Oscar Predictions: Power

In 2017, Yance Ford’s true crime doc Strong Island (centered on the murder of the filmmaker’s brother) contended for Documentary Feature at the Oscars, ultimately losing to Icarus. Island first screened at Sundance seven years ago. His follow-up is Power and it has also been unveiled at the Utah fest.

Focusing on American policing tactics, the handful of reviews out are a bit mixed. The RT score is 83% (Island had a clean 100%). Power might have a tougher road to make the Academy’s ultimate quintet, but I wouldn’t discount it if it manages to make the shortlisted 15. My Oscar Prediction posts will continue…

Oscar Predictions: Love Lies Bleeding

Rose Glass’s 2020 directorial debut Saint Maud was a critically hailed horror tale that originally screened at Toronto in 2019. Her sophomore effort Love Lies Bleeding (out March 8th) is a Sundance affair and it is one of the more eagerly awaited titles. The 80s set noirish thriller casts Kristen Stewart and Katy O’Brian as lovers embroiled in crime drama. Costars include Ed Harris, Jena Malone, Anna Baryshnikov, and Dave Franco.

From the reaction out of Utah, Bleeding should inspire strong reactions across the spectrum. The RT score is 90% (**Blogger’s Note: updated March 9th) with reviewers praising technical aspects (cinematography, score) and the cast (Stewart is particularly getting some shouts along with Harris). K-Stew has quite a presence at Sundance 2024. Her sci-fi two-hander Love Me with Steven Yeun is drawing mixed notices.

A24 apparently has a wild ride on its hands. If the studio play their cards right, supporting campaigns for Stewart (or maybe lead) and Harris are in order. On the other hand, this could be too out there for awards voters. My Oscar Prediction posts will continue…

Oscar Predictions: Frida

Salma Hayek received her sole Oscar nomination in Actress for the title role of 2002’s Frida. Over two decades later, Mexican painter Frida Kahlo is the subject of Carla Gutierrez’s documentary. Premiering at Sundance, it is slated for Amazon streaming in March. The filmmaker makes her directorial debut though she’s served as editor on high profile docs like RBG and Julia.

Reviews out of Utah thus far are a bit on the mixed side. In recent years, we’ve seen a slew of movies in this genre focused on artists of the painting and musical variety. They rarely run through the gauntlet and make it to the Academy’s final five in Documentary Feature. I question Frida‘s chances as well. My Oscar Prediction posts will continue…

Oscar Predictions: Sasquatch Sunset

Sasquatch Sunset comes from brothers Nathan and David Zellner and the quirky comedy focuses on a family of three Bigfoots. Premiering at Sundance prior to an April 12th release, it stars Jesse Eisenberg, Riley Keough, Christophe Zajac-Denek, and Nathan Zellner himself. Ari Aster executives produces and this sounds right up his absurdist alley.

Critics are mostly digging this and it sports a 79% RT score. Even those reviews, however, indicate mainstream audiences could be baffled. I doubt this will have a big footprint (or any) during awards season (though maybe the makeup work get some attention). It should also be noted that distributor Bleecker Street has a weak track record at campaigning. My Oscar Prediction posts will continue…

Oscar Predictions: Presence

Steven Soderbergh’s latest is Presence and early reviews from Sundance compliment it as an unconventionally engrossing ghost story. Lucy Liu, Julia Fox, and Chris Sullivan star in the brief (85 minutes) genre exercise written by David Koepp (who scripted the director’s recent Kimi).

Mr. Soderbergh helped usher in the indie revolution in 1989 with Sex, Lies, and Videotape. Since then, he’s helmed an eclectic mix of awards contenders, blockbusters, and experimental efforts. This appears to fall in the latter grouping. It’s actually been some time since Soderbergh was majorly in the Oscar mix with the one two punch of Erin Brockovich and Traffic in 2000.

