February 23-25 Box Office Predictions

Bob Marley: One Love, after a terrific opening well above expectations, looks to make it two weeks in a row atop the charts. Competition comes from Japan’s animated sequel Demon Slayer: Kimetsu no Yaiba – To the Hashira Training, inspirational drama Ordinary Angels with Hilary Swank, and Ethan Coen’s road comedy Drive-Away Dolls. You can peruse my detailed prediction posts on the trio of newbies here:

Demon Slayer: Kimetsu no Yaiba – To the Hashira Training Box Office Prediction
Ordinary Angels Box Office Prediction
Drive-Away Dolls Box Office Prediction

With a A Cinemascore grade, Marley could be loved enough for a mid to high 40s decline in its sophomore outing. That should put it in the low to mid teens and I figure that’ll be strong enough for the gold.

I have Demon Slayer in the runner-up slot just past $10 million (similar to what predecessor To the Swordsmith Village achieved).

The wildcard might be Ordinary Angels. Faith-based titles can often exceed estimates and I wouldn’t be shocked if it rises to above $10 million. My current projection has it in third.

While Marley outperformed predictions, Madame Web got off to a rocky start and a concerning C+ Cinemascore grade. I’m envisioning a mid 60s plummet and fourth place.

Argylle should round out the top five in a close call with Migration. Then there’s Drive-Away Dolls. Despite a reported 2000 theater rollout, promotion has been scant and it might have to settle for seventh behind Migration.

Here’s how I envision the top 7 playing out:

1. Bob Marley: One Love

Predicted Gross: $16.2 million

2. Demon Slayer: Kimetsu no Yaiba – To the Hashira Training

Predicted Gross: $10.5 million

3. Ordinary Angels

Predicted Gross: $8 million

4. Madame Web

Predicted Gross: $5.6 million

5. Argylle

Predicted Gross: $3 million

6. Migration

Predicted Gross: $2.9 million

7. Drive-Away Dolls

Predicted Gross: $2.6 million

Box Office Results (February 16-19)

The affection was evident over Valentine’s Day/President’s Day for Bob Marley: One Love as the biopic (despite so-so reviews) blew away forecasts with $33.6 million from Friday to Monday and $51.5 million since its Wednesday start on Valentine’s Day. That’s way beyond my respective takes of $19.2 million and $28.9 million.

Madame Web got tangled up in bad buzz and poor critical reaction and the financial figures followed suit. Dakota Johnson’s superhero tale made only $15.3 million for the four-day and $26 million since Wednesday. I was more generous at $21.5 million and $30.7 million. As mentioned, look for it to fade rapidly.

Argylle was third with $5.8 million over the long holiday compared to my $4.5 million call. The three-week total is $37 million.

The fourth and fifth place performers were holiday holdovers that I incorrectly had outside of the top five. Migration made $5.3 million to bring its haul to $116 million while Wonka added $4.6 million for $211 million overall.

The Chosen Season 4: Episodes 4-6 was sixth with $3.9 million, not matching my $6.1 million projection. It opened on Thursday so the total is $4.7 million.

Finally, The Beekeeper was seventh at $3.7 million (I said $2.6 million) for $60 million in its coffers.

And that does it for now, folks! Until next time…

Oscars: The Case of Christopher Nolan for Oppenheimer

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our third filmmaker in Best Director and that’s Christopher Nolan for Oppenheimer. Let’s get to it!

Previous Oscar Directing Nominations:

Dunkirk (2017)

The Case for Christopher Nolan:

Where to begin? Oppenheimer is easily the frontrunner for BP and leads all nominees with 13 overall. Nolan, one of the most visible and well-known filmmakers of the 21st century, has won all significant precursors. That includes the DGA (which has a sterling track record of matching with Oscar), the Golden Globes, Critics Choice, and BAFTA.

The Case Against Christopher Nolan:

There’s not much of one honestly. However, the Academy does have a history of snubbing Nolan. He missed the cut for Memento, The Dark Knight and Inception even though he picked up DGA nods for all three.

The Verdict:

If Nolan were to lose, it would be a jaw dropper. This is one of the easiest races to forecast. For someone whose pictures consistently deal with the concept of time… it’s his time with the Academy.

