While moviegoers this weekend will be left with only Thanksgiving leftovers to munch on, it’s been quite a week for film news.
Just today, the title of the 24th James Bond picture was revealed: Spectre. Longtime 007 fans know what this means. SPECTRE (it stands for Special Executive for Counter-Intelligence, Terrorism, Revenge and Extortion) is the dastardly organization that has been run by Ernst Stavro Blofeld during the franchise including Dr. No, Thunderball, You Only Live Twice, On Her Majesty’s Secret Service, and Diamonds Are Forever. The group appears to be heading back into Bond lore with two time Oscar winner Christoph Waltz playing the bad guy (whether or not he plays Blofeld is still a mystery). The official announcement this morning lists him playing a different character, but many suspect it’s a head fake and he’ll be stepping into role of Bond’s most iconic villain. Spectre will be out in November 2015 with Daniel Craig returning for his fourth outing as 007 and Skyfall director Sam Mendes behind the camera.
Speaking of iconic villains, news was confirmed this week that The Joker will return in Suicide Squad, Warner Bros. 2016 pic focusing on villains in the DC Comics Universe. Jared Leto, fresh off his Dallas Buyer’s Club Oscar, steps into the part made famous by Jack Nicholson first and then the late Heath Ledger (who picked up a posthumous Academy Award for his work). David Ayer (director of Fury) is heading up the project that also stars Will Smith, Tom Hardy, and Margot Robbie.
So there we have it! Potentially two beloved baddies with two Oscar certified actors filling the roles. Also – ICYMI, there was a trailer for something called Star Wars: The Force Awakens. I’ve posted it already, but it never hurts to watch again… and again.
The Best Picture race took yet another turn today when the National Board of Review named JC Chandor’s early 80s set New York City crime thriller A Most Violent Year as its choice for film of the year. Chandor is the well-regarded director of both Margin Call and All is Lost. The picture stars Oscar Isaac, Jessica Chastain, Albert Brooks, and David Oyelowo. Critical reception has been outstanding as it rates 93% on Rotten Tomatoes at press time.
How significant is a National Board of Review victory? Let’s go the stats as only two NBR winners in the last 25 years have not been nominated for Picture at the Oscars (1998’s Gods and Monsters and 2000’s Quills).
I have yet to include Year among my nine predicted nominees in past blog posts. That is highly likely to change when I do my next round of predictions (probably next week). While its nomination seems forthcoming, a win seems out of reach. Only eight of the last 25 years NBR winners have gone onto win the big prize and Year definitely seems well behind Boyhood, Birdman, The Imitation Game, and Selma (and maybe some others).
As for other nominations, JC Chandor has improved his opportunity for a directing nod, as have Oscar Isaac for Actor and Jessica Chastain for Supporting Actress. Chastain seems the most probable right now, due to the more crowded fields in the other categories. In fact, one of Isaac’s main competitors is his Violent costar Oyelowo (whose nod seems assured for Selma). The film could also sneak into the Original Screenplay derby, which is also a packed race.
Any way you look at it – A Most Violent Year improved its Academy opportunities today with the NBR’s activity.
The first weekend of December/post Thanksgiving frame is typically a sluggish one at the box office. Studios are waiting to release their December heavy hitters while it’s just leftovers to moviegoers to munch and catch up on. 2014 should be no exception, especially following a surprisingly lackluster Turkey Day weekend.
There are no new wide releases coming out. Only the barely marketed horror pic The Pyramid opens semi-wide on approximately 550 screens and I’ll predict it doesn’t even crack a million bucks. My official prediction is $977,000 – far outside the top five.
Additionally, this weekend usually means rather large drops for holdovers after the holiday weekend. Seeing that, I predict the top five not changing at all with their grosses being quite a bit lower.
My predictions for the weekend are:
1. The Hunger Games: Mockingjay – Part 1
Predicted Gross: $21.9 million (representing a drop of 61%)
2. Penguins of Madagascar
Predicted Gross: $13.3 million (representing a drop of 47%)
3. Big Hero 6
Predicted Gross: $10.5 million (representing a drop of 44%)
4. Interstellar
Predicted Gross: $7.6 million (representing a drop of 52%)
5. Horrible Bosses 2
Predicted Gross: $7.2 million (representing a drop of 53%)
Box Office Results (Thanksgiving Weekend)
Katniss and company easily ruled the holiday weekend as Mockingjay – Part 1 took in $56.9 million over the Friday to Sunday portion, on par with my $57.9M estimate. Over the five day, it made $82.6 million, just under my $85.7M prediction. The third entry in the franchise stands at $225 million currently and while it’s doing just fine, it will be the lowest grosser of the series thus far.
