A24 rom com Materialists is writer/director Celine Song’s follow-up to 2023 Best Picture nominee Past Lives. Dakota Johnson, Chris Evans, and Pedro Pascal headline the summer counter programming offering that looks to bring in a respectable female crowd.
While official reviews aren’t yet released, early word-of-mouth from screenings indicates this could be a winner. Audience familiarity with its trilogy of leads could assist. Tracking currently has this at high single digits. I think this could slightly outdo that range and reach low double digits.
Materialists opening weekend prediction: $11.4 million
For my How to Train Your Dragon prediction, click here:
Ana de Armas headlines the John Wick franchise spinoff Ballerina this weekend with Keanu Reeves appearing in the action thriller from director Len Wiseman. Other costars include Gabriel Byrne, Catalinia Sandino Moreno, Norman Reedus, and Wick fixtures Anjelica Huston, Ian McShane, and the late Lance Reddick.
The Academy recently announced a new Achievement in Stunt Design category. However, it won’t begin until the 100th ceremony in 2028. That’s bad news for Ballerina and Mission: Impossible – The Final Reckoning in 2025. Both the Wick and Impossible series likely would’ve racked up multiple noms had that race existed over the past decade plus.
Four previous Wick pics couldn’t get into categories like Sound or Visual Effects and I doubt Ballerina will. My Oscar Predictions posts will continue…
DreamWorks is looking for their live-action remake of How to Train Your Dragon to breath some fire (sorry) into the box office when it opens June 13th. Updating their 2010 animated hit that spawned two sequels, Dean DeBlois (maker of the drawn Dragon trilogy) directs. The cast includes Mason Thames, Nico Parker, Gerard Butler, Nick Frost, Gabriel Howell, Julian Dennison, Bronwyn James, Harry Trevaldwyn, Ruth Codd, Peter Serafinowicz, and Murray McArthur.
This is a subgenre that has served Disney well in recent years and this summer with Lilo & Stitch (DeBlois made the 2002 original). DreamWorks should follow suit and this appears poised to achieve the best franchise opening thus far with room to spare. The original 15 years ago started with $43 million. 2014’s sequel improved upon that with $49 million while 2019’s How to Train Your Dragon: The Hidden World earned $55 million. While each premiere improved upon its predecessor, the first Dragon has the best overall domestic take ($217 million) followed by #2 ($177 million) and #3 ($160 million).
Some estimates have this approaching nine figures, but I’ll hedge my bets and go with mid to high eighties.
How to Train Your Dragon opening weekend prediction: $84.3 million
Ballerina, a spinoff of the John Wick franchise, hopes to step into the #1 spot this weekend and Wes Anderson’s latest comedy The Phoenician Scheme expands nationwide. My detailed prediction posts on the newcomers can be accessed here:
Ana de Armas headlines Ballerina (full title: From the World of John Wick: Ballerina) with series regulars appearing including Keanu Reeves. While I don’t have this approaching the heights of the previous two Wick installments, my mid 30s projection should be enough to top the charts.
As for Phoenician, it had an impressive per screen average in six venues this past frame. My high single digits estimate as it increases to around 1500 locations should mean fourth or fifth place with it performing in line with Anderson predecessor Asteroid City.
Lilo & Stitch and Mission: Impossible – The Final Reckoning, the 1-2 finishers for the past two weekends, should each drop a spot with percentage dips in the mid 40s. I expect Karate Kid: Legends to experience a heftier decline in the mid to high 50s during its sophomore outing.
Here’s how I have the top five playing out:
1. Ballerina
Predicted Gross: $36.8 million
2. Lilo & Stitch
Predicted Gross: $31.9 million
3. Mission: Impossible – The Final Reckoning
Predicted Gross: $15 million
4. The Phoenician Scheme
Predicted Gross: $8.7 million
5. Karate Kid: Legends
Predicted Gross: $8.5 million
Box Office Results (May 30-June 1)
Disney’s Lilo & Stitch continued to reign supreme with $61.8 million, a bit under my $66.4 million call. The live-action remake of the 2002 animated feature has collected $278 million in its ten days of release.
Mission: Impossible – The Final Reckoning was runner-up with $27.2 million, on target with my $28.7 million forecast. Ethan Hunt’s final adventure stands at $122 million after two weeks in play.
Karate Kid: Legends debuted in third with $20.3 million which puts it in line with my $21.3 million prediction. The legacy sequel with Ralph Macchio and Jackie Chan premiered on the lower end of its anticipated range.
Final Destination Bloodlines was fourth with $10.9 million, ahead of my $8 million projection for a three-week tally of $111 million.
Finally, acclaimed A24 horror flick Bring Her Back brought in a so-so $7 million for fifth, not matching my $8.5 million call.
In September of last year, Mike Flanagan’s The Life of Chuck was a surprise winner of the People’s Choice Award at the Toronto Film Festival. Yet it’s the Cannes Film Festival that may dash Chuck‘s hopes for awards love at the 98th Academy Awards.
