97th Academy Awards: FINAL Oscar Nomination Predictions

And it has come down to this. On Thursday, the Academy (barring no further delays) is expected to unveil the contenders for their 97th ceremony. For nearly a year, I’ve been speculating about who and what will be nominated. Over the past few days, I penned deep dives on Picture, Director, and the four acting derbies. Now it’s time for the speculation to end.

Thank you, blog readers, for perusing dozens and dozens of forecast updates and individual posts on the pictures in contention.

Let’s get to it! Here are my predictions for all feature-film categories with a runner-up named in each.

BEST PICTURE

Anora

The Brutalist

A Complete Unknown

Conclave

Dune: Part Two

Emilia Pérez

Nickel Boys

A Real Pain

The Substance

Wicked

Runner-Up: Sing Sing

BEST DIRECTOR

Jacques Audiard, Emilia Pérez

Sean Baker, Anora

Edward Berger, Conclave

Brady Corbet, The Brutalist

Coralie Fargeat, The Substance

Runner-Up: Denis Villeneuve, Dune: Part Two

BEST ACTRESS

Cynthia Erivo, Wicked

Karla Sofia Gascón, Emilia Pérez

Mikey Madison, Anora

Demi Moore, The Substance

Fernanda Torres, I’m Still Here

Runner-Up: Marianne Jean-Baptiste, Hard Truths

BEST ACTOR

Adrien Brody, The Brutalist

Timothée Chalamet, A Complete Unknown

Colman Domingo, Sing Sing

Ralph Fiennes, Conclave

Sebastian Stan, The Apprentice

Runner-Up: Daniel Craig, Queer

BEST SUPPORTING ACTRESS

Monica Barbaro, A Complete Unknown

Ariane Grande, Wicked

Felicity Jones, The Brutalist

Isabella Rossellini, Conclave

Zoe Saldaña, Emilia Pérez

Runner-Up: Jamie Lee Curtis, The Last Showgirl

BEST SUPPORTING ACTOR

Yura Borisov, Anora

Kieran Culkin, A Real Pain

Edward Norton, A Complete Unknown

Guy Pearce, The Brutalist

Jeremy Strong, The Apprentice

Runner-Up: Clarence Maclin, Sing Sing

BEST ORIGINAL SCREENPLAY

Anora

The Brutalist

A Real Pain

September 5

The Substance

Runner-Up: All We Imagine as Light

BEST ADAPTED SCREENPLAY

A Complete Unknown

Conclave

Emilia Pérez

Nickel Boys

Sing Sing

Runner-Up: Dune: Part Two

BEST INTERNATIONAL FEATURE FILM

Emilia Pérez

I’m Still Here

Kneecap

The Seed of the Sacred Fig

Vermiglio

Runner-Up: Flow

BEST ANIMATED FEATURE

Flow

Inside Out 2

Memoir of a Snail

Wallace & Gromit: Vengeance Most Fowl

The Wild Robot

Runner-Up: Moana 2

BEST DOCUMENTARY FEATURE

Daughters

No Other Land

Porcelain War

Sugarcane

Will & Harper

Runner-Up: Soundtrack to a Coup d’Etat

BEST CINEMATOGRAPHY

The Brutalist

A Complete Unknown

Conclave

Dune: Part Two

Nosferatu

Runner-Up: Emilia Pérez

BEST COSTUME DESIGN

A Complete Unknown

Dune: Part Two

Gladiator II

Nosferatu

Wicked

Runner-Up: Conclave

BEST FILM EDITING

The Brutalist

A Complete Unknown

Conclave

Dune: Part Two

Emilia Pérez

Runner-Up: Anora

BEST MAKEUP & HAIRSTYLING

A Different Man

Emilia Pérez

Nosferatu

The Substance

Wicked

Runner-Up: Dune: Part Two

BEST ORIGINAL SCORE

The Brutalist

Challengers

Conclave

Emilia Pérez

Nosferatu

Runner-Up: The Wild Robot

BEST ORIGINAL SONG

“El Mal” from Emilia Pérez

“Harper and Will Go West” from Will & Harper

“The Journey” from The Six Triple Eight

“Kiss the Sky” from The Wild Robot

“Mi Camino” from Emilia Pérez

Runner-Up: “Sick in the Head” from Kneecap

BEST PRODUCTION DESIGN

The Brutalist

Conclave

Dune: Part Two

Nosferatu

Wicked

Runner-Up: Gladiator II

BEST SOUND

Blitz

A Complete Unknown

Dune: Part Two

Gladiator II

Wicked

Runner-Up: Emilia Pérez

BEST VISUAL EFFECTS

Alien: Romulus

Better Man

Dune: Part Two

Kingdom of the Planet of the Apes

Twisters

Runner-Up: Wicked

That works out to a final tally of these movies generating these numbers of nominations:

11 Nominations

Emilia Pérez

10 Nominations

The Brutalist

9 Nominations

A Complete Unknown, Conclave

7 Nominations

Dune: Part Two, Wicked

5 Nominations

Anora, Nosferatu, The Substance

3 Nominations

A Real Pain

2 Nominations

The Apprentice, Gladiator II, I’m Still Here, Nickel Boys, Sing Sing, The Wild Robot, Will & Harper

1 Nomination

Alien: Romulus, Better Man, Blitz, Challengers, Daughters, A Different Man, Flow, Inside Out 2, Kingdom of the Planet of the Apes, Kneecap, Memoir of a Snail, No Other Land, Porcelain War, The Seed of the Sacred Fig, September 5, The Six Triple Eight, Sugarcane, Twisters, Vermiglio

I will, of course, have reaction up Thursday with how I did and some commentary.

97th Academy Awards: The FINAL State of the Best Picture Race

My final predictions for nominees at the 97th Academy Awards arrives TOMORROW prior to the announcement on Thursday, January 23rd (pushed back due to the California wildfires). Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.

The last post in this series is Best Picture. If you missed my write-ups for the acting derbies and director, you can access them here:

As I’ve mentioned several times lately, I believe there’s an octet of movies that have punched their ticket to the BP show. Let’s call them the easy 8. If any of these pictures miss the Best Picture cut at this point, it would be a major surprise. Four of them (Anora, A Complete Unknown, Conclave, Emilia Pérez) have shown up in five of the key precursors: Golden Globes, BAFTA, PGA, Critics Choice and SAG.

Two more (The Brutalist, Wicked) managed four.

Two more (Dune: Part Two, The Substance) were nominated in three. No other 2024 motion pictures had three or more mentions.

Now we have to consider the final two slots and that’s where it gets tricky. Before we do, let’s take a moment to recognize some efforts that won’t make the ultimate dance. Some of them could show up in tech races or see some of their actors nominated. Others didn’t cut the mustard with critics and audiences. A lot of these titles were, at some juncture, listed in my top 25 possibilities as I forecasted the race throughout the year. They won’t be seen tomorrow in my BP list. We’re talking about Joker: Folie à Deux and Gladiator II and Furiosa: A Mad Max Saga. Yes, I once saw Megalopolis as a viable candidate. There’s The Piano Lesson, The Apprentice, The Room Next Door, Saturday Night, Civil War, Kinds of Kindness, Maria, and The End.

That leaves me with 8 pictures to ponder for 2 spots. Unlike my previous posts on Best Director and the actors, I won’t be ranking these possibilities. After all, I gotta leave a little suspense for my final picks tomorrow, right? Nevertheless let’s walk through them one by one with some commentary.

All We Imagine as Light would be a threat to win Best International Feature Film had India submitted it as its contender. It was not to be and the Academy could make up for it in BP. Yet it hasn’t shown up in any of the 5 aforementioned precursors.

Challengers only has a Musical or Comedy nod from the Globes in its favor. A PGA nomination (which I wrongly predicted) didn’t materialize. This is a tough sell.

Nickel Boys has Golden Globe and Critics Choice noms on the resume. Many critics have it at the top of their 2024 best of, but it’s missed other key competitions.

Nosferatu has gotten some “spoiler” ink lately with some saying it could be this year’s Nightmare Alley. That pic from 2021 at least had the Critics Choice nod whereas Nosferatu didn’t show up in the quintet of precursors.

A Real Pain has undoubtedly had an up and down journey on the road to a potential BP nomination. It made the Globe cut and then missed Critics Choice and BAFTA. That left it down and out in the eyes of many and I dropped it from my 10. This week it popped back up at PGA and its fortunes could be stronger.

The Seed of the Sacred Fig should receive an International Feature Film nom. It has not gotten into the precursors for Picture though. Though I didn’t say I’d rank these eight, this is unquestionably at or near the bottom of these hopefuls.

September 5, like A Real Pain, has been buoyed by a PGA spot and it also made the Globes. Yet its exclusions at BAFTA and Critics Choice are noteworthy.

Sing Sing has had a rocky preseason, especially missing SAG and the Globes. While Colman Domingo seems locked in for Best Actor, the Academy will really need to fall for this. Of the five precursors, this only received Critics Choice.