My Case Of posts will continue with Carey Mulligan in Maestro…

77th BAFTA Awards Reaction

The top races went as I anticipated at the 77th BAFTA Awards while other races were a bit more unpredictable. That’s pretty much par for the course with the British equivalent of the Oscars as I went 13/23 (oof) in my selections.

Let’s start with Oppenheimer. As expected, Christopher Nolan’s epic took Best Film and its maker is your Best Director. Some prognosticators had this pegged for a record setting 10 BAFTAs. I had it winning 8 and it took 7. In addition to Film and Director, I correctly called Cillian Murphy in Actor, Robert Downey Jr. in Supporting Actor, Cinematography, Editing, and Original Score. I still believe Paul Giamatti in The Holdovers poses a threat to Murphy with the Academy (especially if he manages to win SAG). Oppenheimer should take those other BAFTA trophies a little less than a month away at the Oscars.

I incorrectly had Oppenheimer taking Best Sound. It instead went to The Zone of Interest. The Holocaust drama had a solid day with a victory in Best Film Not in the English Language over my predicted Anatomy of a Fall and for Outstanding British Film over my pick of Poor Things.

Despite the Poor miss in that category, it was honored with a handful of prizes. Emma Stone is your Best Actress and it won Costume Design, Makeup & Hair (over my Maestro call), Production Design, and Special Visual Effects (over my Napoleon pick).

The Holdovers was a double recipient for Supporting Actress with Da’Vine Joy Randolph and Casting (I went with All of Us Strangers instead).

Those four (Oppenheimer, Poor Things, The Zone of Interest, The Holdovers) were the only features with two victories or more. Here’s what else I got right: Anatomy of a Fall in Original Screenplay (which certainly helps its Oscar chances) and 20 Days in Mariupol for Documentary (same story).

In Adapted Screenplay, it was American Fiction continuing to make the case for Academy gold with a surprise win over Poor Things and my runner-up Oppenheimer.

The Boy and the Heron, as it did at the Globes, is Best Animated Feature over Spider-Man: Across the Spider-Verse. I went with Spidey and there could be a real showdown on March 10th.

Earth Mama is the Outstanding British Debut by a Writer, Director or Producer over the favored How to Have Sex while the lead in Sex (Mia McKenna-Bruce) is the Rising Star over Jacob Elordi (who I picked).

Some overall takeaways that shouldn’t surprise: Oppenheimer is still the overwhelming choice for BP as it’s winning everywhere it needs to. Same goes for Nolan and Downey Jr.

Randolph is bascially a lock for Supporting Actress while Emma Stone helped herself today over stiff competition from Sandra Hüller in Anatomy of a Fall. Some noteworthy pics that didn’t take a single award: Barbie, Killers of the Flower Moon, and Maestro.

Keep an eye on the blog for all Oscar speculation as we approach the big show!

Oscars: The Case of Robert Downey Jr. in Oppenheimer

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the other five big races. Today we arrive at our third performer in Best Supporting Actor and that’s Robert Downey Jr. in Oppenheimer. Let’s get to it!

Previous Oscar Acting Nominations:

Chaplin (Actor, 1992); Tropic Thunder (Supporting Actor, 2008)

The Case for Robert Downey Jr.:

It could be considered the capper for one of the most remarkable comeback stories in Hollywood history. In the mid 90s, Downey Jr.’s career appeared over due to drug abuse and legal woes. By 2008, he was starting run as star of the biggest franchise of all time with the MCU and multiple appearances as Tony Stark in the Iron Man and Avengers series. His role as the scheming AEC Chairman Lewis Strauss in Christopher Nolan’s epic biopic has swept the season thus far at the Globes, Critics Choice, and BAFTA. SAG is likely to follow suit next weekend. This could be seen as a career achievement prize and his peers are probably eager to give it to him (similar to Jamie Lee Curtis last year in Everything Everywhere All at Once).

The Case Against Robert Downey Jr.:

Frankly, it’s difficult to come up with one. Maybe the voters will look at Supporting Actor as a place to honor Barbie and give it to Ryan Gosling. The same logic could apply to Mark Ruffalo in Poor Things or Robert De Niro in Killers of the Flower Moon.

The Verdict:

At this point, anything other than a Downey Jr. victory would be a significant upset.

