Paramount is hoping the kiddos are eager for a second cinematic helping of canine comedy as PAW Patrol: The Mighty Movie hits theaters on September 29th. The animated sequel, based on a Canadian TV series that made its way stateside via Nickelodeon, has Cal Brunker returning to direct. The voice cast includes Mckenna Grace, Taraji P. Henson, Marsai Martin, Christian Convery, Kim Kardashian and her children North West and Saint West, James Marsden, Kristin Bell, and Finn Lee-Epp.
PAW Patrol: The Movie arrived in theaters in August of 2021 during COVID challenges. It opened to a so-so $13 million and ended up taking in $40 million domestically. Without the barriers that its predecessor faced, this may end up earning about the same amount out of the gate and maybe a little more. Not mighty, but not a box office dog either.
PAW Patrol: The Mighty Movie opening weekend prediction: $16.3 million
For the second time this week, there’s been an Oscar bombshell that will undoubtedly change the projections of prognosticators like yours truly. On Tuesday, it was the announcement that Lily Gladstone (Killers of the Flower Moon) will compete in Actress instead of Supporting Actress (where she was widely expected to compete in and probably win).
Now there’s a french twist in the International Feature Film race. As you may know, countries can only submit one picture for consideration in that competition. France was widely expected to put forth Justine Triet’s acclaimed Anatomy of a Fall, the courtroom drama that received the Palme d’Or at the Cannes Film Festival. Fall, along with the U.K.’s The Zone of Interest from Jonathan Glazer, were seen as the two favorites to win the category. It was also seen as a major threat for nominations in Best Picture, Director, Actress (Sandra Hüller), and Original Screenplay.
Well, the French have a taste for the unexpected as it was announced today that they’re submitting Tran Anh Hung’s The Taste of Things instead. The historical romance starring Juliette Binoche also premiered at Cannes. While it nabbed a 100% Rotten Tomatoes rating, it was seen as lagging behind Fall in terms of submission possibilities. Now it has positioned itself as Zone‘s main competitor for the IFF statue. And one could argue it increases the chances for Binoche to get an Actress nom (even though that derby is looking awfully crowded).
So where does that leave Fall? It could still get into Best Picture, but the odds could be longer. Same for all the other races mentioned above. This isn’t the first time France has surprised us in recent times. In 2019, they chose Les Miserables over Portrait of a Lady on Fire. While Miserables made the eventual quintet, it was seen as a weaker pick. To be fair – nothing was going to beat Parasite that year.
Then there’s 2007. France went with Persepolis as the selection and it didn’t get nominated. If they’d gone with The Diving Bell and the Butterfly, they might’ve had a winner on their hands. After all, it managed four overall mentions in Director (Julian Schnabel), Adapted Screenplay, Cinematography, and Film Editing. Anatomy will hope to follow Bell‘s model and maybe even dive into BP. It might face a steep curve based on its home country’s strategy. You can check how it alters my predictions (and it will) when I update them this weekend!
Nearly 20 years after the original was an unexpected box office hit, Saw X arrives on September 29th. It’s a back to basics affair with Tobin Bell returning as Jigsaw with the events taking place between 2004’s Saw and 2005’s Saw II. Kevin Greutert, who helmed 2009’s Saw VI and 2010’s Saw 3D, directs. Shawnee Smith returns to the series and other supporting players include Synnøve Macody Lund, Steven Brand, and Michael Beach.
The tenth entry was supposed to open right at Halloween on October 27th before Lionsgate announced its late September bump. X is out two and a half years after Spiral: From the Book of Saw, Chris Rock’s take on the franchise which set historic lows. COVID didn’t help, but Spiral did just that at the box office with a mere $8 million opening and $16 million eventual domestic gross. Prior to that, 2017’s Jigsaw managed a $16 million premiere and $38 million eventual take. That’s a far cry from the high point debut of Saw III in 2006 at $33 million.
Saw X will be lucky make half of that. I certainly don’t think it’ll fall under Spiral, but low to mid teens might be all it manages.