There you have it. My microscope analysis of Best Picture for the 97th Academy Awards. After months of endless speculation, you’ll know my final predictions in about 24 hours!

Oscar Predictions: One of Them Days

I did not anticipate doing an Oscar Predictions post on One of Them Days, a buddy flick out today starring Keke Palmer and singer SZA. Lawrence Lamont directs the L.A. set pic that some critics are saying is a welcome throwback to smaller budget African-American centered comedies of the 1990s. Vanessa Bell Calloway, Keyla Monterroso Meija, Maude Apatow and Katt Williams costar.

And truth be told, Days is highly unlikely to contend anywhere for the 98th Academy Awards as we await nominations for the 97th. Nevertheless it is worth noting that this stands at an unanticipated 96% on Rotten Tomatoes with 73 on Metacritic.

As I point out occasionally, Oscar won’t bite. Yet I wouldn’t completely discount Golden Globe voters looking at Palmer for Best Actress in a Musical or Comedy. The chances are slim, but she could get some social media ink for inclusion months down the road. My Oscar Prediction posts will continue…

97th Academy Awards: The FINAL State of the Best Director Race

My final predictions for nominees at the 97th Academy Awards arrives this Sunday, January 19th (note the new date) prior to the announcement on Thursday, January 23rd. Note that new date too as the Academy pushed back the nomination unveilings due to the California wildfires. Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.

The fifth post in this series is Best Director. If you missed my write-ups for the acting derbies, you can access them here:

Similar to Best Actor, I believe there are four hopefuls represented here that you don’t want to bet against. There is a quartet of filmmakers who have been nominated in the four most significant precursors (DGA, Golden Globes, BAFTA, Critics Choice). They are Jacques Audiard (Emilia Pérez), Sean Baker (Anora), Edward Berger (Conclave), and Brady Corbet (The Brutalist). Mr. Corbet won the Globe while the other races are TBD. I wouldn’t leave any of them out of your predictions.

So it all comes down to the fifth slot and I will discuss seven possibilities that I feel are viable. Before we get to that, there are the directors who might’ve had a shot before their pictures premiered. The movies either became non-contenders due to poor buzz and reviews or just never properly caught on in the awards chatter. This list includes Francis Ford Coppola (Megalopolis), Todd Phillips (Joker: Folie à Deux), Yorgos Lanthimos (Kinds of Kindness), Ridley Scott (Gladiator II), George Miller (Furiosa: A Mad Max Saga), Joshua Oppenheimer (The End), Pablo Larrain (Maria), Pedro Almodóvar (The Room Next Door) and Steve McQueen (Blitz).

The next level includes makers of movies that didn’t quite reach BP consideration and even some that could make the cut at BP. I’m looking at Tim Fehlbaum (September 5), Greg Kwedar (Sing Sing), Jesse Eisenberg (A Real Pain), Walter Salles (I’m Still Here), Robert Eggers (Nosferatu) and Luca Guadagnino for Challengers and Queer.

Now let’s get to the 7 individuals fighting for the 5th spot, shall we?

Jon M. Chu directed one of the year’s largest blockbusters in Wicked. However, he has only picked up a Critics Choice precursor mention in which there were eight nominees. I’d rank him 6th of these 7 possibilities.

Coralie Fargeat’s behind the camera work for The Substance has yielded her Globe, Critics Choice, and BAFTA noms. The notable omission is DGA, but DGA/Oscar seldom match completely. I have her 1st of these 7 possibilities.

Payal Kapadia (All We Imagine as Light) got in the Globes mix but couldn’t make it anywhere else. She’s 5th of the 7 possibilities.

James Mangold (A Complete Unknown) was the surprise fifth contender at DGA and Unknown has been exceeding expectations at precursors as we arrive at Oscar nominations. Under the same logic seen above with Fargeat, I have Mangold 3rd of the 7 possibilities.

Mohammad Rasoulof’s direction of The Seed of the Sacred Fig was once seen a strong hopeful. Fig has, however, seemingly fallen out of BP contention and Rasoulof has not been nominated at any of the aforementioned shows. He’s 7th of the 7 possibilities.

RaMell Ross (Nickel Boys) made the octet of Critics Choice contestants and has been absent elsewhere. Boys is a question mark for BP inclusion and I have Ross 4th of the 7 possibilities.

Finally, Denis Villeneuve was a shocking snub in 2021 with Dune. For Dune: Part Two, he’s missed DGA and the Globes but was included in Critics Choice and BAFTA. The Academy might seek to rectify their ’21 activity. At the moment, I have him 2nd of the 7 possibilities for the last slot.