My Case Of posts will continue with the direction of Christopher Nolan in Oppenheimer…

Oscars: The Case of America Ferrera in Barbie

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the other five big races. Today we arrive at our third performer in Best Supporting Actress and that’s America Ferrera in Barbie. Let’s get to it!

Previous Oscar Acting Nominations:

None

The Case for America Ferrera:

Every performer wants that obvious Oscar clip and Ferrera has it playing Gloria as the single ma tells the challenges of being a woman. That speech likely propelled the Globe, SAG, and Emmy winner for TV’s Ugly Betty to her first Academy nod. Alongside fellow nominee Ryan Gosling, she was singled out for plaudits in Greta Gerwig’s billion plus grossing phenomenon. A Critics Choice mention preceded this.

The Case Against America Ferrera:

Ferrera didn’t make the cut at SAG, BAFTA, and the Globes (unlike Gosling) and the acting branch didn’t recognize lead Margot Robbie. Da’Vine Joy Randolph (The Holdovers) has won the key precursors so far and stands as the favorite.

The Verdict:

I wouldn’t bet on Ferrera making a speech from the podium on March 10th.

My Case Of posts will continue with Robert Downey Jr. in Oppenheimer…

Oscars: The Case of Paul Giamatti in The Holdovers

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the other five big races. Today we arrive at our third performer in Best Actor and that’s Paul Giamatti in The Holdovers. Let’s get to it!

Previous Oscar Acting Nominations:

Cinderella Man (Supporting Actor, 2005)

The Case for Paul Giamatti:

He has an Emmy and a Globe as the title character in HBO’s John Adams from 2008, but Paul Giamatti has just one Oscar nod for his supporting work in Cinderella Man. For that nomination, he was in the mix but came up short to George Clooney in Syriana. That means he was snubbed for 2003’s American Splendor and, most notably, 2004’s Sideways. There could be an overdue narrative brewing. As temperamental teacher Paul Hunham in his second collaboration with Alexander Payne behind Sideways, Giamatti has won the Globe for Actor in a Comedy/Musical and took the Critics Choice Award. He’s also in contention for BAFTA tomorrow and SAG next week.

The Case Against Paul Giamtti:

That the Oppenheimer love will translate to Cillian Murphy being named. He is the recipient of the Globe for Actor in a Drama. Perhaps voters will feel The Holdovers is being properly honored in Supporting Actress where Da’Vine Joy Randolph is the frontrunner.

The Verdict:

Giamatti stands an excellent chance… as does Murphy. My suspicion is that Murphy takes BAFTA and Giamatti is out front as SAG. If that pans out, we are in for a showdown on the evening of the Academy’s festivities. If either of the performers win BAFTA/SAG, consider them the strong favorite.

My Case Of posts will continue with America Ferrera in Barbie…

Drive-Away Dolls Box Office Prediction

Ethan Coen of the legendary Coen Brothers makes his solo directorial debut (not counting his documentary Jerry Lee Lewis: Trouble in Mind) with Drive-Away Dolls on February 23rd. He cowrote the road comedy with his wife Tricia Cooke and it follows brother Joel’s initial solo work The Tragedy of Macbeth from 2021. Margaret Qualley and Geraldine Viswanathan star with a supporting cast including Beanie Feldstein, Colman Domingo, Pedro Pascal, Bill Camp, and Matt Damon.

Dolls was originally slated for September of last year before the five-month delay. That eliminated the possibility of a festival run or awards buzz and this seems to be flying under the radar. Despite some high profile cast members and a reported 2000 screen count, this may only bring out the hardest core Coen followers. That should mean a stalled start.

Drive-Away Dolls opening weekend prediction: $2.6 million

For my Demon Slayer: Kimetsu no Yaiba – To the Hashira Training prediction, click here:

Demon Slayer: Kimetsu no Yaiba – To the Hashira Training Box Office Prediction

For my Ordinary Angels prediction, click here:

Ordinary Angels Box Office Prediction

Ordinary Angels Box Office Prediction

Two-time Academy Award winner Hilary Swank headlines the inspiration true-life drama Ordinary Angels as Lionsgate hopes this baby makes several million dollars out of the gate. Jon Gunn, the filmmaker behind Do You Believe? and The Case for Christ, directs with a supporting cast including Alan Ritchson, Nancy Travis, and Tamala Jones. There are some noteworthy behind the scenes players involved with Kelly Fremon Craig (writer/director of The Edge of Seventeen and Are You There God? It’s Me Margaret) sharing script duties with actress Meg Tilly.

