March 1-3 Box Office Predictions

The month of March blows in some much needed excitement at the box office with Dune: Part Two storming theaters. It looks to dominate the charts with easily the largest debut of 2024 thus far and my detailed prediction post on it can be accessed here:

Dune: Part Two Box Office Prediction

My low to mid 80s take has it doubling the premiere gross of its 2021 predecessor (which had COVID limitations and debuted simultaneously on Max). Those restrictions are gone and it’s generating stronger reviews than part one, which managed 10 Oscar nominations.

The Chosen Season 4: Episodes 7-8 is available just like the first six shows at multiplexes beginning Thursday. My Friday to Sunday estimate puts it in a battle for fourth place with comic book based dud Madame Web‘s third frame.

Current two-week champ Bob Marley: One Love should slide a spot to 2nd with a mid 40s dip. Ordinary Angels is likely to stay third and with an A+ Cinemascore grade, its decline could be minimal (maybe mid to high teens range).

Demon Slayer: Kimetsu no Yaiba – To the Hashira Training was last weekend’s biggest newcomer and had the largest per theater average of all. Like its predecessor To the Swordsmith Village, it should find itself out of the high five as it’s primarily playing as a one-week engagement.

Here’s how I see the top 5 breaking down:

1. Dune: Part Two

Predicted Gross: $83.6 million

2. Bob Marley: One Love

Predicted Gross: $7.5 million

3. Ordinary Angels

Predicted Gross: $4.9 million

4. Madame Web

Predicted Gross: $2.9 million

5. The Chosen Season 4: Episodes 7-8

Predicted Gross: $2.9 million

Box Office Results (February 23-25)

Biopic Bob Marley: One Love felt the love again in first place with $13.4 million in its sophomore outing. It fell an understandable 53% and didn’t match my rosier $16.2 million projection. The overall tally is a buoyant $71 million.

Demon Slayer: Kimetsu no Yaiba – To the Hashita Training managed to outdo Swordsmith by around a million bucks with $11.5 million for the runner-up spot. That’s also the margin that it outpaced my $10.5 million call.

Ordinary Angels took in $6.1 million for third, falling below my $8 million forecast. The faith-based drama, as mentioned, is garnering praise from audiences and it could experience small declines in the coming weeks.

Madame Web, after a troubling start, dropped 61% for fourth at $5.9 million (just over my $5.6 million prediction). The subpar total since Valentine’s Day is $35 million.

Migration rounded out the top five with $2.8 million (I said $2.9 million) for $120 million in ten weeks.

Argylle was sixth with $2.7 million compared to my $3 million guesstimate as the spy comedy has made $41 million in four weeks.

Wonka was seventh with $2.4 million. I didn’t project a number for it and the holiday confection hit $214 million after 11 weeks.

Finally, Ethan Coen’s road comedy Drive-Away Dolls stalled in eighth with $2.4 million, in line with my $2.6 million prediction.

And that does it for now, folks! Until next time…

Oscars: The Case of Ryan Gosling in Barbie

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the other five big races. Today we arrive at our fourth performer in Best Supporting Actor and that’s Ryan Gosling in Barbie. Let’s get to it!

Previous Oscar Acting Nominations:

Half Nelson (Actor, 2006); La La Land (Actor, 2016)

The Case for Ryan Gosling:

For his third nomination and first in the supporting field, Gosling has been mentioned everywhere that counts (Globes, SAG, BAFTA, Critics Choice). His show stopping performance of “I’m Just Ken” was a highlight of the year’s biggest blockbuster.

The Case Against Ryan Gosling:

He’s lost all of those precursors to Robert Downey Jr. in Oppenheimer. It’s also rare for comedic performances to get victories in any of the acting derbies. Barbie underperformed a tad with omissions for Margot Robbie and director Greta Gerwig (though America Ferrera made the cut).

The Verdict:

I’m just saying Downey Jr. is looking solid for gold. Gosling might be runner-up, but distantly.

My Case Of posts will continue with Martin Scorsese’s direction in Killers of the Flower Moon…

35th PGA Awards Reaction

There was an upset tonight at the 35th PGA Awards and there’s only 3 categories covering feature films…

Did the unthinkable happen and something other than Oppenheimer collected their top prize?!?! Of course not. As rightly called, Christopher Nolan’s future Oscar juggernaut is the victor as it continues to pick up every precursor imaginable.