OK. There you have it. My microscope analysis of Director for the 97th Academy Awards. Let’s see how it shakes out Sunday when I do final picks. I’ll have that all-important dive into Best Picture up next!

36th PGA Awards Nominations Reaction

The nominees for the Producers Guild of America (PGA) unveiled the ten nominees for their best motion picture and five contenders for an animated offering today. When it comes to BP nominees, the PGA has a mostly impressive track record matching with the Oscar list.

Most notably, there was a 10/10 correlation last year. It was 8/10 in 2021 and 7/10 in 2020 and 2022. Let’s walk through the nominated features with how I did in my predictions and some commentary.

Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures

Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Perez, A Real Pain, September 5, The Substance, Wicked

How I Did: 8/10

When I made my projections for this race, I stated that I believe there to be 8 safe pictures for PGA and at Oscar: Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Perez, The Substance, and Wicked. That certainly appears to hold true for the upcoming nods as the octet is up at PGA.

It’s the last two slots that are tricky to figure and the PGA just made it trickier. A Real Pain and September 5 are in over my picks of Challengers and Nickel Boys. I’ll also note that Nosferatu or Sing Sing being included here could have helped their fortunes.

This is certainly a boost for A Real Pain which has missed some key precursors lately and an unexpected slot for September 5 which has been largely absent in other lists.

Unlike last year, I don’t think we’re going to see a 10/10 match. 8 for 10 seems assured and 9 for 10 is certainly doable.

Outstanding Producer of Animated Theatrical Motion Pictures

Flow, Inside Out 2, Moana 2, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot

How I Did: 4/5

Every Despicable Me predecessor made the cut at PGA, so I went with Despicable Me 4 over Wallace. It was not to be.

I’ll have winner predictions up shortly before the event which is slated for February 8th.

Oscar Predictions: Wolf Man

Leigh Whannell follows up his acclaimed horror reboot The Invisible Man from 2020 with another iconic interpretation of a genre classic in Wolf Man this weekend. Christopher Abbott and Julia Garner headline the low-budget Universal/Blumhouse production with Matilda Firth and Sam Jaeger costarring.

Originally planned as a vehicle for director Derek Cianfrance to star Ryan Gosling, Wolf is not generating the same acclaim as its replacement filmmaker’s previous venture. Invisible topped out at 92% on Rotten Tomatoes and 72 for Metacritic. Wolf currently sports a 60% Tomato meter with Metacritic at 49.

The only race where Wolf stands a shot at awards attention is Makeup & Hairstyling (for the latter designation of that category). 2010’s The Wolfman with Benicio del Toro and Emily Blunt actually won the Oscar for Makeup (before the Academy apparently cared about hair). A safe assumption is that voters won’t have this picture fresh in their minds a year from now to nominate it, but let’s see how competition stacks up. My Oscar Prediction posts will continue…

97th Academy Awards: The FINAL State of the Best Actor Race

My final predictions for nominees at the 97th Academy Awards arrives this Sunday, January 19th (note the new date) prior to the announcement on Thursday, January 23rd. Note that new date too as the Academy pushed back the nomination unveilings due to the California wildfires. Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.

The fourth post in this series is Best Actor. If you missed my write-ups for the other three acting derbies, you can access them here:

Truth be told, this is the easiest quintet of the acting categories to forecast. There are five performers who have nabbed nominations in four of the most important precursors – the Golden Globes, SAG, Critics Choice, and the BAFTA long list. They are: Adrien Brody (The Brutalist), Timothee Chalamet (A Complete Unknown), Daniel Craig (Queer), Colman Domingo (Sing Sing), and Ralph Fiennes (Conclave). The safe bet is to predict this group being the Oscar hopefuls and that’s where my head is at currently.

However, Craig in particular could be vulnerable. Queer is not a contender in Best Picture or any other race with the possible exception of Adapted Screenplay (and that’s a long shot).

Before we discuss actors who could replace him, let’s spend a moment remembering those leading men who were once looked at as possibilities. This is before their movies flamed out or their roles just weren’t “baity” enough. It is also due to them not really showing up anywhere in precursors. I’m looking at you, Joaquin Phoenix in Joker: Folie à Deux. And Adam Driver in Megalopolis is in that club. Same goes for Paul Mescal (Gladiator II), Tom Hanks (Here), Kevin Costner (Horizon: An American Saga – Chapter 1), John David Washington (The Piano Lesson), Cillian Murphy (Small Things like These), and Andrew Garfield (We Live in Time).