Despite a 100% RT score, Presence shouldn’t have one among Academy voters. My Oscar Prediction posts will continue…

Oscar Predictions: The Outrun

As a recovering alcoholic returning to her native Scottish Island roots, Saoirse Ronan looks to enter next year’s awards mix in The Outrun. From Nora Fingscheidt, best known for 2021’s The Unforgivable with Sandra Bullock, the StudioCanal production is based on the 2016 novel by Amy Liptrot (who scripts). Costars include Paapa Essiedu, Stephen Dillane, and Saskia Reeves.

With a smattering of reviews from its screening at Sundance, this is at 83% on RT. One thing seems clear. Ronan probably will be in the conversation for Actress. At just age 29, she’s already a four-time Academy nominee. Her first mention was in the supporting field at 13 for 2007’s Atonement. The trio of Actress noms were in a five ceremony period: 2015’s Brooklyn, 2017’s Lady Bird, and Little Women in 2019. She’s yet to take the trophy. In recent times, her projects (See How They Run, Foe) have failed to garner any awards buzz.

As long as this is still on the voters radar in a year, Ronan could be in contention for her fifth attempt. My Oscar Prediction posts will continue…

Miller’s Girl Box Office Prediction

Lionsgate is seeking viewers for Miller’s Girl when it opens on January 26th, but the challenge could be audiences even knowing it exists. The pic from debut director/writer Jade Halley Bartlett stars Martin Freeman and Jenna Ortega. The trailer might remind one of a late 80s/early 90s style Fatal Attraction clone. Costars include Gideon Adlon, Bashir Salahuddin, Dagmara Domińczyk, and Christine Adams.

With a coproduction credit from Seth Rogen and Evan Goldberg, Girl hopes that Ortega’s Wednesday fans will turn up to watch her on a Friday-Sunday at the multiplex. I haven’t seen a theater count for this yet and that could alter my forecast. The marketing campaign seems scant and my prediction reflects it. Miller’s might not be crossing $3 million.

Miller’s Girl opening weekend prediction: $2.2 million

Oscar Predictions: The Greatest Night in Pop

Before its January 29th bow on Netflix, Bao Nyugen’s The Greatest Night in Pop got its screening night at Sundance. Nguyen, who helmed the Bruce Lee centered Be Water, chronicles the historic recording of 1985’s famine relief track “We Are the World”. The doc features interviews with some of the participants including cowriter Lionel Richie, Bruce Springsteen, Cyndi Lauper, and preeminent 80s soundtrack (Caddyshack, Footloose, Over the Top, Top Gun) crooner Kenny Loggins.

Early word-of-mouth from Utah (not enough yet for an RT score) indicates this is an appealing enough watch. The buzz doesn’t seem strong enough to turn this into an awards contender though I’m sure nostalgia buffs will happily stream it at the end of the month. My Oscar Prediction posts will continue…

Oscar Predictions: Love Me

The stars of Love Me have had some awards exposure in recent days and years. Kristen Stewart nabbed her first Oscar nom for Spencer in 2021 while Steven Yeun just picked up an Emmy for Netflix’s acclaimed limited series Beef. They headline the two-hander post-apocalyptic drama Love Me from sibling auteurs Sam and Andy Zuchero. Yet after screening at Sundance, critics aren’t exactly digging the project.

The AI romance only has 38% at press time on Rotten Tomatoes. As far as features with potential Academy prospects screening in Park City, it is safe to write this off as it seeks distribution. Considering the two leads, Love should have no trouble finding it despite the reviews. Don’t expect awards love. My Oscar Prediction posts will continue…

Oscar Predictions: Girls State

In 2020, Jesse Moss and Amanda McBaine made the youth in government documentary Boys State, receiving acclaim when it premiered at the Sundance Film Festival. Four years later, the filmmakers are back in Park City with the companion Girls State.

Playing the circuit before its April 5th Apple TV streaming premiere on April 5th, critics are being kind with a 100% RT score. Boys generated some awards recognition via Critics Choice and the National Board of Review. It also won the Jury Prize for docs at Sundance. However, the Academy didn’t take notice. If the predecessor couldn’t make waves with the Oscar branch, I question whether this follow-up would. My Oscar Prediction posts will continue…