Predator: Badlands looks to awaken a dormant box office when it debuts November 7th. It marks the ninth overall feature in the nearly 40-year-old franchise that began with the Arnold Schwarzenegger classic. Dan Trachtenberg directs his second pic in the series after helming the 2022’s Prey and the animated Predator: Killer of Killers back in June. Both were acclaimed and they premiered via streaming on Hulu. Elle Fanning stars alongside Dimitrius Schuster-Koloamatangi and Mike Homik.
Technically AVP: Alien vs. Predator holds the record for best start among the films at $38 million back in 2004. As far as Predator titles without an iconic sparring partner, 2010’s Predators and 2018’s The Predator experienced virtually identical openings of $24.7 and $24.6 million, respectively.
Early word-of-mouth for Badlands is solid yet some fans may choose to wait for to Disney+/Hulu. It could manage to top expectations because there’s not much else out there. I also wouldn’t be surprised at all if it sees a mid 20s output similar to what we witnessed in 2010 and 2018 and that would be considered a letdown. I’ll give it slightly more.
Predator: Badlands opening weekend prediction: $27.6 million
The box office should be scary this weekend and not in a good way as there likely won’t be any films topping $10 million… with one potential unconventional exception.
New wide releases are the 40th anniversary re-release of Back to the Future and the expansion of Bugonia. You can peruse my detailed prediction posts on the newcomers here:
I have Future hitting mid single digits and that’s probably going to put the Robert Zemeckis classic toward the bottom of the top five (or six). I have it neck and neck with the second frame of Springsteen: Deliver Me from Nowhere which delivered subpar numbers.
That’s more than I’m giving the latest Yorgos Lanthimos effort starring Emma Stone. With my Bugonia estimate under $3 million, it should be outside the first half of the top 10.
Chainsaw Man: The Movie: Reze Arc exceeded expectations (more on that below) and continued a banner year for anime. However, a drop in the mid to high 60s is probably coming.
Regretting You weathered poor reviews for an opening in line with estimates and I foresee a sophomore dip in the mid 50s.
If Chainsaw and Regretting play according to my though process, that could allow Black Phone 2 to return to #1 (officially). Moviegoers might seek a fright fest this weekend and the sequel fits the bill.
So what’s with all the uncertainty about what’s actually going to be #1? KPop Demon Hunters: A Sing-Along Event is returning to theaters for Halloween weekend. The animated Netflix juggernaut first hit theaters in August for two days after its streaming start, resulting in a fantastic $19.2 million on Saturday and Sunday. This time around it’s playing all three days and I’m estimating it will generate $12 million. Here’s the catch. Netflix doesn’t officially report their numbers so it’ll be #1 with an asterisk.
Here’s how I have the top six (counting KPop) shaking out:
*1. KPop Demon Hunters: A Sing-Along Event
Predicted Gross: $12 million
2. Black Phone 2
Predicted Gross: $8 million
3. Chainsaw Man – The Movie: Reze Arc
Predicted Gross: $6.4 million
4. Regretting You
Predicted Gross: $6.1 million
5. Springsteen: Deliver Me from Nowhere
Predicted Gross: $4.8 million
6. Back to the Future
Predicted Gross: $4.6 million
Box Office Results (October 24-26)
In a surprise result, Chainsaw Man – The Movie: Reze Arc was easily #1 with $18 million, eclipsing my $12.8 million estimate. It continues an impressive 2025 for Asian animated material including KPop and the record breaking Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle.
Regretting You took the runner-up spot with $13.6 million, just under my $14 million prediction. The romantic drama based on a Colleen Hoover novel was hampered by far less buzz than last year’s It Ends with Us (a fellow Hoover adaptation) in addition to poor reviews.
Black Phone 2 fell two rungs to third with $12.9 million compared to my $13.7 million call. The ten-day total is $48 million.
Springsteen: Deliver Me from Nowhere was a major disappointment in fourth with $8.8 million. I had it placing first with $16.1 million but moviegoers didn’t warm up to the musical biopic of The Boss.
Tron: Ares rounded out the top five with $4.9 million (I said $5 million) for a three-week tally of $63 million.
