Before to its domestic debut in August, Honey Don’t! dropped at Cannes for a midnight screening. The crime comedy is Ethan Coen and wife Tricia Cooke’s follow-up to last year’s Drive-Away Dolls. It also stars Margaret Qualley with a supporting cast including Aubrey Plaza, Charlie Day, and Chris Evans.
Marking Ethan’s second narrative work sans brother Joel (and with Cookie co-scripting), Don’t! mostly arrived with a shrug in France. The Rotten Tomatoes score is 54% with Metacritic at 47. That’s below the respective 63/56 ratings for Dolls. Coen’s “first” picture never came close to being an awards contender and this won’t either. My Oscar Prediction posts will continue…
It’s been three weeks since I’ve updated my predictions for the 98th Academy Awards and a little thing called the Cannes Film Festival has happened since then. The French extravaganza has become increasingly important when figuring out your eventual Oscar ballots. To what extent? Last year’s winner Anora premiered there and took the Palme d’Or while fellow nominees Emilia Pérez and The Substance were also unveiled. In 2023, Anatomy of a Fall‘s Palme victory translated to a BP nomination while The Zone of Interest and Killers of the Flower Moon were also on the slate. 2022 Palme recipient Triangle of Sadness was part of the Academy’s BP ten while Elvis and Top Gun: Maverick premiered out of competition. You get the idea.
This year’s proceedings bestowed top prize to Jafar Panahi’s It Was Just an Accident. And while a Palme d’Or certainly increases a picture’s chances in BP, I’m not ready to vault it into the Oscar top 10. As for the Grand Prix winner (essentially runner-up), I already had Joachim Trier’s Sentimental Value in my ten and the Cannes premiere solidified that projection.
There were performances that gained momentum like Value’s quadrology of Renate Reinsve, Stellan Skarsgård, Elle Fanning, and Inga Ibsdotter Lilleass. Same goes for Jennifer Lawrence in Die, My Love and Cannes Best Actor Wagner Moura for The Secret Agent, who goes from unranked to my top 5.
Per usual, there were movies whose awards consideration hopes faded. That list includes The History of Sound, Alpha, Eddington, and The Phoenician Scheme.
Yet for all the Cannes chatter, my new #1 in BP has nothing to do with that event. I’ve had Luca Guadagnino’s After the Hunt slotted atop that chart over the last few weeks. Truth be told, that’s plain ole guesswork since it has yet to screen. I’m replacing it with Ryan Coogler’s vampire tale Sinners, the box office phenomenon that opened in April. Do I think it’s going to win BP? Probably not though it’s obviously far too early for that call. I do think that it and Sentimental Value (also rising) are the two pics that have been viewed that will not miss the cut.
Best Picture
Predicted Nominees:
1. Sinners (Previous Ranking: 3) (+2)
2. After the Hunt (PR: 1) (-1)
3. Marty Supreme (PR: 2) (-1)
4. Sentimental Value (PR: 6) (+2)
5. Wicked: For Good (PR: 4) (-1)
6. Jay Kelly (PR: 8) (+2)
7. Hamnet (PR: 7) (E)
8. The Rivals of Amziah King (PR: 5) (-3)
9. Avatar: Fire and Ash (PR: 10) (+1)
10. The Life of Chuck (PR: 9) (-1)
Other Possibilities:
11. One Battle After Another (PR: 11) (E)
12. Deliver Me from Nowhere (PR: 13) (+1)
13. Bugonia (PR: 12) (-1)
14. It Was Just an Accident (PR: Not Ranked)
15. The Secret Agent (PR: Not Ranked)
16. Frankenstein (PR: 14) (-2)
17. Sound of Falling (PR: Not Ranked)
18. The Ballad of a Small Player (PR: 17) (-1)
19. No Other Choice (PR: 15) (-4)
20. Die, My Love (PR: 16) (-4)
21. Ann Lee (PR: 19) (-2)
22. Rental Family (PR: 22) (E)
23. F1 (PR: 21) (-2)
24. The Smashing Machine (PR: 23) (-1)
25. Kiss of the Spider Woman (PR: Not Ranked)
Dropped Out:
Highest 2 Lowest
Michael – the Michael Jackson biopic is reportedly moving to 2026
Is This Thing On?
