Chloe Zhao’s Nomadland is next up in my Case Of posts for the 8 Best Picture nominees from the 2020 Oscar season. If you missed my posts on The Father, Judas and the Black Messiah, Mank, and Minari, you can peruse them here:
Since its debut at the Venice Film Festival in September where it won the Golden Lion (the event’s top prize), Nomadland has been a serious contender that has managed to become the favorite. While many prognosticators predicted The Trial of the Chicago 7 would take the Best Drama category at the Golden Globes, Nomadland emerged victorious and it also won the Critics Choice Award recently. Other accolades include the People’s Choice Award at the Toronto Film Festival and numerous regional critics group selections as the film of 2020. Nomadland tied with five other pics last week with 6 Oscar nominations and it landed in the expected races beyond Picture with Director, Actress (Frances McDormand), Adapted Screenplay, Cinematography, and Editing. It is a contender to win them all.
The Case Against Nomadland
Being the frontrunner can be dangerous. It could be argued that the on paper favorites for three of the last ceremonies did not take the gold (2016’s La La Land lost to Moonlight, 2018’s Roma to Green Book, and 2019’s 1917 to Parasite). A narrative could certainly develop where a “surprise” winner (think Minari or Promising Young Woman, as well as the aforementioned Trial) could pose a serious threat.
The Verdict
Betting odds favor Nomadland as it’s done what it needs to be the picture to beat this year. That said, Oscar voters have had a way of recently upending the conventional wisdom.
My Case Of posts will continue with Promising Young Woman…
My Case of posts for the Best Picture nominees of 2020 continues with fourth entry Minari. If you missed my previous takes on The Father, Judas and the Black Messiah, and Mank, you can find them here:
Like its fellow nominees The Father and Promising Young Woman, this American drama about Korean immigrants burst onto the awards scene early in 2020 at the Sundance Film Festival. Minari won the festival’s Grand Jury Prize and Audience Award and has developed staying power throughout the season. On Oscar nomination morning, it tied five other pics with six nods. That includes Director (Lee Isaac Chung), Actor (Steven Yeun), Supporting Actress (Yuh-jung Youn), Original Screenplay, and Score. This is exactly the kind of feel-good crowd pleaser that could be a trendy upset pick over a frontrunner like Nomadland and its stock has seemed to rise in recent weeks.
The Case Against Minari
As mentioned, there is a frontrunner. Additionally, only one Best Picture recipient in nearly four decades missed a Film Editing nod (2014’s Birdman and that was for good reason) so Minari would be seriously going against tradition in that sense.
The Verdict
Minari could go two ways on Oscar evening. This could end up being embraced by voters, following Sundance’s lead with a Picture win and others down the line (Supporting Actress certainly seems doable). Or it could end up going 0 for 6. The latter is more likely, but distributor A24 has done a remarkable job keeping this as an outside contender.
After experiencing the typical COVID-19 related delays that have greeted nearly all movies in the past year, Universal Pictures releases the revenge thriller Nobody next weekend. It comes from Hardcore Henry director Ilya Naishuller with a screenplay by Derek Kolstad (behind the scripts of the John Wick franchise). Bob Odenkirk of Better Call Saul fame stars as a mild mannered family man who decides to let his Death Wish freak flag fly. The supporting cast includes Connie Nielsen, RZA, and Christopher Lloyd.
Originally scheduled for a late summer 2020 premiere, Nobody has experienced four date changes since before settling on its late March bow. Planned for a rollout on 2400 screens, the pic could appeal to fans of Odenkirk’s popular series and action fans in general. There are still obvious challenges with theaters being at various capacity levels, but this could manage a haul between $6-9 million in my view. I’ll go in the middle of that range.