Instead of writing a full update on my Oscar predictions this week, I’m doing a deep dive on the six highest profile races: Picture, Director and the four acting derbies. All four acting contests have been covered. If you missed my write-ups on them, they are linked here:
I published my first preview of the directing field on April 12th. In that post, I listed my initial predictions for the quintet along with ten other possibilities. At that impossibly early stage of the game, my selections were:
Park Chan-wook, No Other Choice
Luca Guadagnino, After the Hunt
Andrew Patterson, The Rivals of Amziah King
Josh Safdie, Marty Supreme
Chloé Zhao, Hamnet
Other Possibilities:
Paul Thomas Anderson, One Battle After Another
Noah Baumbach, Jay Kelly
Edward Berger, Ballad of a Small Player
James Cameron, Avatar: Fire and Ash
Jon M. Chu, Wicked: For Good
Guillermo del Toro, Frankenstein
Mike Flanagan, The Life of Chuck
Yorgos Lanthimos, Bugonia
Spike Lee, Highest 2 Lowest
Joachim Trier, Sentimental Value
The 5 eventual nominees could be found among those 15 possibilities. However, we can be confident some won’t make it in. For Andrew Patterson, The Rivals of Amziah King seems to be a 2026 release. After the Hunt was a commercial and critical disappointment and Luca Guadagnino appears to be a non-factor. The out of contention status also applies to Edward Berger, Mike Flanagan, and Spike Lee.
Let’s get into the others and other names not raised back in April. Both Josh Safdie and Chloé Zhao’s movies are probable safe bets for BP. They could certainly come along for the ride. I’m slightly more confident in Zhao contending for her second trophy after winning in 2020 for Nomadland though Safdie is definitely viable in his solo behind the camera effort.
Park Chan-wook’s fortunes should be tied to whether No Other Choice makes BP and I keep going back and forth on that. The same could be said Noah Baumbach, Jon M. Chu, Guillermo del Toro, and Yorgos Lanthimos. Their respective features Jay Kelly, Wicked: For Good (as yet unseen), Frankenstein, and Bugonia are all on the BP bubble. Same goes for the unmentioned A House of Dynamite and Kathryn Bigelow.
Even if Avatar: Fire and Ash gets into BP, I’m skeptical James Cameron is in unless the third franchise entry as universally seen as the best. We’ll know that in a few weeks.
Sentimental Value is not on the bubble. Its ticket is likely punched and that could benefit Joachim Trier for a first nomination though I don’t believe his nom is assured as the movie’s.
Who is assured? Paul Thomas Anderson. One Battle is your soft frontrunner for BP and this is a golden opportunity for the Academy to honor PTA for this and his overall body of work.
I also think Ryan Coogler (Sinners) is in for his vampire epic which is the other Warner Bros title vying for BP alongside One Battle.
A pair of foreign filmmakers could vie for a slot – Jafar Panahi (It Was Just an Accident) and Kieber Mendonça Filho (The Secret Agent). Their fortunes are also tied to BP inclusion and I feel the latter has a stronger pathway.
In conclusion, I feel safe with PTA, Coogler, and Zhao RSVP’d for the directorial dance. The other two noms could be filled by plenty of names above. My in-depth posts on the six biggest categories will conclude with Best Picture!
Instead of writing a full update on my Oscar predictions this week, I’m doing a deep dive on the six highest profile races: Picture, Director and the four acting derbies. Best Actor and the supporting fields have been covered. If you missed my write-ups on them, please find them here:
I published my first preview of the lead Actress field on April 11th. In that post, I listed my initial predictions for the quintet of hopefuls along with ten other possibilities. At that impossibly early stage of the game, my selections were:
Jessie Buckley, Hamnet
Cynthia Erivo, Wicked: For Good
Renate Reinsve, Sentimental Value
Julia Roberts, After the Hunt
Amanda Seyfried, The Testament of Ann Lee
Other Possibilities:
Rose Byrne, If I Had Legs I’d Kick You
Olivia Colman, The Roses
Jodie Foster, A Private Life
Jessica Lange, Long Day’s Journey Into Night
Jennifer Lawrence, Die, My Love
Lucy Liu, Rosemead
Emma Mackey, Ella McCay
June Squibb, Eleanor the Great
Emma Stone, Bugonia
Tessa Thompson, Hedda
What’s pretty amazing is how viable many of these contenders still are. In fact, it wouldn’t be totally crazy for my initial quintet to still be the final quintet. I believe there’s an excellent shot that 80% of them get in. Before we get to them, let’s dispense with the other possibilities that are no longer possibilities, shall we?
