Category: Oscar History

Oscar History: 2006

Rocky over Taxi Driver. Ordinary People over Raging Bull. Dances with Wolves over GoodFellas. These are all examples where, in hindsight, pictures directed by Martin Scorsese and the auteur himself probably should have received Oscars wins and not just nominations. In 2002, Scorsese’s Gangs of New York was seen as a Best Picture frontrunner until Chicago stole its thunder. The same held true two years later with The Aviator until Clint Eastwood’s Million Dollar Baby had a late surge and took the prize. By 2006, Scorsese was undoubtedly the most acclaimed director whose films had never won the gold statue. And neither had he.

This would finally come to an end with The Departed, his crime thriller that won Best Picture and this kicks off my 2006 Oscar History.

The other four nominees were Alejandro Gonzales Inarritu’s Babel, Clint Eastwood’s Letters from Iwo Jima, Jonathan Dayton and Valerie Feris’s Little Miss Sunshine, and Stephen Frears’s The Queen. The voters got it right. The Departed was the Best Picture of the year.

As for other pictures I would’ve considered: Alfonso Cuaron’s terrific Children of Men, Guillermo del Toro’s visual feast Pan’s Labyrinth, the Ryan Gosling drama Half Nelson, and Todd Field’s Little Children. And for an outside the box pic – why not Casino Royale, which brought the Bond franchise back in grand fashion and ranks as my 2nd all-time 007 pic after From Russia with Love?

Scorsese, as mentioned before, would win Director over Inarritu, Eastwood, Frears, and Paul Greengrass for United 93. Once again – my list would’ve found room for Cuaron and del Toro.

In the Best Actor race, Forest Whitaker expectedly won for his performance as Idi Amin in The Last King of Scotland. Other nominees: Leonardo DiCaprio for Blood Diamond (many thought he’d get nominated instead for Departed), Ryan Gosling for Half Nelson, Peter O’Toole for Venus (his final nomination), and Will Smith for The Pursuit of Happyness.

Once again, my ballot might’ve listed Daniel Craig for his electric take on James Bond. Others to consider: Clive Owen (Children of Men), Aaron Eckhart (Thank You for Smoking), or Matt Damon’s work in The Departed.

No surprise in the Best Actress race as Helen Mirren’s work as Queen Elizabeth II was honored in The Queen over Penelope Cruz (Volver), Judi Dench (Notes on a Scandal), Meryl Streep (The Devil Wears Prada), and Kate Winslet (Little Children).

That’s a strong Actress category, but I would’ve also had Natalie Portman’s fine performance in V for Vendetta included.

The only true surprise at the 2006 Oscars occurred in the Supporting Actor category where Eddie Murphy’s acclaimed work in Dreamgirls was expected to win. Instead the Academy honored Alan Arkin’s performance in Little Miss Sunshine. Other nominees: Jackie Earle Haley (Little Children), Djimon Hounsou (Blood Diamond), and Mark Wahlberg (The Departed).

Instead of Wahlberg, many believed it would be Jack Nicholson for Departed that received the nomination. I was cool with it – considering Nicholson had already won three times before and this marked Wahlberg’s first nod. Other names I would have possibly included: Steve Carell (Little Miss Sunshine), Stanley Tucci (The Devil Wears Prada), Michael Sheen (The Queen), and for his brilliant comedic work – John C. Reilly in Talladega Nights: The Ballad of Ricky Bobby.

Jennifer Hudson had the distinction of being the first “American Idol” contestant turned Oscar winner with her lauded role in Dreamgirls – winning out over Babel actresses Adriana Barraza and Rinko Kikuchi, young Abigail Breslin from Little Miss Sunshine, and Cate Blanchett in Notes on a Scandal.

My list would have absolutely included Shareeka Epps with her fabulous work in Half Nelson and probably Vera Farmiga in The Departed.

And that’s your 2006 Oscar history! I’ll be back soon with 2007 where another beloved director (s) would take home their first Oscar gold.

Oscar History: 2005

The 2005 Oscars showcased easily the biggest Best Picture upset since 1998 when Shakespeare in Love won out over Saving Private Ryan. This time around, Ang Lee’s cowboy romance Brokeback Mountain was widely expected to take the top prize.

However, at the end of the evening, it was Jack Nicholson reading the name of Paul Haggis’s Crash as the winner. Other nominees were Bennett Miller’s Capote, George Clooney’s Good Night, and Good Luck, and Steven Spielberg’s Munich.

The ensemble race relations drama Crash has since garnered the reputation of one of the most undeserving Best Pic recipients of all time. While I agree it wasn’t the year’s best, it’s a pretty damn good film in my estimation. Other flicks I would’ve considered: Woody Allen’s Match Point and Christopher Nolan’s Batman Begins, which I rank as the greatest superhero flick of all time.

While Mountain was snubbed for the big prize, Ang Lee did take Best Director in a category where the nominated directors matched the pictures honored (this was rare before the Academy switched to five to ten nominees in 2009). Lee won out over Haggis, Miller, Clooney, and Spielberg.

The Best Actor category went as planned with Philip Seymour Hoffman winning for his spot-on portrayal of Capote. Other nominees: Terrence Howard in Hustle&Flow, Heath Ledger in Brokeback Mountain, Joaquin Phoenix for Walk the Line, and David Strathairn in Good Night, and Good Luck.