David Fincher’s Mank marks my third Case Of post weighing the pros and cons of the Best Picture contenders. If you missed my takes on The Father and Judas and the Black Messiah, you can find them here:
With 10 nominations, the Netflix pic easily leads the field in terms of nominations. In fact, it has four more nods than anything else as there are six movies with six mentions. Hollywood loves stories about itself and Fincher is rightfully seen as overdue for Oscar recognition (his previous nominated features are The Curious Case of Benjamin Button and The Social Network).
The Case Against Mank
Leading the pack isn’t much of a designation when it comes to the ceremony itself. Only three times in the previous decade did the film with the most nominations (or tied for most nods) win Best Picture (2010’s The King’s Speech, 2014’s Birdman, 2017’s The Shape of Water). While the pic managed nominations for Director, Gary Oldman for Actor (winner three years ago for Darkest Hour), and first time contender Amanda Seyfried in Supporting Actress, it missed major races that usually bode well for a Picture win. The most notable omissions are Original Screenplay (for the director’s late father Jack Fincher) and Film Editing. Of the 8 nominees, its 83% Rotten Tomatoes rating is the lowest of the bunch.
The Verdict
You may have noticed the case against Mank is a higher word count than the case for. That’s because Mank, despite its numbers, is an unlikely hopeful for any category besides Production Design.
My Case Of posts for the eight Best Picture players arrives at alphabetical entry #2 and that’s Judas and the Black Messiah. If you missed my entry for The Father, you can find it here:
Like The Father, this Warner Bros/HBO Max drama performed quite well on nomination morning with 6 mentions. In addition to the big race, Judas has two nods in Supporting Actor with Daniel Kaluuya (garnering his second nom after Get Out) and Lakeith Stanfield. Kaluuya is considered the frontrunner. It also got an Original Screenplay slot, which is usually key to serious BP contention. This was one of the later entries in the expanded Oscar calendar (arriving in mid February in theaters and streaming). Voters clearly like what they saw.
The Case Against Judas and the Black Messiah
Also like The Father, Judas missed in some races that usually coincide with a BP victory. Most notable is Best Director (where first timer Shaka King was left out) and Best Film Editing. It also failed to nab a Drama nomination at the Golden Globes.
The Verdict
Judas clearly came on strong late with the Academy, but its misses in significant races and previous precursors make Judas a long shot to win it all.
Now that Oscar nominations are out, this evening begins my (gulp) 33 part series outlining the cases for and against the nominees in Best Picture, Director, and the four acting races. I will start with write-ups on the 8 movies recognized and then move to the directing and acting categories. We begin with Florian Zeller’s The Father:
The Case For The Father
The Alzheimer’s drama has been on the awards radar for over a year when it premiered at the Sundance Film Festival in January 2020. Sitting at 99% on Rotten Tomatoes, it’s actually got the best rating of the pictures in contention. It’s fair to say The Father over performed on nomination morning with 6 mentions, including its two stars Anthony Hopkins (previous winner for The Silence of the Lambs) and Olivia Colman (Best Actress recipient two years back for The Favourite) and Best Adapted Screenplay. The Golden Globes also were very kind with their nods for it.
The Case Against The Father
While it came on strong towards the end with voters, its omission in Best Director for Zeller is a big miss. While not unheard of, it’s very rarefor a feature to take the big prize without its filmmaker making it in. The Globes put it in their mix, but it resulted in no victories.
The Verdict
Of the 8 BP hopefuls, I suspect The Father appears most likely to come up completely empty-handed on April 25th.
My Case of posts will continue with Judas and the Black Messiah…
To Oscar prognosticators like yours truly, today was like Christmas morning as nominations were unwrapped early for the 93rd Annual Academy Awards, airing April 25th. Some things never change with the prediction game. There were categories where I was perfect (3 of them) and, as has become tradition, a dreaded race where I whiffed at 2/5.
As was the most likely scenario, Mank led all films with 10 nominations. Yet it did so by missing some key races that are usually needed to nab a Best Picture victory. This was followed by six pictures garnering six mentions: The Father, Judas and the Black Messiah, Minari, Nomadland, Sound of Metal, and The Trial of the Chicago 7. Some of those over performed. Others – not so much.
