Hitting Netflix today is Shawn Levy’s The Adam Project, a sci-fi adventure that re-teams the director with his Free Guy lead Ryan Reynolds. Costars include Mark Ruffalo, Jennifer Garner, Walker Scobell, Catherine Keener, and Zoe Saldana.
Focused on a 12-year-old who meets his fighter pilot future self, many reviews are kindly comparing this Project to 80s era Spielberg product. The Rotten Tomatoes score is a decent though not overly impressive 70%.
Since it’s available for some theatrical showings, this will be eligible for Oscar consideration. Levy and Reynolds, as mentioned, collaborated just last year for Free Guy and that resulted in a box office hit and a slot in the Visual Effects race (where it will almost certainly lose to Dune in two weeks).
Based on the write-ups, Free Guy appears to be a flashier experience than Adam and I doubt this manages to garner any awards attention. My Oscar Prediction posts will continue…
The performance of J.K. Simmons in Being the Ricardos is my fourth Case Of post for the Supporting Actor nominees. If you didn’t catch the first three, they are linked here:
He’s a well-respected Hollywood veteran and the Academy’s voters dug the acting troupe from Ricardos as Nicole Kidman and Javier Bardem were also nominated.
The Case Against J.K. Simmons:
This nomination was a bit of a surprise. Simmons got in despite no love from SAG or the Globes (though Critics Choice did mention him). The film itself failed to nab Picture or screenplay nods. Of the three Ricardos hopefuls, only Kidman stands a decent chance at winning.
Previous Nominations: 1
Whiplash (Supporting Actor – 2014, WON)
The Verdict:
Seven years ago, Simmons was the overwhelming favorite to take this race in Whiplash and he did. For Ricardos, I would rank him fifth out of five for the contenders.
My Case Of posts will continue with Steven Spielberg’s direction of West Side Story…
Turning Red is the latest Pixar title and it is out Friday on Disney Plus. The coming-of-age tale comes from director Domee She, who won an Oscar in 2018 for her short film Bao (also from Disney/Pixar).
The review embargo is up today and the result so far is 93% on Rotten Tomatoes. Red was originally slated for a theatrical release but the pandemic altered that plan. It will follow in the footsteps of Soul, Raya and the Last Dragon, and Luca. What do they all have in common besides their studio? All were nominated or won (in Soul‘s case) for the Animated Feature Oscar.
With bicoastal limited theatrical showings, Red will qualify for next year’s Academy consideration. For 2021, 60% of the animated movies (Raya, Luca, Encanto) are Mouse Factory products.
While it’s certainly early, critical reaction here indicates this could easily make the cut. It’s also worth noting that Billie Eilish and brother Finneas O’Connell penned some original tunes that could be Original Song hopefuls. If that pans out, Eilish could be gunning for her second nod in a row as she’s currently up for “No Time to Die”. There’s also Ludwig Goransson who scored Red and he’s a previous Oscar winner for Black Panther.
The other Pixar product comes this summer with Lightyear. I wouldn’t write Red‘s inclusion in blue ink yet, but don’t be surprised if it’s listed a year from now. My Oscar Prediction posts will continue…
Andrew Garfield’s acclaimed performance as Rent playwright Jonathan Larson in Tick, Tick… Boom! is next up in my Case Of posts for this year’s Best Actor contenders. If you missed the first two, you can peruse them here:
Garfield received some career best notices for Lin-Manuel Miranda’s Netflix musical drama. It also helps that the actor had a banner 2021. In addition to Boom!, critics lauded his work as Jim Bakker alongside Oscar nominated Jessica Chastain in The Eyes of Tammy Faye and he reprised his web slinger role in the box office behemoth Spider-Man: No Way Home. At the Golden Globes, he took the gold for Best Actor in Musical/Comedy.
The Case Against Andrew Garfield:
The Globes divide their lead races into Drama and Musical/Comedy. Will Smith received the Drama trophy for King Richard and he also just won the SAG Award. In other words, Garfield is definitely behind Smith and likely third in line after Benedict Cumberbatch for The Power of the Dog.
Previous Nominations: 1
Hacksaw Ridge (2016 – Actor)
The Verdict:
Mr. Garfield probably has a better shot in 2021 than he did five years ago for Hacksaw Ridge, but he’s still in the middle of the pack and has yet to have a signature victory that proves he’s a threat to the frontrunners.