Angels was originally slated to touch down in theaters on October 13th last year until it (wisely) moved to make way for Taylor Swift: The Eras Tour. These faith-based offerings can manage to outperform expectations. I wouldn’t be shocked if an opening weekend in the $10 million range materialized, but my forecast puts it a bit under.

Ordinary Angels opening weekend prediction: $8 million

For my Demon Slayer: Kimetsu no Yaiba – To the Hashira Training prediction, click here:

Demon Slayer: Kimetsu no Yaiba – To the Hashira Training Box Office Prediction

For my Drive-Away Dolls prediction, click here:

Drive-Away Dolls Box Office Prediction

Oscar Predictions: Small Things like These

There’s a darn good chance that Cillian Murphy will take the Best Actor prize as Oppenheimer a little less than a month from now. A second nomination in a row is not out of the question based on buzz from the Berlin Film Festival. Tim Mielants’s 1980s set Irish drama Small Things like These has kicked off the German fest to acclaim. Costars include Eileen Walsh, Michelle Fairley, Emily Watson, and Ciaran Hinds.

Based on the smattering of reviews, the RT score is 100%. Based on a 2021 novel by Claire Keegan, much of the praise is centered on Murphy. Given that Oppenheimer appears well on its way to multiple victories, Small should have no trouble securing stateside distribution.

A smart campaign could put its lead in the mix again. The Adapted Screenplay from Enda Walsh is also being singled out. Obviously we are extraordinarily early in the season for the 97th Academy Awards. Yet this is one to keep in mind as the months roll along. My Oscar Prediction posts will continue…

77th BAFTA Winner Predictions

Sunday brings the 77th BAFTA Awards as we look for further clues to the pictures and performers who will emerge victorious at the Oscars next month. Oppenheimer leads the pack with 13 nominations (the same number as its Academy haul) with Poor Things in second with 11 (also matching numbers wise with its American counterpart).

For each race, I’m giving you a predicted winner with a runner-up. I’ll have a recap on the blog with my takeaways following the ceremony!

Film

Nominees: Anatomy of a Fall, The Holdovers, Killers of the Flower Moon, Oppenheimer, Poor Things

Predicted Winner: Oppenheimer

Runner-Up: Poor Things

Director

Nominees: Bradley Cooper (Maestro), Jonathan Glazer (The Zone of Interest), Andrew Haigh (All of Us Strangers), Christopher Nolan (Oppenheimer), Alexander Payne (The Holdovers), Justine Triet (Anatomy of a Fall)

Predicted Winner: Christopher Nolan, Oppenheimer

Runner-Up: Is there one?? Let’s just say Glazer

Actress in a Leading Role

Nominees: Fantasia Barrino (The Color Purple), Sandra Huller (Anatomy of a Fall), Carey Mulligan (Maestro), Vivian Oparah (Rye Lane), Margot Robbie (Barbie), Emma Stone (Poor Things)

Predicted Winner: Emma Stone, Poor Things

Runner-Up: Sandra Hüller, Anatomy of a Fall

Actor in a Leading Role

Nominees: Bradley Cooper (Maestro), Colman Domingo (Rustin), Paul Giamatti (The Holdovers), Barry Keoghan (Saltburn), Cillian Murphy (Oppenheimer), Teo Yoo (Past Lives)

Predicted Winner: Cillian Murphy, Oppenheimer

Runner-Up: Paul Giamatti, The Holdovers

Actress in a Supporting Role

Nominees: Emily Blunt (Oppenheimer), Danielle Brooks (The Color Purple), Claire Foy (All of Us Strangers), Sandra Hüller (The Zone of Interest), Rosamund Pike (Saltburn), Da’Vine Joy Randolph (The Holdovers)

Predicted Winner: Da’Vine Joy Randolph, The Holdovers

Runner-Up: Emily Blunt, Oppenheimer

Actor in a Supporting Role

Nominees: Robert De Niro (Killers of the Flower Moon), Robert Downey Jr. (Oppenheimer), Jacob Elordi (Saltburn), Ryan Gosling (Barbie), Paul Mescal (All of Us Strangers), Dominic Sessa (The Holdovers)