Overall this blogger went 80/104 on estimates and in this topsy turvy year, I’ll take it. Let’s break it down race by race, shall we?
Best Picture
Nominees: The Father, Judas and the Black Messiah, Mank, Minari, Nomadland, Promising Young Woman, Sound of Metal, The Trial of the Chicago 7
How I Did: 7/9
The magic number of nominees ended up being 8 and I projected 9. I’ll say again… I’m very happy that the Academy is going with a set 10 again beginning in 2022. This means it was Ma Rainey’s Black Bottom and One Night in Miami that missed and The Father (which had a solid showing) in. Judas, Minari and Sound of Metal proved their anticipated status as late bloomers making the cut.
Best Director
Nominees: Lee Isaac Chung (Minari), Emerald Fennell (Promising Young Woman), David Fincher (Mank), Thomas Vinterberg (Another Round), Chloe Zhao (Nomadland)
How I Did: 4/5
The Academy made history today when they nominated two women in Director for the first time. This was expected, but it is worth noting that Regina King (One Night in Miami) was a contender who missed the cut. That’s not where I went wrong as Vinterberg came out of nowhere to get a spot. While Another Round is expected to emerge victorious in International Feature Film, its director became the rare nominee to get in without a Best Picture slot. And despite being nominated for his writing, Aaron Sorkin (Trial) couldn’t get into this one.
Best Actress
Nominees: Viola Davis (Ma Rainey’s Black Bottom), Andra Day (The United States vs. Billie Holiday), Vanessa Kirby (Pieces of a Woman), Frances McDormand (Nomadland), Carey Mulligan (Promising Young Woman)
How I Did: 5/5 (!)
I can’t put myself on the back too much here. This was widely seen as the most probable quintet and it remained true to form. Potential surprise picks like Sophia Loren (The Life Ahead) and Golden Globe Musical/Comedy winner Rosamund Pike (I Care a Lot) didn’t materialize.
Best Actor
Nominees: Riz Ahmed (Sound of Metal), Chadwick Boseman (Ma Rainey’s Black Bottom), Anthony Hopkins (The Father), Gary Oldman (Mank), Steven Yeun (Minari)
How I Did: 5/5 (!)
Again, no shockers here. Any late momentum by Mads Mikkelsen (Another Round) or Tahar Rahim (The Mauritanian) was squashed and Boseman stands tall as the major frontrunner.
Best Supporting Actress
Nominees: Maria Bakalova (Borat Subsequent Moviefilm), Glenn Close (Hillbilly Elegy), Olivia Colman (The Father), Amanda Seyfried (Mank), Yuh-jung Youn (Minari)
How I Did: 4/5
For the past couple of weeks, there have been six likely nominees and only five spots. I went with Golden Globe winner Jodie Foster (The Mauritanian) over Seyfried. Fun fact: Foster is the first Globe winner from this category in 44 years to not land an Oscar mention. This is a wide open acting race (more so than the others by far).
Best Supporting Actor
Nominees: Sacha Baron Cohen (The Trial of the Chicago 7), Daniel Kaluuya (Judas and the Black Messiah), Leslie Odom Jr. (One Night in Miami), Paul Raci (Sound of Metal), Lakeith Stanfield (Judas and the Black Messiah)
How I Did: 4/5
The morning’s biggest surprise is the inclusion of Stanfield with his Judas costar Kaluuya. That has nothing to do with performance itself as Warner Bros. actually campaigned for Stanfield in Best Actor. The Academy simply ignored that and chose to put him here. In other words, this is the nomination that nobody saw coming. His inclusion prevented Boseman from being a double nominee for Da 5 Bloods (which had an almost nonexistent showing).