My Case Of posts will continue with the Supporting Actress hopefuls and Judi Dench in Belfast…
You have to go back to 2008’s The Dark Knight to find the last Batfilm to receive an Oscar nomination. It landed the most of them. While famously missing Best Picture (it’s often called the flick that caused the Academy to expand beyond five nominees), it garnered eight nods and won Supporting Actor (Heath Ledger) and Sound Editing. The other nominations were for Sound Mixing, Art Direction, Cinematography, Makeup, Film Editing, and Visual Effects. 1989’s Batman was 1 for 1 in its nominations with Art Direction while follow-up Batman Returns was up for Makeup and Visual Effects and Batman Forever received a mention for Sound Effects Editing. Batman Begins from 2005 made the Cinematography final five. Batman and Robin, The Dark Knight Rises, Batman v Superman: Dawn of Justice, and Justice League all failed to show up at the big show.
That history lesson is, of course, given to you because reboot The Batman with Robert Pattinson opens Friday and the review embargo lifted today. Early critical reaction has resulted in an 87% Rotten Tomatoes score thus far. Some write-ups are calling it masterful. Others are more mixed in the praise with some complaints of over length in particular.
So what are its Oscar prospects? As I see it, pretty strong in many of the races mentioned above. That includes Sound (now just one competition), Visual Effects, Production Design (what was Art Direction), Makeup and Hairstyling, Cinematography, and even Original Score (from Michael Giacchino). Director Matt Reeves, taking over the franchise, has experience in the VE derby with Dawn of the Planet of the Apes and War for the Planet of the Apes.
Those down the line nods could be plentiful for The Batman. However, I don’t see it getting Best Picture, Director, Adapted Screenplay, or nominations for its actors. It won’t be for lack of social media chatter. We have seen numerous comic book adaptations receive fervent support online (from The Dark Knight to Deadpool to Avengers: Endgame to Spider-Man: No Way Home). Only Black Panther and Joker have made the BP cut. I don’t envision The Batman being the third, but tech nods should happen. My Oscar Prediction posts will continue…
Graham Moore is an Oscar winner in Adapted Screenplay for 2014’s The Imitation Game. One year later, Mark Rylance scored an upset Supporting Actor victory for Bridge of Spies. Moore makes his directorial debut for the 1950s set crime pic The Outfit in which Rylance stars as a tailor serving dangerous types. The supporting cast includes Zoey Deutch, Dylan O’Brien, and Johnny Flynn.
The pic debuted at the Berlin Film Festival last weekend and is slated for theaters next month. Reviews from Germany are positive if not gushing and it holds a 91% score on Rotten Tomatoes. So is The Outfit suited for awards attention?
Probably not. However, Rylance is drawing some raves and there’s kudos for tech aspects such as production design. And I suppose any movie about a tailor (The Outfit‘s running time takes place in one setting) could be a hopeful for costume design. It’s also worth noting that Alexandre Desplat (who’s received 11 nominations and won 2) did the score.
I find it unlikely that voters will recall The Outfit later this year, but perhaps Focus Features will set their sights on a campaign. My Oscar Prediction posts will continue…
Now that I’ve completed by Case Of posts for the 10 Best Picture contenders, I’m moving on to the 25 hopefuls for Best Director, Actress, Actor, Supporting Actress, and Supporting Actor. I’ll alternate alphabetically among the categories between them and that means Paul Thomas Anderson’s behind the camera work for Licorice Pizza is first up!
The Case for Paul Thomas Anderson:
Prior to Pizza being delivered in 2021, PTA as he’s called had already received 8 nominations from the Academy between his producing, directing, and writing. He’s 0 for 8. He has three more at bats with his 70s set coming-of-age tale in Picture, Director, and Original Screenplay. In other words, there could be an overdue factor at play.
The Case Against Paul Thomas Anderson:
Licorice Pizza tied CODA with the fewest amount of nods for the BP nominees. Unlike his previous BP contenders There Will Be Blood and Phantom Thread, there were no acting nominations for his ensemble. And there’s simply the fact that Jane Campion (The Power of the Dog) is the major frontrunner.
Previous Nominations: 2 (for directing only)
There Will Be Blood (2007); Phantom Thread (2017)
The Verdict:
There’s a decent chance that PTA’s zero wins streak will be broken at the ceremony, but it would come in Original Screenplay (where it appears to be down to Pizza or Belfast). It will not be broken here.