There’s three gentlemen who made the BAFTA long list who really have no shot at Oscar glory – Kingsley Ben-Adir (Bob Marley: One Love), Jude Law (Firebrand), and Dev Patel (Monkey Man). There are Globe nominees in Actor (Musical or Comedy) that you could say the same about – Gabriel LaBelle (Saturday Night) and Jesse Plemons (Kinds of Kindness).

That leaves 5 performances jockeying for one slot: Jesse Eisenberg (A Real Pain), Hugh Grant (Heretic), Glen Powell (Hit Man), Sebastian Stan (The Apprentice), and Sebastian Stan (A Different Man). I remind you that, as of now, I’d put them all behind Craig. Let’s walk through them one by one, shall we?

Jesse Eisenberg’s fortunes could rise slightly if A Real Pain gets into Best Picture (which I am forecasting it won’t at press time). I suspect voters will only honor his costar Kieran Culkin in supporting and I’d rank him 4th out of these 5 possibilities. Eisenberg has only managed a Globe nod which he did not win.

Hugh Grant also nabbed a Globe nod in the horror pic Heretic and was BAFTA longlisted and is up at Critics Choice. Had he emerged victorious for Actor (Musical or Comedy) at the Globes, he might be a more attractive pick. This is a little tempting since he’s never received Oscar attention, but I have him 2nd out of the 5 possibilities.

Glen Powell has had a great couple of years with massive hits Top Gun: Maverick, Anyone but You, and Twisters. His turn in Richard Linklater’s acclaimed comedy was an early trendy pick for inclusion. Like Eisenberg and Grant, he was up at the Globes and fell short. I have him 5th out of 5 possibilities.

Sebastian Stan’s embodiment of a young Donald Trump in The Apprentice was Globe nominated and BAFTA longlisted. The Critics Choice and SAG omissions sting though I’d rank him 1st of these 5 possibilities.

For our double shot of Stan, he did win Actor (Musical or Comedy) for his role in A Different Man at the Golden Globes. Yet none of the six nominated performers in that category are truly seen as viable hopefuls at Oscar. I have this iteration of Stan 3rd of these 5 possibilities.

OK. There you have it. My microscope analysis of Best Actor for the 97th Academy Awards. Let’s see how it shakes out Sunday when I do my final picks. My post for Best Director is up next!

97th Academy Awards: The FINAL State of the Best Supporting Actress Race

My final predictions for nominees at the 97th Academy Awards arrives this Wednesday, January 15th prior to the announcement on Sunday, January 19th. Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.

This third write-up brings us to Best Supporting Actress. If you missed the previous two posts covering Actress and Supporting Actor, you can find them here:

I often refer to the “pen” theory on this blog when discussing my Oscar forecasts. Those are performers and pictures whose nominations can be written in pen. For the 97th Academy Awards in Supporting Actress, I believe there’s two surefire selections.

Pop star Ariana Grande’s turn as Glinda has bewitched audiences worldwide. She’s received a key quartet of noms at the Golden Globes, Critics Choice, SAG, and the BAFTA long list. Her inclusion appears assured.

The same can be said for Zoe Saldaña in Emilia Pérez and I have her placed in 1st. That’s because Saldaña has also achieved the aforementioned precursors with a victory at the Globes.

And then it’s a bit of a free for all with 8 performers, in my view, vying for 3 slots. Before we discuss them, let’s take a moment to mention some actresses whose nods once seemed possible. Then their pictures debuted and either the movies were looked at as disappointments or their roles weren’t significant enough to warrant awards buzz. I’m talking about Lady Gaga from Joker: Folie à Deux, Toni Collettee in Juror #2, Lashana Lynch from Bob Marley: One Love, and Hong Chau in Kinds of Kindness, to name a few.

Despite making the BAFTA long list, don’t look for Adriana Paz in Emilia Pérez to contend with the focus on cast mates Karla Sofia Gascón in lead and Saldaña and Selena Gomez (we’ll get to her shortly) here. Emily Watson also made the BAFTA cut in Small Things like These but isn’t expected to factor into the Academy derby. Same with Michele Austin in Hard Truths.

The next group were once seen as viable and have not made it to the precursors. Their nominations are not totally impossible. However, they would be rightly seen as major spoilers. I would include Joan Chen (Dídi), Natasha Lyonne (His Three Daughters), Saoirse Ronan (Blitz), and Elle Fanning (A Complete Unknown) in this lot.

We return to the 8 performers circling three Oscar chairs. They are: Monica Barbaro (A Complete Unknown), Jamie Lee Curtis (The Last Showgirl), Danielle Deadwyler (The Piano Lesson), Aunjanue Ellis-Taylor (Nickel Boys), Selena Gomez (Emilia Pérez), Felicity Jones (The Brutalist), Margaret Qualley (The Substance), and Isabella Rossellini (Conclave). Let’s walk through them one by one, shall we?