Dreamworks animated Penguins of Madagascar posted an unimpressive opening with $25.4 million over the three day and $35.4 million for the five day. This is well below my $40.1M and $54.7M projections. Whether it was the direct competition from Big Hero 6 or something else, family audiences simply didn’t come out for this one on the expected level.
Its aforementioned competitor Big Hero 6 was third in weekend #4 with $18.8 million (Friday to Sunday) and $25 million (Wednesday to Sunday) – in line with my respective $17M and $24.8M estimates. The hit Disney ‘toon has amassed $167M at press time.
Christopher Nolan’s Interstellar held up nicely in its fourth weekend with $15.7 million for the weekend and $21.9 million for the five day. This is considerably better than my projections of $10.9M and $15.5M. The space saga is at $147M and should still struggle to reach $200M.
Finally, Horrible Bosses 2 performed a giant belly flop. It managed an embarrassing fifth place debut with just $15.4 million for the three day and $22.7 million for the five. This is far under my respective estimates of $28.6M and $38.3M. Perhaps audiences had their fill of badly reviewed comedy sequels with Dumb and Dumber To. The sequel couldn’t even manage to earn in five days what the original made in three out of the gate ($28M). Not good.
And that’ll do it for now, friends! Until next time…
In the 2014 Oscar race, one major question has been out there for several months: where will Unbroken fit in? It’s based on a huge bestseller by Lauren Hillenbrand. It’s directed by Angelina Jolie. The screenplay was written by Joel and Ethan Coen. The true story of Olympic track star Louis Zamperini, who was stranded in the Pacific and then held captive at Japanese POW camps during World War II, seems right up Oscar’s alley. Conventional wisdom is that if Unbroken was a critical darling, it would be a force to be reckoned with during awards season.
Today marked the day when reviews trickled out. The verdict? Mixed. Very mixed. It currently sits at just 50% on Rotten Tomatoes (a number that will probably rise). Industry Bible Variety wasn’t impressed. Add that up and I’ll make a declarative statement I couldn’t make until now:
Unbroken is not going to win Best Picture.
Whether it gets nominated is another story. It could still be a big hit at the box office, which wouldn’t hurt. And its source material is well-regarded which could sway voters to at least include it among the eight to ten likely Best Picture nominees. It’s no guarantee anymore, but I’ll still predict Unbroken manages a nod.
Angelina Jolie’s inclusion in the Director race is now very questionable. She would appear behind Richard Linklater (Boyhood), Alejandro Gonzalez Inarritu (Birdman), Ava DuVernay (Selma), and Morten Tyldum (The Imitation Game), as well as other potentials like Christopher Nolan (Interstellar), David Fincher (Gone Girl), James Marsh (The Theory of Everything), and Rob Marshall (Into the Woods). She could still sneak in, but it won’t be as easy as once thought.
The Best Actor race is seen as four-way competition between Michael Keaton (Birdman), Benedict Cumberbatch (Imitation Game), Eddie Redmayne (Theory of Everything), and David Oyelowo (Selma). Jack O’Connell, who plays Zamperini, is receiving positive notices and could nab the fifth slot, but his serious competition includes Steve Carell (Foxcatcher), Oscar Isaac (A Most Violent Year), Timothy Spall (Mr. Turner), and Bradley Cooper (American Sniper).
I have included Japanese singer Miyavi in my Supporting Actor predictions over the past couple of months. He plays the role of a sadistic Japanese army sergeant and I still believe he stands the best shot at a nomination (reviews have singled him out).
Luckily for Unbroken, the Best Adapted Screenplay race is pretty weak this year and it could still earn recognition for the Coen Brothers screenplay.
However, beyond its seemingly now non-existent chances of a Picture win, Unbroken is unlikely to win any of the categories mentioned above. What a difference a day makes.
For movie geeks around the globe, this particular Black Friday will not be remembered for long lines at Wal-Mart or Best Buy. No no. Today has seen the debut of arguably the most eagerly awaited movie trailer of all time for Star Wars: The Force Awakens, which opens December 18, 2015.
There will all kinds of critiquing of the film’s 88 second trailer and I’ll leave that to others to pontificate on. Here’s my professional movie blogger reaction:
“OMG! THE MILLENNIUM FALCON!”
