This year’s crop of Supporting Actress hopefuls is a vast one and easily the toughest to predict of the four acting races. Earlier in the week, the Golden Globes and the Critics Choice Awards named their nominees. For Supporting Actress, only three performers managed nods in both: Angela Bassett for Black Panther: Wakanda Forever, Kerry Condon in The Banshees of Inisherin, and Jamie Lee Curtis for Everything Everywhere All at Once. Additional contenders for the Globe are Dolly de Leon (Triangle of Sadness) and Carey Mulligan (She Said). For Critics Choice – it is Jessie Buckley (Women Talking), Stephanie Hsu (Everything Everywhere All at Once), and Janelle Monae (Glass Onion: A Knives Out Mystery).
Of the 8 actresses vying for victory, there are two surprising women not being talked about. Hong Chau (The Whale) and Claire Foy (Women Talking) were snubbed by the Globes and Critics Choice. I have had Foy listed at #1 in my Oscar picks for many weeks and I’ve had Chau in and out of my high five. Their double omissions put them at a disadvantage. There are only six Supporting Actress Oscar nominees in the past decade who missed both the Globes and Critics Choice: Jacki Weaver (Silver Linings Playbook), Laura Dern (Wild), Lesley Manville (Phantom Thread), and Marina de Tavira (Roma). It is worthy of note the other two were from just last year – Jessie Buckley (The Lost Daughter) and Judi Dench (Belfast). None of them won the Oscar so you can bet Foy will at least drop from #1 when I update my predictions this weekend.
On the flip side, there are also 6 women who did land Globe and Critics mentions and were ignored by the Academy. They are Jessica Chastain in A Most Violent Year, Helen Mirren from Trumbo, Jennifer Lopez in Hustlers, and Caitriona Balfe for Belfast.
The two I’m holding back on are quite interesting…
Hong Chau in 2017’s Downsizing and Claire Foy in 2018’s First Man. They were both expected to pick up nods from the Oscar voters and didn’t. In 2022, they find themselves in the opposite situation. After being left off the ballots for two major precursors, they could miss a nomination and no one would be taken aback. Yet as the Academy showed with Foy’s Women Talking costar Jessie Buckley last year and Dame Judi, this branch could go their own way and include either (especially after noticeably ignoring them a few years back).
I’d rather be Bassett, Condon, and Curtis right now when it comes to viability. For Chau and Foy – the odds aren’t in their favor like they were five and four years back. Those odds didn’t help them then. Perhaps their longer ones will prove to their benefit this time around.
Avatar: The Way of Water surfaces on your 3D and IMAX screens this Friday. It is, of course, James Cameron’s follow-up to 2009’s original which still stands as the biggest worldwide grosser of all time (and third overall domestically). The social media embargo lifted last week and the common refrain was “don’t bet against James Cameron”. I held off on my Oscar speculation until the official review embargo lapsed. That happened today.
Currently at 85% on Rotten Tomatoes (part 1 ended up at 82%), many critics are claiming this is an improvement over the first. Some of the same gripes remain including that it is overlong (3 hours and 12 minutes) and underdeveloped in its screenplay. Praise for its technical work is more universal.
In 2009, Avatar made an Oscar splash with nine nominations: Picture, Director, Art Direction (now Production Design), Cinematography, Film Editing, Original Score, Sound Editing, Sound Mixing (the Sound races are now combined), and Visual Effects. It won 3 – Art Direction, Cinematography, and Visual Effects.
Water has a chance of receiving the same number of nods. On Monday, the Golden Globes put it in their five for Picture (Drama) and Director. I already believe the Academy will make room for this in BP. It should be the second massive international blockbuster (alongside Top Gun: Maverick) in the mix. Cameron showing up in the directing quintet is not as automatic.
Let’s dispense with the easiest items. This is going to win Visual Effects just like its predecessor. That’s one of the slam dunk categories you can cross off already. Production Design and Cinematography and Sound are all probable inclusions. I’m less certain about the score and editing. Then there’s the Weeknd, who contributed the song “Nothing Is Lost (You Give Me Strength)”. I’m not so sure about its strength in that competition. He needs to overcome other superstars such as Lady Gaga, Rihanna, Taylor Swift, and Billie Eilish and that could be a tall order.
You’ll notice I haven’t discussed the performances or the screenplay. While there’s kudos for returnees like Zoe Saldana and Sigourney Weaver (in a different role than in 2009), don’t expect the acting to capture the attention of voters. Given that the writing is the most faulted aspect, don’t hold your breath expecting Cameron and cowriters Rick Jaffa and Amanda Silver to contend.
