Same with Michele Austin in Hard Truths.
The next group were once seen as viable and have not made it to the precursors. Their nominations are not totally impossible. However, they would be rightly seen as major spoilers. I would include Joan Chen (Dídi), Natasha Lyonne (His Three Daughters), Saoirse Ronan (Blitz), and Elle Fanning (A Complete Unknown) in this lot.
We return to the 8 performers circling three Oscar chairs. They are: Monica Barbaro (A Complete Unknown), Jamie Lee Curtis (The Last Showgirl), Danielle Deadwyler (The Piano Lesson), Aunjanue Ellis-Taylor (Nickel Boys), Selena Gomez (Emilia Pérez), Felicity Jones (The Brutalist), Margaret Qualley (The Substance), and Isabella Rossellini (Conclave). Let’s walk through them one by one, shall we?
Monica Barbaro’s performance as Joan Baez in A Complete Unknown has only popped up in one of the 4 previously discussed precursors. In her favor… it’s the most recent at SAG and Unknown has generally been over performing this season. I don’t have her predicted at press time and she’s 5th out of these 8 possibilities.
Jamie Lee Curtis, two years after winning this prize for Everything Everywhere All at Once, is in the mix once again for The Last Showgirl. She could also benefit from recency bias. While she didn’t factor in at the Globes or Critics Choice, her name has been called in the last few days with the BAFTA long list and SAG. I have her 6th out of the 8 possibilities.
Danielle Deadwyler has the disadvantage of The Piano Lesson not being a Best Picture contender or being a threat for a nomination anywhere else. The SAG nod this week kept her in the conversation and she also received Critics Choice. Two years ago, she was notably snubbed for her lead performance in Till and that could assist her now. I have her 3rd out of the 8 possibilities and just getting in.
Aunjanue Ellis-Taylor in Nickel Boys has only shown up at Critics Choice and the movie itself may or may not make the BP dance. While her standing in the eventual quintet looks shaky, I wouldn’t totally discount her and she’s 7th out of the 8 possibilities.
Selena Gomez is undoubtedly in the shadow of costar Saldaña though she’s in the BAFTA long list and was nominated at the Globes. A SAG nod would have caused her to be higher, but she’s 8th out of the 8 possibilities.
Felicity Jones made BAFTA and Globes and was a surprise no-show at Critics Choice and SAG. I suspect The Brutalist‘s eventual standing at Oscar helps and I have her 1st among these 8 possibilities.
Margaret Qualley is nowhere near as guaranteed an Academy invite as her Substance lead Demi Moore. Of the four precursors, she has only missed SAG. I didn’t predict her there and I currently have her 4th of these 8 possibilities. That would leave her barely on the outside looking in.
Finally, despite a short amount of screen time in Conclave, Isabella Rossellini also only missed SAG. Unlike Qualley, I have her 3rd of the 8 hopefuls and just making the quintet.
OK. There you have it. My microscope analysis of Best Supporting Actress for the 97th Academy Awards. Let’s see how it shakes out Wednesday when I do my final picks. I’ll have a deep dive into Best Actor up next!
My final predictions for nominees at the 97th Academy Awards arrives this Wednesday, January 15th prior to the announcement on Sunday, January 19th. Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.
The second post in this series is Best Supporting Actor. If you missed my write-up for Best Actress, you can access it here:
Unlike some of the other categories… Best Picture for example… I do believe there’s a legit frontrunner in Supporting Actor and that’s Kieran Culkin for A Real Pain. He has received a quartet of significant Oscar precursor nominations thus far: the Golden Globe, the BAFTA long list, SAG, and Critics Choice. That’s in addition to a slew of critics group prizes. Most significantly, he won the Golden Globe last week. The only potential drawback to a victory is that A Real Pain is a question mark for Best Picture inclusion. Since the Academy’s BP nominees expanded to more than five (and now a set 10) starting in 2009, 14 of the 15 Supporting Actor recipients came from films nominated in the biggest race. The only exception is 2011 with Christopher Plummer from Beginners. If A Real Pain gets into the BP derby, it’ll be much simpler to project Culkin as the victor. If not, that makes him more of a soft leader in the contest.