Alpha
Best Director
Predicted Nominees:
1. Ryan Coogler, Sinners (PR: 2) (+1)
2. Luca Guadagnino, After the Hunt (PR: 1) (-1)
3. Joachim Trier, Sentimental Value (PR: 4) (+1)
4. Josh Safdie, Marty Supreme (PR: 3) (-1)
5. Andrew Patterson, The Rivals of Amziah King (PR: 5) (E)
Other Possibilities:
6. Chloé Zhao, Hamnet (PR: 7) (+1)
7. Jon M. Chu, Wicked: For Good (PR: 6) (-1)
8. Noah Baumbach, Jay Kelly (PR: 10) (+2)
9. Paul Thomas Anderson, One Battle After Another (PR: 8) (-1)
10. Yorgos Lanthimos, Bugonia (PR: 9) (-1)
11. Jafar Panahi, It Was Just an Accident (PR: Not Ranked)
12. Guillermo del Toro, Frankenstein (PR: 11) (-1)
13. Kieber Mendonça Filho, The Secret Agent (PR: Not Ranked)
14. Scott Cooper, Deliver Me from Nowhere (PR: 14) (E)
15. James Cameron, Avatar: Fire and Ash (PR: 13) (-2)
Dropped Out:
Park Chan-wook, No Other Choice
Lynne Ramsay, Die, My Love
Best Actress
Predicted Nominees:
1. Julia Roberts, After the Hunt (PR: 1) (E)
2. Renate Reinsve, Sentimental Value (PR: 3) (+1)
3. Cynthia Erivo, Wicked: For Good (PR: 2) (-1)
4. Jennifer Lawrence, Die, My Love (PR: 6) (+2)
5. Jessie Buckley, Hamnet (PR: 4) (-1)
Other Possibilities:
6. Amanda Seyfried, Ann Lee (PR: 5) (-1)
7. Rose Byrne, If I Had Legs I’d Kick You (PR: 8) (+1)
8. Emma Stone, Bugonia (PR: 7) (-1)
9. Tessa Thompson, Hedda (PR: 10) (+1)
10. Emma Mackey, Ella McCay (PR: 11) (+1)
11. June Squibb, Eleanor the Great (PR: 9) (-2)
12. Jessica Lange, Long Day’s Journey Into Night (PR: 12) (E)
13. Amy Adams, At the Sea (PR: Not Ranked)
14. Lucy Liu, Rosemead (PR: 13) (-1)
15. Eva Victor, Sorry, Baby (PR: 14) (-1)
Dropped Out:
Margot Robbie, A Big Bold Beautiful Journey
Best Actor
Predicted Nominees:
1. Timothée Chalamet, Marty Supreme (PR: 1) (E)
2. Jeremy Allen White, Deliver Me from Nowhere (PR: 3) (+1)
3. George Clooney, Jay Kelly (PR: 4) (+1)
4. Matthew McConaughey, The Rivals of Amziah King (PR: 2) (-2)
5. Wagner Moura, The Secret Agent (PR: Not Ranked)
Other Possibilities:
6. Leonardo DiCaprio, One Battle After Another (PR: 6) (E)
7. Michael B. Jordan, Sinners (PR: 7) (E)
8. Jesse Plemons, Bugonia (PR: 5) (-3)
9. Daniel Day-Lewis, Anemone (PR: 9) (E)
10. Denzel Washington, Highest 2 Lowest (PR: Not Ranked – moved from supporting)
11. Colin Farrell, The Ballad of a Small Player (PR: 10) (-1)
12. Dwayne Johnson, The Smashing Machine (PR: 12) (E)
13. Willem Dafoe, Late Fame (PR: 11) (-2)
14. Brendan Fraser, Rental Family (PR: Not Ranked)
15. Matthew McConaughey, The Lost Bus (PR: Not Ranked)
Dropped Out:
Paul Mescal, Hamnet (moved to supporting)
Jaafar Jackson, Michael
Lee Byung-hun, No Other Choice
Andrew Scott, Pressure
Best Supporting Actress
Predicted Nominees:
1. Ariana Grande, Wicked: For Good (PR: 1) (E)
2. Ayo Edebiri, After the Hunt (PR: 4) (+2)
3. Angelina LookingGlass, The Rivals of Amziah King (PR: 3) (E)
4. Gwyneth Paltrow, Marty Supreme (PR: 2) (-2)
5. Teyana Taylor, One Battle After Another (PR: 5) (E)
Other Possibilities:
6. Elle Fanning, Sentimental Value (PR: 9) (+3)
7. Laura Dern, Jay Kelly (PR: 6) (-1)
8. Jennifer Lopez, Kiss of the Spider Woman (PR: 8) (E)
9. Hailee Steinfeld, Sinners (PR: 7) (-2)
10. Inga Ibsdotter Lilleass, Sentimental Value (PR: Not Ranked)
11. Regina Hall, One Battle After Another (PR: 11) (E)
12. Emily Blunt, The Smashing Machine (PR: 10) (-2)
13. Emily Watson, Hamnet (PR: 13) (E)
14. Tilda Swinton, The Ballad of a Small Player (PR: Not Ranked)
15. Wunmi Mosaku, Sinners (PR: Not Ranked)
Dropped Out:
Thomasin McKenzie, Ann Lee
Glenn Close, Wake Up Dead Man: A Knives Out Mystery
Greta Lee, Late Fame
Best Supporting Actor
Predicted Nominees:
1. Adam Sandler, Jay Kelly (PR: 1) (E)
2. Andrew Garfield, After the Hunt (PR: 2) (E)
3. Stellan Skarsgård, Sentimental Value (PR: 3) (E)
4. Jeremy Strong, Deliver Me from Nowhere (PR: 5) (+1)
5. Delroy Lindo, Sinners (PR: 4) (-1)
Other Possibilities:
6. Paul Mescal, Hamnet (PR: Not Ranked – moved from lead actor)
7. Mark Hamill, The Life of Chuck (PR: 7) (E)
8. Sean Penn, One Battle After Another (PR: 8) (E)
9. Jonathan Bailey, Wicked: For Good (PR: 10) (+1)
10. Robert Pattinson, Die, My Love (PR: Not Ranked)
11. Stephen Graham, Deliver Me from Nowhere (PR: Not Ranked)
Fresh off romancing Nicole Kidman via unconventional methods in Babygirl, Harris Dickinson makes his feature-length writing and directing debut with Urchin. Frank Dillane is an unhoused Brit trying reenter society. The supporting cast includes Megan Northam and Amr Waked. While distribution is being worked out, it has been unveiled at Cannes.