Bottom line: Avatar: The Way of Water looks to be Cameron’s third movie in a row (after Titanic and Avatar) to be in the BP race. Look for its nomination total to be at least 4-5 and maybe more. In other words, to borrow a phrase from most of Twitter last week, don’t bet against James Cameron. My Oscar Prediction posts will continue…
The American Film Institute (AFI) said yes to Nope and nope to The Whale and Babylon today as they named their top ten movies of 2022. Jordan Peele’s sci-fi horror tale was perhaps the biggest surprise of the bunch.
The AFI list, in the previous decade, typically gives us seven of the eventual Best Picture contenders at the Oscars. In other words, they’re worth paying attention to. Coupled with Wednesday’s National Board of Review selections, there’s much to discuss. First, here’s the full AFI Ten:
Avatar: The Way of Water
Elvis
Everything Everywhere All at Once
The Fabelmans
Nope
She Said
Tár
Top Gun: Maverick
The Woman King
Women Talking
It’s key to remember that only U.S. made pictures are eligible. That means titles like All Quiet on the Western Front, Decision to Leave, RRR, and The Banshees of Inisherin were not in the mix. However, Banshees received a Special Award similar to what eventual Academy hopefuls like Roma and Parasite nabbed.
I went 7 for 10 on my predictions. I correctly named Avatar, Elvis, Everything Everywhere…, The Fabelmans, Top Gun: Maverick, The Woman King, and Women Talking. I didn’t name Nope, She Said, and Tár. Instead I picked Babylon, Glass Onion: A Knives Out Mystery, and Guillermo del Toro’s Pinocchio. For She Said and Tár especially, these were important nods considering they missed NBR (as did Nope).
Let’s start with the films that made the AFI and NBR lists. I’m counting Banshees with its AFI Special Award shout-out and there’s six more: Avatar: The Way of Water, Everything Everywhere All at Once, The Fabelmans, Top Gun: Maverick, The Woman King, and Women Talking. This is a list you want to be on when it comes to an Oscar BP nom.
In the previous five years, ten pictures that made AFI and NBR were ignored by the Academy. They are 2017’s The Florida Project, Mary Poppins Returns, A Quiet Place, First Reformed, and Eighth Grade (all from 2018), Knives Out and Richard Jewell from 2019, Da 5 Bloods and Soul in 2020, and last year’s The Tragedy of Macbeth.
If history is our guide, at least one of the seven from 2022 will miss out. Looking at the list, The Woman King is probably most vulnerable. That said, I’ve yet it to include it in my Oscar ten and the stock is rising.
In the past five years, only five pics have missed AFI and NBR (including Special Awards) and received a BP nod from the Academy. They are Darkest Hour from 2017, Bohemian Rhapsody and Vice in 2018, The Father in 2020, and last year’s Drive My Car.
What about the movies that didn’t make AFI or NBR in 2022? That list includes Babylon, The Whale, Triangle of Sadness, Guillermo del Toro’s Pinocchio, All Quiet o the Western Front, and Decision to Leave. The last two weren’t eligible for AFI. Nevertheless this isn’t a list you want to be on though the outlook isn’t completely dire.
If history guides us again, 2 of the aforementioned 2022 titles could still get love from Oscar. Perhaps Monday’s Golden Globes nods will save some of them. There’s no doubt that Babylon and The Whale are looking shakier for Academy inclusion after this week. They need some attention from the Hollywood Foreign Press Association.
I’ll have my Golden Globe nominations recap up Monday and if you missed my predictions on them, you can find them here:
The American Film Institute announces their top ten pictures of the year tomorrow and it’s usually a good indication of half or more of the eventual BP contenders at the Oscars.
Keep in mind that American product only is eligible for this particular group. Since this list began in 2000, the Academy’s BP recipient has only missed here five times. Four of those occasions were due to the whole country of origin thing – 2008’s Slumdog Millionaire, 2010’s The King Speech, The Artist in 2011, and Parasite from 2019. The Departed in 2006 also didn’t make the cut. This means you shouldn’t expect Aftersun, All Quiet on the Western Front, The Banshees of Inisherin, Decision to Leave, or RRR to surface here.
So what will? The AFI ten and the Oscar ten had a solid match last year at 8. Tick, Tick… Boom! and The Tragedy of Macbeth were the AFI inclusions that didn’t make it with the Academy. They went with two features from outside the U.S. in Belfast and Drive My Car. In recent years, the match number is usually 6 or 7.