I might have considered Russell Crowe in Cinderella Man or Viggo Mortensen in A History of Violence. Of course, the Academy rarely honors comedy which left out someone else I would have thought about – Steve Carell for his terrific work in The 40 Yr. Old Virgin.

As June Carter Cash, Reese Witherspoon was victorious in the Best Actress category in Walk the Line, over Judi Dench for Mrs. Henderson Presents, Felicity Huffman in Transamerica, Keira Knightley in Pride&Prejudice, and Charlize Theron for North Country.

My list would have certainly included Scarlett Johannson in Match Point.

George Clooney won Supporting Actor for Syriana over Matt Dillon in Crash, Paul Giamatti in Cinderella Man, Jake Gyllenhall in Brokeback Mountain, and William Hurt in A History of Violence.

Clifton Collins Jr.’s fine work in Capote should have been included and, for an outside the box pick, Mickey Rourke in a memorable role in Sin City.

Rachel Weisz’s win for Supporting Actress in The Constant Gardener showcased a weak category that included Amy Adams in Junebug, Catherine Keener in Capote, Frances McDormand in North Country, and Michelle Williams in Brokeback Mountain.

Two performances jump out in my mind that I would’ve had: Maria Bello in A History of Violence and Taryn Manning in Hustle&Flow.

Ultimately the 2005 Oscars will be remembered for that Crash upset. This would also not be the last time where Ang Lee would take home Best Director without his project winning Best Picture. We’ll get to that in an Oscar History post in the future.

An Alternative Oscar History: 1990-Present

***Updated to the present

Whether or not you agree with the considerable power that the Oscars have in the world of film, there is no question that it does. When a movie wins Best Picture, it almost always adds millions to its box office gross. Actors who win their categories are granted instant access to better projects (have you noticed trailers love to tout “Oscar winner” so and so?). I have been tracking the awards closely for quite some time as you may have noticed from my 2013 Oscar predictions… round 4 coming soon!

So – this post focuses on an alternative Oscar history. If the pictures and directors and actors and actresses and supporting actors and supporting actresses in their respective categories hadn’t won that year, who would have? This speculation is based on what was happening during those years prediction wise and who I believe was the likely runner-up. In some cases, the winners truly were surprising over a more obvious candidate. Marisa Tomei was not expected to be awarded Supporting Actress in 1992 for My Cousin Vinny. Neither was Anna Paquin a year later for The Piano. Many were surprised when Crash won Best Picture in 2005.

Of course, there’s also times when the winner seems preordained and nobody really thinks anything or anyone else has a shot. Schindler’s List in 1993 comes to mind. Or Daniel Day-Lewis for Best Actor in Lincoln last year.

We’ll cover the years 1990-2012 and I hope you’ll find it interesting to see what might have been. For each year in the six major categories, I’ll list the “alternate” winner with the real recipient in parentheses.

1990

Picture: GoodFellas (Dances with Wolves)

Director: Martin Scorsese, GoodFellas (Kevin Costner, Dances with Wolves)

Actor: Robert De Niro, Awakenings (Jeremy Irons, Reversal of Fortune)

Actress: Anjelica Huston, The Grifters (Kathy Bates, Misery)

Supporting Actor: Bruce Davison, Longtime Companion (Joe Pesci, GoodFellas)

Supporting Actress: Annette Bening, The Grifters (Whoopi Goldberg, Ghost)

1991

Picture: Bugsy (The Silence of the Lambs)

Director: Barry Levinson, Bugsy (Jonathan Demme, The Silence of the Lambs)

Actor: Nick Nolte, The Prince of Tides (Anthony Hopkins, The Silence of the Lambs)

Actress: Susan Sarandon, Thelma&Louise (Jodie Foster, The Silence of the Lambs)

Supporting Actor: Harvey Keitel, Bugsy (Jack Palance, City Slickers)

Supporting Actress: Kate Nelligan, The Prince of Tides (Mercedes Ruehl, The Fisher King)

1992

Picture: Howards End (Unforgiven)

Director: James Ivory, Howards End (Clint Eastwood, Unforgiven)

Actor: Denzel Washington, Malcolm X (Al Pacino, Scent of a Woman)

Actress: Susan Sarandon, Lorenzo’s Oil (Emma Thompson, Howards End)

Supporting Actor: Jaye Davidson, The Crying Game (Gene Hackman, Unforgiven)

Supporting Actress: Judy Davis, Husbands and Wives (Maria Tomei, My Cousin Vinny)

1993

Picture: The Piano (Schindler’s List)

Director: Jane Campion, The Piano (Steven Spielberg, Schindler’s List)

Actor: Anthony Hopkins, The Remains of the Day (Tom Hanks, Philadelphia)

Actress: Emma Thompson, The Remains of the Day (Holly Hunter, The Piano)

Supporting Actor: Ralph Fiennes, Schindler’s List (Tommy Lee Jones, The Fugitive)

Supporting Actress: Winona Ryder, The Age of Innocence (Anna Paquin, The Piano)

1994

Picture: Pulp Fiction (Forrest Gump)