Olivia Colman (The Roses) and Jodie Foster (A Private Life) have OK chances to make the cut at the Globes in lead Actress in a Musical/Comedy. However, the former Oscar winners will not be returning to that ceremony. I’d say the same for June Squibb as Eleanor the Great drew mixed notices from critics and was a non-factor at the box office. Then there’s Jessica Lange. It seems like Long Day’s Journey Into Night is always about to come out, but never does. I’ve had her listed as a possibility in 2023 and 2024 and now 2025 and there’s still no release date. Perhaps she’ll pop up again for 2026.
Emma Mackey’s work for December’s Ella McCay is still unseen. The fact that it skipped autumn festivals could be telling, but you never know. Lucy Liu’s performance in Rosemead has been heralded at fests and distributor Vertical should push her as they picked up distribution rights for a December bow. I’m just not convinced it’ll get enough eyeballs for her to truly contend.
The other nine actresses among the 15 above are very much worthy of discussion, along with a couple others. That discussion begins (and ultimately could end) with Jessie Buckley in Hamnet. As Agnes Shakespeare, wife to the famed playwright in Chloé Zhao’s historical drama, she drew raves at Telluride and Toronto. Slated for wide release in December, the pic should garner multiple noms and Buckley is in the pole position for a victory.
Her biggest competition could be Renate Reinsve from another fest favorite Sentimental Value. I had her at #1 for awhile until Hamnet was unveiled.
While it’s still unseen, Cynthia Erivo could make it two in a row with the second part of Wicked and once again join her costar Ariana Grande (in supporting) as a nominee.
And while the movie itself drew divergent reactions, Amanda Seyfried was widely praised for The Testament of Ann Lee and Searchlight seems poised to mount a spirited campaign.
All four were in my inaugural April predictions. All four still are at the moment. The one that’s not is Julia Roberts in After the Hunt despite her being on top when I did my first ranked projections a few months ago. Since then, Hunt has been hindered plenty of negative reviews and poor box office. It’s not unthinkable for the 2000 Best Actress recipient to make the cut though it is a more remote possibility at this juncture.
Of the other possibilities from April, four still are. I could easily give two-time winner Emma Stone the spot. A Bugonia BP nom would help. The Academy could also feel like she’s been honored enough.
Rose Byrne has never been nominated for an Oscar and she’s getting career best notices for If I Had Legs I’d Kick You. Precursor attention and critics groups trophies could put her in.
Jennifer Lawrence (Die, My Love) and Tessa Thompson (Hedda) face trickier odds and if either got in, it’d be considered an upset right now. That dynamic could shift if the Globes/Critics Choice/SAG start naming either of them.
When it comes to names not mentioned in the initial 15, Sydney Sweeney has many critics saying she delivers in the boxing biopic Christy. Her chances could be KO’d by middling reviews for the pic itself.
Eva Victor (Sorry, Baby) got her flowers at Sundance and beyond. She would need precursors to gain any momentum.
There are two actresses not in the April mix that certainly are now. Chase Infiniti will be campaigned in lead for One Battle After Another which could become the next BP. The Warner Bros announcement that Infinti (in her first feature film role) is going for Actress and not Supporting Actress has caused many prognosticators to shift their thinking. She’s far from automatic (or close to it) like her costars Leonardo DiCaprio, Sean Penn, and Teyana Taylor but she could find herself joining them on the red carpet.
Finally, Kate Hudson was up 25 years ago in supporting for Almost Famous. Her role in the forthcoming Song Sung Blue is rumored to be an Oscar-baity part. We’ll know more tomorrow when it screens at the AFI Fest.
My in-depth look at the big races will continue with Best Director!
The latest concoction from the prolific Yorgos Lanthimos expands nationwide October 31st with Bugonia. Emma Stone and Jesse Plemons headline with Aidan Delbis, Stavros Halkias, and Alicia Silverstone providing support. It premiered at the Venice Film Festival in late August and has an 89% Rotten Tomatoes rating with 68 on Metacritic.
Poor Things became a major Academy contender (11 nominations) in 2023 while Kinds of Kindness underwhelmed with awards voters and viewers last year. I suspect Bugonia may perform closer to the latter as it could struggle everywhere between the coasts. While Poor amassed $34 million domestically at the box office, Kindness managed just $5 million.
Slated to hit around 1800 venues after a limited rollout the previous weekend, I have this between $2-4 million.