It’s not uncommon for AFI to pick blockbusters or animated fare that the Academy does not. Recent examples include Soul, Knives Out, Mary Poppins Returns, A Quiet Place, Wonder Woman, Zootopia, Inside Out,Star Wars: The Force Awakens, and Straight Outta Compton.
Let’s talk of the pics I have just missing the cut. It was hard to leave off Tár. If it fails to be named tomorrow, that would be two disappointing days in a row after it surprisingly missed the National Board of Review (NBR) list today. Same goes for She Said and The Whale while Till did make NBR. More popcorn flavored flicks like The Batman, Nope, and Black Panther: Wakanda Forever are all viable contenders.
We shall see if any of them get in. Avatar, Babylon, Elvis, Glass Onion, Pinocchio, and The Woman King all feel like pics that should make it here if they have any hope of making the Academy’s cut. It is rare for the Oscars to nominate a more mainstream title that AFI doesn’t.
I’ll have a recap up tomorrow with commentary and how I did!
The National Board of Review, a group of cinephiles out of New York City, bestows its best of every year in early December. Their selections certainly don’t forecast who and what the Academy will eventually name. They do, like many critics organizations, give us potential hints as to who and what’s hot and not as Oscar voters ready their ballots.
For 2022, the NBR went with the year’s most popular picture in Top Gun: Maverick. Named Best Film, Maverick is expected to land a spot in the Academy’s BP ten. Picking it to win is risky business. Of the last 10 NBR victors, only one went on to win BP at the big dance – 2018’s Green Book (and that was a surprise). The last three recipients were The Irishman, Da 5 Bloods, and Licorice Pizza. On the other hand, one three NBR winning films in the 21st century didn’t score an Oscar BP nomination: 2000’s Quills, 2014’s A Most Violent Year, and the aforementioned Bloods from 2020.
The directing prize went to Steven Spielberg for The Fabelmans. He’s ranked #1 in my Oscar picks and has been for quite some time. If he takes Oscar, he’d be the first NBR victor to do so since 2006 when Martin Scorsese won for The Departed.
The matches don’t improve much in the acting derbies. Michelle Yeoh (Everything Everywhere All at Once) was crowned Best Actress. Three of the past 10 winners achieved Oscar glory: Julianne Moore for Still Alice, Brie Larson in Room, and Renee Zellweger as Judy. On a side note, a Cate Blanchett Tàr prize here would’ve been the easy bet. That picture was ignored by NBR even in their selections for the 10 greatest films not named Top Gun: Maverick (more on that below).
Colin Farrell nabbed another lead Actor honor for The Banshees of Inisherin. Two of the previous 10 NBR gentleman made a podium trip at the Oscars: Casey Affleck in Manchester by the Sea and Will Smith last year for King Richard (remember that?). Farrell is emerging as a major threat as is Austin Butler for Elvis (which received no love from this board). Along with Brendan Fraser in The Whale (who needs some critic groups love awfully soon), they make up a three-way tussle for Best Actor.
Janelle Monae is your Best Supporting Actress as her stock is rising. Yet only two of the past 10 winners match Oscar with Regina King for If Beale Street Could Talk and Youn Yuh-Jung for Minari. Brad Pitt is the only Supporting Actor NBR/Academy match of the last decade for Once Upon a Time in Hollywood. Brendan Gleeson in The Bansees of Inisherin will try and join that small club as he emerged over frontrunner Ke Huy Quan in Everything Everywhere.
Original Screenplay went to Banshees while All Quiet on the Western Front was a surprise recipient in Adapted Screenplay over Women Talking (which is widely favored to catch the Academy’s attention).
Other pics making their mark today were Marcel the Shell with Shoes On for Animated Feature, Close in International Feature Film, and Sr. for Documentary Feature. All are expected to vie for consideration at the Oscars.
Finally, the NBR chooses 10 additional features on their best of list. This year they were Aftersun, Avatar: The Way of Water, The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Glass Onion: A Knives Out Mystery, RRR, Till, The Woman King, and Women Talking. In addition to Tár and Elvis – you also won’t find The Whale or Babylon or Triangle of Sadness among the picks. Same with She Said and Guillermo del Toro’s Pinocchio.
From 2019-2021, the winning pictures and ten other NBR picks equated to between 5-7 of the Academy’s BP contenders. Right now, I have six of these 2022 films in my Oscar 10: Maverick, Avatar, Banshees, Everything Everywhere, Fabelmans, and Women Talking. That corresponds to what usually occurs between NBR and Oscar.