My Case Of posts will continue with Jessica Chastain in The Eyes of Tammy Faye…
Ryusuke Hamaguchi’s three hour Japanese drama Drive My Car is the next Case Of post covering the 10 Best Picture nominees for this year’s Academy Awards. If you didn’t catch the first three, they’re right here:
Since premiering at the Cannes Film Festival last summer where it won Best Screenplay, Hamaguchi’s import is one of the critical darlings of 2021. It holds the best Rotten Tomatoes score of the bunch at 98%. Car performed better than expected with a total of four nods: Picture, Director, Adapted Screenplay, and International Feature Film,.
The Case Against Drive My Car
The film’s inclusion into the BP derby was a question mark going into nomination morning. While it hopes to become the second non-English language pic to win the big prize (two years after Parasite), its real possibility for a victory lies with the international race.
The Verdict
Drive My Car is an easy pick to take International Feature Film and anything else being called would constitute a major upset. However, do not expect the raves to put it in gear for one in Best Picture.
Jennifer Lopez is back in rom com territory tomorrow with Marry Me, which debuts in theaters and Peacock streaming. It’s hoping to be a midsize Valentine’s Day frame hit. The reviews are in and they’re not half bad with a current Rotten Tomatoes score of 60%.
You’d be correct in wondering why this material warrants an Oscar post. This is due to the soundtrack in which the star contributes numerous tracks. Some singles are already out such as “Pa’ Ti + Lonely” (a duet with her costar Maluma) and “On My Way”.
Universal could focus on either of them or other ditties for an Original Song push. If Lopez does manage to find herself in the mix, it would mark her first Academy nod. As you may recall, J-Lo was heavily favored to land a Supporting Actress mention two years ago for Hustlers and her omission was a surprise. There’s plenty of songs to come in the next year, but it stands to reason that she’ll be campaigned for her musical contributions. My Oscar Prediction posts will continue…
And at last… they’re out! After months of speculating on the blog (starting all the way back with my initial predictions in August), the Oscar nominations for the 94th Academy Awards were unveiled early this morning.
As always, there’s shocking omissions and surprising additions. There’s races that went as planned. And (for me at least) there’s always that one tricky category where I end up going 2/5. This year it was Documentary Feature which is notoriously tough to figure out. On the flip side, I projected 4 out of the 20 feature film competitions with 5/5 accuracy. All in all – I went 82 for 105 on the picks.
Some initial thoughts before I break it down race by race. The Power of the Dog was easily the winner of the morning with 12 nods (even more than anticipated). It led all nominees with Dune second (10).
Other movies that either met or exceeded expectations: Drive My Car, King Richard, and Nightmare Alley (which was the only somewhat surprising BP addition). For others, it was more of a mixed bag. Belfast garnered 7 mentions but came up short in key tech indicators like Cinematography and Editing. The same can be said for Licorice Pizza. Seven was also the number for West Side Story, but it missed screenplay. Being the Ricardos got 3 acting nods but no Picture or screenplay. And even Dune, with the 10 nods, somehow missed a director nomination for Denis Villeneuve.
Then there’s House of Gucci, which showed up only in Makeup and Hairstyling. No Jared Leto (I predicted he’d be left off), but no Lady Gaga in Actress was perhaps the shocker of the day.
Let’s get into it and I’ll offer my initial take on what/who could win (my final predictions will come shortly before the March 27th show).
Best Picture
Nominees:
Belfast
CODA
Don’t Look Up
Drive My Car
Dune
King Richard
Licorice Pizza
Nightmare Alley
The Power of the Dog
West Side Story
How I Did: 9/10
Commentary: My one miss was Alley coming in over Being the Ricardos. Make no mistake. With its 12 mentions, The Power of the Dog is undoubtedly the frontrunner. Yes, the Twitterverse will offer alternate theories. Could Drive My Car‘s impressive haul give us our second foreign BP winner in three years? Could Belfast or West Side Story spoil? I doubt it.
Best Director
Nominees:
Paul Thomas Anderson, Licorice Pizza
Kenneth Branagh, Belfast
Jane Campion, The Power of the Dog
Ryusuke Hamaguchi, Drive My Car
Steven Spielberg, West Side Story
How I Did: 4/5
Commentary: Hamaguchi getting in wasn’t unforeseen. If so, I figured he’d do so over Anderson, Branagh, or Spielberg and certainly not Villeneuve. That’s what happened. Campion made history today by becoming the first female nominee to get a second nomination. All signs point to her becoming the third (after Kathryn Bigelow and Chloe Zhao) to win.