Critics are complimentary of what they see with Dickinson’s work. The Rotten Tomatoes score is 100% with 77 on Metacritic. Dillane took the French festival’s prize for Best Actor in the Un Certain Regard section. For those unfamiliar, that’s not the main competition where Wagner Moura was victorious for The Secret Agent.
Nevertheless the recognition increases Dillane’s opportunity for a campaign. I’m not sure if Oscar will be on the table. Yet I do feel Urchin could play in several races at BAFTA including Best Actor, Outstanding British Film, and Outstanding Debut by a British Writer, Director or Producer. My Oscar Prediction posts will continue…
No one can do Cannes like Neon. The indie film production company has ruled the French festival for six years straight when it comes to the Palme d’Or winner. That list consists of Parasite, Titane, Triangle of Sadness, Anatomy of a Fall, and Anora. The first and last movies in that quintet went onto win Best Picture at the Oscars with Triangle and Anatomy nabbing nominations.
Neon once again had contenders to spare at this year’s competition and many assumed the grand prize would go to Joachim Trier’s Sentimental Value. That acclaimed family drama immediately established itself as an Oscar contender. Yet the Cannes jury (headed by Juliette Binoche) instead chose another Neon property in Jafar Panahi’s It Was Just an Accident. It marks another festival triumph for the Iranian filmmaker. His 2000 feature The Circle took top honors in Venice while 2015’s Taxi was awarded best of at the Berlin Fest. Accident now enters the conversation for a BP mention from the Academy and it certainly is a major contender for International Feature Film.
As for the more favored Value, it settled for the Grand Prix designation which is basically runner-up (it went to BP nominee The Zone of Interest in 2023). As mentioned, Neon has high hopes for its future in the coming months.
The Jury Prize (which Emilia Pérez took last time around) was shared between Spanish/French coproduction Sirât from Oliver Laxe and Mascha Schilinski’s German generational tale Sound of Falling (which is also a sturdy hopeful in IFF).
Another major player for Neon is The Secret Agent, the 1970s set Brazilian political thriller. Kieber Mendonça Filho received the Director trophy while Wagner Moura is Best Actor. Look for Agent to have a potential presence in IFF while Moura’s lead campaign could be a real threat for Academy inclusion.
Nadia Melliti is your Best Actress for the French coming-of-age drama The Little Sister. The young actress emerged over heavy hitter Jennifer Lawrence from Die, My Love. Nevertheless Lawrence did strengthen her shot at a fifth Oscar play months down the road.
Some had pegged Richard Linklater’s Nouvelle Vague (which recounts the shooting of French classic Breathless) for some Riviera prizes, but it wasn’t to be. Other high profile premieres not found among the victors are Iranian drama Woman and Child (where Parinaz Izadyar was considered viable in Actress), Wes Anderson’s The Phoenician Scheme, and Julia Ducournau’s Titane follow-up Alpha.
Keep an eye on the blog as I continue to write individual posts for movies screened at Cannes. I hadn’t even gotten to Accident yet! As for next year, look to see what Neon’s backing when figuring out the favorites…
Kelly Reichardt, acclaimed director of Night Moves, Certain Women, and First Cow, has premiered The Mastermind at Cannes. Dubbed as a heist movie where most of the story takes place post heist, Josh O’Connor is an art thief circa 1970. The supporting cast includes Alana Haim, John Magaro, Hope Davis, Bill Camp, Gaby Hoffman, and Amanda Plummer.