Universal looks for moviegoers to return to the past when Back to the Future is out for its 40th anniversary on October 31st. The time travel classic from Robert Zemeckis that spawned two sequels features Michael J. Fox, Christopher Lloyd, Leah Thompson, Crispin Glover, Thomas F. Wilson, a DeLorean, the Libyans, and “The Power of Love”.
The power of its re-release could be limited compared to the studio’s recent 50th anniversary reissue of Jaws. That shark tale amassed nearly $10 million in late August in its first three days on around 3200 screens. Future is clocking far less venues at approximately 1900 so mid single digits is likely.
Back to the Future 40th anniversary opening weekend prediction: $4.6 million
An animated tale based on Roald Dahl’s 45-year-old novel, The Twits is out on Netflix and its marks the solo directorial debut of Phil Johnston after co-directing Disney’s Ralph Breaks the Internet. The voice cast includes Margo Martindale, Johnny Vegas, Natalie Portman, Emilia Clarke, Maitreyi Ramakrishnan, Jason Mantozoukas, Timothy Simons, Alan Tudyk, and Nicole Byer.
The source material earned high praise for the author while the film adaptation has not. Rotten Tomatoes is at 53% with a 46 on Metacritic. It is fair to assume this won’t be getting the Animated Feature nomination that went to 2009’s Dahl based Fantastic Mr. Fox. My Oscar Prediction posts will continue…
Instead of writing a full update on my Oscar predictions this week, I’m doing a deep dive on the six highest profile races: Picture, Director and the four acting derbies. It began with Supporting Actor and Actress and continues today with Best Actor. If you missed my write-up on the supporting players, you can find them here:
I published my first preview of the lead Actor field on April 8th. In that post, I listed my initial predictions for the quintet of hopefuls along with ten other possibilities. At that impossibly early stage of the game, my selections were:
Timothée Chalamet, Marty Supreme
George Clooney, Jay Kelly
Matthew McConaughey, The Rivals of Amziah King
Paul Mescal, Hamnet
Jeremy Allen White, Deliver Me from Nowhere
Other Possibilities:
Lee Byung-hun, No Other Choice
Willem Dafoe, Late Fame
Daniel Day-Lewis, Anemone
Leonardo DiCaprio, One Battle After Another
Colin Farrell, Ballad of a Small Player
Jaafar Jackson, Michael
Dwayne Johnson, The Smashing Machine
Matthew McConaughey, The Lost Bus
Jesse Plemons, Bugonia
Andrew Scott, Pressure
Let’s dispense with the easy subtractions, shall we? The Rivals of Amziah King with Matthew McConaughey seems more likely to release in 2026. Same goes for Jaafar Jackson in Michael and Andrew Scott in Pressure. Paul Mescal (Hamnet) will contend in Supporting Actor where I am predicting him to get a nomination.
The reviews and buzz simply doesn’t exist for Colin Farrell in Ballad of a Small Player or McConaughey in The Lost Bus. Same for Willem Dafoe in Late Fame though a surprise Globe or SAG or Critics Choice nod could make him a remote possibility. I would say the same logic applies to Lee Byung-hun for No Other Choice and Dwayne Johnson in The Smashing Machine. For the latter, subpar box office doesn’t help his chances which were once seen as rock solid.
Beyond the names above, there’s a slew of once promising contenders who have fizzled out for one reason or another. It includes Denzel Washington (Highest 2 Lowest), Will Arnett (Is This Thing On?), Brendan Fraser (Rental Family), and Oscar Isaac (Frankenstein). I don’t expect to see their names among the nominees.
So let’s discuss who I think is truly in the mix and it’s ten actors. Half will make the cut and half will not. There could be 11 via the soon to be screened Song Sung Blue with Hugh Jackman though Kate Hudson is rumored to be the awards play from that one.
From my first ranked predictions in April, I’ve had Timothée Chalamet in the #1 spot after he was probably the runner-up for Actor last year to Adrian Brody (The Brutalist) for his embodiment of Bob Dylan in A Complete Unknown. The review embargo is still intact for December’s Marty Supreme, but early word-of-mouth indicates the top ranking is justified and I don’t see that changing anytime soon.
Jeremy Allen White’s portrayal of The Boss in Springsteen: Deliver Me from Nowhere is out tonight. His nomination seems more probable than not even though the pic itself is a question mark in BP.
George Clooney as Jay Kelly is more of an unknown as the movie has its ardent supporters and some detractors. If Kelly gets into BP, it significantly increases his odds.