That about covers it. Why? Just the sight of Han Solo’s iconic spacecraft gave me movie geek goosebumps. After all, it’s George Lucas’s creation 37 years ago that spawned the blockbuster era we’ve been living in ever since. Harry Potter? The Avengers? The Hunger Games? They all owe a huge part of their existence to the galaxy far, far away.
The fact that we will see Mark Hamill, Harrison Ford, and Carrie Fisher return to the roles of Luke, Han, and Princess Leia is, frankly, a film lover’s bonus that was once thought highly unlikely. The fact that JJ Abrams is in control of the franchise’s new entry inspires nothing but confidence. The Force Awakens will be scrutinized on a level that is perhaps unheard of so far. At the very least, movie geeks hope it will easily eclipse the disappointing results from 1999 when The Phantom Menace simply didn’t meet expectations – for reasons more than just Jar Jar Binks.
Star Wars, at its best, has the ability to inspire hope in those who love it. And this trailer inspires that hope.
And did I mention – The Millennium Freakin’ Falcon?!?!?!?!
The term “leftovers” has some real meaning as sequels are likely to populate the top three slots of the Thanksgiving 2014 box office. Penguins of Madagascar and Horrible Bosses 2 will both attempt to unseat The Hunger Games: Mockingjay – Part 1 for the top spot. You can read my detailed prediction posts on the two newcomers here:
As I see it, Hunger Games should manage to stay #1, despite the fact that it opened considerably below its two predecessors (more on that below). I expect a drop just over 50%, just like last year’s Catching Fire. Holdovers Big Hero 6 and Interstellar should round out the top five and experience small declines due to the holiday frame.
Since it’s a long holiday weekend, I’ll do the top five predictions for both the traditional Friday to Sunday weekend and extended Wednesday to Sunday five day:
1. The Hunger Games – Mockingjay – Part 1
Predicted Gross: $57.9 million (Fri to Sun), $85.7 million (Wed to Sun) – representing a drop of 52%
2. Penguins of Madagascar
Predicted Gross: $40.1 million (Fri to Sun), $54.7 million (Wed to Sun)
3. Horrible Bosses 2
Predicted Gross: $28.6 million (Fri to Sun), $38.3 million (Wed to Sun)
4. Big Hero 6
Predicted Gross: $17 million (Fri to Sun), $24.8 million (Wed to Sun) – representing a drop of 15%
5. Interstellar
Predicted Gross: $10.9 million (Fri to Sun), $15.5 million (Wed to Sun) – representing a drop of 30%
Box Office Results (November 21-23)
It was a fascinating opening for The Hunger Games: Mockingjay – Part 1. As expected, it managed the largest opening of 2014 with $122.6 million, easily besting the $100M that Transformers: Age of Extinction took in this summer. However, it was easily the lowest opening of the franchise by nearly $30M. This means it came in well below my generous $155.8M prediction. One must wonder if there’s some franchise fatigue here and it remains to be seen how the third entry in the series holds up in subsequent weekends.
Big Hero 6 was second with $20.1 million, a bit below my $22.4M projection. The Disney hit has taken in $135M so far and should find its way past $200M and more.
Interstellar was third with $15.3 million, just below my $16.3M estimate. The Christopher Nolan pic stands at $120M and is likely to struggle to reach $200M.
Dumb and Dumber To fell hard from the top spot with $14 million in its sophomore frame, below my $16M prediction. It’s earned $57M so far and is unlikely to reach $100M.
Gone Girl was fifth with $2.8 million, just under my $3.2M estimate. Its total is at $156M. Beyond the Lights was sixth in weekend #2 with $2.6 million, under my $3.3M projection. It’s made just $10M.
That’s all for now, folks! Enjoy your turkey and, hopefully, a movie!
The central theme of The LEGO Movie is ultimately about allowing one’s creative impulses to be set free and not conforming to the set ways of the world. That statement could apply to the directors and writers of this picture, Phil Lord and Christopher Miller. A movie based on the timeless LEGO toys might have made its studio a lot of money regardless of its quality. Yet Lord and Miller allow their creativity to run wild and what results is a highly entertaining experience that no doubt will serve as the building block (so to speak) of a new franchise.