Best Original Screenplay
Nominees: Judas and the Black Messiah, Minari, Promising Young Woman, Sound of Metal, The Trial of the Chicago 7
How I Did: 4/5
No Mank is the headline here as Sound of Metal grabbed the spot. This omission is what makes a Mank BP victory highly doubtful.
Best Adapted Screenplay
Nominees: Borat Subsequent Moviefilm, The Father, Nomadland, One Night in Miami, The White Tiger
How I Did: 3/5
Ma Rainey‘s bleaker than expected morning continued with no love here. Same goes for The Mauritanian (which goose egged today). In their place? Borat and The White Tiger.
Best Animated Feature
Nominees: Onward, Over the Moon, A Shaun the Sheep Movie: Farmageddon, Soul, Wolfwalkers
How I Did: 4/5
It was Sheep over The Croods: A New Age in a competition where Disney/Pixar’s Soul should dominate.
Best Documentary Feature
Nominees: Collective, Crip Camp, The Mole Agent, My Octopus Teacher, Time
How I Did: 3/5
This category (unpredictable usually) was a real head scratcher in 2020. I had Dick Johnson Is Dead and Welcome to Chechnya in over Crip Camp and The Mole Agent. This is a toughie to project, but I’ll say Time might have an edge.
Best International Feature Film
Nominees: Another Round, Better Days, Collective, The Man Who Sold His Skin, Quo Vadis, Aida?
How I Did: 2/5 (ugh)
The dreaded 2/5 came here with Better Days, double nominee Collective, and the charmingly titled The Man Who Sold His Skin in over my picks of Dear Comrades!, La Llorona, and Two of Us. This looks like Round‘s race to lose at press time.
Best Cinematography
Nominees: Judas and the Black Messiah, Mank, News of the World, Nomadland, The Trial of the Chicago 7
How I Did: 4/5
Judas over Minari was where I went wrong, but not shocking considering the former’s very good day. You may have noticed this is the first mention of News of the World, which picked up four tech nods but got zilch in the big derbies.
Best Costume Design
Nominees: Emma, Ma Rainey’s Black Bottom, Mank, Mulan, Pinocchio
How I Did: 4/5
Not many were saying Pinocchio would play here, but it nosed out my Ammonite selection.
Best Film Editing
Nominees: The Father, Nomadland, Promising Young Woman, Sound of Metal, The Trial of the Chicago 7
How I Did: 4/5
This is another high profile miss for Mank as The Father was selected instead. Of its six nods, this and Original Screenplay is where Trial has the best shot at gold.
Best Makeup and Hairstyling
Nominees: Emma, Hillbilly Elegy, Ma Rainey’s Black Bottom, Mank, Pinocchio
How I Did: 4/5
And here’s a scenario where I was saying Mank would miss. It didn’t as it edged out Birds of Prey, which was called out zero times this morning.
Best Original Score
Nominees: Da 5 Bloods, Mank, Minari, News of the World, Soul
How I Did: 4/5
Here marks the sole mention for Bloods in a race where it wasn’t anticipated. It got in over my pick of The Midnight Sky. Like Animated Feature, expect Soul to reign supreme here.
Best Original Song
Nominees: “Fight for You” from Judas and the Black Messiah, “Hear My Voice” from The Trial of the Chicago 7, “Husavik” from Eurovision Song Contest: The Story of Fire Saga, “lo Si” from The Life Ahead, “Speak Now” from One Night in Miami
How I Did: 4/5
The chances of Will Ferrell and Rachel McAdams belting out their ballad from the Netflix comedy Eurovision became a reality! It makes the cut over “Turntables” from All In: The Fight for Democracy (which also missed Documentary Feature).
Best Production Design
Nominees: The Father, Ma Rainey’s Black Bottom, Mank, News of the World, Tenet
How I Did: 3/5
This is where Mank stands its greatest chance at a victory among the ten nods. The Father and Tenet (both kind of unexpected here) get in over The Midnight Sky and The Trial of the Chicago 7.
