Gotham Honors Past Lives

The 33rd Annual Gotham Awards were held this evening and it was looking like a potential night of missed opportunities for Celine Song’s Past Lives… until the end. Of the five nominees for Best Feature, the acclaimed A24 romantic drama was really the only one with legit Best Picture aspirations at the Oscars. It did take the top prize over Passages, Reality, Showing Up, and A Thousand and One.

This was following its director Song surprisingly not being awarded Breakthrough Director. That instead went to A.V. Rockwell for A Thousand and One and made the announcement for the big race a bit suspenseful.

Of the 20 pictures that have taken Best Feature at the Oscars (this category has existed since 2004 and there was a tie one year), 12 have become Academy hopefuls for BP. Half of those (The Hurt Locker, Birdman, Spotlight, Moonlight, Nomadland, Everything Everywhere All at Once) won. As a reminder, until this year, contenders for the Gothams were typically lower budgeted titles. Even with the budgetary restrictions removed, some heavy hitters like Oppenheimer and Killers of the Flower Moon opted not to compete at this ceremony.

As far as Past Lives is concerned, the perception of it losing could’ve hindered its Oscar chances. So it helped itself tonight by doing what it was expected to do. That said, it missed another possible victory with Greta Lee coming up short in Outstanding Lead Performance. Lily Gladstone took the trophy… not for the non-contending Killers of the Flower Moon, but for The Unknown Country. Gladstone seems on her way to a Best Actress slot for Moon. This is another unexpected win for an awards body that frequently provides them.

Outstanding Supporting Performance went to Charles Melton in May December and he might’ve upped his Oscar stock more than anyone. This race saw potential victors like Ryan Gosling (Barbie) and Da’Vine Joy Randolph (The Holdovers) end up behind him. **Note that the Gothams recently switched to ten nominees in lead and supporting without a divide for gender**. I’ve had Melton in my projected quintet recently and am feeling more and more confident about that. While Melton is a long shot to win at the big show, it should be noted that the previous two recipients (Troy Kotsur in CODA and Ke Huy Quan for Everything Everywhere) took the Supporting Actor Oscar.

Justine Triet’s Anatomy of a Fall received the Screenplay and International Feature awards. France did not select it as their pick for International Feature Film at the Academy Awards (where it probably would’ve been locked in a fierce competition with The Zone of Interest). Fall is a coin toss for BP inclusion so every little bit helps.

Finally, Four Daughters is your Documentary Feature pick (over 20 Days in Mariupol) as it increases it exposure.

Keep an eye on the blog for an Oscar predictions update in the coming days!

December 1-3 Box Office Predictions

November closed out at the box office with an unpredictable Thanksgiving frame where I had the entirety of the top four in the wrong spots. The head scratching will continue as December arrives with a quintet of newcomers (four of which could post very similar earnings). We have the concert pic Renaissance: A Film by Beyoncé, Japanese monster mash Godzilla Minus One, John Woo’s dialogue free action thriller Silent Night, sci-fi drama The Shift from Angel Studios, and Hindi-language shoot-em-up Animal. My detailed prediction posts on all of them can be accessed here:

Renaissance: A Film by Beyoncé Box Office Prediction

Godzilla Minus One Box Office Prediction

Silent Night Box Office Prediction

The Shift Box Office Prediction

Animal Box Office Prediction

Beyoncé’s tour doc might be the only new entry in the top five. While it shouldn’t approach the near $100M out of the gate that Taylor Swift accomplished, a mid to high 20s output would firmly put it in first position.

It is common to see hefty drops after the Turkey Day weekend and that should apply to the leftovers. The Hunger Games: The Ballad of Songbirds and Snakes (after surprisingly staying at #1 over the holiday) should slide to second with a mid 50s decline.

After that… it’s a crapshoot. Any of the newcomers could post better figures than my calls. However, I have all four making between $5-8 million and each falling outside the top five.

That’s because Napoleon, Wish, and Trolls Band Together may all flirt with $10 million. I’ve got the trio falling under that for a close finish between 3-5.