Director: Quentin Tarantino, Pulp Fiction (Robert Zemeckis, Forrest Gump)

Actor: Paul Newman, Nobody’s Fool (Tom Hanks, Forrest Gump)

Actress: Jodie Foster, Nell (Jessica Lange, Blue Sky)

Supporting Actor: Samuel L. Jackson, Pulp Fiction (Martin Landau, Ed Wood)

Supporting Actress: Rosemary Harris, Tom&Viv (Dianne Wiest, Bullets Over Broadway)

1995

Picture: Sense and Sensibility (Braveheart)

Director: Michael Radford, Il Postino (Mel Gibson, Braveheart)

Actor: Sean Penn, Dead Man Walking (Nicolas Cage, Leaving Las Vegas)

Actress: Elisabeth Shue, Leaving Las Vegas (Susan Sarandon, Dead Man Walking)

Supporting Actor: Ed Harris, Apollo 13 (Kevin Spacey, The Usual Suspects)

Supporting Actress: Joan Allen, Nixon (Mira Sorvino, Mighty Aphrodite)

1996

Picture: Fargo (The English Patient)

Director: Joel Coen, Fargo (Anthony Minghella, The English Patient)

Actor: Tom Cruise, Jerry Maguire (Geoffrey Rush, Shine)

Actress: Brenda Blethyn, Secrets and Lies (Frances McDormand, Fargo)

Supporting Actor: Edward Norton, Primal Fear (Cuba Gooding Jr., Jerry Maguire)

Supporting Actress: Lauren Bacall, The Mirror Has Two Faces (Juliette Binoche, The English Patient)

1997

Picture: L.A. Confidential (Titanic)

Director: Curtis Hanson, L.A. Confidential (James Cameron, Titanic)

Actor: Robert Duvall, The Apostle (Jack Nicholson, As Good As It Gets)

Actress: Julie Christie, Afterglow (Helen Hunt, As Good As It Gets)

Supporting Actor: Burt Reynolds, Boogie Nights (Robin Williams, Good Will Hunting)

Supporting Actress: Joan Cusack, In&Out (Kim Basinger, L.A. Confidential)

1998

Picture: Saving Private Ryan (Shakespeare in Love)

Director: John Madden, Shakespeare in Love (Steven Spielberg, Saving Private Ryan)

Actor: Ian McKellen, Gods and Monsters (Roberto Benigni, Life is Beautiful)

Actress: Cate Blanchett, Elizabeth (Gwyneth Paltrow, Shakespeare in Love)

Supporting Actor: Ed Harris, The Truman Show (James Coburn, Affliction)

Supporting Actress: Lynn Redgrave, Gods and Monsters (Judi Dench, Shakespeare in Love)

1999

Picture: The Insider (American Beauty)

Director: Michael Mann, The Insider (Sam Mendes, American Beauty)

Actor: Denzel Washington, The Hurricane (Kevin Spacey, American Beauty)

Actress: Annette Bening, American Beauty (Hilary Swank, Boys Don’t Cry)

Supporting Actor: Tom Cruise, Magnolia (Michael Caine, The Cider House Rules)

Supporting Actress: Chloe Sevigny, Boys Don’t Cry (Angelina Jolie, Girl, Interrupted)

2000

Picture: Traffic (Gladiator)

Director: Ridley Scott, Gladiator (Steven Soderbergh, Traffic)

Actor: Tom Hanks, Cast Away (Russell Crowe, Gladiator)

Actress: Ellen Burstyn, Requiem for a Dream (Julia Roberts, Erin Brockovich)

Supporting Actor: Willem Dafoe, Shadow of the Vampire (Benicio del Toro, Traffic)

Supporting Actress: Kate Hudson, Almost Famous (Marcia Gay Harden, Pollock)

2001

Picture: Lord of the Rings: The Fellowship of the Ring (A Beautiful Mind)

Director: Peter Jackson, Lord of the Rings: The Fellowship of the Ring (Ron Howard, A Beautiful Mind)

Actor: Russell Crowe, A Beautiful Mind (Denzel Washington, Training Day)

Actress: Sissy Spacek, In the Bedroom (Halle Berry, Monster’s Ball)

Supporting Actor: Ben Kingsley, Sexy Beast (Jim Broadbent, Moulin Rouge)

Supporting Actress: Helen Mirren, Gosford Park (Jennifer Connelly, A Beautiful Mind)

2002

Picture: The Pianist (Chicago)

Director: Martin Scorsese, Gangs of New York (Roman Polanski, The Pianist)

Actor: Daniel Day-Lewis, Gangs of New York (Adrien Brody, The Pianist)

Actress: Julianne Moore, Far From Heaven (Nicole Kidman, The Hours)

Supporting Actor: Christopher Walken, Catch Me If You Can (Chris Cooper, Adaptation)

Supporting Actress: Meryl Streep, Adaptation (Catherine Zeta-Jones, Chicago)

2003

Picture: Mystic River (The Lord of the Rings: The Return of the King)

Director: Clint Eastwood, Mystic River (Peter Jackson, The Lord of the Rings: The Return of the King)

Actor: Bill Murray, Lost in Translation (Sean Penn, Mystic River)