Best Sound
Nominees: Greyhound, Mank, News of the World, Soul, Sound of Metal
How I Did: 5/5 (!)
I’ll take it and the winner will probably be the one with the category name in its title.
Best Visual Effects
Nominees: Love and Monsters, The Midnight Sky, Mulan, The One and Only Ivan, Tenet
How I Did: 3/5
The One and Only Ivan was my runner-up. Love and Monsters, on the other hand, was not expected. They get in over Mank and Welcome to Chechnya.
To recap, the following pictures nabbed these numbers in terms of nominations:
10 Nominations
Mank
6 Nominations
The Father, Judas and the Black Messiah, Minari, Nomadland, Sound of Metal, The Trial of the Chicago 7
Better Days, Crip Camp, Da 5 Bloods, Eurovision Song Contest: The Story of Fire Saga, Greyhound, The Life Ahead, Love and Monsters, The Man Who Sold His Skin, The Midnight Sky, The Mole Agent, My Octopus Teacher, The One and Only Ivan, Onward, Over the Moon, Pieces of a Woman, Quo Vadis, Aida?, A Shaun the Sheep Movie: Farmageddon, Time, The United States vs. Billie Holiday, The White Tiger, Wolfwalkers
Quick tidbits:
12 of the 20 acting nominees are first-timers (Day, Kirby, Ahmed, Boseman, Yeun, Bakalova, Seyfried, Youn, Cohen, Odom, Raci, Stanfield)
3 are previous nominees (Mulligan, Close, Kaluuya)
5 are previous winners (Davis, McDormand, Hopkins, Oldman, Colman)
Of the five directors, only Fincher has been nominated before and none have won
So this begins the next phase of my Oscar predicting as I will do a “Case Of” post individually for all the Picture, Director, and acting nominees. Yes, that means 33 posts in the next several weeks where I outline the pros and cons of each nominee taking the gold or coming up cold. Stay tuned!
Six years ago in Oscar history began an impressive two year run for filmmaker Alejandro Gonzalez Inarritu with Birdman emerging as the big winner of the evening. The film took Best Picture and Director over its major competitor – Richard Linklater’s Boyhood. This was a ceremony in which the largest category did have some suspense. Birdman took the prize over the aforementioned Boyhood and six other pics: American Sniper (the year’s top grosser), The Grand Budapest Hotel (marking Wes Anderson’s first and only Picture nominee), The Imitation Game, Selma, The Theory of Everything, and Whiplash.
In this blogger’s perfect world, Dan Gilroy’s Nightcrawler would have been recognized. It was my favorite movie of that year so get used to seeing it pop up in this post. Other notable selections from 2014 left on the cutting room floor: David Fincher’s Gone Girl, Bong Joon-ho’s Snowpiercer, and Bennett Miller’s Foxcatcher.
Mr. Miller did have the notable distinction of being nominated for Best Director despite his work not showing up in Best Picture (very rare these days). As mentioned, Inarritu took the gold over Miller as well as Linklater, Anderson, and Morten Tyldum (The Imitation Game). Gilroy, Fincher, and Joon-ho might have warranted consideration in my view as well as Chazelle’s bravura debut in Whiplash.
One could argue that Nightcrawler isn’t your prototypical Picture contender. However, Jake Gyllenhaal being left out of the five Actor contenders stands as one of the noteworthy snubs in recent history. It was Eddie Redmayne emerging victorious for The Theory of Everything over his closest competitor Michael Keaton (Birdman). Other nominees: the three C’s of Steve Carell (Foxcatcher), Bradley Cooper (American Sniper, picking up his third nomination in a row), and Benedict Cumberbatch (The Imitation Game).
There is a voluminous list of solid performances beyond just Gyllenhaal’s that were left wanting. It includes Ben Affleck (Gone Girl), Chadwick Boseman (Get On Up), Bill Murray (St. Vincent), David Oyelowo (Selma), Joaquin Phoenix (Inherent Vice), Timothy Spall (Mr. Turner), and Miles Teller (Whiplash).