With all the newbies, I’ll expand to a top ten outlook and here’s how I see it:

1. Renaissance: A Film by Beyoncé

Predicted Gross: $20.7 million

2. The Hunger Games: The Ballad of Songbirds and Snakes

Predicted Gross: $13.1 million

3. Wish

Predicted Gross: $9.3 million

4. Napoleon

Predicted Gross: $9.2 million

5. Trolls World Tour

Predicted Gross: $8.5 million

6. Godzilla Minus One

Predicted Gross: $7.6 million

7. Silent Night

Predicted Gross: $5 million

8. The Shift

Predicted Gross: $4.6 million

9. Animal

Predicted Gross: $4 million

10. Thanksgiving

Predicted Gross: $3.3 million

Box Office Results (November 24-26)

In one of the most unexpected upsets in recent memory, The Hunger Games: The Ballad of Songbirds and Snakes had a far better than anticipated sophomore hold to rather easily take the holiday weekend. The franchise prequel eased a mere 35% for $29 million from Friday to Sunday, surpassing my $20.3 million projection with flying colors. The ten-day take is now $98 million.

Ridley Scott’s bio-epic Napoleon with Joaquin Phoenix was second as it slightly rose above forecasts. It made $20.6 million from Friday to Sunday and $32.7 million when counting Wednesday and Thursday. That’s ahead of my respective $18.2 million and $28.5 million takes. With a weak B- Cinemascore grade, it may fade rather quickly.

After the massive flop that was The Marvels, the news didn’t get better for the Mouse House as the animated Wish was granted a tepid start in third. With ho-hum reviews, the Disney title fell far short of hopes with $19.6 million over the three-day and $31.6 million since Wednesday. I (along with most others) predicted a first place showing and had it at $32.2 million and $46.4 million. Ouch.

Trolls Band Together, in weekend two, was fourth with $17.8 million. I was more generous at $22.6 million and the DreamWorks Animated sequel has made $64 million after ten days.

Eli Roth’s slasher Thanksgiving capitalized on that title with a fifth place slot and $7 million (I said $6.5 million). The ten-day tally is a respectable $24 million, especially since it comes with a low budget.

And that does it for now, folks! Until next time…

Animal Box Office Prediction

Hindi language action pic Animal is unleashed in nearly 900 North American venues on December 1st. It will vie for second highest debuting newcomer of the weekend (behind Renaissance: A Film by Beyoncé). From director Sandeep Reddy Vanga, the epic length (201 minutes) experience stars Ranbir Kapoor, Amil Kapoor, Bobby Deol, Rashmika Mandanna, and Tripti Dimri.

As mentioned, the battle for the runner-up early December premiere could be a tight one between Godzilla Minus One, Silent Night, The Shift, and this. I have all four falling between $5-8 million.

This one could over perform, but comps are key. 2022’s Brahmastra – Part One: Shiva (another long Hindi language adventure) made $4.5 million out of the gate on slightly less screens. This September’s Jawan took in just over $6 million. Both were roughly a half hour shorter than Animal. I’m thinking a performance more like Shiva is the likely result.

Animal opening weekend prediction: $4 million

For my Renaissance: A Film by Beyoncé, click here:

Renaissance: A Film by Beyoncé Box Office Prediction

For my Silent Night prediction, click here:

Silent Night Box Office Prediction

For my Godzilla Minus One prediction, click here:

Godzilla Minus One Box Office Prediction

For my The Shift prediction, click here:

The Shift Box Office Prediction

The Shift Box Office Prediction

Angel Studios has had a heavenly 2023 with the massive success of Sound of Freedom over the summer and the recent better than anticipated debut of the documentary After Death. They’ll try to replicate the good tidings with The Shift on December 1st. The low-budget sci-fi pic is directed by Brock Heasley with a cast led by Kristoffer Polaha, Neal McDonough, Elizabeth Tabish, Rose Reid, and Sean Astin.

This is not expected to come anywhere the bounty that Freedom brought in. It earned $40 million over an extended Fourth of July frame on its way to a $184 million domestic haul. The Shift, at the high end of its range, could make a fourth or fifth of that for starters. At the low end, it might premiere to a tenth of that figure.

Fair warning: I’ve underestimated both aforementioned Angel titles this year. If it made close to $10 million, I wouldn’t be surprised. $4-5 million is also feasible.