Monica Barbaro’s performance as Joan Baez in A Complete Unknown has only popped up in one of the 4 previously discussed precursors. In her favor… it’s the most recent at SAG and Unknown has generally been over performing this season. I don’t have her predicted at press time and she’s 5th out of these 8 possibilities.

Jamie Lee Curtis, two years after winning this prize for Everything Everywhere All at Once, is in the mix once again for The Last Showgirl. She could also benefit from recency bias. While she didn’t factor in at the Globes or Critics Choice, her name has been called in the last few days with the BAFTA long list and SAG. I have her 6th out of the 8 possibilities.

Danielle Deadwyler has the disadvantage of The Piano Lesson not being a Best Picture contender or being a threat for a nomination anywhere else. The SAG nod this week kept her in the conversation and she also received Critics Choice. Two years ago, she was notably snubbed for her lead performance in Till and that could assist her now. I have her 3rd out of the 8 possibilities and just getting in.

Aunjanue Ellis-Taylor in Nickel Boys has only shown up at Critics Choice and the movie itself may or may not make the BP dance. While her standing in the eventual quintet looks shaky, I wouldn’t totally discount her and she’s 7th out of the 8 possibilities.

Selena Gomez is undoubtedly in the shadow of costar Saldaña though she’s in the BAFTA long list and was nominated at the Globes. A SAG nod would have caused her to be higher, but she’s 8th out of the 8 possibilities.

Felicity Jones made BAFTA and Globes and was a surprise no-show at Critics Choice and SAG. I suspect The Brutalist‘s eventual standing at Oscar helps and I have her 1st among these 8 possibilities.

Margaret Qualley is nowhere near as guaranteed an Academy invite as her Substance lead Demi Moore. Of the four precursors, she has only missed SAG. I didn’t predict her there and I currently have her 4th of these 8 possibilities. That would leave her barely on the outside looking in.

Finally, despite a short amount of screen time in Conclave, Isabella Rossellini also only missed SAG. Unlike Qualley, I have her 3rd of the 8 hopefuls and just making the quintet.

OK. There you have it. My microscope analysis of Best Supporting Actress for the 97th Academy Awards. Let’s see how it shakes out Wednesday when I do my final picks. I’ll have a deep dive into Best Actor up next!

97th Academy Awards: The FINAL State of the Best Supporting Actor Race

My final predictions for nominees at the 97th Academy Awards arrives this Wednesday, January 15th prior to the announcement on Sunday, January 19th. Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.

The second post in this series is Best Supporting Actor. If you missed my write-up for Best Actress, you can access it here:

Unlike some of the other categories… Best Picture for example… I do believe there’s a legit frontrunner in Supporting Actor and that’s Kieran Culkin for A Real Pain. He has received a quartet of significant Oscar precursor nominations thus far: the Golden Globe, the BAFTA long list, SAG, and Critics Choice. That’s in addition to a slew of critics group prizes. Most significantly, he won the Golden Globe last week. The only potential drawback to a victory is that A Real Pain is a question mark for Best Picture inclusion. Since the Academy’s BP nominees expanded to more than five (and now a set 10) starting in 2009, 14 of the 15 Supporting Actor recipients came from films nominated in the biggest race. The only exception is 2011 with Christopher Plummer from Beginners. If A Real Pain gets into the BP derby, it’ll be much simpler to project Culkin as the victor. If not, that makes him more of a soft leader in the contest.

There are two other performers with the aforementioned precursors to their credit – Yura Borisov in Anora and Edward Norton in A Complete Unknown. At this juncture, it would be bold to leave either of them off the ballot. Both come from surefire BP hopefuls.

So does Guy Pearce of The Brutalist. The veteran actor seeks his first nomination. I’ve had him consistently ranked 2nd behind Culkin for weeks. His SAG omission was a surprise, but he still looks relatively safe for inclusion.

That leaves us with one spot left to fill. Before we consider that, let’s remember a time when these gentlemen had shots for the 97th Academy Awards. In some cases, the movies didn’t turn out to be Oscar contenders or their roles weren’t substantial enough to make the cut. I speak of Tom Hardy or Michael Shannon from The Bikeriders, Benedict Cumberbatch in The Book of Clarence, Brendan Gleeson in Joker: Folie à Deux, and Giancarlo Esposito from Megalopolis.