All in all, a good day for Maverick and company. That said – if you think it is now cruising to Best Picture, history suggests otherwise.
Return to Seoul centers on a young woman’s journey to her native South Korea about being raised in France. Danny Chou’s drama is actually Cambodia’s submission for International Feature Film at the Oscars. MUBI and Sony Pictures Classics picked up distribution rights following its Cannes premiere over the summer. It came out in limited release domestically over the weekend. The cast includes Ji-Min Park, Oh Kwang-rok, Guka Han, and Kim Sun-young.
Reviews out of the French Riviera and in recent days are quite glowing. The Rotten Tomatoes score is 97% with some critics claiming it’s among the best of 2022.
I’m a little surprised this isn’t generating more Oscar buzz, but there’s still time. Part of that could be Cambodia’s track record at the ceremony. Out of 10 previous hopefuls, only one (2013’s The Missing Picture) made the cut of five. I haven’t had Return to Seoul in my top 10 contenders yet. Let’s see if the chatter picks up and I wouldn’t be shocked if it does. If so, it’s not outside the realm of possibility that Cambodia could have a second picture that doesn’t miss. My Oscar Prediction posts will continue…
Elvis vaults 6 spots from 15th to 9th in Best Picture for my first Oscar predictions in two weeks and we have changes in Best Director and three of the four acting derbies. Baz Luhrmann’s biopic could be an example (like Top Gun: Maverick and potentially Avatar: The Way of Water) of the Academy showing love to the blockbusters keeping patrons in the theaters. My inclusion of Elvis excludes Triangle of Sadness from the estimated ten.
While Babylon is still in BP, Damien Chazelle drops with Martin McDonagh (The Banshees of Inisherin) in for the directing quintet.
That fifth slot in Best Actor remains constantly changing. It’s Hugh Jackman (The Son) back in the mix over Tom Cruise (Top Gun: Maverick). In Supporting Actress, Stephanie Hsu from Everything Everywhere All at Once falls out in favor of costar Jamie Lee Curtis. Barry Keoghan from Banshees returns to the Supporting Actor fold over Judd Hirsch in The Fabelmans.
Finally, Everything Everywhere is the new leader in terms of overall nominations with Babylon and The Fabelmans each losing a bit of ground.
You can peruse all the movement below!
Best Picture
Predicted Nominees:
1. Everything Everywhere All at Once (Previous Ranking: 1) (Even)
2. The Fabelmans (PR: 2) (E)
3. Women Talking (PR: 4) (+1)
4. The Banshees of Inisherin (PR: 3) (-1)
5. Top Gun: Maverick (PR: 6) (+1)
6. Tár (PR: 7) (+1)
7. Babylon (PR: 5) (-2)
8. The Whale (PR: 8) (E)
9. Elvis (PR: 15) (+6)
10. Avatar: The Way of Water (PR: 10) (E)
Other Possibilities:
11. Triangle of Sadness (PR: 9) (-2)
12. She Said (PR: 11) (-1)
13. Glass Onion: A Knives Out Mystery (PR: Not Ranked)
14. Guillermo del Toro’s Pinocchio (PR: 12) (-2)
15. Decision to Leave (PR: 13) (-2)
Dropped Out:
All Quiet on the Western Front
Best Director
Predicted Nominees:
1. Steven Spielberg, The Fabelmans (PR: 1) (E)
2. Daniels, Everything Everywhere All at Once (PR: 2) (E)
3. Sarah Polley, Women Talking (PR: 4) (+1)
4. Todd Field, Tár (PR: 5) (+1)
5. Martin McDonagh, The Banshees of Inisherin (PR: 6) (+1)
Other Possibilities:
6. Damien Chazelle, Babylon (PR: 3) (-3)
7. James Cameron, Avatar: The Way of Water (PR: 9) (+2)
8. Park Chan-wook, Decision to Leave (PR: 7) (-1)
