Category: Oscar Predictions

Oscar Predictions: Bring Them Down

Christopher Andrews makes his directorial debut with the thriller Bring Them Down, out this weekend in limited fashion. Described as a grim and violent exercise, Down was first screened at Toronto last year (and then London) with Mubi handling distribution rights. Barry Keoghan and Christopher Abbott headline with Nora-Jane Noone, Paul Ready, Aaron Heffernan, and Colm Meany in support.

The 88% Rotten Tomatoes is tempered by the 59 on Metacritic. Plenty of kudos is going to the two leads, but the reaction doesn’t appear strong enough for Keoghan to get his second nod after The Banshees of Inisherin or Abbott to garner his first. This applies to any other category as well. My Oscar Prediction posts will continue…

Oscar Predictions: Sorry, Baby

Eva Victor is making her feature film directorial, screenwriting, and starring debut in Sorry, Baby. The drama centered around trauma costars Naomi Ackie, Lucas Hedges, John Carroll Lynch, Louis Cancelmi, and Kelly McCormack. It is one of the buzziest titles that premiered at Sundance.

With a Rotten Tomatoes score of 97% and an 88 Metacritic, A24 outbid competitors for distribution rights. Victor is being hailed as a welcome new voice to the silver screen. Her original screenplay could draw attention from the Academy. I would especially look for the Indie Spirit Awards to take notice of it and that could apply to multiple categories. My Oscar Prediction posts will continue…

Oscar Predictions: Opus

Opus, out March 14th from A24, marks the directorial debut of Mark Anthony Green. Unveiled at Sundance, the thriller stars The Bear‘s Ayo Edebiri as a journalist tasked with profiling a reclusive former pop star (John Malkovich) on his island full of sycophants. Juliette Lewis, Murray Bartlett, Amber Midthunder, Young Mazino, Tatanka Means, and Tony Hale are among supporting players.

Despite a cool sounding concept, critics are saying the execution doesn’t land. The Rotten Tomatoes meter and Metacritic score are each stalled at 41. This is one Sundance entry that will not be part of any awards conversations. My Oscar Prediction posts will continue…

Oscar Predictions: Rebuilding

Josh O’Connor is already an Emmy winner as a young Prince Charles from Netflix’s The Crown. He’s recently had acclaimed roles in La Chimera and Challengers and probably isn’t far away from his first silver screen awards bait role. Could that be Rebuilding?

Max Walker-Silverman’s drama casts O’Connor as a rancher displaced by wildfires. Costars include Meghann Fahy, Kali Reis, Lily LaTorre, and Amy Madigan. Reviews out of Sundance screenings are positive at 94% on RT and 76 on Metacritic. Some notices are strong enough that I wonder whether this could be an awards player with the right campaign. The timely nature of the subject matter should additionally be taken into consideration.

That chatter could extend to O’Connor and the lauded cinematography (a similar combo to Train Dreams which was also unveiled in Park City). My Oscar Prediction posts will continue…

Oscar Predictions: Train Dreams

Netflix is banking on Train Dreams logging some awards chatter after primarily positive reaction at Sundance. The period piece drama casts Joel Edgerton as a railroad worker traveling across the United States. Felicity Jones (currently vying for Supporting Actress in The Brutalist), Kerry Condon, and William H. Macy provide support.

Dreams is the latest screenplay from Clint Bentley and Greg Kwedar (based on a novella by Denis Johnson). Bentley last directed Jockey in 2021 which probably came close to nabbing a Best Actor nod for Clifton Collins Jr. (who also costars here). Kwedar was behind the camera for Sing Sing where Colman Domingo is contending this year for the lead slot.

With 90% on Rotten Tomatoes and an 83 Metacritic, Netflix quickly snatched up distribution rights in Utah. Based on the buzz, they might give this a spirited campaign. That holds true particularly for Edgerton (who’s never been nominated) and the cinematography that is consistently being singled out. If Adapted Screenplay can be in play, BP attention could come along for the ride. My Oscar Prediction posts will continue…

Oscar Predictions: Peter Hujar’s Day

Critics are liking the hang for Peter Hujar’s Day out of Sundance, the latest feature from indie auteur Ira Sachs. The two-hander casts Ben Whishaw in the title role of the real-life photographer known for his work in the 1970s and 80s. Rebecca Hall is his writer friend.