Daniel Day-Lewis, a three-time winner, could get in just because he’s Daniel Day-Lewis. However, Anemone drew mixed reactions and was a non-entity at the box office.
Other than Chalamet, the performer I’m most confident makes the quintet is Leonardo DiCaprio for One Battle After Another. He’s a threat to take gold if the aforementioned competition fizzles out in the potential BP frontrunner.
Like Clooney, Jesse Plemons would benefit from Bugonia sneaking into BP. A better than currently expected performance from the film could grant him admission.
Blue Moon is a long shot for BP, but voters could still make room for veteran Ethan Hawke. He’d be vying for his third overall nom after supporting recognition for Training Day and Boyhood.
Train Dreams is also probably not on track for BP though Joel Edgerton has a so-so chance of getting in if other awards branches or critics groups bring him up.
Sinners, on the other hand, is a surefire hopeful in the big dance and Michael B. Jordan could get swept in for his dual role in the smash hit.
Wagner Moura was Best Actor at Cannes for The Secret Agent and I’m starting to believe his odds are increasing.
So there you have it. I think Chalamet and DiCaprio have punched their tickets with White close to doing the same unless Springsteen is a notable flop. The other seven are vying for slots four and five. My in-depth look at these high profile categories will continue with Best Actress!
Instead of writing a full update on my Oscar predictions this week, I’m doing a deep dive on the six highest profile races: Picture, Director and the four acting derbies. It began with Supporting Actor and continues today with Supporting Actress. If you missed my write-up on Supporting Actor, you can find it here:
I published my first preview of the Supporting Actress field on April 6th. In that post, I listed my initial predictions for the quintet of hopefuls along with ten other possibilities. At that impossibly early stage of the game, my selections were:
Ayo Edebiri, After the Hunt
Ariana Grande, Wicked: For Good
Angelina LookingGlass, The Rivals of Amziah King
Gwyneth Paltrow, Marty Supreme
Teyana Taylor, One Battle After Another
Let’s dispense with a couple of those names. Angelina LookingGlass’s heralded work in The Rivals of Amziah King has not been scheduled for 2025. At this point, I’m assuming it will come out in 2026.
After the Hunt has lost its awards luster after a poor commercial and critical reaction. While her costar Julia Roberts may have a long shot chance at making the Actress cut, I don’t see the same for Edebiri.
The other three names are very much viable. Ariana Grande was nominated last year as Glinda the Good Witch and was probably runner-up to Zoe Saldaña (Emilia Pérez). While For Good has yet to screen, it stands to reason that she could make a return to the lineup. I’ve had her ranked first the whole year and we’ll see if that remains when word-of-mouth comes in.
Teyana Taylor’s performance dominates the first third of One Battle After Another (arguably the BP frontrunner). That should be enough for her to be the most likely Supporting Actor nominee in the film and we’ll get to Regina Hall shortly.
Gwyneth Paltrow is not a guaranteed competitor like her costar Timothée Chalamet is in lead actor. However, her work in Marty Supreme is definitely viable in this unformed race. The same could be said for her costar Odessa A’Zion though I’d put Paltrow ahead.
My 10 other possibilities that I listed back in April are:
Emily Blunt, The Smashing Machine
Glenn Close, Wake Up Dead Man: A Knives Out Mystery
Laura Dern, Jay Kelly
Elle Fanning, Sentimental Value
America Ferrera, The Lost Bus
Regina Hall, One Battle After Another
Greta Lee, Late Fame
Nia Long, Michael
Jennifer Lopez, Kiss of the Spider Woman
Emily Watson, Hamnet
Let’s start with Regina Hall. When it was announced that Chase Infiniti would compete in lead Actress for Battle, it opened the door for Hall. I maintain that she’s behind her costar Taylor. I currently have her on the outside looking in, but wouldn’t be surprised if she hears her name called. In the 21st century, we’ve seen double nominees in this category 10 out of 25 times. The last example was 2022 when Jamie Lee Curtis won for Everything Everywhere All at Once while her cast mate Stephanie Hsu was also up. The other times were as follows:
2000: Frances McDormand and Kate Hudson, Almost Famous
2001: Helen Mirren and Maggie Smith, Gosford Park
2002: Catherine Zeta-Jones (winner) and Queen Latifah, Chicago
2006: Adriana Barraza and Rinko Kikuchi, Babel
2008: Amy Adams and Viola Davis, Doubt
2009: Vera Farmiga and Anna Kendrick, Up in the Air
2010: Melissa Leo (winner) and Amy Adams, The Fighter
2011: Octavia Spencer (winner) and Jessica Chastain, The Help
2018: Emma Stone and Rachel Weisz, The Favourite
Another possibility of two nominees from the same pictures lies with Elle Fanning (Sentimental Value) and her costar Inga Ibsdotter Lilleass. The former seems marginally more likely but Lilleass is absolutely a threat to make the quintet.