In Best Actress, Julianne Moore triumphed for Still Alice after four previous nominations without a win. She took the honor over Marion Cotillard (Two Days, One Night), Felicity Jones (The Theory of Everything), Rosamund Pike (Gone Girl), and Reese Witherspoon (Wild). Moore’s selection was one of the easiest to project as she’d been a sturdy frontrunner all season.
Looking back, how about Emily Blunt in Edge of Tomorrow? Its action genre trappings probably prevented consideration, but she might have made my quintet. Amy Adams won the Golden Globe for Actress in Musical/Comedy, but missed here.
Another easy (and absolutely deserved) winner was J.K. Simmons in Supporting Actor for Whiplash over Robert Duvall (The Judge), Ethan Hawke (Boyhood), Edward Norton (Birdman), and Mark Ruffalo (Foxcatcher).
I will yet again mention Nightcrawler as I might have considered Riz Ahmed. There’s also Josh Brolin in Inherent Vice.
Boyhood nabbed its major race victory in Supporting Actress with Patricia Arquette. Other nominees were Laura Dern (Wild), Keira Knightley (The Imitation Game), Emma Stone (Birdman), and the always in contention Meryl Streep for Into the Woods.
As for others, I’ll start with (surprise) Rene Russo in Nightcrawler. Others include both Melissa McCarthy and Naomi Watts for St. Vincent in addition to Jessica Chastain (A Most Violent Year) and Katherine Waterston (Inherent Vice).
My Oscar History will continue soon with 2015 as Mr. Inarritu will dominate the director race yet again while the Academy chose to spotlight something in Best Picture!
Despite a trio of performances playing well-known figures in 42, Get On Up, and Marshall and creating an iconic superhero in Black Panther, Chadwick Boseman had never been nominated for an Oscar when he passed last summer. That will change come Monday when nominations are announced. The only question is: will it change twice?
In the Best Actor field, Boseman is the frontrunner for Ma Rainey’s Black Bottom. It is a given that his name will be called and it is very likely that the envelope in that race will contain his name. If and when that happens, he will be the first posthumous winner in the lead actor competition since Peter Finch in Network 44 years ago.
Up until very recently, I had consistently listed Boseman at #4 in the Supporting Actor derby for Spike Lee’s Da 5 Bloods. Yet when I released my Oscar predictions on Thursday (which you can find linked below), I decided to drop him to the runner-up slot. There are a couple of reasons.
First, Da 5 Bloods has simply not performed well in the precursors. My final predictions have the Netflix drama garnering precisely zero nods. Delroy Lindo was once seen as a competitor to Boseman in Best Actor, but he drew a blank at the Globes and SAG. If Bloods were still in the mix for Best Picture or for his costars, it might be easier to see Boseman getting in. The lack of buzz for the picture itself complicates things.
Second, an argument could be made that because Chadwick is such a favorite for Actor, voters will focus on that and not feel obligated to write his name for the supporting field. There are only 3 shoo-ins for nods in the category in my view: Boseman’s Black Panther costar Daniel Kaluuya (Judas and the Black Messiah), Sacha Baron Cohen (The Trial of the Chicago 7), and Leslie Odom Jr. (One Night in Miami). The four and five slots could be filled by Boseman, Paul Raci (Sound of Metal), Bill Murray (On the Rocks), David Strathairn (Nomadland, who could ride its projected Best Picture winner momentum), or even a latecomer like young Alan Kim in Minari. I ultimately went with Raci and Strathairn.
Bottom line: Chadwick Boseman is well on his way to his first Oscar nod and probable win. A double nomination is trickier.
Well… here we are. After about seven months of (mostly) weekly predictions and trying to put the puzzle piece together that is the 2020 Oscar season, my final predictions have arrived. The Academy’s picks will be revealed on Monday morning in a crazy year that includes selections from January and February of 2021. This is the last year where there can be anywhere from 5-10 Best Picture nominees. Next year that shifts to a fixed 10 (thank goodness). I’m sticking with nine since that’s been the average number, but who knows what’ll happen?