There are two other performers with the aforementioned precursors to their credit – Yura Borisov in Anora and Edward Norton in A Complete Unknown. At this juncture, it would be bold to leave either of them off the ballot. Both come from surefire BP hopefuls.
So does Guy Pearce of The Brutalist. The veteran actor seeks his first nomination. I’ve had him consistently ranked 2nd behind Culkin for weeks. His SAG omission was a surprise, but he still looks relatively safe for inclusion.
That leaves us with one spot left to fill. Before we consider that, let’s remember a time when these gentlemen had shots for the 97th Academy Awards. In some cases, the movies didn’t turn out to be Oscar contenders or their roles weren’t substantial enough to make the cut. I speak of Tom Hardy or Michael Shannon from The Bikeriders, Benedict Cumberbatch in The Book of Clarence, Brendan Gleeson in Joker: Folie à Deux, and Giancarlo Esposito from Megalopolis.
There’s a next level up of performances. It might not be totally impossible for them to get in, but there’s been no evidence precursor wise to realistically believe they’re a threat. This list includes Josh O’Connor from Challengers, Peter Sarsgaard and John Magaro from September 5 and Bill Skarsgård and Willem Dafoe in Nosferatu, and Drew Starkey in Queer. Same goes for Brian Tyree Henry (The Fire Inside), Adam Pearson (A Different Man), and Samuel L. Jackson (The Piano Lesson). Chris Hemsworth drew raves for Furiosa: A Mad Max Saga, but he hasn’t shown up anywhere. Same story for Dune: Part Two supporting players Javier Bardem and Austin Butler. And John Lithgow (Conclave) and Mark Eydelshteyn (Anora) are likely to cede the spotlight to their costars.
With one spot remaining, I have five contenders worthy of chatter: Jonathan Bailey (Wicked), Clarence Maclin (Sing Sing), Jeremy Strong (The Apprentice), Stanley Tucci (Conclave), and Denzel Washington (Gladiator II). Let’s walk through them one by one, shall we?
Speaking of costars, it sure seemed like Wicked‘s Jonathan Bailey would be on the outside looking in while his popular cast mates Cynthia Erivo and Ariana Grande would get noms. Yet his unexpected SAG inclusion this week puts him in the mix. Nevertheless I have him 5th out of these 5 possibilities.
Clarence Maclin took his real life experience behind bars and became a critical darling playing himself in Sing Sing. He made the BAFTA long list and Critics Choice ballot but missed SAG and the Globes. Oscar may still remember him, but he’s currently 3rd out of these 5 possibilities.
Jeremy Strong’s work as Roy Cohn in The Apprentice has snagged BAFTA long list, the Globes, and SAG and only missed Critics Choice. An excellent argument can be made for Culkin’s Succession costar. At the moment, I have him 2nd of the 5 possibilities which puts him just outside. I could see that changing when I make final picks on Wednesday.
Stanley Tucci is a dark horse for Conclave. No SAG, Globe, or Critics Choice. Just the BAFTA long list and I don’t have him predicted to make their final five. I could envision a scenario where he comes along for the ride at Oscar if they really love Conclave. He’s 4th out of these 5 possibilities.
Denzel Washington’s turn in Gladiator II was correctly called the sequel’s brightest spot. He has the BAFTA long list, Globe, and Critics Choice locked down. SAG voters, on the other hand, surprisingly ignored him. That makes a 10th acting Oscar nomination questionable. I currently have him 1st out of these 5 possibilities and that gets him in. This is mainly predicated on the fact that he’s Denzel Washington and that has worked before (see his 2017 nomination for Roman J. Israel, Esq.).