Actress: Diane Keaton, Something’s Gotta Give (Charlize Theron, Monster)

Supporting Actor: Alec Baldwin, The Cooler (Tim Robbins, Mystic River)

Supporting Actress: Holly Hunter, Thirteen (Renee Zellwegger, Cold Mountain)

2004

Picture: The Aviator (Million Dollar Baby)

Director: Martin Scorsese, The Aviator (Clint Eastwood, Million Dollar Baby)

Actor: Leonardo DiCaprio, The Aviator (Jamie Foxx, Ray)

Actress: Annette Bening, Being Julia (Hilary Swank, Million Dollar Baby)

Supporting Actor: Thomas Haden Church, Sideways (Morgan Freeman, Million Dollar Baby)

Supporting Actress: Natalie Portman, Closer (Cate Blanchett, The Aviator)

2005

Picture: Brokeback Mountain (Crash)

Director: Paul Haggis, Crash (Ang Lee, Brokeback Mountain)

Actor: Joaquin Phoenix, Walk the Line (Philip Seymour Hoffman, Capote)

Actress: Felicity Huffman, Transamerica (Reese Witherspoon, Walk the Line)

Supporting Actor: Paul Giamatti, Cinderella Man (George Clooney, Syriana)

Supporting Actress:  Michelle Williams, Brokeback Mountain (Rachel Weisz, The Constant Gardner)

2006

Picture: Babel (The Departed)

Director: Alejandro Gonzalez Inarritu, Babel (Martin Scorsese, The Departed)

Actor: Peter O’Toole, Venus (Forest Whitaker, The Last King of Scotland)

Actress: Kate Winslet, Little Children (Helen Mirren, The Queen)

Supporting Actor: Eddie Murphy, Dreamgirls (Alan Arkin, Little Miss Sunshine)

Supporting Actress: Abigail Breslin, Little Miss Sunshine (Jennifer Hudson, Dreamgirls)

2007

Picture: There Will Be Blood (No Country for Old Men)

Director: Paul Thomas Anderson, There Will Be Blood (Joel and Ethan Coen, No Country for Old Men)

Actor: George Clooney, Michael Clayton (Daniel Day-Lewis, There Will Be Blood)

Actress: Julie Christie, Away from Her (Marion Cotillard, La Vie En Rose)

Supporting Actor: Hal Holbrook, Into the Wild (Javier Bardem, No Country for Old Men)

Supporting Actress: Cate Blanchett, I’m Not There (Tilda Swinton, Michael Clayton)

2008

Picture: The Reader (Slumdog Millionaire)

Director: David Fincher, The Curious Case of Benjamin Button (Danny Boyle, Slumdog Millionaire)

Actor: Mickey Rourke, The Wrestler (Sean Penn, Milk)

Actress: Meryl Streep, Doubt (Kate Winslet, The Reader)

Supporting Actor: Josh Brolin, Milk (Heath Ledger, The Dark Knight)

Supporting Actress: Viola Davis, Doubt (Penelope Cruz, Vicky Christina Barcelona)

2009

Picture: Avatar (The Hurt Locker)

Director: James Cameron, Avatar (Kathryn Bigelow, The Hurt Locker)

Actor: George Clooney, Up in the Air (Jeff Bridges, Crazy Heart)

Actress: Gabourey Sidibe, Precious (Sandra Bullock, The Blind Side)

Supporting Actor: Christopher Plummer, The Last Station (Christoph Waltz, Inglourious Basterds)

Supporting Actress: Maggie Gyllenhall, Crazy Heart (Mo’Nique, Precious)

2010

Picture: The Social Network (The King’s Speech)

Director: David Fincher, The Social Network (Tom Hooper, The King’s Speech)

Actor: James Franco, 127 Hours (Colin Firth, The King’s Speech)

Actress: Annette Bening, The Kids Are All Right (Natalie Portman, Black Swan)

Supporting Actor: Geoffrey Rush, The King’s Speech (Christian Bale, The Fighter)

Supporting Actress: Hailee Steinfeld, True Grit (Melissa Leo, The Fighter)

2011

Picture: The Descendants (The Artist)

Director: Martin Scorsese, Hugo (Michel Hazanavicius, The Artist)

Actor: George Clooney, The Descendants (Jean Dujardin, The Artist)

Actress: Viola Davis, The Help (Meryl Streep, The Iron Lady)

Supporting Actor: Nick Nolte, Warrior (Christopher Plummer, Beginners)

Supporting Actress: Berenice Bejo, The Artist (Octavia Spencer, The Help)

2012

Picture: Life of Pi (Argo)

Director: Steven Spielberg, Lincoln (Ang Lee, Life of Pi)

Actor: Hugh Jackman, Les Miserables (Daniel Day-Lewis, Lincoln)

Actress: Jessica Chastain, Zero Dark Thirty (Jennifer Lawrence, Silver Linings Playbook)

Supporting Actor: Tommy Lee Jones, Lincoln (Christoph Waltz, Django Unchained)

Supporting Actress: Sally Field, Lincoln (Anne Hathaway, Les Miserables)

2013

Picture: American Hustle (12 Years a Slave)

Director: David O. Russell, American Hustle (Alfonso Cuaron, Gravity)