Best Actress
Nominees:
Jessica Chastain, The Eyes of Tammy Faye
Olivia Colman, The Lost Daughter
Penelope Cruz, Parallel Mothers
Nicole Kidman, Being the Ricardos
Kristen Stewart, Spencer
How I Did: 4/5
Commentary: We now arrive at the biggest head scratcher of the major categories. Gaga’s aforementioned omission is truly unexpected (Cruz takes her slot). The precursors (BAFTA, Globes, SAG) have been all over the map and there’s no obvious favorite. I would say Cruz doesn’t stand much of a chance, but the other four do (it’s a lot like last year’s Actress derby). This is also the first time since 2005 where no Actress hopeful has their film in contention for Best Picture. Kidman’s Globe win could help and we’ll see what SAG does, but this is wide open.
Best Actor
Nominees:
Javier Bardem, Being the Ricardos
Benedict Cumberbatch, The Power of the Dog
Andrew Garfield, Tick, Tick… Boom!
Will Smith, King Richard
Denzel Washington, The Tragedy of Macbeth
How I Did: 5/5
Commentary: That’s more like it! Smith (especially after Richard‘s good morning) is out ahead though I could see Cumberbatch definitely threatening after Dog‘s very good morning. Fun tidbit: not since 1980 has the Best Actor race consisted entirely of previous nominees until today.
Best Supporting Actress
Nominees:
Jessie Buckley, The Lost Daughter
Ariana DeBose, West Side Story
Judi Dench, Belfast
Kirsten Dunst, The Power of the Dog
Aunjanue Ellis, King Richard
How I Did: 3/5
Commentary: This was the first race announced today and the jaws of prognosticators dropped immediately. Buckley and (especially) Dench were not anticipated by most. I didn’t even have either as my runner-up or second alternate. They displace Ruth Negga (Passing) and Dench’s costar Caitriona Balfe. While the lineup is different than we thought, the frontrunner (DeBose) remains the same with Dunst (getting her first nod) as a possible upset pick.
Best Supporting Actor
Nominees:
Ciaran Hinds, Belfast
Troy Kotsur, CODA
Jesse Plemons, The Power of the Dog
J.K. Simmons, Being the Ricardos
Kodi Smit-McPhee, The Power of the Dog
How I Did: 4/5
Commentary: Simmons in over Bradley Cooper in Licorice Pizza. Mr. Cooper has two movies contending for BP but no singling out to show for it. Smit-McPhee may be out in front but a Kotsur victory is feasible.
Best Original Screenplay
Nominees:
Belfast
Don’t Look Up
King Richard
Licorice Pizza
The Worst Person in the World
How I Did: 3/5
Commentary: Worst Person is the surprise. I didn’t predict Richard though its inclusion was expected. They’re in over Ricardos and Parallel Mothers (which was admittedly a bit of an upset pick from me). This should be between Belfast and Pizza and it may represent the best opportunity for either to grab a statue.
Tidbit: since 2001, there was at least one screenplay contender where it served as its only nomination. Until today.
Best Adapted Screenplay
Nominees:
CODA
Drive My Car
Dune
The Lost Daughter
The Power of the Dog
How I Did: 5/5
Commentary: Let’s not overcomplicate it when we don’t need to. Power is far and away the leader in this pack.
Best Animated Feature
Nominees:
Encanto
Flee
Luca
The Mitchells vs. the Machines
Raya and the Last Dragon
How I Did: 5/5
Commentary: This went as planned. There are three Disney products in the group, but the other two (Flee, Mitchells) are potential roadblocks to Encanto winning. Yet betting against Disney usually isn’t wise in this one and Encanto will probably take it.
Best International Feature Film
Nominees:
Drive My Car
Flee
The Hand of God
Lunana: A Yak in the Classroom
The Worst Person in the World
How I Did: 3/5
Commentary: I’m gonna go ahead and say Lunana is the first Oscar contender with Yak in its title without checking (correct me if wrong). It surprisingly gets in (along with far less surprising The Hand of God) over A Hero and Playground. This one’s simple: anything other than Car would be a massive upset.