A third possibility of two actresses from one feature is Wunmi Mosaku and Hailee Steinfeld from Sinners. That’s a more remote possibility and the film would really have to over perform for either to get in.
Back to those 10 other possibilities. Michael was pushed to 2026 so there goes Nia Long. Laura Dern, America Ferrera, Greta Lee and Emily Watson are all long shots at best after their movies screened. For Dern and Watson, they could see some of their costars nominated.
Emily Blunt could factor in if she manages SAG or Critics Choice or a Globe nod. Yet The Smashing Machine was a major box office flop and that doesn’t help. The same logic applies to Jennifer Lopez for Kiss of the Spider Woman.
Glenn Close is arguably considered the best thespian who hasn’t won an Oscar despite eight attempts. That could help her cause in Rian Johnon’s latest murder mystery, but none of the actors from Knives Out and Glass Onion made it despite respective buzz for Ana de Armas and Janelle Monae.
One name not on my radar in April was Amy Madigan in Weapons. The summer sleeper gave the veteran actress an unforgettably creepy role that should inspire many a Halloween costume next week. I’m starting to really think she could find herself in the quintet.
So there you have it, readers! I would say Grande, Taylor, Fanning, Lilleass, Madigan, Paltrow and Hall are the seven likeliest contestants with potential surprises including Close, Lopez, Blunt and Mosaku. I will zone in on Best Actor in the next write-up!
A trio of new releases are vying for the #1 spot this weekend as musical biopic Springsteen: Deliver Me from Nowhere, romantic drama Regretting You and anime fantasy Chainsaw Man: The Movie – Reze Arc are unveiled. You can peruse my detailed prediction posts on the trio here:
Potential over or under performances by the newbies make this an uncertain weekend. As mentioned, any of them could place 1st or Black Phone 2 could repeat atop the charts. I’m giving the slight edge to Springsteen with Jeremy Allen White as The Boss though my mid teens estimate means it would fall short of the eventual grosses of recent genre fare like Bohemian Rhapsody, Elvis and A Complete Unknown.
Regretting You has a shot of exceeding expectations since it’s based on source material from Colleen Hoover. The adaptation of her novel It Endswith Us was a smash last year. Yet my low teens take puts it in second as this doesn’t seem to have the buzz of the aforementioned.
As for Chainsaw, anime features (especially the most recent Demon Slayer) have been hot commodities, but this isn’t expected to reach anywhere that pic’s $70 million start. I’m going low double digits though it could surprise.
After a stellar start, Black Phone 2 should lose around its opening weekend audience with Tron: Ares shedding more than that and rounding out the top five.
Here’s how it see it shaking out:
1. Springsteen: Deliver Me from Nowhere
Predicted Gross: $16.1 million
2. Regretting You
Predicted Gross: $14 million
3. Black Phone 2
Predicted Gross: $13.7 million
4. Chainsaw Man: The Movie – Reze Arc
Predicted Gross: $12.8 million
5. Tron: Ares
Predicted Gross: $5 million
Box Office Results (October 17-19)
Black Phone 2 rang up decent business and outdid its 2022 predecessor with $27.3 million. That managed to top my $25.5 million prediction.
Tron: Ares fell 67% for $11.1 million in second, rising slightly ahead of my $10.2 million call. The flop of a threequel stands at $54 million after two weeks and this won’t be reaching nine digits domestically.
Aziz Ansari’s comedy Good Fortune couldn’t find it despite the star power of Seth Rogen and Keanu Reeves. It was third with $6.1 million, a shade below my $7.3 million estimate.
One Battle After Another was fourth with $3.8 million compared to my $4.9 million projection. The four-week total is $61 million.
Roofman took fifth with $3.7 million (I said $4.6 million) and it’s shackled with only $15 million in two weekends of play.
Finally, critically drubbed After the Hunt from Luca Guadagnino and starring Julia Roberts was ninth in wide release with a paltry $1.5 million. I was more generous at $3.5 million.
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