The surprise happened in their documentary derby where American Symphony emerged over the favored 20 Days in Mariupol.

That made me go 2 for 3 in my picks. This is not, however, a boon to Symphony‘s Academy play since it isn’t nominated. One could argue that the makers of Four Daughters could get an unexpected assist. That is seen as Mariupol‘s main competition at the Oscars and tonight at least opens the door for something other Mariupol winning.

There was a little intrigue in their animated feature race as The Boy and the Heron acquired trophies at BAFTA and the Globes. Yet Critics Choice and Annie Award recipient Spider-Man: Across the Spider-Verse seemed more safe for PGA and the branch followed suit. Heron could upset Spidey in two weeks, but I’d still consider it an upset.

As a side note, I wrote this post before I even saw that Oppenheimer triumphed. That’s how much I’m now taking its success for granted. Unless a seismic shock occurs, I will hit publish as soon as I know for sure it won and this will be the last sentence of the post…

Oscars: The Case of Jodie Foster in Nyad

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the other five big races. Today we arrive at our fourth performer in Best Supporting Actress and that’s Jodie Foster in Nyad. Let’s get to it!

Previous Oscar Acting Nominations:

Taxi Driver (Supporting Actress, 1976); The Accused (Actress, 1988, WON); The Silence of the Lambs (Actress, 1991, WON); Nell (Actress, 1994)

The Case for Jodie Foster:

The legendary actress hit the Globes/SAG/Critics Choice trifecta of precursors. Foster’s fifth Oscar nod comes nearly 40 years after her initial supporting try and almost 30 years since her last leading nomination. It may not hurt that she’s just coming off an acclaimed TV role on HBO’s True Detective: Night Country.

The Case Against Jodie Foster:

In addition to Foster missing BAFTA, Da’Vine Joy Randolph (The Holdovers) has won everywhere and appears easily headed toward the victory. While costar Annette Bening is up for lead actress, Nyad showed up nowhere else in the Academy’s mentions.

The Verdict:

This is Randolph’s prize.

My Case Of posts will continue with Ryan Gosling in Barbie…

Oscars: The Case of Cillian Murphy in Oppenheimer

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our fourth performer in Best Actor and that’s Cillian Murphy in Oppenheimer.

Previous Oscar Acting Nominations:

None

The Case for Cillian Murphy:

Mr. Murphy’s sixth collaboration with Christopher Nolan earned him his first Academy nod. Oppenheimer is far and away the BP frontrunner and he is the title character. Already the victor at the Globes and BAFTA, Murphy picked up a key award last night at SAG. 17 out of the past 20 SAG recipients went on to take Actor at the Oscars.

The Case Against Cillian Murphy:

Paul Giamatti (The Holdovers) was named in Musical/Comedy at the Globes and he took Critics Choice where 16 of the last 20 winners have won Oscar.

The Verdict:

SAG has put Murphy out front in the competition. Giamatti is still viable, but the star of the future BP winner is now the likely winner.

My Case Of posts will continue with Jodie Foster in Nyad…

30th SAG Awards Reaction

There were no shockers in the film races at the 30th SAG Awards as I went for 4 for 6. And indeed… four of the categories were fairly easy to predict while Actress and Actor were tossups. They went the other way from my forecasts.

Oppenheimer is your Outstanding Performance by a Cast in a Motion Picture as it seems destined for the Academy’s BP prize in a couple of weeks. Simply put, it has swept all the precursors it needs to.

Christopher Nolan’s epic won half the cinematic derbies this evening as Cillian Murphy took lead Actor. I had Paul Giamatti in The Holdovers getting this one. The general feeling (and I believe the correct one) is that if Murphy managed SAG, that makes it difficult to bet against him for Oscar. The race moves from Tossup between Murphy and Giamatti to Likely Murphy. As expected, Robert Downey Jr. continued his dominance in Supporting Actor.