Allow me to explain. The People’s Choice Award at TIFF has, for nearly two decades, been one of the more reliable indicators of an eventual Best Picture nomination at the Oscars. How much so? 15 of the last 16 Choice recipients achieved a BP mention including winners Slumdog Millionaire, The King’s Speech, 12 Years a Slave, Green Book, and Nomadland. The current streak of PCA’s to BP nominees stands at 12 in a row. In 2023, American Fiction instantly became an Academy player after the People’s prize and it resulted in five nominations.
However, distributor Neon did an unexpected thing after Chuck took the Toronto prize. They chose not to release the picture in calendar year 2024 and dated it for 2025. The sci-fi drama based on a 2020 Stephen King novella arrives in limited release on June 6th with a nationwide expansion the following week. Tom Hiddleston leads a cast that includes Chiwetel Ejiofor, Karen Gillan, Jacob Tremblay, and Mark Hamill.
Leaving a nine month gap between the TIFF publicity and its release date was a gamble. At Cannes, which concluded just days ago, Neon went on a spending spree. The distributor bought up the rights to Palme d’Or winner It Was Just an Accident from Iranian filmmaker Jafar Panahi as well as Grand Prix taker Sentimental Value from Joachim Trier and acclaimed Brazilian political thriller The Secret Agent. Conventional wisdom is that Value has already reserved a slot among the ten Oscar BP contenders. Accident and Agent could also factor into the competition.
Needless to say, that leaves Neon in the mode of picking and choosing their favorites. Unless Chuck becomes a sizable sleeper hit at the box office (which seems questionable), Neon may opt to put their full weight behind their international films. Last year when they delayed Chuck, they went all in on Sean Baker’s Anora and that obviously paid off with victories in Picture, Director, Actress (Mikey Madison), and Original Screenplay.
I’ve had Chuck in my 10 predicted BP nominees for the last several weeks, including my latest update from seven days ago. When I publish my updated predictions next weekend, I suspect it will drop out. I do think it stands a solid shot at Adapted Screenplay and maybe Mark Hamill in Supporting Actor. However, Neon’s fortunes at Cannes seem to have diminished Chuck‘s exposure a few months down the line. My Oscar Prediction posts will continue…
The supernatural horror pic Bring Her Back is out this weekend with critics praising the Philippou brothers’ follow-up to 2023’s Talk to Me. Billy Barratt, Sora Wong, and Sally Hawkins star. Distributed by A24 stateside, early box office numbers are so-so but it has a B+ Cinemascore (quite solid for the genre), 89% on Rotten Tomatoes, and a 75 Metacritic.
This is ground covered before on the blog, but it is a high bar for Academy voters to take notice of movies with horror elements. Recent examples include Get Out and The Substance. They each nabbed BP mentions with nods for their leading performers. While Hawkins in particular is being lauded for her work, I don’t envision Back getting into the mix during awards season. My Oscar Prediction posts will continue…
Wes Anderson’s latest The Phoenician Scheme, following its limited rollout in six venues this weekend, expands nationwide June 6th. Originally screened at Cannes earlier this month, Benicio del Toro and Mia Threapleton headline the the black comedy. Per usual with Mr. Anderson’s tales, the supporting cast is massive and includes Michael Cera, Riz Ahmed, Tom Hanks, Bryan Cranston, Mathieu Amalric, Richard Ayoade, Jeffrey Wright, Scarlett Johansson, Benedict Cumberbatch, Hope Davis, Rupert Friend, Bill Murray, Charlotte Gainsbourg, Willem Dafoe, and F. Murray Abraham.
Phoenician reviews are decent though not as effusive as those that greeted other works from the auteur. Rotten Tomatoes is at 77% with a 71 Metacritic. Anderson is certainly one of those filmmakers with a devoted following. His pictures aren’t going to make $100 million+, but they have their niche.
Predecessor Asteroid City from summer 2023 made $9 million for its expansion. I see no reason why Scheme wouldn’t gather about the same.
The Phoenician Scheme opening weekend prediction: $8.7 million
Ballerina looks to spin box office gold for Lionsgate when it debuts on June 6th. A spinoff of the John Wick franchise, Ana de Armas joins the world of assassins in this cinematic universe with Len Wiseman directing. Gabriel Byrne, Catalina Sandino Moreno, and Norman Reedus provide support. Lucky for the studio’s marketing department, so do several cast members of Wick installments including Anjelica Huston, Ian McShane, Lance Reddick (in his final feature role), and Mr. Wick himself Keanu Reeves.
Originally slated for last summer, the project was pushed back a full year. It takes place between the events of John Wick: Chapter 3 – Parabellum and John Wick: Chapter 4. Recent TV ads have highlighted Keanu’s involvement with the title styled as From the World of John Wick: Ballerina.