The Shift opening weekend prediction: $4.6 million

For my Renaissance: A Film by Beyoncé prediction, click here:

Renaissance: A Film by Beyoncé Box Office Prediction

For my Silent Night prediction, click here:

Silent Night Box Office Prediction

For my Godzilla Minus One prediction, click here:

Godzilla Minus One Box Office Prediction

For my Animal prediction, click here:

Animal Box Office Prediction

Godzilla Minus One Box Office Prediction

The title character may be 70 years old in cinematic time, but the creature is still wreaking havoc on the general public. The not so jolly green giant returns in Godzilla Minus One, out domestically December 1st. From acclaimed filmmaker Takashi Yamazaki, it arrives in stateside multiplexes a month after it premiered to impressive box office numbers in Japan. Runosuke Kamiki, Minami Hamabe, Yuki Yamada, and Munetaka Aoki star.

The 37th feature in the franchise, it’s getting some of the strongest reviews of the bunch. One was made to earn the bulk of its bucks overseas, but hardcore U.S. fans could get this in mid to high single digits. The best case scenario would probably be a gross approaching $10 million. I’ll say it doesn’t get there though I have it outdoing John Woo’s Silent Night (its direct competition).

Godzilla Minus One opening weekend prediction: $7.6 million

For my Renaissance: A Film by Beyoncé prediction, click here:

Renaissance: A Film by Beyoncé Box Office Prediction

For my Silent Night prediction, click here:

Silent Night Box Office Prediction

For my The Shift prediction, click here:

The Shift Box Office Prediction

For my Animal prediction, click here:

Animal Box Office Prediction

Silent Night Box Office Prediction

John Woo’s Silent Night hopes to make a little noise for Lionsgate when it opens December 1st. It marks the filmmaker’s first American feature in 20 years (since the 2003 Ben Affleck flop Paycheck). Joel Kinnaman, Scott Mescudi, Harold Torres, and Catalina Sandino Moreno star in the dialogue free action thriller.

We are a quarter century past when Woo was a blockbuster making commodity, including hits like Face/Off and Mission: Impossible 2. With a lack of star power, Silent may play to sparse venues.

I have a tough time envisioning this getting to $10 million and it faces direct competition from Godzilla Minus One. Mid single digits seems likely for a calm and quiet debut.

Silent Night opening weekend prediction: $5.1 million

For my Renaissance: A Film by Beyoncé prediction, click here:

Renaissance: A Film by Beyoncé Box Office Prediction

For my Godzilla Minus One prediction, click here:

Godzilla Minus One Box Office Prediction

For my The Shift prediction, click here:

The Shift Box Office Prediction

For my Animal prediction, click here:

Animal Box Office Prediction

Renaissance: A Film by Beyoncé Box Office Prediction

With a similar distribution deal to what Taylor Swift cut with AMC Theaters last month, Queen Bey brings her world tour to the multiplexes on December 1st with the release of Renaissance: A Film by Beyoncé. The documentary concert pic hopes to capture a fraction of what Ms. Swift took in ($175 million thus far domestically).

No matter what happens, the performer will see lots of dough since (like Swift) she’ll receive 50% of the gross. That said, while Beyoncé is obviously a beloved international superstar, Renaissance will be fortunate to bring in a third of what The Eras Tour accomplished for its start. The Swifties propelled Eras to a record breaking $92.8 million premiere.

Anything over $30 million should be considered a tremendous debut. Even a low to mid 20s start could put it in the #1 spot to start off December at the box office (depending on where Wish and other Thanksgiving leftovers are at). I’ll say this falls in that range.

Renaissance: A Film by Beyoncé opening weekend prediction: $20.7 million

For my Silent Night prediction, click here:

Silent Night Box Office Prediction

For my Godzilla Minus One prediction, click here:

Godzilla Minus One Box Office Prediction

For my The Shift prediction, click here:

The Shift Box Office Prediction

For my Animal prediction, click here:

Animal Box Office Prediction

Oscar Predictions: Flamin’ Hot

I didn’t do an Oscar Predictions post on Flamin’ Hot when it premiered at South by Southwest back in March or when it began streaming over the summer on Hulu and Disney+. Eva Longoria’s directorial debut tells the true life tale of a man who claimed he invented the title seasoned Cheetos. Jesse Garcia, Annie Gonzalez, Dennis Haysbert, and Tony Shalhoub star.