9. Edward Berger, All Quiet on the Western Front (PR: 8) (-1)
10. S.S. Rajamouli, RRR (PR: Not Ranked)
Dropped Out:
Joseph Kosinski, Top Gun: Maverick
Best Actress
Predicted Nominees:
1. Cate Blanchett, Tár (PR: 1) (E)
2. Michelle Yeoh, Everything Everywhere All at Once (PR: 2) (E)
3. Danielle Deadwyler, Till (PR: 3) (E)
4. Michelle Williams, The Fabelmans (PR: 4) (E)
5. Margot Robbie, Babylon (PR: 5) (E)
Other Possibilities:
6. Olivia Colman, Empire of Light (PR: 6) (E)
7. Viola Davis, The Woman King (PR: 8) (+1)
8. Jennifer Lawrence, Causeway (PR: 7) (-1)
9. Naomi Ackie, I Wanna Dance with Somebody (PR: 9) (E)
10. Rooney Mara, Women Talking (PR: 10) (E)
Best Actor
Predicted Nominees:
1. Brendan Fraser, The Whale (PR: 1) (E)
2. Colin Farrell, The Banshees of Inisherin (PR: 2) (E)
3. Austin Butler, Elvis (PR: 3) (E)
4. Bill Nighy, Living (PR: 4) (E)
5. Hugh Jackman, The Son (PR: 7) (+2)
Other Possibilities:
6. Tom Cruise, Top Gun: Maverick (PR: 5) (-1)
7. Diego Calva, Babylon (PR: 6) (-1)
8. Paul Mescal, Aftersun (PR: 8) (E)
9. Jeremy Pope, The Inspection (PR: 9) (E)
10. Daniel Gimenez Cacho, Bardo (PR: Not Ranked)
Dropped Out:
Will Smith, Emancipation
Best Supporting Actress
Predicted Nominees:
1. Claire Foy, Women Talking (PR: 1) (E)
2. Kerry Condon, The Banshees of Inisherin (PR: 2) (E)
3. Jessie Buckley, Women Talking (PR: 3) (E)
4. Hong Chau, The Whale (PR: 4) (E)
5. Jamie Lee Curtis, Everything Everywhere All at Once (PR: 7) (+2)
Other Possibilities:
6. Carey Mulligan, She Said (PR: 6) (E)
7. Stephanie Hsu, Everything Everywhere All at Once (PR: 5) (-2)
8. Dolly De Leon, Triangle of Sadness (PR: 8) (E)
9. Nina Hoss, Tár (PR: 9) (E)
10. Keke Palmer, Nope (PR: Not Ranked)
Dropped Out:
Angela Bassett, Black Panther: Wakanda Forever
Best Supporting Actor
Predicted Nominees:
1. Ke Huy Quan, Everything Everywhere All at Once (PR: 1) (E)
2. Brendan Gleeson, The Banshees of Inisherin (PR: 2) (E)
3. Ben Whishaw, Women Talking (PR: 3) (E)
4. Paul Dano, The Fabelmans (PR: 4) (E)
5. Barry Keoghan, The Banshees of Inisherin (PR: 6) (+1)
Other Possibilities:
6. Judd Hirsch, The Fabelmans (PR: 5) (-1)
7. Brian Tyree Henry, Causeway (PR: Not Ranked)
8. Brad Pitt, Babylon (PR: 7) (-1)
9. Tom Hanks, Elvis (PR: Not Ranked)
10. Eddie Redmayne, The Good Nurse (PR: 9) (-1)
Dropped Out:
Mark Rylance, Bones and All
Woody Harrelson, Triangle of Sadness
Best Original Screenplay
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. The Banshees of Inisherin (PR: 2) (E)
3. The Fabelmans (PR: 3) (E)
4. Tár (PR: 5) (+1)
5. Triangle of Sadness (PR: 4) (-1)
Other Possibilities:
6. Aftersun (PR: 8) (+2)
7. Babylon (PR: 6) (-1)
8. The Menu (PR: 7) (-1)
9. Decision to Leave (PR: 9) (E)
10. Bardo (PR: 10) (E)
Best Adapted Screenplay
Predicted Nominees:
1. Women Talking (PR: 1) (E)
2. The Whale (PR: 2) (E)
3. She Said (PR: 3) (E)
4. Glass Onion: A Knives Out Mystery (PR: 4) (E)
5. White Noise (PR: 6) (+1)
Other Possibilities:
6. Living (PR: 5) (-1)
7. Top Gun: Maverick (PR: 8) (+1)
8. Guillermo del Toro’s Pinocchio (PR: 9) (+1)
9. Bones and All (PR: 7) (-2)
10. The Son (PR: 10) (E)
Best Animated Feature
Predicted Nominees:
1. Guillermo del Toro’s Pinocchio (PR: 1) (E)
2. Turning Red (PR: 2) (E)
3. Marcel the Shell with Shoes On (PR: 3) (E)
4. The Bad Guys (PR: 5) (+1)
5. My Father’s Dragon (PR: 4) (-1)
Other Possibilities:
6. Puss in Boots: The Last Wish (PR: Not Ranked)
7. Wendell and Wild (PR: 6) (-1)
8. The Sea Beast (PR: 8) (E)