There’s a next level up of performances. It might not be totally impossible for them to get in, but there’s been no evidence precursor wise to realistically believe they’re a threat. This list includes Josh O’Connor from Challengers, Peter Sarsgaard and John Magaro from September 5 and Bill Skarsgård and Willem Dafoe in Nosferatu, and Drew Starkey in Queer. Same goes for Brian Tyree Henry (The Fire Inside), Adam Pearson (A Different Man), and Samuel L. Jackson (The Piano Lesson). Chris Hemsworth drew raves for Furiosa: A Mad Max Saga, but he hasn’t shown up anywhere. Same story for Dune: Part Two supporting players Javier Bardem and Austin Butler. And John Lithgow (Conclave) and Mark Eydelshteyn (Anora) are likely to cede the spotlight to their costars.

With one spot remaining, I have five contenders worthy of chatter: Jonathan Bailey (Wicked), Clarence Maclin (Sing Sing), Jeremy Strong (The Apprentice), Stanley Tucci (Conclave), and Denzel Washington (Gladiator II). Let’s walk through them one by one, shall we?

Speaking of costars, it sure seemed like Wicked‘s Jonathan Bailey would be on the outside looking in while his popular cast mates Cynthia Erivo and Ariana Grande would get noms. Yet his unexpected SAG inclusion this week puts him in the mix. Nevertheless I have him 5th out of these 5 possibilities.

Clarence Maclin took his real life experience behind bars and became a critical darling playing himself in Sing Sing. He made the BAFTA long list and Critics Choice ballot but missed SAG and the Globes. Oscar may still remember him, but he’s currently 3rd out of these 5 possibilities.

Jeremy Strong’s work as Roy Cohn in The Apprentice has snagged BAFTA long list, the Globes, and SAG and only missed Critics Choice. An excellent argument can be made for Culkin’s Succession costar. At the moment, I have him 2nd of the 5 possibilities which puts him just outside. I could see that changing when I make final picks on Wednesday.

Stanley Tucci is a dark horse for Conclave. No SAG, Globe, or Critics Choice. Just the BAFTA long list and I don’t have him predicted to make their final five. I could envision a scenario where he comes along for the ride at Oscar if they really love Conclave. He’s 4th out of these 5 possibilities.

Denzel Washington’s turn in Gladiator II was correctly called the sequel’s brightest spot. He has the BAFTA long list, Globe, and Critics Choice locked down. SAG voters, on the other hand, surprisingly ignored him. That makes a 10th acting Oscar nomination questionable. I currently have him 1st out of these 5 possibilities and that gets him in. This is mainly predicated on the fact that he’s Denzel Washington and that has worked before (see his 2017 nomination for Roman J. Israel, Esq.).

There you have it. My microscope analysis of Best Supporting Actor for the 97th Academy Awards. Let’s see how it shakes out Wednesday when I do my final picks. I’ll have a dive into Supporting Actress up next!

97th Academy Awards: The FINAL State of the Best Actress Race

My final predictions for nominees at the 97th Academy Awards arrives this Wednesday, January 15th prior to the announcement on Sunday, January 19th. Before I make them, I’m taking a deeper dive into the six major categories (Picture, Director, the four acting derbies) with detailed thoughts on where I think each race stands.

Let’s begin with Best Actress as it might be the most tricky of all to figure out (though the supporting competitions are up there too). I believe there are three performers whose nominations you can write down in pen.

For months, I’ve had Mikey Madison (Anora) listed in 1st place for her work in Anora. She’s been nominated everywhere she needs to be – Golden Globes, SAG, Critics Choice, the BAFTA long list. The film is definitely in the top 5 of Best Picture hopefuls. In other words, she’s in.

That said, just yesterday, I slid her from 1st to 2nd in favor of Demi Moore in The Substance. That’s mainly because Moore was victorious over Madison at the Golden Globes in the Actress (Musical or Comedy) category. Furthermore, Hollywood loves a comeback story. That is present with Demi. She managed all the aforementioned precursors that Madison has and there’s a win in her favor. I do believe the Oscar could go to either of them, but this seems reminiscent of Best Actor in 2022. Austin Butler (Elvis) was the young upstart like Madison. Brendan Fraser (The Whale) was the once major movie star in a comeback vehicle that also involved heavy makeup work. Fraser got the gold.

I would put Moore and Madison’s chances of making the final five at 100% or at least 99.9999999%. The third “pen” pick is Karla Sofia Gascón in Emilia Pérez. She would make history as the Academy’s first trans nominee. Gascón also made the cut at the key precursors and shared a Cannes victory for Best Actress with her costars. Some prognosticators have started wondering whether she’s a guaranteed nominee. While she’s maybe not a total certainty like our previous actresses, I’d say it’s really close. After all, Emilia Pérez might get the most nominations of any picture this time around. I don’t see that occurring without Emilia Pérez being in contention.