Reviews were fairly decent at 69% on Rotten Tomatoes, but this didn’t strike me as an awards contender at the time or now. That’s with one exception and this brings us to Diane Warren. The songwriter has contributed many tracks to feature films and she has 14 Academy nominations to speak for it. This dates back nearly 40 years starting with “Nothing’s Gonna Stop Us Now” from Mannequin, continuing with gigantic hits like “Because You Loved Me” from Up Close and Personal and “I Don’t Want to Miss a Thing” from Armageddon, and including last year’s ceremony with “Applause” from Tell It Like a Woman. Despite the impressive number of noms, Warren has yet to win Original Song (though she did pick up an Honorary Oscar for her work earlier this year).

Flamin’ Hot includes the track “The Fire Inside” performed by Becky G and written by the frequent hopeful. It hasn’t been on my radar screen in my previous predictions. Yet now that a planned documentary about Warren seems to be delayed to 2024 (in which I’m sure she’ll have a contending track), one has to consider this song for inclusion. Don’t be surprised if it materializes in my top ten possibilities in my next update. It’s risky to bet against the penner of the tune. My Oscar Prediction posts will continue…

November 24-26 Box Office Predictions

The Thanksgiving box office gives us two high-profile releases mixed with the leftovers as Disney’s Wish and Ridley Scott’s Napoleon come out Wednesday. You can peruse my detailed prediction posts on the newcomers here:

Wish Box Office Prediction

Napoleon Box Office Prediction

The Mouse House certainly wishes that Wish was getting better reviews and word-of-mouth. That said, the studio should have no trouble nabbing the top spot over the holiday frame. I’ve got the three-day in the low 30s and five-day in the mid 40s.

Napoleon with Joaquin Phoenix as the military leader is also generating so-so buzz. It is a viable option for adults looking a Turkey Day frame trip to the multiplex. A high teens Friday to Sunday might leave it in fourth position with a five-day approaching $30 milion.

After a premiere in the lower end of its anticipated range, The Hunger Games: The Ballad of Songbirds & Snakes may ease 50-55% in its sophomore outing. That might mean a drop to third as Trolls Band Together should see a more meager slide (20-25%) in its second weekend and stay in the runner-up spot.

Eli Roth’s slasher Thanksgiving could capitalize on its name and have a smaller than normal decline for its genre. If it eases 40% or so, it should round out the high five as The Marvels might not make the top quintet (more on its poor performance below).

Here’s how I see it shaking out:

1. Wish

Predicted Gross: $32.2 million (Friday to Sunday); $46.4 million

2. Trolls Band Together

Predicted Gross: $22.6 million

3. The Hunger Games: The Ballad of Songbirds & Snakes

Predicted Gross: $2o.3 million

4. Napoleon

Predicted Gross: $18.2 million (Friday to Sunday); $28.5 million

5. Thanksgiving

Predicted Gross: $6.5 million

Box Office Results (November 17-19)

The Hunger Games: The Ballad of Songbirds & Snakes, as expected, ruled the charts like its predecessors. Yet it came in considerably below the four entries it prequels. While parts I-IV from 2012-15 all opened to more than $100 million, Ballad managed $44.6 million (a touch under my $48.3 million projection). It’s not a disaster considering the reported $100 million budget, but it’s definitely not a shining victory.

Trolls Band Together opened in second with a solid $30 million, surpassing my $26.7 million take. The DreamWorks Animated threequel should hold up well during the holiday season.

Thanksgiving cut a $10.3 million gross for third place as the fake trailer turned feature came in just behind my $11.4 million forecast. Not too shabby as the budget is listed at $12.6 million.

The Marvels fell from first to fourth with a disastrous second weekend after a disastrous first. The MCU bomb (first time you’ve ever heard it) plummeted 78% to $10.1 million. I was more kind at $15.6 million. With $64 million in the bank after 10 days, it’s questionable whether Captain Marvel and her friends even reach $100 million domestically.

Five Nights at Freddy’s rounded out the top five with $3.5 million (I said $4.5 million) to brings its four-week total to $132 million.