9. Strange World (PR: 7) (-2)
10. Lightyear (PR: 9) (-1)
Dropped Out:
Minions: The Rise of Gru
Best International Feature Film
Predicted Nominees:
1. Decision to Leave (PR: 1) (E)
2. All Quiet on the Western Front (PR: 2) (E)
3. Saint Omer (PR: 4) (+1)
4. Holy Spider (PR: 5) (+1)
5. Bardo (PR: 6) (+1)
Other Possibilities:
6. Close (PR: 3) (-3)
7. EO (PR: 9) (+2)
8. Argentina, 1985 (PR: 7) (-1)
9. Joyland (PR: Not Ranked)
10. Alcarras (PR: 10) (E)
Dropped Out:
The Quiet Girl
Best Documentary Feature
Predicted Nominees:
1. All the Beauty and the Bloodshed (PR: 1) (E)
2. All That Breathes (PR: 4) (+2)
3. Navalny (PR: 3) (E)
4. Descendant (PR: 2) (-2)
5. Fire of Love (PR: 5) (E)
Other Possibilities:
6. Moonage Daydream (PR: 7) (+1)
7. The Territory (PR: 6) (-1)
8. Good Night Oppy (PR: 8) (E)
9. Sr. (PR: 10) (+1)
10. Retrograde (PR: Not Ranked)
Dropped Out:
Last Flight Home
Best Cinematography
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Top Gun: Maverick (PR: 6) (+4)
3. Avatar: The Way of Water (PR: 2) (-1)
4. The Fabelmans (PR: 3) (-1)
5. Empire of Light (PR: 4) (-1)
Other Possibilities:
6. The Banshees of Inisherin (PR: 8) (+2)
7. Bardo (PR: 5) (-2)
8. All Quiet on the Western Front (PR: 7) (-1)
9. Everything Everywhere All at Once (PR: 9) (E)
10. The Batman (PR: Not Ranked)
Dropped Out:
Emancipation
Best Costume Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Black Panther: Wakanda Forever (PR: 3) (E)
4. The Fabelmans (PR: 6) (+2)
5. The Woman King (PR: 4) (-1)
Other Possibilities:
6. Mrs. Harris Goes to Paris (PR: 5) (-1)
7. Living (PR: 7) (E)
8. Everything Everywhere All at Once (PR: 8) (E)
9. Women Talking (PR: Not Ranked)
10. Three Thousand Years of Longing (PR: 10) (E)
Dropped Out:
Corsage
Best Film Editing
Predicted Nominees:
1. Everything Everywhere All at Once (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. The Fabelmans (PR: 3) (E)
4. Elvis (PR: 7) (+3)
5. Avatar: The Way of Water (PR: 5) (E)
Other Possibilities:
6. Women Talking (PR: 6) (E)
7. Babylon (PR: 4) (-3)
8. All Quiet on the Western Front (PR: 9) (+1)
9. The Banshees of Inisherin (PR: 8) (-1)
10. Tár (PR: 10) (E)
Best Makeup and Hairstyling
Predicted Nominees:
1. The Whale (PR: 1) (E)
2. Elvis (PR: 2) (E)
3. Babylon (PR: 3) (E)
4. The Batman (PR: 4) (E)
5. Everything Everywhere All at Once (PR: 5) (E)
Other Possibilities:
6. Black Panther: Wakanda Forever (PR: 6) (E)
7. X (PR: 8) (+1)
8. The Woman King (PR: 7) (-1)
9. Amsterdam (PR: 9) (E)
10. All Quiet on the Western Front (PR: Not Ranked)
Dropped Out:
Corsage
Best Original Score
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. The Fabelmans (PR: 2) (E)
3. Women Talking (PR: 3) (E)
4. Guillermo del Toro’s Pinocchio (PR: 4) (E)
5. The Banshees of Inisherin (PR: 6) (+1)
Other Possibilities:
6. Empire of Light (PR: 7) (+1)
7. Avatar: The Way of Water (PR: 5) (-2)
8. The Batman (PR: 10) (+2)
9. Living (PR: Not Ranked)
10. Black Panther: Wakanda Forever (PR: Not Ranked)
Dropped Out:
She Said
White Noise
Best Original Song
Predicted Nominees:
1. “Hold My Hand” from Top Gun: Maverick (PR: 1) (E)
2. “Lift Me Up” from Black Panther: Wakanda Forever (PR: 2) (E)
3. “Naatu Naatu” from RRR (PR: 3) (E)
4. “Applause” from Tell It Like a Woman (PR: 5) (+1)
5. “This Is A Life” from Everything Everywhere All at Once (PR: 7) (+2)
Other Possibilities:
6. “Nobody Like U” from Turning Red (PR: 4) (-2)
7. “Ciao Papa” from Guillermo del Toro’s Pinocchio (PR: 6) (-1)
8. “New Body Rhumba” from White Noise (PR: 9) (+1)