Originally meant to be a short film, it still is definitionally at a brisk 76 minutes. This is Sachs’s follow-up to his acclaimed 2023 Passages, which collected four Independent Spirit Awards including Best Film and Mr. Whishaw in Supporting Actor.

Known to many moviegoers as Q from Daniel Craig’s 007 run (or the voice of Paddington), Whishaw is getting lots of Park City praise for his lead role. The pic itself stands at 93% on Rotten Tomatoes and 85 on Metacritic. Like Passages, I’d say this is more Indie Spirit friendly than Oscar. The eventual distributor might be wise to campaign in that space. My Oscar Prediction posts will continue…

Oscar Predictions: Twinless

James Sweeney directs, writes, and costars in Twinless which made serious waves at the Sundance Film Festival in recent days. Costarring Dylan O’Brien, Aisling Franciosi, Lauren Graham, and Chris Perfetti, the heartfelt comedy took the Audience Award in Park City. That’s a prize shared in recent years by Oscar players like Whiplash, Minari, and CODA.

With 100% on Rotten Tomatoes and 82 on Metacritic, this is one Sundance title that could still be talked about next awards season. Much like A Real Pain, the bulk of the buzz may go to Supporting Actor where O’Brien is drawing raves. Also like Pain, the original screenplay could generate some attention. My Oscar Prediction posts will continue…

Oscar Predictions: Atropia

The Grand Jury Prize at the Sundance Film Festival has been bestowed to eventual Best Picture nominees and one winner six times in the 21st century. That list includes 2009’s Precious, Winter’s Bone from 2010, 2012’s Beasts of the Southern Wild and 2014’s Whiplash, 2020’s Minari, and the victorious CODA of 2021. There’s plenty that never came close to Oscar’s radar such as Like Crazy or The Miseducation of Cameron Post and Nanny.

Atropia seems destined to fall into the latter grouping. The satire from Hailey Gailes unexpectedly took Park City’s top award. Alia Shawkat (known by many from Arrested Development), Callum Turner, Chloë Sevigny, and Tim Heidecker headline. The surprise nature of the Jury designation is due to subpar reviews. Rotten Tomatoes stands at 42% with a 46 Metacritic. That reaction is unlikely to allow this into the Academy’s consciousness. My Oscar Prediction posts will continue…

Oscar Predictions: Companion

Drew Hancock’s mix of horror, sci-fi and comedy Companion (out tomorrow) is drawing far stronger reactions that most January releases manage. Sophie Thatcher and Jack Quaid star with Lukas Gage, Megan Suri, Harvey Guillén, and Rupert Friend supporting.

With 95% on Rotten Tomatoes and Metacritic at 76, Warner Bros hopes to have a sleeper on its hands. Thatcher is turning into a Scream Queen with The Boogeyman and Heretic to her credit. The latter also drew thumbs up notices and probably came close to earning Hugh Grant a Best Actor nod.

Yet as an any Oscar follower knows, horror is a tough genre for performers to generate awards chatter. That should hold true in this case. My Oscar Prediction posts will continue…

Oscar Predictions: Dog Man

DreamWorks Animation’s Dog Man should rule the upcoming box office frame with a decent family audience showing. Based on Dav Pilkey’s graphic novel and a spinoff of 2017’s Captain Underpants: The First Epic Movie, Peter Hastings directs and voices the title character. Further behind the mic contributions come from Pete Davidson, Lil Rel Howery, Isla Fisher, Poppy Liu, Billy Boyd, and Ricky Gervais.

Reviews are mixed and even the positive notices are far from raves. Rotten Tomatoes stands at 70% with Metacritic at 60. While DreamWorks may have been the first studio to win Animated Feature at the Academy Awards via 2001’s Shrek, the bulk of their library has missed the cut. That should be the case with Dog Man. My Oscar Prediction posts will continue…