We begin in the community of Bricksburg, where regular old construction worker Emmet (Chris Pratt) is perfectly happy with the micro-managed society that’s run with an iron fist (or acrylonitrile butadiene styrene fist, to be technically accurate) by President Business (Will Ferrell). The truth is that the dastardly President has plans to end the LEGO Universe and that Emmet may or may not be The Special or Master Builder (think Chosen One) who must save the world. Emmet’s journey partners him with Wyldstyle (Elizabeth Banks), a hipster who would be the traditional love interest if she weren’t dating Batman… yes, Batman (voiced marvelously by Will Arnett). There’s also a wise old wizard who is naturally voiced by Morgan Freeman and a humorous “good cop/bad cop” character figure voiced by Liam Neeson. The team of resistors to President Business’s schemes journey through visually splendid other worlds such as The Old West and Middle Zealand and even come across friends from a galaxy far far away. This is in addition to a little help from the 2002 NBA All Stars, which includes Shaquille O’Neal.
In case you’re already picking it up, The LEGO Movie is jam packed with pop culture references. There’s a lot here to keep adults smiling as much as the kids. Miller and Lord also get in their digs at corporate culture – many are quite clever, some are a bit well-worn. The voice over work is filled with smart choices and Chris Pratt now has two 2014 film heroes that youngsters will idolize.
There’s a “twist” later in the proceedings that truly did surprise me and it creates a level of emotion that I didn’t expect. It isn’t quite Pixar when it reaches its heart tugging heights (think another animated franchise about toys or Up), but it works very well. Emmet’s main problem for awhile is not believing he has the capability to be exceptional in a world that prides itself in conformity. President Business and others don’t want to allow for the innovations of others. The LEGO Movie shows its audience how important it is to strive to be unique and also be part of a team and that’s a good message for all of us. And kudos to Warner Bros. for allowing its filmmakers the chance to take what could have been an assembly line cash cow and make it something… well, pretty special.
November brings us my third edition of my Oscar predictions in the eight major categories. Since October’s round of predictions, a few important things have happened. First and foremost, Ana DuVernay’s Martin Luther King Civil Rights pic Selma has screened for critics and vaulted itself into a major contender… and not just for nominations. Disney’s Into the Woods screened just last night and it too has entered the fray. The only film left unseen is Angelina Jolie’s Unbroken, but it remains a potential force to be reckoned with.
Let’s go through the categories one by one and I’ll point out what changes have transpired in the last few weeks!
Best Adapted Screenplay
Only one change here as I’ve taken out American Sniper and subbed in Into the Woods. The other four nominees seem like sure things for the most part. If Woods or Sniper don’t get in, Inherent Vice, Still Alice, or Wild are other possibles.
Predicted Nominees
Gone Girl
The Imitation Game
Into the Woods
The Theory of Everything
Unbroken
Best Original Screenplay
I had Interstellar in a month ago, but this seems unlikely after the main complaints of critics was the script. Foxcatcher is out as well as it seems to be losing momentum in the Academy derby. I’ve put it Selma and Whiplash in their place. I’m still keeping in The Grand Budapest Hotel, though many prognosticators have it out of competition. A Most Violent Year and Mr. Turner could get in, too.
Predicted Nominees
Birdman
Boyhood
The Grand Budapest Hotel
Selma
Whiplash
Best Supporting Actress
We have a couple changes here as Meryl Streep (Into the Woods) and Carmen Ejogo (Selma) join the mix, supplanting Laura Dern (Wild) and Kristen Stewart (Still Alice). Other possibles include Carrie Coon (Gone Girl) and Jessica Chastain (A Most Violent Year).
Predicted Nominees
Patricia Arquette, Boyhood
Carmen Ejogo, Selma
Keira Knightley, The Imitation Game
Emma Stone, Birdman
Meryl Streep, Into the Woods
Best Supporting Actor
We’ll make this simple – this is the one race where nothing has changed prediction wise! If any of my predictions falter – keep an eye out for Tom Wilkinson and Tim Roth (both for Selma), Josh Brolin (Inherent Vice), or Robert Duvall (The Judge).
Predicted Nominees
Ethan Hawke, Boyhood
Miyavi, Unbroken
Edward Norton, Birdman
Mark Ruffalo, Foxcatcher
J.K. Simmons, Whiplash
Best Actress
Just one alteration here as I’ve taken out Amy Adams for Big Eyes and substituted Emily Blunt for Into the Woods. Others with surprise nomination shots are Marion Cotillard (Two Days, One Night), Hilary Swank (The Homesman), and Jennifer Aniston (Cake).