There you have it. My microscope analysis of Best Supporting Actor for the 97th Academy Awards. Let’s see how it shakes out Wednesday when I do my final picks. I’ll have a dive into Supporting Actress up next!
The BAFTAs, the United Kingdom’s equivalent of the Academy Awards, unveil their nominees this Wednesday, January 15th. This comes after they revealed their long lists for contenders in their various races a little over a week ago.
Here are my picks for the nominees across the competitions with an alternate picked in each. I’ll have a recap with how I did and general thoughts mid-week!
Best Film
Anora, The Brutalist, Conclave, Emilia Pérez, The Substance
Alternate – A Complete Unknown
Outstanding British Film
Bird, Blitz, Civil War, Conclave, Gladiator II, Hard Truths, Kneecap, Lee, The Outrun, Wallace & Gromit: Vengeance Most Fowl
Alternate – Wicked Little Letters
Outstanding Debut by a British Writer, Director or Producer
Bring Them Down, Grand Theft Hamlet, Kneecap, Santosh, The Taste of Mango
Alternate – Monkey Man
Best Children’s and Family Film
Flow, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot, Young Woman and the Sea
Alternate – Piece by Piece
Best Film Not in the English Language
All We Imagine as Light, Emilia Pérez, I’m Still Here, Kneecap, La Chimera
Alternate – The Seed of the Sacred Fig
Best Documentary
Black Box Diaries, Daughters, No Other Land, Super/Man: The Christopher Reeve Story, Will & Harper
Alternate – Elton John: Never Too Late
Best Animated Feature
Flow, Memoir of a Snail, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot
Alternate – Inside Out 2
Best Director
Jacques Audiard (Emilia Pérez), Sean Baker (Anora), Edward Berger (Conclave), Brady Corbet (The Brutalist), Payal Kapadia (All We Imagine as Light), Coralie Fargeat (The Substance)
Alternate – Denis Villeneuve (Dune: Part Two)
Best Original Screenplay
Anora, The Brutalist, Kneecap, A Real Pain, The Substance
Alternate – All We Imagine as Light
Best Adapted Screenplay
A Complete Unknown, Conclave, Emilia Pérez, Nickel Boys, Wicked
Alternate – Sing Sing
Best Actress
Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Marianne Jean-Baptiste (Hard Truths), Mikey Madison (Anora), Demi Moore (The Substance), Kate Winslet (Lee)
Alternate – Nicole Kidman, Babygirl
Best Actor
Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Daniel Craig (Queer), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave), Sebastian Stan (The Apprentice)
Alternate – Hugh Grant (Heretic)
Best Supporting Actress
Michele Austin (Hard Truths), Ariana Grande (Wicked), Felicity Jones (The Brutalist), Margaret Qualley (The Substance), Isabella Rossellini (Conclave), Zoe Saldaña (Emilia Pérez)
Alternate – Selena Gomez (Emilia Pérez)
Best Supporting Actor
Yura Borisov (Anora), Kieran Culkin (A Real Pain), Edward Norton (A Complete Unknown), Guy Pearce (The Brutalist), Jeremy Strong (The Apprentice), Denzel Washington (Gladiator II)
Alternate – Clarence Maclin (Sing Sing)
Best Casting
Anora, Blitz, Conclave, Emilia Pérez, Wicked
Alternate – Kneecap
Best Cinematography
Anora, The Brutalist, Conclave, Dune: Part Two, Nosferatu
Alternate – Emilia Pérez
Best Costume Design
Beetlejuice Beetlejuice, Dune: Part Two, Gladiator II, Nosferatu, Wicked
Alternate – Blitz
Best Editing
Anora, Challengers, Conclave, Emilia Pérez, The Substance
Alternate – Dune: Part Two
Best Makeup and Hair
Beetlejuice Beetlejuice, Dune: Part Two, Nosferatu, The Substance, Wicked
Alternate – Emilia Pérez
Best Original Score
Blitz, The Brutalist, Conclave, Emilia Pérez, The Substance
Alternate – Wicked
Best Production Design
Conclave, Dune: Part Two, Gladiator II, Nosferatu, Wicked
Alternate – The Brutalist
Best Special Visual Effects
Alien: Romulus, Better Man, Dune: Part Two, Gladiator II, Kingdom of the Planet of the Apes