Parabellum debuted to $56 million in 2019 while 2023’s fourth installment kicked off with $73 million, Ballerina is not expected to reach those heights and its start should be more in line with John Wick: Chapter Two‘s $30 million premiere in 2017. $40 million is possible, but I’ll say mid 30s.
Ballerina opening weekend prediction: $36.8 million
For my The Phoenician Scheme prediction, click here:
Karate Kid: Legends hopes to kick into high gear at multiplexes this weekend. We also have horror pic Bring Her Back seeking to scare up decent dollars. My detailed prediction posts on the newcomers can be accessed here:
The recent success of Cobra Kai on Netflix could assist with Legends performing well. Ralph Macchio and Jackie Chan headline the sixth feature in the franchise that began over 40 years ago. My low 20s estimate puts it in third.
Bring Her Back is the sophomore feature from the Philippou brothers after their 2023 summer sleeper Talk to Me. My high single digits figure puts it in the fourth just ahead of Final Destination Bloodlines in its third outing.
I have the top two slots still belonging to Lilo & Stitch and Mission: Impossible – The Final Reckoning after they propelled the Memorial Day weekend to its highest earnings ever. My guesstimates have both easing in the low to mid 50s percent range.
Here’s how I have the top 5 playing out:
1. Lilo & Stitch
Predicted Gross: $66.4 million
2. Mission: Impossible – The Final Reckoning
Predicted Gross: $28.7 million
3. Karate Kid: Legends
Predicted Gross: $21.3 million
4. Bring Her Back
Predicted Gross: $8.5 million
5. Final Destination Bloodlines
Predicted Gross: $8 million
Box Office Results (May 23-26)
The Mouse House was in celebration mode as Lilo & Stitch achieved the largest Memorial Day weekend in history and surpassed the previous $160 million four-day record held by Tom Cruise’s Top Gun: Maverick. The live-action remake of the 2002 animated feature made $146 million over the Friday to Sunday portion of the holiday frame while amassing $182.6 million counting Monday. While that’s under my respective predictions of $159.7 million and $196.6 million, it is still a scorching start for the Disney property as it will vie for highest domestic earner of summer 2025.
While Tom Cruise’s record was broken by Lilo, he set one of his own as Mission: Impossible – The Final Reckoning was second with $64 million for the three-day and $79 million for the four-day. That’s right on target with my $64.4 million and $80.8 million projections as the eighth and allegedly final Ethan Hunt adventure set a personal best for the franchise. It needed to do so considering the reported $400 million price tag.
Final Destination Bloodlines was third with $24.1 million from Friday to Monday and that’s on pace with my $24.9 million call. The sequel has taken in an impressive $94 million in two weeks.
Thunderbolts*/The New Avengers was fourth with $12.2 million, a shade below my $14 million forecast. The MCU property sits at $174 million in four weeks.
Sinners rounded out the top five with $11.9 million (I went higher at $14.5 million) for $258 million in six weeks.
The Last Rodeo, the latest faith-based drama from Angel Studios, lassoed $5.4 million (Friday-Sunday) and $6.9 million (FRI-MON) in sixth. That’s a bit below my estimates of $6.4 million and $7.8 million.
Posting a commendable per screen average, critically lauded comedy Friendship with Tim Robinson and Paul Rudd was seventh in its nationwide expansion to just over 1000 venues. It made $4.5 million over the three-day and $5.7 million adding Monday. That’s slightly more than my $4.2 million and $5.1 million predictions. It now has $8 million total in its coffers.
Finally, A Minecraft Movie lost steam due to Lilo with $2.9 million in eighth. I was more generous at $4.9 million. The blockbuster has brought in a massive $421 million after eight weeks.
Jafar Panahi’s political thriller It Was Just an Accident was a bit of a surprise Palme d’Or victor at Cannes over Joachim Trier’s Sentimental Value. However, its writer/director is no stranger to festival love. His 2000 work The Circle took top prize at Venice while 2015’s Taxi won highest honors in Berlin.
With a cast led by Vahid Mobasseri, Mariam Afshari, Ebrahim Azizi, and Hadis Pakbaten, Accident is a co-production between Panahi’s native Iran, France, and Luxembourg. Panahi has drawn headlines in recent years due to conflicts with the Iranian government including arrests. While his works are banned in his homeland, his filmography has drawn acclaim everywhere else and this is no exception. The Rotten Tomatoes score is 100% with Metacritic at 88.
Either France or Luxembourg could submit Accident as their pick for International Feature Film at the Oscars. If the former doesn’t, the latter almost certainly would. The French have seen lots of their selections win or be nominated. Luxembourg would be vying for its first ever nominee. I also wouldn’t discount Panahi contending in Director and Original Screenplay. If a combination of those nods occurred, Best Picture is not off the table. After all, four of the last five Palme recipients have made final cut in the biggest category of them all. My Oscar Prediction posts will continue…
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