In this wild COVID time frame, it’s something to look back at my initial predictions back in August. How many nominations will Dune and The French Dispatch receive? Will Jennifer Hudson nab her second nod for Respect? Can Joaquin Phoenix make it back to back with C’Mon C’Mon? How will West Side Story do? Of course, all of those titles and more have been pushed back to the next Oscar season in a schedule that was ever shifting.
We are left with plenty of serious contenders and some races (the Supporting Acting ones come to mind) that seem especially tricky to project this time around. For each race, I’m revealing my predicted nominees as well as my first and second runners-up. On Monday, I’ll have my reaction to the nominees and how I did. One thing is likely: there will be surprises and snubs. There always are.
Yet after this topsy-turvy Oscar season and thousands of words dedicated to piecing the puzzle together, here’s where I have landed!
Best Picture
Predicted Nominees:
Judas and the Black Messiah
Mank
Ma Rainey’s Black Bottom
Minari
Nomadland
One Night in Miami
Promising Young Woman
Sound of Metal
The Trial of the Chicago 7
1st Runner-Up: The Father
2nd Runner-Up: News of the World
Best Director
Predicted Nominees:
Lee Isaac Chung, Minari
Emerald Fennell, Promising Young Woman
David Fincher, Mank
Aaron Sorkin, The Trial of the Chicago 7
Chloe Zhao, Nomadland
1st Runner-Up: Regina King, One Night in Miami
2nd Runner-Up: Florian Zeller, The Father
Best Actress
Predicted Nominees:
Viola Davis, Ma Rainey’s Black Bottom
Andra Day, The United States vs. Billie Holiday
Vanessa Kirby, Pieces of a Woman
Frances McDormand, Nomadland
Carey Mulligan, Promising Young Woman
1st Runner-Up: Rosamund Pike, I Care a Lot
2nd Runner-Up: Sophia Loren, The Life Ahead
Best Actor
Predicted Nominees:
Riz Ahmed, Sound of Metal
Chadwick Boseman, Ma Rainey’s Black Bottom
Anthony Hopkins, The Father
Gary Oldman, Mank
Steven Yeun, Minari
1st Runner-Up: Tahar Rahim, The Mauritanian
2nd Runner-Up: Delroy Lindo, Da 5 Bloods
Best Supporting Actress
Predicted Nominees:
Maria Bakalova, Borat Subsequent Moviefilm
Glenn Close, Hillbilly Elegy
Olivia Colman, The Father
Jodie Foster, The Mauritanian
Yuh-jung Youn, Minari
1st Runner-Up: Amanda Seyfried, Mank
2nd Runner-Up: Helena Zengel, News of the World
Best Supporting Actor
Predicted Nominees:
Sacha Baron Cohen, The Trial of the Chicago 7
Daniel Kaluuya, Judas and the Black Messiah
Leslie Odom, Jr., One Night in Miami
Paul Raci, Sound of Metal
David Strathairn, Nomadland
1st Runner-Up: Chadwick Boseman, Da 5 Bloods
2nd Runner-Up: Alan Kim, Minari
Best Original Screenplay
Predicted Nominees:
Judas and the Black Messiah
Mank
Minari
Promising Young Woman
The Trial of the Chicago 7
1st Runner-Up: Sound of Metal
2nd Runner-Up: Soul
Best Adapted Screenplay
Predicted Nominees:
The Father
Ma Rainey’s Black Bottom
The Mauritanian
Nomadland
One Night in Miami
1st Runner-Up: News of the World
2nd Runner-Up: The White Tiger
Best Animated Feature
Predicted Nominees:
The Croods: A New Age
Onward
Over the Moon
Soul
Wolfwalkers
1st Runner-Up: The Willoughbys
2nd Runner-Up: Shaun the Sheep Movie: Farmageddon
Best Documentary Feature
Predicted Nominees:
Collective
Dick Johnson Is Dead
My Octopus Teacher
Time
Welcome to Chechnya
1st Runner-Up: All In: The Fight for Democracy
2nd Runner-Up: Boys State
Best International Feature Film
Predicted Nominees:
Another Round
Dear Comrades!