Alternate – Wicked
Best Sound
Civil War, A Complete Unknown, Dune: Part Two, Emilia Pérez, Wicked
Alternate – The Substance
That works out to these pictures landing these numbers of nominations:
11 Nominations
Conclave
10 Nominations
Emilia Pérez
8 Nominations
Anora, The Brutalist, The Substance, Wicked
6 Nominations
Dune: Part Two
5 Nominations
Gladiator II
4 Nominations
A Complete Unknown, Kneecap, Nosferatu
3 Nominations
Blitz, Hard Truths, Wallace & Gromit: Vengeance Most Fowl
2 Nominations
All We Imagine as Light, The Apprentice, Beetlejuice Beetlejuice, Civil War, Flow, Lee, A Real Pain, The Wild Robot
1 Nomination
Alien: Romulus, Better Man, Bird, Black Box Diaries, Bring Them Down, Challengers, Daughters, Grand Theft Hamlet, I’m Still Here, Kingdom of the Planet of the Apes, La Chimera, Memoir of a Snail, Nickel Boys, No Other Land, The Outrun, Queer, Santosh, Sing Sing, Super/Man: The Christopher Reeve Story, The Taste of Mango, Will & Harper, Young Woman and the Sea
My final predictions for nominees at the 97th Academy Awards arrives this Wednesday, January 15th prior to the announcement on Sunday, January 19th. Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.
Let’s begin with Best Actress as it might be the most tricky of all to figure out (though the supporting competitions are up there too). I believe there are three performers whose nominations you can write down in pen.
For months, I’ve had Mikey Madison (Anora) listed in 1st place for her work in Anora. She’s been nominated everywhere she needs to be – Golden Globes, SAG, Critics Choice, the BAFTA long list. The film is definitely in the top 5 of Best Picture hopefuls. In other words, she’s in.
That said, just yesterday, I slid her from 1st to 2nd in favor of Demi Moore in The Substance. That’s mainly because Moore was victorious over Madison at the Golden Globes in the Actress (Musical or Comedy) category. Furthermore, Hollywood loves a comeback story. That is present with Demi. She managed all the aforementioned precursors that Madison has and there’s a win in her favor. I do believe the Oscar could go to either of them, but this seems reminiscent of Best Actor in 2022. Austin Butler (Elvis) was the young upstart like Madison. Brendan Fraser (The Whale) was the once major movie star in a comeback vehicle that also involved heavy makeup work. Fraser got the gold.
I would put Moore and Madison’s chances of making the final five at 100% or at least 99.9999999%. The third “pen” pick is Karla Sofia Gascón in Emilia Pérez. She would make history as the Academy’s first trans nominee. Gascón also made the cut at the key precursors and shared a Cannes victory for Best Actress with her costars. Some prognosticators have started wondering whether she’s a guaranteed nominee. While she’s maybe not a total certainty like our previous actresses, I’d say it’s really close. After all, Emilia Pérez might get the most nominations of any picture this time around. I don’t see that occurring without Emilia Pérez being in contention.
And then… it gets complicated. Before we move to the several performers jockeying for two spots, let’s pour one out for these actresses whose campaigns never got off the ground. In some cases, the films underperformed significantly with critics and audiences. In others, their studios didn’t mount an offensive drive for their inclusion. Some examples are Florence Pugh (We Live in Time), Jodie Comer (The Bikeriders), Ryan Destiny (The Fire Inside), Daisy Ridley (Young Woman and the Sea), Regina King (Shirley), Lily-Rose Depp (Nosferatu), and Marisa Abela (Back to Black). Julianne Moore (The Room Next Door) and June Squibb (Thelma) received a little more attention. However, they failed to show up in any significant other awards lists.