Finally, Taika Waititi’s oft-delayed sports dramedy Next Goal Wins couldn’t find an audience. It was 8th with $2.5 million compared to my $3.8 million prediction.

And that does it for now, folks! Have a great Thanksgiving!

Best Picture 2005: The Expanded Ten

Previously on the blog, I completed a series on a particular piece of speculative Oscar history. From 2009 to the present, there has been anywhere from 8-10 Best Pictures nominees at the Academy Awards. The number has been set at 10 for the past couple of years and fluctuated previously. Before 2009, it was a quintet of films competing for the prize. I penned 14 posts making predictions on which five pics would have made the cut if it had stayed at that smaller number. **Click on that Oscar History tab on the blog to access all of them!

Now my speculation turns to the reverse. What if the Academy had always honored 10 motion pictures? From 1944-2008, there was a set five vying for attention. For a completist view, there were five for the first two Oscars (1929 and 1930). We had eight in 1931. From 1932 to 1943, it was ten.

This series will project the other five that I believe would’ve gotten in. I’ve already covered 2006-08 and you can peruse my posts on them here:

Best Picture 2006: The Expanded Ten

Best Picture 2007: The Expanded Ten

Best Picture 2008: The Expanded Ten

We do know half of the titles that would populate the ten. Those would be the ones that made the quintet 18 years back. During that 78th Oscar ceremony, Jack Nicholson made the surprise announcement that race relations drama Crash from Paul Haggis was the Best Picture winner. Of its seven total nominations, it also won Original Screenplay and Film Editing.

It stands as one of the bigger upsets in the Academy’s history as it took gold over the heavily favored Brokeback Mountain by Ang Lee. He won Director and the cowboy romance also received Adapted Screenplay and Original Score. The other three nominees: Bennett Miller’s Capote (for which Philip Seymour Hoffman took Best Actor), George Clooney’s Good Night, and Good Luck, and Steven Spielberg’s Munich.

2005 was the rare year where the Director nominees matched perfectly with BP so we can’t pluck out other movies from that competition. A look at the other categories do give us clues as to the other features that might’ve gotten in.

James Mangold’s Cash couple biopic Walk the Line landed Joaquin Phoenix a Best Actor nod and Reese Witherspoon the Actress statue. With a total of five mentions, a Golden Globe victory in the Musical/Comedy race, and a Critics Choice slot, it’s pretty safe to assume it makes the ten.

Same goes for The Constant Gardner from Fernando Meirelles. Rachel Weisz took Supporting Actress and it received three other noms in addition to Golden Globe and Critics Choice inclusions.

Another Critics Choicer nominee, Rob Marshall’s Memoirs of a Geisha got 6 tech nods and won 3 (Art Direction, Cinematography, Costume Design). I went back and forth on this one, but ultimately decided it probably makes the dance.

A fourth Critics Choice match goes to Ron Howard’s Cinderella Man. The boxing drama could be left off. It missed some key nods including Russell Crowe’s lead performance (Paul Giamatti was nominated for supporting) and screenplay. I think it might have just snuck in at the bottom of hopefuls.

With one picture left to plug in, there’s plenty of contenders. Hustle & Flow saw a surprise win (for Three 6 Mafia) in Original Song and Terrence Howard made the Actor five. Woody Allen’s Match Point had a sole nom in Original Screenplay, but made the Globes cut in Drama. Joe Wright’s Pride & Prejudice rendering saw Keira Knightley up in Actress in addition to three other mentions.

Ultimately my final choice came to this trio. Peter Jackson’s King Kong went 3 for 4 on its tech inclusions (Sound Editing, Sound Mixing, Visual Effects). However, it was generally considered a bit of a disappointment at the box office and with some critics. That said, I almost picked it.

Syriana by Stephen Gaghan gave George Clooney a Supporting Actor Oscar and was up for Original Screenplay. Yet it failed to see a Critics Choice or Globe BP nod. Nevertheless I almost picked it.

I chose to go with David Cronenberg’s A History of Violence. It received two noms for Supporting Actor (William Hurt) and Original Screenplay and was a critical darling. I went with the Academy honoring a work from the acclaimed director (especially since most of his efforts are far from Oscar friendly).