With distribution from Mubi, this is generating approving notices in France with 91% on Rotten Tomatoes and a 73 Metacritic. That said, Reichardt has yet to enter into the Academy’s consciousness and I doubt The Mastermind will change that. Unless Mubi mounts an amazing Best Actor campaign for O’Connor, my takeaway is that this won’t be a contender despite the good natured reactions (especially for him). My Oscar Prediction posts will continue…
While the picture itself is drawing more assorted reactions (80% currently on RT), Cannes viewers are praising Jodie Foster’s lead work in A Private Life. She plays an emotionally challenged psychiatrist investigating a crime in the dramedy from Rebecca Zlotowski. Costars include Daniel Auteuil, Virginie Efira, and Mathieu Amalric. Sony Pictures Classics holds the stateside distribution rights with a release date TBD.
Foster is no stranger to awards love with five Oscar noms including lead Actress victories for 1988’s The Accused and 1991’s The Silence of the Lambs. Her last nod came just two years ago in supporting for Nyad. I don’t see the legendary performer grabbing her sixth for this.
The Golden Globes could be a different story. If Sony campaigns for Foster in Best Actress (Musical/Comedy), she could be in line for her 8th GG try when counting her TV work. That particular branch loves her as she’s taken home 4 trophies from the group formerly known as the Hollywood Foreign Press Association. My Oscar (and Globe) prediction posts will continue…
The History of Sound features Paul Mescal and Josh O’Connor as musicians involved in a romance during the World War I era. Costars include Chris Cooper, Molly Price, Raphael Sbarge, and Hadley Robinson. The Cannes premiere is from Oliver Hermanus, who last directed Bill Nighy to a lead Actor nom for 2022’s Living.
Unlike A Complete Unknown from the previous ceremony, don’t expect this folk song heavy drama to be a major Academy contender. Plenty of reviews are respectful, but this is not a festival breakout with 70% on Rotten Tomatoes and a 62 Metacritic. Mescal and O’Connor could have other opportunities this year with Hamnet and The Mastermind respectively. Sound is unlikely to offer their names for consideration. My Oscar Prediction posts will continue…
Bono: Stories of Surrender hits Apple TV on May 30th documenting the U2 frontman’s one-man NYC stage show in 2023. Those performances took their inspiration from the legendary singer and humanitarian’s memoir. He’s enlisted some heavy hitters to assist here including director Andrew Dominik (The Assassination of Jesse James by the Coward Robert Ford, Blonde) and Oscar-winning cinematographer Erik Messerschmidt (Mank).
These celeb centered docs rarely make their way to serious awards consideration. Surrender should fall into that classification with 75% on Rotten Tomatoes and a 58 Metacritic. That won’t get it done unless its streamer finds mysterious ways to entice voters. My Oscar Prediction posts will continue…
Julia Ducournau’s body horror tale Titane took Cannes by storm in 2021, emerging with the Palme d’Or. The French selected it as their horse for International Feature Film at the Oscars, but it surprised prognosticators by not even making the shortlist of contenders.
The auteur is back at the festival with Alpha, returning her to Titane‘s genre with a cast including Tahar Rahim, Golshifeth Farahani, Mélissa Boros, Emma Mackey, Finnegan Oldfield, and Louai El Amrousy.
Reaction from the Riviera is far more varied than Ducournau’s previous Palme taker. Rotten Tomatoes stands at 56% with Metacritic at 47. That’s compared to the respective 90/75 scores of Titane. It is probably a safe assumption that France will not submit this as their entry for IFF and awards chatter for Alpha will be muted. Distributor Neon, it should be said, has more viable hopefuls including the heralded Sentimental Value. My Oscar Prediction posts will continue…
Distributor Neon has shined brightly at the Cannes Film Festival by releasing the previous five Palme d’Or recipients: Parasite, Titane, Triangle of Sadness, Anatomy of a Fall, and Anora. Only Titane missed a Best Picture nod from the Academy. Parasite and Anora won. That’s one of the reasons Joachim Trier’s family drama Sentimental Value is considered to be a serious contender for the top prize in France. Another is because it’s the filmmaker’s follow-up to his acclaimed 2021 effort The Worst Person in the World which reunites him with star Renate Reinsve. The supporting cast includes Stellan Skarsgård, Inga Ibsdotter Lilleass, Elle Fanning, Anders Danielsen Lie, and Cory Michael Smith.
Early festival reaction is effusive and points to Value indeed being a major Palme threat. Neon could guide this to numerous Oscar nods including Picture, Director, Reinsve in Actress, Skasrgård in Supporting Actor, and Original Screenplay. Then there’s Supporting Actress and according to reviews, Neon may have a decision to make as Lilleass and Fanning are both being praised. The latter would be a higher profile campaign, but let’s see how it plays out.
Bottom line: there is no doubt that Sentimental has quickly established itself a potential force at Cannes and beyond. Expect to hear a lot about it this awards season. My Oscar Prediction posts will continue…
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