20th Century Studios is banking on audiences wishing to acquaint themselves with The Creator when it debuts September 29th. The sci-fi action flick is original IP from Godzilla (the 2014 version) and Rogue One: A Star Wars Story maker Gareth Edwards (the director co-scripted with Chris Weitz). Tenet lead John David Washington headlines with a supporting cast including Madeleine Yuna Voyles, Gemma Chan, Ken Watanabe, Sturgill Simpson, and Allison Janney.
Made for a reported $80 million, this represents a gamble from the studio. Mr. Washington (unlike his dad Denzel) is not yet a bankable force whose presence can open a movie. As mentioned, it doesn’t have the franchise familiarity of Edwards’s previous two titles.
The Creator will hope for decent grosses stateside and an impressive haul abroad. I question whether this takes in $20 million for its start and I’ll put it a bit under that mark.
The Creator opening weekend prediction: $17.9 million
Last year, the Best Supporting Actress race was upended when it was announced that Michelle Williams of Steven Spielberg’s The Fabelmans would be campaigned for in the lead Actress competition. Williams was seen as the strong frontrunner in the supporting field. Her placement in the more crowded Actress derby took her from a predicted winner to a question mark as to whether she’d even make the final five. She did, but lost to Michelle Yeoh in Everything Everywhere All at Once and she was never looked at as a threat to win. Her omission from the supporting category made it a wide open race where Jamie Lee Curtis (also from Everything Everywhere) eventually prevailed.
And now… history repeats itself. In each one of my predictions for the 96th Academy Awards this year, I have had Lily Gladstone listed #1 in Supporting Actress for Martin Scorsese’s Killers of the Flower Moon. Ever since it premiered at Cannes (before its October 20th domestic bow), reviews have indicated she’s a standout performance among heavy hitters like Leonardo DiCaprio, Robert De Niro, and Jesse Plemons. Like Williams, she was a heavy favorite for supporting. And just like Williams, there’s now an announcement that Gladstone will vie for Best Actress.
What’s it mean? Let’s start with Supporting Actress. With Gladstone out, it is now an uncertain race with no frontrunner. One could emerge when The Color Purple premieres with either Danielle Brooks (who I’ve consistently had ranked second) or Taraji P. Henson (who’s often been third). It potentially opens the door for Emily Blunt to not only nab her first nom for Oppenheimer, but maybe make it to the stage. It also increases the chances for hopefuls like Da’Vine Joy Randolph (The Holdovers), Viola Davis (Air), Jodie Foster (Nyad), Sandra Hüller (The Zone of Interest), or Penelope Cruz (Ferrari) to get in.
As for Best Actress, I believe Gladstone ends up in the grouping. Yet she might not be the automatic favorite like she was in supporting. Emma Stone (Poor Things) and Sandra Hüller (Anatomy of a Fall) are serious competitors. Fantasia Barrino from The Color Purple could be as well. And there’s Carey Mulligan (Maestro), Margot Robbie (Barbie), Greta Lee (Past Lives), Annette Bening (Nyad), Natalie Portman (May December), and Cailee Spaeney (Priscilla) to consider. In other words (like Williams), Gladstone has made her road to gold tougher though still achievable.
When I update my Oscar predictions this weekend, you can expect to see Gladstone in the Actress five. Whether she’s #1 like she’s been in supporting is very much still in question.
My closer looks at six high profile races for the 96th Academy Awards culminates with, of course, Best Picture. If you missed my posts over the last few days on the four acting derbies and Best Director, you can access them here:
Since my last look at the BP race on August 28th, we have experienced the Venice, Toronto, and Telluride Film Festivals. They have provided lots of information as to whether certain contenders are legit or not so much.
That said, it has not changed my top 2 selections of Killers of the Flower Moon and Oppenheimer. I have, on the other hand, switched Oppenheimer to first place with Moon in the runner-up spot.
The movie that rose the most of my predicted group is Poor Things, which won the Venice Film Festival and positioned itself as a serious threat to take the top prize. It vaults six spots from 9th to 3rd.
Then there’s American Fiction. Just yesterday, it received the People’s Choice Awards at Toronto. As I discussed yesterday on the blog, 14 of the past 15 winners of that honor ended up nabbing a BP nom. Fiction is still a coin toss in my view. At the moment, I’m including it in the selected ten. Same goes for The Holdovers which was first runner-up for People’s Choice. Those TIFF favorites are in at the expense of The Zone of Interest and Air.