And then… it gets complicated. Before we move to the several performers jockeying for two spots, let’s pour one out for these actresses whose campaigns never got off the ground. In some cases, the films underperformed significantly with critics and audiences. In others, their studios didn’t mount an offensive drive for their inclusion. Some examples are Florence Pugh (We Live in Time), Jodie Comer (The Bikeriders), Ryan Destiny (The Fire Inside), Daisy Ridley (Young Woman and the Sea), Regina King (Shirley), Lily-Rose Depp (Nosferatu), and Marisa Abela (Back to Black). Julianne Moore (The Room Next Door) and June Squibb (Thelma) received a little more attention. However, they failed to show up in any significant other awards lists.

After that lengthy group, there’s a next level. These are actresses who may have shown up in some precursors or long lists, but aren’t expected to materialize in the Oscar quintet. Their chances aren’t completely out of reach like those in the previous paragraph. Yet it’s close. I would put Julianne Moore’s The Room Next Door costar Tilda Swinton in this class. Same with Zendaya (Challengers) and Saoirse Ronan (The Outrun).

This leaves us with eight performances vying for two spots: Amy Adams (Nightbitch), Pamela Anderson (The Last Showgirl), Cynthia Erivo (Wicked), Marianne Jean-Baptiste (Hard Truths), Angelina Jolie (Maria), Nicole Kidman (Babygirl), Fernanda Torres (I’m Still Here), and Kate Winslet (Lee). Let’s walk through them one by one, shall we?

Amy Adams has the narrative of being long overdue for an Oscar. Despite six nominations, she’s yet to hear her name called. On paper, this seemed like a strong possibility but so-so reviews for Nightbitch have not helped. Despite a Globe nod and being in the BAFTA long list, I have her 8th of these 8 possibilities.

I might be more inclined to put Anderson in my five if it weren’t for Demi Moore’s comeback narrative. The Baywatch starlet is getting career best notices for this indie drama even if the film itself is drawing more mixed reactions. Her Globe nomination in Actress (Drama) wasn’t a huge surprise. The SAG nod this week was and it does increase her viability. I have her 5th of these 8 possibilities.

Cynthia Erivo is starring in one of the year’s largest blockbusters with Globe, SAG, Critics Choice, and the BAFTA long list preceding a potential Oscar nod. If she were to win, Erivo would achieve EGOT status as she already has an Emmy, Grammy, and Tony on her resume. The only question mark is whether the amount of performers could squeeze her out. I doubt it. Erivo is ranked 1st of these 8 possibilities.

Marianne Jean-Baptiste is receiving plenty of critics prizes for her role in Mike Leigh’s Hard Truths. Critics Choice and the BAFTA long list are in her corner though she notably missed SAG and the Globes. Leigh has a history of getting his actors nominated. Seeing her in the eventual quintet would not surprise, but she’s 4th of my 8 possibilities at press time.

Angelina Jolie’s inclusion for Pablo Larrain’s Maria seemed assured at one point after the picture premiered in Venice. In hindsight, the troubling signs could have been evident immediately. She did not take Best Actress at that festival. Since then, she’s missed SAG and the BAFTA long list while competing for the Globe and being nominated for Critics Choice. Her most notable blow came at the Globes. She was favored to win Best Actress in a Drama but fell short to Fernanda Torres. I still think she could get in though I have her just on the outside looking in and 3rd of my 8 possibilities.

For her performance in Babygirl, Nicole Kidman did win Best Actress at Venice and Globe and BAFTA long list spots followed. The recent snubs at Critics Choice and SAG are hard to ignore. She’s 6th among these 8 possibilities.

Fernanda Torres in I’m Still Here had no major other precursors to her credit besides the Globe. No BAFTA long list. No Critics Choice. And no SAG attention this week. That win at the Globes, though, looms large and it occurred just as Academy voting was underway. That’s why she’s 2nd of these 8 possibilities.

Finally, Kate Winslet as Lee showed up at the Globes and BAFTA long list. Reviews for the project itself aren’t overly impressive. Winslet could get in because, well, she’s Kate Winslet. Nevertheless she’s 7th of these 8 possibilities.

Whew. OK. There you have it. My microscope analysis of Best Actress for the 97th Academy Awards. Let’s see how it shakes out Wednesday when I do my final picks. I’ll have a dive into Supporting Actor up next!