Actor: Leonardo DiCaprio, The Wolf of Wall Street (Matthew McConaughey, Dallas Buyers Club)

Actress: Sandra Bullock, Gravity (Cate Blanchett, Blue Jasmine)

Supporting Actor: Michael Fassbender, 12 Years a Slave (Jared Leto, Dallas Buyers Club)

Supporting Actress: Jennifer Lawrence, American Hustle (Lupita Nyong’o, 12 Years a Slave)

2014

Picture: Boyhood (Birdman)

Director: Richard Linklater, Boyhood (Alejandro Gonzalez Inarritu, Birdman)

Actor: Michael Keaton, Birdman (Eddie Redmayne, The Theory of Everything)

Actress: Reese Witherspoon, Wild (Julianne Moore, Still Alice)

Supporting Actor: Edward Norton, Birdman (J.K. Simmons, Whiplash)

Supporting Actress: Emma Stone, Birdman (Patricia Arquette, Boyhood)

2015

Picture: The Revenant (Spotlight)

Director: George Miller, Mad Max: Fury Road (Alejandro Gonzalez Inarritu, The Revenant)

Actor: Bryan Cranston, Trumbo (Leonardo DiCaprio, The Revenant)

Actress: Saoirse Ronan, Brooklyn (Brie Larson, Room)

Supporting Actor: Sylvester Stallone, Creed (Mark Rylance, Bridge of Spies)

Supporting Actress: Kate Winslet, Steve Jobs (Alicia Vikander, The Danish Girl)

2016

Picture: La La Land (Moonlight)

Director: Barry Jenkins, Moonlight (Damien Chazelle, La La Land)

Actor: Denzel Washington, Fences (Casey Affleck, Manchester by the Sea)

Actress: Isabelle Huppert, Elle (Emma Stone, La La Land)

Supporting Actor: Dev Patel, Lion (Mahershala Ali, Moonlight)

Supporting Actress: Naomie Harris, Moonlight (Viola Davis, Fences)

2017

Picture: Three Billboards Outside, Ebbing Missouri (The Shape of Water)

Director: Christopher Nolan, Dunkirk (Guillermo del Toro, The Shape of Water)

Actor: Timothee Chalamet, Call Me by Your Name (Gary Oldman, Darkest Hour)

Actress: Sally Hawkins, The Shape of Water (Frances McDormand, Three Billboards Outside Ebbing, Missouri)

Supporting Actor: Willem Dafoe, The Florida Project (Sam Rockwell, Three Billboards Outside Ebbing, Missouri)

Supporting Actress: Laurie Metcalf, Lady Bird (Allison Janney, I, Tonya)

2018

Picture: Roma (Green Book)

Director: Spike Lee, BlacKkKlansman (Alfonso Cuaron, Roma)

Actor: Christian Bale, Vice (Rami Malek, Bohemian Rhapsody)

Actress: Glenn Close, The Wife (Olivia Colman, The Favourite)

Supporting Actor: Richard E. Grant, Can You Ever Forgive Me? (Mahershala Ali, Green Book)

Supporting Actress: Rachel Weisz, The Favourite (Regina King, If Beale Street Could Talk)

2019

Picture: 1917 (Parasite)

Director: Sam Mendes, 1917 (Bong Joon-Ho, Parasite)

Actor: Adam Driver, Marriage Story (Joaquin Phoenix, Joker)

Actress: Charlize Theron, Bombshell (Renee Zellweger, Judy)

Supporting Actor: Tom Hanks, A Beautiful Day in the Neighborhood (Brad Pitt, Once Upon a Time in Hollywood)

Supporting Actress: Scarlett Johansson, Jojo Rabbit (Laura Dern, Marriage Story)

2020

Picture: The Father (Nomadland)

Director: David Fincher, Mank (Chloe Zhao, Nomadland)

Actor: Chadwick Boseman, Ma Rainey’s Black Bottom (Anthony Hopkins, The Father)

Actress: Viola Davis, Ma Rainey’s Black Bottom (Frances McDormand, Nomadland)

Supporting Actor: Paul Raci, Sound of Metal (Daniel Kaluuya, Judas and the Black Messiah)

Supporting Actress: Olivia Colman, The Father (Yuh-jung Youn, Minari)

2021

Picture: The Power of the Dog (CODA)

Director: Steven Spielberg, West Side Story (Jane Campion, The Power of the Dog)

Actor: Benedict Cumberbatch, The Power of the Dog (Will Smith, King Richard)

Actress: Kristen Stewart, Spencer (Jessica Chastain, The Eyes of Tammy Faye)

Supporting Actor: Kodi Smit-McPhee, The Power of the Dog (Troy Kotsur, CODA)

Supporting Actress: Kirsten Dunst, The Power of the Dog (Ariana DeBose, West Side Story)

2022

Picture: All Quiet on the Western Front (Everything Everywhere All at Once)

Director: Steven Spielberg, The Fabelmans (Daniels, Everything Everywhere All at Once)

Actor: Austin Butler, Elvis (Brendan Fraser, The Whale)

Actress: Cate Blanchett, Tár (Michelle Yeoh, Everything Everywhere All at Once)