After that lengthy group, there’s a next level. These are actresses who may have shown up in some precursors or long lists, but aren’t expected to materialize in the Oscar quintet. Their chances aren’t completely out of reach like those in the previous paragraph. Yet it’s close. I would put Julianne Moore’s The Room Next Door costar Tilda Swinton in this class. Same with Zendaya (Challengers) and Saoirse Ronan (The Outrun).
This leaves us with eight performances vying for two spots: Amy Adams (Nightbitch), Pamela Anderson (The Last Showgirl), Cynthia Erivo (Wicked), Marianne Jean-Baptiste (Hard Truths), Angelina Jolie (Maria), Nicole Kidman (Babygirl), Fernanda Torres (I’m Still Here), and Kate Winslet (Lee). Let’s walk through them one by one, shall we?
Amy Adams has the narrative of being long overdue for an Oscar. Despite six nominations, she’s yet to hear her name called. On paper, this seemed like a strong possibility but so-so reviews for Nightbitch have not helped. Despite a Globe nod and being in the BAFTA long list, I have her 8th of these 8 possibilities.
I might be more inclined to put Anderson in my five if it weren’t for Demi Moore’s comeback narrative. The Baywatch starlet is getting career best notices for this indie drama even if the film itself is drawing more mixed reactions. Her Globe nomination in Actress (Drama) wasn’t a huge surprise. The SAG nod this week was and it does increase her viability. I have her 5th of these 8 possibilities.
Cynthia Erivo is starring in one of the year’s largest blockbusters with Globe, SAG, Critics Choice, and the BAFTA long list preceding a potential Oscar nod. If she were to win, Erivo would achieve EGOT status as she already has an Emmy, Grammy, and Tony on her resume. The only question mark is whether the amount of performers could squeeze her out. I doubt it. Erivo is ranked 1st of these 8 possibilities.
Marianne Jean-Baptiste is receiving plenty of critics prizes for her role in Mike Leigh’s Hard Truths. Critics Choice and the BAFTA long list are in her corner though she notably missed SAG and the Globes. Leigh has a history of getting his actors nominated. Seeing her in the eventual quintet would not surprise, but she’s 4th of my 8 possibilities at press time.
Angelina Jolie’s inclusion for Pablo Larrain’s Maria seemed assured at one point after the picture premiered in Venice. In hindsight, the troubling signs could have been evident immediately. She did not take Best Actress at that festival. Since then, she’s missed SAG and the BAFTA long list while competing for the Globe and being nominated for Critics Choice. Her most notable blow came at the Globes. She was favored to win Best Actress in a Drama but fell short to Fernanda Torres. I still think she could get in though I have her just on the outside looking in and 3rd of my 8 possibilities.
For her performance in Babygirl, Nicole Kidman did win Best Actress at Venice and Globe and BAFTA long list spots followed. The recent snubs at Critics Choice and SAG are hard to ignore. She’s 6th among these 8 possibilities.
Fernanda Torres in I’m Still Here had no major other precursors to her credit besides the Globe. No BAFTA long list. No Critics Choice. And no SAG attention this week. That win at the Globes, though, looms large and it occurred just as Academy voting was underway. That’s why she’s 2nd of these 8 possibilities.
Finally, Kate Winslet as Lee showed up at the Globes and BAFTA long list. Reviews for the project itself aren’t overly impressive. Winslet could get in because, well, she’s Kate Winslet. Nevertheless she’s 7th of these 8 possibilities.
Whew. OK. There you have it. My microscope analysis of Best Actress for the 97th Academy Awards. Let’s see how it shakes out Wednesday when I do my final picks. I’ll have a dive into Supporting Actor up next!
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