La Llorona
Quo Vadis, Aida?
Two of Us
1st Runner-Up: Collective
2nd Runner-Up: Night of the Kings
Best Cinematography
Predicted Nominees:
Mank
Minari
News of the World
Nomadland
The Trial of the Chicago 7
1st Runner-Up: Judas and the Black Messiah
2nd Runner-Up: Cherry
Best Costume Design
Predicted Nominees:
Ammonite
Emma
Mank
Ma Rainey’s Black Bottom
Mulan
1st Runner-Up: News of the World
2nd Runner-Up: The Personal History of David Copperfield
Best Film Editing
Predicted Nominees:
Minari
Nomadland
Promising Young Woman
Sound of Metal
The Trial of the Chicago 7
1st Runner-Up: Mank
2nd Runner-Up: The Father
Best Makeup and Hairstyling
Predicted Nominees:
Birds of Prey
Emma
Hillbilly Elegy
Ma Rainey’s Black Bottom
Pinocchio
1st Runner-Up: Mank
2nd Runner-Up: The Glorias
Best Original Score
Predicted Nominees:
Mank
The Midnight Sky
Minari
News of the World
Soul
1st Runner-Up: Tenet
2nd Runner-Up: The Trial of the Chicago 7
Best Original Song
Predicted Nominees:
“Fight for You” from Judas and the Black Messiah
“Hear My Voice” from The Trial of the Chicago 7
“lo Si” from The Life Ahead
“Speak Now” from One Night in Miami
“Turntables” from All In: The Fight for Democracy
1st Runner-Up: “Husavik” from Eurovision Song Contest: The Story of Fire Saga
2nd Runner-Up: “Rain Song” from Minari
Best Production Design
Predicted Nominees:
Mank
Ma Rainey’s Black Bottom
The Midnight Sky
News of the World
The Trial of the Chicago 7
1st Runner-Up: Mulan
2nd Runner-Up: Tenet
Best Sound
Predicted Nominees:
Greyhound
Mank
News of the World
Soul
Sound of Metal
1st Runner-Up: Nomadland
2nd Runner-Up: Tenet
Best Visual Effects
Predicted Nominees:
Mank
The Midnight Sky
Mulan
Tenet
Welcome to Chechnya
1st Runner-Up: The One and Only Ivan
2nd Runner-Up: Soul
And this equates to a final tally showing these movies getting these numbers in terms of nominations:
10 Nominations
Mank
8 Nominations
Minari, The Trial of the Chicago 7
7 Nominations
Ma Rainey’s Black Bottom, Nomadland
5 Nominations
Promising Young Woman, Sound of Metal
4 Nominations
Judas and the Black Messiah, News of the World, One Night in Miami
3 Nominations
The Father, The Midnight Sky, Soul
2 Nominations
Emma, Hillbilly Elegy, The Mauritanian, Mulan, Welcome to Chechnya
1 Nomination
All In: The Fight for Democracy, Ammonite, Another Round, Birds of Prey, Borat Subsequent Moviefilm, Collective, The Croods: A New Age, Dear Comrades!, Dick Johnson Is Dead, Greyhound, La Llorona, The Life Ahead, My Octopus Teacher, Onward, Over the Moon, Pieces of a Woman, Pinocchio, Quo Vadis, Aida?, Tenet, Time, Two of Us, The United States vs. Billie Holiday, Wolfwalkers
Be sure to check back Monday for my thoughts on what transpires on nomination morning!
All My Life... I Wanted To Be A Blogster 