In non-Oppenheimer news, Lily Gladstone was honored as lead Actress in Killers of the Flower Moon over Emma Stone in Poor Things (who I predicted). Had Stone made the podium trip, this Oscar category would be Likely Stone. Now I’d say it’s a tossup as both performers have essentially split the precursors.

Da’Vine Joy Randolph put another notch in the anticipated sweep in Supporting Actress for The Holdovers.

Finally, Mission: Impossible – Dead Reckoning is the first feature in that long running franchise to win Stunt Ensemble. I called that one.

Bottom line: SAG gave a huge boost to Gladstone giving Stone steady competition in two weeks. Meanwhile the Oppenheimer momentum keeps rolling along.

Oscar Predictions: Dahomey

Mati Diop’s documentary Dahomey has won the Golden Bear, the top prize at the Berlin Film Festival. Focusing on the theft and return of ancient African artifacts, it marks the filmmaker’s follow-up to 2019’s Atlantics. That fictional work was Senegal’s International Feature Film submission. It made the shortlist but not the final cut of five.

The French release date for Dahomey isn’t until September and U.S. distribution is TBD. Clocking in at just 67 minutes, the early RT score is a clean 100%. The length is enough to contend for Documentary Feature and it has a solid shot at doing just that. My Oscar Prediction posts will continue…

Oscar Predictions: Ordinary Angels

Hilary Swank is a double Oscar winner in Best Actress. She went 2 for 2 with 1999’s Boys Don’t Cry and 2004’s Million Dollar Baby. Fun fact: she’s probably responsible for Annette Bening not having an Academy Award as she was likely runner-up for American Beauty in ’99 and Being Julia five years later.

Bening might be up this year for Nyad, but Swank has a rare big screen starring role this weekend in Ordinary Angels. The faith-based and fact-based drama is from filmmaker Jon Gunn with a screenplay by Kelly Fremon Craig and Meg Tilly. Alan Ritchson, Nancy Travis, and Tamala Jones costar.

Reviews are actually solid with 80% on RT and several critics praising Swank’s work. That said, this is not a genre where the Academy often takes notice. While this appears to be a crowdpleaser with a 100% audience score on the Tomato site, don’t expect this to make the cut in Actress or other categories. My Oscar Prediction posts will continue…

Oscar Predictions: Spaceman

Johan Renck’s Spaceman is not – I repeat, not – about the doctor that Chris Parnell hilariously played on 30 Rock. The sci-fi drama does star a fellow SNL alumni in Adam Sandler as a Czech astronaut on a solo mission. It premiered at the Berlin Film Festival earlier this week, hits theaters in limited fashion this weekend, and premieres on Netflix March 1st. Costars include Carey Mulligan (currently vying for Best Actress in Maestro), Paul Dano (doing voiceover work), Kunal Nayyar, Lena Olin, and Isabella Rossellini.

Sandler’s serious work has probably come close to making the Academy’s cut with 2019’s Uncut Gems or 2022’s Hustle which earned him a SAG nod. I don’t think you’ll see Spaceman launch him into consideration. The RT score is a mixed 64% with some reviews calling it a bore. Others are far more complimentary, but not to the degree that I think that generates any awards buzz. The lone exception could be Visual Effects. I’m not confident in that. My Oscar Prediction posts will continue…

Oscars: The Case of Carey Mulligan in Maestro

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our fourth performer in Best Actress and that’s Carey Mulligan in Maestro. Let’s get to it!

Previous Oscar Acting Nominations:

An Education (2009, Actress); Promising Young Woman (2020, Actress)

The Case for Carey Mulligan:

After likely coming up just a little short to Frances McDormand (Nomadland) in 2020 for Promising Young Woman, Mulligan has made the cut at key precursors with the Golden Globes, Critics Choice, BAFTA, and SAG. As Leonard Bernstein’s spouse Felicia, she has a number of Oscar clips to choose from alongside costar Bradley Cooper.

The Case Against Carey Mulligan:

So do Emma Stone (Poor Things) and Lily Gladstone (Killers of the Flower Moon) and they’ve taken the hardware in ceremonies that have already occurred.

The Verdict:

The third time won’t be the charm for Mulligan.

My Case Of posts will continue with Cillian Murphy in Oppenheimer…