I am winnowing the possible nominees from 25 to 15 and here’s where I have the BP standings post festivals:
Predicted Nominees
1. Oppenheimer (Previous Ranking: 2) (+1)
2. Killers of the Flower Moon (PR: 1) (-1)
3. Poor Things (PR: 9) (+6)
4. Past Lives (PR: 3) (-1)
5. Barbie (PR: 8) (+3)
6. Anatomy of a Fall (PR: 7) (+1)
7. The Color Purple (PR: 4) (-3)
8. The Holdovers (PR: 12) (+4)
9. Maestro (PR: 5) (-4)
10. American Fiction (PR: Not Ranked)
Other Possibilities:
11. The Zone of Interest (PR: 6) (-5)
12. Air (PR: 10) (-2)
13. Origin (PR: 24) (+11)
14. Spider-Man: Across the Spider-Verse (PR: 13) (-1)
Jason Statham and Sylvester Stallone look to top the charts as Expend4bles, the fourth entry in the action franchise, is the only new wide release this weekend. You can peruse my detailed prediction post on it here:
I have it just under the teens and that’s a far cry from the mid 30s/high 20s premieres that parts 1 and 2 achieved. It’s also below the $15.8 million that The Expendables 3 made in 2014. That said, given the weak box office frame happening, it should be enough for a #1 debut.
Just as the competition for #1 was a photo finish this past weekend (more on that below), The Nun II and A Haunting in Venice should duke it out for the runner-up spot.
Nos. 4 and 5 should go to holdover threequels The Equalizer 3 and My Big Fat Greek Wedding 3. However, Barbie might manage to stay fifth depending on the Greek drop and the fact that it’s playing on IMAX screens this weekend.
Here’s how I think it’ll shake out from 1-6:
1. Expend4bles
Predicted Gross: $12.8 million
2. The Nun II
Predicted Gross: $7.5 million
3. A Haunting in Venice
Predicted Gross: $7.2 million
4. The Equalizer 3
Predicted Gross: $4.9 million
5. Barbie
Predicted Gross: $3.1 million
6. My Big Fat Greek Wedding 3
Predicted Gross: $2.6 million
Box Office Results (September 15-17)
In a minor upset, The Nun II managed to remain #1 for a second weekend. That upends the conventional wisdom that A Haunting in Venice would claim the top slot. With a better than expected 55% fall (decent for the horror genre), The Nun II made $14.5 million compared to my $10.9 million projection. The scary sequel has made $56 million in two weeks.
A Haunting in Venice, the third Kenneth Branagh entry in his Hercule Poirot series, was a close second with $14.2 million. That’s right on track with my $14.6 million take. Considering last year’s Death on the Nile struggled as well, I wouldn’t anticipate seeing the mustachioed detective for a fourth mystery.
The Equalizer 3 was third with $7.2 million, in line with my $7 million call. Denzel Washington’s alleged capper to his franchise has made $73 million in three weeks.
My Big Fat Greek Wedding 3 saw a sophomore frame decline above 50% with $4.7 million (I was more generous at $5.9 million). Total is just $18 million.
Barbie rounded out the top five with $3.8 million (I said $3.6 million) to bring its nine-week haul to $625 million.
Awards prospects for Cord Jefferson’s American Fiction rose precipitously today as it won the People’s Choice Award at the Toronto Film Festival. Per a previous post hours ago, that particular honor has been a major harbinger for a Best Picture nomination at the Oscars. How much so? 14 of the past 15 recipients have achieved a BP nod and five have taken the prize.
Fiction marks the directorial debut of Jefferson and the race relations dramedy is led by Jeffrey Wright. Based on buzz from up north, the actor could absolutely snag a spot in Best Actor. Yet as I’ve mentioned before, that is a stacked race that includes hopefuls like Cillian Murphy (Oppenheimer), Leonardo DiCaprio (Killers of the Flower Moon), Colman Domingo (Rustin), Bradley Cooper (Maestro), and Paul Giamatti (The Holdovers).