9. “Carolina” from Where the Crawdads Sing (PR: 8) (-1)
10. “Song Chord” from Avatar: The Way of Water (PR: Not Ranked)
Dropped Out:
“Stand Up” from Till
Best Production Design
Predicted Nominees:
1. Babylon (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. Elvis (PR: 3) (E)
4. The Fabelmans (PR: 5) (+1)
5. Guillermo del Toro’s Pinocchio (PR: 6) (+1)
Other Possibilities:
6. Black Panther: Wakanda Forever (PR: 4) (-2)
7. Everything Everywhere All at Once (PR: 7) (E)
8. Glass Onion: A Knives Out Mystery (PR: 10) (+2)
9. Empire of Light (PR: Not Ranked)
10. All Quiet on the Western Front (PR: 8) (-2)
Dropped Out:
The Woman King
Best Sound
Predicted Nominees:
1. Top Gun: Maverick (PR: 1) (E)
2. Avatar: The Way of Water (PR: 2) (E)
3. The Batman (PR: 4) (+1)
4. Everything Everywhere All at Once (PR: 6) (+1)
5. All Quiet on the Western Front (PR: 5) (E)
Other Possibilities:
6. Elvis (PR: 3) (-3)
7. Babylon (PR: 7) (E)
8. The Fabelmans (PR: 9) (+1)
9. Nope (PR: 10) (+1)
10. Black Panther: Wakanda Forever (PR: 8) (-2)
Best Visual Effects
Predicted Nominees:
1. Avatar: The Way of Water (PR: 1) (E)
2. Top Gun: Maverick (PR: 2) (E)
3. Everything Everywhere All at Once (PR: 3) (E)
4. Guillermo del Toro’s Pinocchio (PR: 4) (E)
5. Doctor Strange in the Multiverse of Madness (PR: 7) (+2)
Other Possibilities:
6. The Batman (PR: 6) (E)
7. Black Panther: Wakanda Forever (PR: 5) (-2)
8. RRR (PR: 8) (E)
9. Good Night Oppy (PR: 9) (E)
10. Nope (PR: Not Ranked)
Dropped Out:
All Quiet on the Western Front
And that equates to these movies garnering these numbers in terms of nods:
11 Nominations
Everything Everywhere All at Once
10 Nominations
The Fabelmans
8 Nominations
The Banshees of Inisherin
7 Nominations
Babylon, Women Talking
6 Nominations
Avatar: The Way of Water, Elvis, Top Gun: Maverick
5 Nominations
The Whale
4 Nominations
Guillermo del Toro’s Pinocchio, Tár
2 Nominations
All Quiet on the Western Front, The Batman, Black Panther: Wakanda Forever
1 Nomination
All That Breathes, All the Beauty and the Bloodshed, The Bad Guys, Bardo, Decision to Leave, Descendant, Doctor Strange in the Multiverse of Madness, Empire of Light, Fire of Love, Glass Onion: A Knives Out Mystery, Holy Spider, Living, Marcel the Shell with Shoes On, My Father’s Dragon, Navalny, RRR, Saint Omer, She Said, The Son, Tell It Like a Woman, Till, Triangle of Sadness, Turning Red, White Noise, The Woman King
The New York Film Critics Circle have made their selections for the year’s best and that kicks off a flurry of regional awards coming our way in the days and weeks ahead. This particular critics group (as is the case with most) isn’t much of a barometer on who and what will win. It is, however, a decent glimpse of who and what could contend.
Todd Field’s Tár and Martin McDonagh’s The Banshees of Inisherin each earned two honors. The former was named Best Film with Cate Blanchett taking the Actress award. Eight of the last 10 NYFCC victors in Film went on to receive a BP Oscar nomination. Yet none of those movies won the big prize from the Academy. The last one that did was 2011’s The Artist. And that make sense here. Tár appears highly likely to make the BP cut though it isn’t much of a threat to take the gold. Five of the past 10 Actress recipients were nominated with only one winner. Who was that winner? Cate Blanchett for 2013’s Blue Jasmine. She could certainly do so again. This won’t be the only critics branch to name her.