Predicted Winner: Robert Downey Jr., Oppenheimer

Runner-Up: Ryan Gosling, Barbie

Original Screenplay

Nominees: Anatomy of a Fall, Barbie, The Holdovers, Maestro, Past Lives

Predicted Winner: Anatomy of a Fall

Runner-Up: The Holdovers

Adapted Screenplay

Nominees: All of Us Strangers, American Fiction, Oppenheimer, Poor Things, The Zone of Interest

Predicted Winner: Poor Things

Runner-Up: Oppenheimer

Animated Feature

Nominees: The Boy and the Heron, Chicken Run: Dawn of the Nugget, Elemental, Spider-Man: Across the Spider-Verse

Predicted Winner: Spider-Man: Across the Spider-Verse

Runner-Up: The Boy and the Heron

Documentary

Nominees: 20 Days in Mariupol, American Symphony, Beyond Utopia, Still: A Michael J. Fox Movie, Wham!

Predicted Winner: 20 Days in Mariupol

Runner-Up: Beyond Utopia

Film Not in the English Language

Nominees: 20 Days in Mariupol, Anatomy of a Fall, Past Lives, Society of the Snow, The Zone of Interest

Predicted Winner: Anatomy of a Fall

Runner-Up: The Zone of Interest

Casting

Nominees: All of Us Strangers, Anatomy of a Fall, The Holdovers, How to Have Sex, Killers of the Flower Moon

Predicted Winner: All of Us Strangers

Runner-Up: The Holdovers

Cinematography

Nominees: Killers of the Flower Moon, Maestro, Oppenheimer, Poor Things, The Zone of Interest

Predicted Winner: Oppenheimer

Runner-Up: Poor Things

Costume Design

Nominees: Barbie, Killers of the Flower Moon, Napoleon, Oppenheimer, Poor Things

Predicted Winner: Poor Things

Runner-Up: Barbie

Editing

Nominees: Anatomy of a Fall, Killers of the Flower Moon, Oppenheimer, Poor Things, The Zone of Interest

Predicted Winner: Oppenheimer

Runner-Up: Poor Things

Make-Up & Hair

Nominees: Killers of the Flower Moon, Maestro, Napoleon, Oppenheimer, Poor Things

Predicted Winner: Maestro

Runner-Up: Poor Things

Original Score

Nominees: Killers of the Flower Moon, Oppenheimer, Poor Things, Saltburn, Spider-Man: Across the Spider-Verse

Predicted Winner: Oppenheimer

Runner-Up: Killers of the Flower Moon

Production Design

Nominees: Barbie, Killers of the Flower Moon, Oppenheimer, Poor Things, The Zone of Interest

Predicted Winner: Poor Things

Runner-Up: Barbie

Sound

Nominees: Ferrari, Maestro, Mission: Impossible – Dead Reckoning, Oppenheimer, The Zone of Interest

Predicted Winner: Oppenheimer

Runner-Up: The Zone of Interest

Special Visual Effects

Nominees: The Creator, Guardians of the Galaxy Vol. 3, Mission: Impossible – Dead Reckoning, Napoleon, Poor Things

Predicted Winner: Napoleon

Runner-Up: The Creator

Outstanding British Film

Nominees: All of Us Strangers, How to Have Sex, Napoleon, The Old Oak, Poor Things, Rye Lane, Saltburn, Scrapper, Wonka, The Zone of Interest

Predicted Winner: Poor Things

Runner-Up: The Zone of Interest

Outstanding Debut by a British Writer, Director or Producer

Nominees: Blue Bag Life, Bobi Wine: The People’s President, Earth Mama, How to Have Sex, Is There Anybody Out There?

Predicted Winner: How to Have Sex

Runner-Up: Bobi Wine: The People’s President

Rising Star

Nominees: Phoebe Dynevor, Ayo Edebiri, Jacob Elordi, Mia McKenna-Bruce, Sophia Wilde

Predicted Winner: Jacob Elordi

Runner-Up: Mia McKenna-Bruce

That works out to these numbers of victories for these pictures:

8 Wins

Oppenheimer

5 Wins

Poor Things

2 Wins

Anatomy of a Fall

1 Win

20 Days in Mariupol, All of Us Strangers, How to Have Sex, The Holdovers, Maestro, Napoleon, Spider-Man: Across the Spider-Verse