Supporting Actor: Barry Keoghan, The Banshees of Inisherin (Ke Huy Quan, Everything Everywhere All at Once)

Supporting Actress: Angela Bassett, Black Panther: Wakanda Forever (Jamie Lee Curtis, Everything Everywhere All at Once)

2023

Picture: Poor Things (Oppenheimer)

Director: Jonathan Glazer, The Zone of Interest (Christopher Nolan, Oppenheimer)

Actor: Paul Giamatti, The Holdovers (Cillian Murphy, Oppenheimer)

Actress: Lily Gladstone, Killers of the Flower Moon (Emma Stone, Poor Things)

Supporting Actor: Ryan Gosling, Barbie (Robert Downey Jr., Oppenheimer)

Supporting Actress: Emily Blunt, Oppenheimer (Da’Vine Joy Randoloph, The Holdovers)

2024

Picture: Conclave (Anora)

Director: Brady Corbet, The Brutalist (Sean Baker, Anora)

Actor: Timothée Chalamet, A Complete Unknown (Adrien Brody, The Brutalist)

Actress: Demi Moore, The Substance (Mikey Madison, Anora)

Supporting Actor: Edward Norton, A Complete Unknown (Kieran Culkin, A Real Pain)

Supporting Actress: Isabella Rossellini, Conclave (Zoe Saldaña, Emilia Pérez)

And there you have it! My Alternative Oscar History since 1990!

Oscar History: 2004

In 1976, Martin Scorsese’s Taxi Driver was seen as a strong possibility to win Best Picture at the Oscars until a boxing movie unexpectedly captured audiences attention and took the prize. That would, of course, be Rocky. Fast forward to 2004 where Scorsese’s Howard Hughes biopic The Aviator seemed to be the odds-on favorite for Best Pic until, yet again, a pugilistic tale surprised moviegoers late in the awards season.

Clint Eastwood’s Million Dollar Baby wasn’t even talked about much as an awards contender during 2004’s calendar year. It was released very late in the year, but it turned out to be great timing. 

Baby would win the top award over The Aviator, as well as Marc Forster’s Finding Neverland, Taylor Hackford’s Ray, and Alexander Payne’s Sideways.

As for other contenders not recognized, the Academy would ignore Quentin Tarantino’s fantastic Kill Bill and its Volume II after snubbing the first installment the year prior. It’s also worth noting that the greatest Harry Potter flick in the franchise (in my view) Prisoner of Azkaban could have been honored too. And there’s Michel Gondry’s highly original critical favorite Eternal Sunshine of the Spotless Mind. And a favorite of audiences – Mel Gibson’s mega-blockbuster Passion of the Christ. Any of one of these pics should have at least replaced Finding Neverland, which was decent but doesn’t belong in the category.

The Baby boom would extend to Eastwood, who won Best Director exactly a dozen years after winning the same award for Unforgiven. This prevented Scorsese from winning his first Oscar. Other nominees included Hackford, Payne, and Mike Leigh for Vera Drake. 

Once again – Gondry, Tarantino, and Gibson are names worth mentioning that didn’t get in the mix.

Jamie Foxx would take Best Actor for his dead-on portrayal of the legendary singer Ray Charles in Ray, winning out over Leonardo DiCaprio in The Aviator, Don Cheadle in Hotel Rwanda, Eastwood in Million Dollar Baby, and Johnny Depp in Finding Neverland.

One major snub was Paul Giamatti for his fine work in Sideways. The Academy yet again snubbed Jim Carrey in Eternal Sunshine.

Hilary Swank won her second Best Actress award in five years for Baby (in 1999, she was victorious in Boys Don’t Cry). Other nominees: Annette Bening in Being Julia, Catalina Sandino Moreno in Maria Full of Grace, Imelda Staunton in Vera Drake, and Kate Winslet for Eternal Sunshine.

Once again, it was Uma Thurman left out for her work in the Kill Bill franchise.

Morgan Freeman would win his first Oscar in the Supporting Actor race for Million Dollar Baby over Alan Alda in The Aviator, Thomas Haden Church for Sideways, Jamie Foxx in Collateral, and Clive Owen in Closer. 

Not to keep bringing up Kill Bill, but the late David Carradine should have been nominated.

The Aviator would finally receive some Academy recognition with Cate Blanchett winning Supporting Actress with her portrayal as Katherine Hepburn. Other nominees: Laura Linney in Kinsey, Virginia Madsen for Sideways, Sophie Okonedo in Hotel Rwanda, and Natalie Portman for Closer. 

After all my mentions for Kill Bill and Eternal Sunshine receiving snubs, there’s one other 2004 pic that demonstrates the Academy’s constant ability to ignore comedies. So I give you the following snubs –

Best Actor – Will Ferrell, Anchorman: The Legend of Ron Burgundy

Best Supporting Actor – Steve Carell, Anchorman: The Legend of Ron Burgundy

Best Supporting Actor – Paul Rudd, Anchorman: The Legend of Ron Burgundy

Best Supporting Actor – David Koechner, Anchorman: The Legend of Ron Burgundy

Best Scene Involving a Cannonball – Anchorman: The Legend of Ron Burgundy

Best Scene With a Dog Being Punted – Anchorman: The Legend of Ron Burgundy

Best Rendition of “Afternoon Delight” In a Movie: Anchorman: The Legend of Ron Burgundy

I’ll be back with Oscar History: 2005 soon, my friends!