Colin Farrell was Best Actor for Banshees and After Yang. Like Actress, half of the previous ten New York honorees made the Oscar quintet with two winners – Daniel Day-Lewis (Lincoln) and Casey Affleck (Manchester by the Sea). Farrell appears to be locked in a tight three-way race with Brendan Fraser (The Whale) and Austin Butler (Elvis). Every precursor like this helps a little. Banshees also won Best Screenplay. That’s another Academy three-way battle in Original Screenplay with Everything Everywhere All at Once and The Fabelmans.
The supporting fields are a bit more predictive as far as Academy matches. Eight of 10 Supporting Actor NYFCC takers were at the Oscars. That includes four winners in Jared Leto (Dallas Buyers Club), J.K. Simmons (Whiplash), Mark Rylance (Bridge of Spies), and Mahershala Ali (Moonlight). We could see another match with Ke Huy Quan (Everything Everywhere All at Once). Expect to hear his name a lot.
Supporting Actress, on the contrary, was more of a surprise. Keke Palmer’s work in Nope topped all rivals in a wide open field that’s hard to peg for Oscar prognosticating. 7 of 10 winners here made the big dance including the victorious Patricia Arquette (Boyhood), Regina King (If Beale Street Could Talk), and Laura Dern (Marriage Story). I’ve yet to have Palmer in my top ten. I’m starting to wonder if she could get in the mix for her memorable performance in the sci-fi horror tale. I should note that NYFCC named Lupita Nyong’o Best Actress for Peele’s Us from 2019 and she came up short with Oscar voters.
The rest of the categories all showcased viable contenders in their respective competitions. Marcel the Shell with Shoes On picked up Animated Feature and I expect it to get love from the critics. Same with Non-Fiction Film and All the Beauty and the Bloodshed (I have it ranked first in Oscar’s Documentary Feature). Poland’s EO was a slightly unexpected choice in Foreign Film over Decision to Leave (which I have pegged as the soft frontrunner for the Academy). Finally, Top Gun: Maverick aced Cinematography and it should get an Oscar nod there for the thrilling aerial camerawork.
Keep coming to the blog for all your awards news and I’ll have updated Oscar predictions up this Sunday!
Will Smith rather notoriously won his first Best Actor Oscar last year for King Richard. His victory was not a surprise. Smith’s onstage slap of Chris Rock approximately 30 minutes before he received the gold statue was.
The superstar actor’s career has taken a hit since with some canceled or delayed projects. It has not altered the release of Emancipation. The historical action drama casts Smith as slave Whipped Peter, whose Civil War era photograph has become an iconic image. Antoine Fuqua, best known for shoot-em-ups like Olympus Has Fallen and The Equalizer pics, directs. The supporting cast includes Ben Foster, Charmaine Bingwa, Steven Ogg, Mustafa Shakir, and Timothy Hutton.
Emancipation is out in limited fashion tomorrow prior to a December 9th streaming rollout on Apple TV (they paid a whopping $130 million for the rights). The Rotten Tomatoes score is a mixed 63%.
There is praise for the performances, including Smith. An early consensus is that the action works better than some of the dramatic elements. Bottom line: this doesn’t sound line much of an awards contender whether there had been The Slap or no slap. One exception could be Robert Richardson’s cinematography. He’s a three-time winner for JFK, The Aviator, and Hugo. Richardson won’t get a fourth podium trip, but making the cut isn’t out of the question. My Oscar Prediction posts will continue…
Spoiler Alert is out in limited release December 2nd with a nationwide expansion the following week. It’s based on the memoir of journalist Michael Ausiello as he recounts his boyfriend Kit’s battle with cancer. Jim Parsons plays Michael with Ben Aldridge as Kit. Costars include Sally Field and Bill Irwin. Michael Showalter, maker of The Big Sick (which received an Original Screenplay nod) and The Eyes of Tammy Faye (which won Jessica Chastain her Best Actress Oscar last year) directs.
The first handful of reviews are out and Spoiler currently has a 40% Rotten Tomatoes score. Parsons, of course, is an Emmy and Globe recipient for his small screen role on The Big Bang Theory. Like his other big screen starring role in 2020’s The Boys in the Band, don’t look for this to play to awards voters. And that’s not revealing too much to make that projection. My Oscar Prediction posts will continue…
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