The supporting cast includes Tracee Ellis Ross, Erika Alexander, Leslie Uggams, Sterling K. Brown, John Ortiz, Issa Rae, Adam Brody, and Keith David. It’s likely Wright (vying for his first nomination) is the feasible nominee if he can break through the crowded pack.
Adapted Screenplay might be the best bet for inclusion, but I can’t stress enough how major the TIFF People’s Choice victory is. Expect it to materialize in lots of BP top tens starting today and I very well may follow suit in my imminent update. My Oscar Prediction posts will continue…
My closer look at six high profile races for the 96th Academy Awards arrives at Best Director. If you missed my posts covering the four acting derbies, you can peruse them here:
As I have with those categories, I am winnowing the field of my predicted nominees from 15 possibilities to 10. At the moment, I believe Christopher Nolan (Oppenheimer) and Martin Scorsese (Killers of the Flower Moon) are guaranteed slots with Yorgos Lanthimos (Poor Things) darn close to wrapping up one himself.
After that, there are plenty of hopefuls vying for the two spots. I do believe two females could populate them via some combo of Celine Song (Past Lives), Greta Gerwig (Barbie), Justine Triet (Anatomy of a Fall), and Ana DuVernay (Origin).
We also have Bradley Cooper (Maestro), Jonathan Glazer (The Zone of Interest), and Alexander Payne (The Holdovers) as strong possibilities. Perhaps even Cord Jefferson (director of freshly minted Toronto Film Festival People Choice’s winner American Fiction) could make a run.
And there’s the unseen contenders in Blitz Bazawule (The Color Purple) and Ridley Scott (Napoleon).
Lots to ponder and there are now three new players in my final quintet compared to my previous predictions on August 28th. Here’s where I have the race standing at the moment:
Predicted Nominees
1. Christopher Nolan, Oppenheimer (Previous Ranking: 2) (+1)
2. Martin Scorsese, Killers of the Flower Moon (PR: 1) (-1)
3. Yorgos Lanthimos, Poor Things (PR: 9) (+6)
4. Greta Gerwig, Barbie (PR: 7) (+3)
5. Justine Triet, Anatomy of a Fall (PR: 6) (+1)
Other Possibilities:
6. Jonathan Glazer, The Zone of Interest (PR: 5) (-1)
The Toronto Film Festival has wrapped and our friends up north have bestowed their People Choice’s Award along with the first and second runner-ups. Just how important is this prize in correlating to a Best Picture spot at the Oscars? Let’s go to the numbers and they’re telling.
Of the last 15 People’s Choice winners from TIFF, 14 received a BP nomination and 5 of them ultimately took the big prize: 2008’s Slumdog Millionaire, 2010’s The King’s Speech, 2013’s 12 Years a Slave, 2018’s Green Book, and 2020’s Nomadland.
When it comes to the 1st and 2nd runners-up, 10 of them in the past 15 cycles have received BP attention. That includes three winners in 2012’s Argo, 2015’s Spotlight, and 2019’s Parasite.
So… it’s a key harbinger to Academy attention. And that’s why it’s a tad surprising that Cord Jefferson’s directorial debut American Fiction is the pick. That’s not because it didn’t get great reviews (it’s at 96% via 24 write-ups on RT). It just snuck up on prognosticators like myself with the TIFF love (there’s not even a trailer yet). The dramedy focused on race relations is now undeniably a factor in awards discussions as it moves towards its November 3rd debut. Jeffrey Wright’s lead performance and the Adapted Screenplay are also in the mix for attention.
The first runner-up, unsurprisingly, is Alexander Payne’s The Holdovers (which many were picking to receive People’s Choice). For Payne, it’s looked at as a return to form after his underwhelming predecessor Downsizing in 2017. This 1970s set Christmas tale appears poised for possible nods in BP (joining earlier Payne efforts Sideways, The Descendants, and Nebraska) and Paul Giamatti and Da’Vine Joy Randolph, and certainly Original Screenplay.
The Boy and the Heron is Hayao Miyazaki’s latest acclaimed animated feature which opened TIFF. It’s pretty much a given that this will contend in Best Animated Feature though it could be a tall order to overcome frontrunner Spider-Man: Across the Spider-Verse.
Here are the facts: TIFF has boosted Fiction in a serious way. Keep an eye on the blog for further Oscar Predictions updates!
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