Oscar History: 2003

At the Oscar ceremony in 2003, Academy voters clearly were in the mode of honoring Peter Jackson’s Lord of the Rings trilogy. Lord of the Rings: Return of the King was the third and final entry in the series. The first two, Fellow of the Ring and The Two Towers, had been nominated for Best Picture in 2001 and 2002, but not won.

A similar fate would not befall Return of the King. The Tolkien adapted pic took the top prize over Sofia Coppola’s Lost in Translation, Peter Weir’s Master and Commander: The Far Side of the World, Clint Eastwood’s Mystic River, and Gary Ross’s Seabiscuit.

I certainly haven no issue with King, Mystic, and Translation‘s nomination. While I liked Commander and Seabiscuit, other titles would’ve made the list for me. How about Fernando Meirelles’s terrific City of God, for one? Or American Splendor, the very original biopic about Harvey Pekar. Or Quentin Tarantino’s electrifying genre mix-up Kill Bill – Volume One. 

Rings director Peter Jackson would win Best Director over Coppola, Eastwood, Weir, and City of God‘s Meirelles. Once again, I would’ve given serious consideration to Mr. Tarantino especially.

Sean Penn would win his first Oscar in the Best Actor race as a grieving father bent on revenge in Mystic River. He was expected to win and he beat out a solid group that included Johnny Depp in his first appearance as Captain Jack in Pirates of the Caribbean, Ben Kingsley in House of Sand and Fog, Jude Law in Cold Mountain, and the incomparable Bill Murray earning his first nomination for Lost in Translation.

I would have replaced Jude Law with Paul Giamatti’s brilliant work in American Splendor. William H. Macy also gave a fine performance in The Cooler. On the comedic side, how about Will Ferrell in Elf or Billy Bob Thornton as Bad Santa?

As expected, Charlize Theron’s shocking and highly effective performance in Monster would earn her Best Actress. Other nominees: Keisha Castle-Hughes in Whale Rider, Diane Keaton in Something’s Gotta Give, Samantha Morton for In America, and Naomi Watts in 21 Grams.

I absolutely would have found room for Bill Murray’s counterpart in Lost in Translation, Scarlett Johannson and Uma Thurman in the first Kill Bill. Others for consideration: Jennifer Connelly in House of Sand and Fog and Maria Bello in The Cooler.

The Mystic River acting love would extend to Tim Robbins, who took Supporting Actor over Alec Baldwin in The Cooler, Benicio del Toro in 21 Grams, Djimon Hounsou for In America, and Ken Watanabe in The Last Samurai.

Others for consideration: the fine work of Jeff Bridges in Seabiscuit. And, at this point, I will confess to being a huge fan of Love Actually. And the work of Bill Nighy as an inappropriate aging rocker might have made my cut.

While Cold Mountain did not get a Best Picture nod as the studio clearly hoped it would, Renee Zellweger would win Supporting Actress for the film. Zellwegger won over Shohreh Aghdashloo in House of Sand and Fog, Patricia Clarkson for Pieces of April, Marcia Gay Harden in Mystic River, and Holly Hunter for Thirteen. 

Ms. Charlize Theron’s remarkable work clearly overshadowed Christina Ricci, who was left off in this category for Monster. I also would’ve considered Hope Davis in American Splendor. And for the comedic performers who are too often ignored, how about Joan Cusack as the tightly wound headmaster in School of Rock?

In retrospect, 2003 was the year of the King and Peter Jackson’s groundbreaking trilogy.

Oscar History: 2002

2002 was a vast improvement over 2001 at the theaters and this was reflected in the lineup of Oscar nominations in the major categories. In my view, however, there were a number of worthy titles that were snubbed.

The Best Picture race went as planned with Rob Marshall’s Chicago taking the top prize. The musical garnered the love of the Academy and it leapfrogged the early favorite, Martin Scorsese’s Gangs of New York for top honors. Other nominees: Roman Polanski’s The Pianist, Stephen Daldry’s The Hours, and Peter Jackson’s The Lord of the Rings: The Two Towers. 

Other titles that I believe merited consideration: Alexander Payne’s About Schmidt and Spike Jonze’s Adaptation. And I would’ve given some thought to my favorite M. Night Shyamalan thrill-fest Signs, which I believe to be slightly superior to The Sixth Sense.

However, my favorite film of the year was Steven Spielberg’s Minority Report and I unquestionably would have included it.

While the Best Picture category winner was not a surprise – Best Director was. While the recipient of Picture and Director usually match, that was not expected in 2002. Rob Marshall’s Chicago won and he was nominated, but the smart money was on Martin Scorsese to win his first Directing Oscar for Gangs. Surprise, surprise. The winner called was Roman Polanski for The Pianist. Of course, Mr. Polanski was not in the auditorium to accept. If you don’t know why, Google his name and find out. Other nominees were Daldry for The Hours and Pedro Almodovar for Talk to Her. Peter Jackson was the odd man out for his work on the second Lord of the Rings entry.