Best Documentary Feature
Nominees:
Ascension
Attica
Flee
Summer of Soul
Writing with Fire
How I Did: 2/5
Commentary: There’s that blasted 2 for 5 race! Ascension, Attica, and Fire are up over my selections of Faye Dayi, Procession, and The Rescue (its omission is stunning considering it was a contender to win).
Flee made history by becoming the first film to be nominated for Animated Feature, International Feature Film, and here. This race probably marks its best chance to win, but I wouldn’t sleep on Summer of Soul.
Best Cinematography
Nominees:
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story
How I Did: 4/5
Commentary: Alley over Belfast. Get used to hearing this with the tech categories – Dune might be out in front. Dog could threaten.
Best Costume Design
Nominees:
Cruella
Cyrano
Dune
Nightmare Alley
West Side Story
How I Did: 4/5
Commentary: Cyrano‘s sole nod comes here. I had House of Gucci instead. Dune can’t win all the techs and Cruella could take this.
Best Film Editing
Nominees:
Don’t Look Up
Dune
King Richard
The Power of the Dog
Tick, Tick… Boom!
How I Did: 3/5
Commentary: Richard and Boom! over Belfast and Licorice Pizza. The Belfast omission is particularly notable as BP victors nearly always are nominated here. This could be more Dune gold.
Best Makeup and Hairstyling
Nominees:
Coming 2 America
Cruella
Dune
The Eyes of Tammy Faye
House of Gucci
How I Did: 4/5
Commentary: Went with Suicide Squad over Coming 2 America. Despite its bad performance this morning, Gucci could win this. Or it might just go to Dune.
Best Original Score
Nominees:
Don’t Look Up
Dune
No Time to Die
Parallel Mothers
The Power of the Dog
How I Did: 4/5
Commentary: Went with The French Dispatch (which goose egged) over Mothers. As for the winner (get ready for it) – expect Dune or Dog.
Best Original Song
Nominees:
“Be Alive” from King Richard
“Dos Oruguitas” from Encanto
“Down to Joy” from Belfast
“No Time to Die” from No Time to Die
“Somehow You Do” from Four Good Days
How I Did: 4/5
Commentary: Maybe the surprise here shouldn’t be with “Somehow You Do” over “Just Look Up” from Don’t Look Up. After all, this marks Diane Warren’s 13th nomination and sixth in the last seven years. She’s never won and won’t this time.
“Be Alive” from Beyonce or “Oruguitas” could get it, but “No Time to Die” from Billie Eilish could be the third Bond theme in a row to be celebrated.
Best Production Design
Nominees:
Dune
Nightmare Alley
The Power of the Dog
The Tragedy of Macbeth
West Side Story
How I Did: 4/5
Commentary: Another category where I said French Dispatch and missed. Power gets in instead. While Dune is strong, I wouldn’t be startled to see this as the lone victory for Nightmare Alley.
Best Sound
Nominees:
Belfast
Dune
No Time to Die
The Power of the Dog
West Side Story
How I Did: 5/5
Commentary: You should hear Dune‘s name called.
Best Visual Effects
Nominees:
Dune
Free Guy
No Time to Die
Shang-Chi and the Legend of the Ten Rings
Spider-Man: No Way Home
How I Did: 3/5
Commentary: Free Guy and Spidey over The Matrix Resurrections and Godzilla vs. Kong. As for the winner: See Best Sound.
Here’s the overall nominations break down:
12 Nominations
The Power of the Dog
10 Nominations
Dune
7 Nominations
Belfast, West Side Story
6 Nominations
King Richard
4 Nominations
Don’t Look Up, Drive My Car, Nightmare Alley
3 Nominations
Being the Ricardos, CODA, Encanto, Flee, Licorice Pizza, The Lost Daughter, No Time to Die, The Tragedy of Macbeth
2 Nominations
Cruella, The Eyes of Tammy Faye, Parallel Mothers, Tick, Tick… Boom!, The Worst Person in the World
1 Nomination
Ascension, Attica, Coming 2 America, Cyrano, Four Good Days, Free Guy, The Hand of God, House of Gucci, Luca, Lunana: A Yak in the Classroom, The Mitchells vs. the Machines, Raya and the Last Dragon, Shang-Chi and the Legend of the Ten Rings, Spencer, Spider-Man: No Way Home, Summer of Soul, Writing with Fire
Starting very shortly, you can peruse my Case Of posts in which I write individualized posts for all the contenders in Picture, Director, and the four acting races!
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