Predicted Nominees
Emily Blunt, Into the Woods
Felicity Jones, The Theory of Everything
Julianne Moore, Still Alice
Rosamund Pike, Gone Girl
Reese Witherspoon, Wild
Best Actor
The most competitive category of all appears to have four shoo-ins now: Benedict Cumberbatch, Michael Keaton, David Oyelowo, and Eddie Redmayne. This is actually the first time I’ve included Oyelowo after Selma screened, so I’ve removed Jack O’Connell in Unbroken. The fifth slot is tough – it could be O’Connell, Timothy Spall (Mr. Turner), Oscar Isaac (A Most Violent Year), Bradley Cooper (American Sniper), or even Jake Gyllenhall (Nightcrawler) or Ralph Fiennes (The Grand Budapest Hotel). For now, though, I’m sticking with Steve Carell in Foxcatcher, despite its downgrading among many for possible nominations.
Predicted Nominees
Steve Carell, Foxcatcher
Benedict Cumberbatch, The Imitation Game
Michael Keaton, Birdman
David Oyelowo, Selma
Eddie Redmayne, The Theory of Everything
Best Director
Last month, I included high profile auteurs David Fincher (Gone Girl) and Christopher Nolan (Interstellar). They’re out and Ana DuVernay (Selma) and Morten Tyldum (The Imitation Game) are in. Oscar could make some history if DuVernay makes it in. She’d be the first African American woman to be recognized in this category. Additionally, my current estimates that include her and Angelina Jolie would mark the first time two women are up for the award.
Predicted Nominees
Ana DuVernay, Selma
Alejandro Gonzalez Inarritu, Birdman
Angelina Jolie, Unbroken
Richard Linklater, Boyhood
Morten Tyldum, The Imitation Game
Best Picture
I’m still sticking with nine predicted nominees yet a third of them have changed. Gone are Gone Girl, Foxcatcher, and American Sniper. They all have decent shots still, along with A Most Violent Year, Mr. Turner, and The Grand Budapest Hotel. Joining the mix are Selma (a no brainer now) and less sure things Into the Woods and Whiplash. I’m still including Interstellar, though that’s an iffy proposition.
Predicted Nominees
Birdman
Boyhood
The Imitation Game
Interstellar
Into the Woods
Selma
The Theory of Everything
Unbroken
Whiplash
We’ll have a fourth round of December predictions soon enough, friends! Until then…
Dreamworks Animation rolls out a spin-off of their popular Madagascar franchise with Penguins of Madagascar, out Wednesday for the long Thanksgiving box office weekend. Featuring the voices of Benedict Cumberbatch, John Malkovich, and Ken Jeong, Penguins will have some competition with the third weekend of Big Hero 6 still bringing family audiences in.
Still, the history of the Madagascar pictures is a profitable one. The original in 2005 debuted to $47 million on its way to a $193M domestic gross. The follow-up, 2008’s Madagascar: Escape 2 Africa, opened with $63 million for an eventual $180M take. 2012’s Madagascar 3: Europe’s Most Wanted got off to a $60 million start and then a franchise best $216M overall gross.
Penguins is unlikely to reach the heights of the two last two entries out of the gate, but I’ll predict it tops the $50M mark for its Turkey Day five-day premiere.
Penguins of Madagascar opening weekend prediction: $40.1 million (Friday to Sunday), $54.7 million (Wednesday to Sunday)
For my prediction on Horrible Bosses 2, click here:
The Turkey Day box office frame showcases a sequel to a well regarded comedy that came out three and a half years ago as Horrible Bosses 2 opens Wednesday. Jason Bateman, Jason Sudeikis, and Charlie Day are back along with returnees Jennifer Aniston, Jamie Foxx, and Kevin Spacey. Newbies Christoph Waltz and Chris Pine join the fray as well.
In the summer of 2011, the original Bosses debuted to a robust $28 million on its way to a $117M domestic take. Those grosses were strong enough to warrant this sequel. Reviews have not been on its side as it currently holds a tepid 11% on Rotten Tomatoes (compared to its predecessor’s 69% rating). However, its opening weekend should be somewhat critic proof before lackluster word of mouth could cause large drop-offs in future weekends. After all, bad reviews didn’t hurt Dumb and Dumber To one bit.
I’ll predict Horrible Bosses 2 opens with just about what the first did for its Friday to Sunday frame while inching close to $40M for the five-day frame.
Horrible Bosses 2 opening weekend prediction: $28.6 million (Friday to Sunday), $38.3 million (Wednesday to Sunday)
For my Penguins of Madagascar prediction, click here:
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