Obviously, I would’ve had Spielberg on my list for Report. Even if you didn’t love the movie like I did, the direction was amazing.

The surprises continued in the Best Actor field. The two favorites were Daniel Day-Lewis for Gangs of New York and Jack Nicholson for About Schmidt. But The Pianist surprises continued when its relatively unknown star Adrien Brody took the statue… and memorably accepted the award by planting a long smooch on presenter Halle Berry. Other nominees: Nicolas Cage in Adaptation and Michael Caine in The Quiet American.

While nearly all major Chicago actors were nominated, Richard Gere missed the cut for his leading role. And I may have had Leonardo DiCaprio’s impressive work in another Spielberg pic, Catch Me If You Can.

The surprises stopped with Nicole Kidman, who won Best Actress for The Hours, as expected. Other nominees: Salma Hayek for Frida, Diane Lane in Unfaithful, Julianne Moore in Far From Heaven, and Renee Zellwegger in Chicago. 

A couple of other worthy names: Jennifer Aniston’s surprising and effective performance as a Midwestern housewife in The Good Girl and Jodie Foster’s fine work as a mother dealing with new home problems in Panic Room.

The Supporting Actor race would honor Chris Cooper for his work in Adaptation. Cooper won out over Ed Harris in The Hours, Paul Newman in Road to Perdition, John C. Reilly in Chicago, and Christopher Walken for Catch Me If You Can.

That’s a solid group of nominees there. I might have put in Ray Liotta for his menacing role in Narc, but no big complaints here.

Catherine Zeta-Jones would win Supporting Actress for her heralded work in Chicago. The other nominees were Kathy Bates in About Schmidt, Queen Latifah in Chicago, Julianne Moore in The Hours, and Meryl Streep in Adaptation.

Three other first-rate performances I would’ve thought about: Toni Collette in About a Boy, Hope Davis for About Schmidt, and Amanda Peet for Igby Goes Down.

In closing, 2002 was a year in which Chicago reigned supreme, but The Pianist provided some major surprises in other big categories.

Oscar History: 2001

As far as film history, the year 2001 will most be remembered for the first installments of two billion dollar franchises, The Lord of the Rings and Harry Potter. Other than that, not much will be remembered about the year. It was an exceptionally weak year for movies.

This was reflected in a relatively unimpressive group of Best Picture nominees. Ron Howard’s good but not great A Beautiful Mind would take top prize against Robert Altman’s Gosford Park, Todd Field’s In the Bedroom, and Baz Luhrmann’s Moulin Rouge. The other nominee: Peter Jackson’s Lord of the Rings: The Fellowship of the Ring, which began a three-year streak of the franchise’s entry being nominated.

I’ve always felt Fellowship was the best of the trilogy and I certainly would’ve had no problem with it winning over Mind. The Academy decided against some edgier material, such as David Lynch’s critically lauded Mulholland Drive and Chris Nolan’s twisty thriller Memento.

Ron Howard took Best Director over Altman and Jackson. Lynch would be nominated here for Mulholland, as well as Ridley Scott for Black Hawk Down. Field and Luhrmann were the two auteurs whose Picture was nominated left out. Certainly, I would’ve reserved a slot for Nolan for his work in Memento.

Denzel Washington would earn his first Best Actor prize for Training Day (he won Supporting Actor for Glory in 1989). Other nominees: previous year’s winner Russell Crowe for Mind, Sean Penn for I Am Sam, Will Smith as Ali, and Tom Wilkinson for In the Bedroom.

I would have considered Johnny Depp for his performance in Blow or Billy Bob Thornton in Monster’s Ball. Keeping with the Memento kick, how about Guy Pearce for his challenging lead role? And if you’ve read my previous Oscar History posts, you’ll notice I usually advocate for comedic performances, which the Academy typically ignores. So how about a shout-out to Ben Stiller for his hilarious turn as Derek Zoolander?

Oscar history would be made as Halle Berry became the first African-American to win Best Actress for Monster’s Ball. It would also be the first year where both the Actor and Actress prizes went to African-Americans. Other nominees: Judi Dench in Iris, Nicole Kidman in Moulin Rouge, Sissy Spacek for In the Bedroom, and Renee Zellwegger for Bridget Jones Diary. Other performances worthy of consideration: Naomi Watts in Mulholland Drive and Audrey Tautou in Amelie.

Jim Broadbent was a surprise Supporting Actor winner for Iris, beating out favorites Ben Kingsley in Sexy Beast and Ian McKellen in Lord of the Rings. Other nominees: Ethan Hawke for Training Day and Jon Voight in Ali.

Steve Buscemi in Ghost World and Gene Hackman in The Royal Tenenbaums were worthy nominees. And here’s a totally outside-the-box selection from me: Bruce Davison’s wonderful performance as Kirsten Dunst’s dad in the romantic drama Crazy/Beautiful, a greatly underrated film.

Jennifer Connelly would win Supporting Actress for A Beautiful Mind. Other nominees: Helen Mirren and Maggie Smith (both for Gosford Park), Marisa Tomei for In the Bedroom, and Kate Winslet for Iris.

I probably would have found room for Cameron Diaz’s effective performance as Tom Cruise’s jilted lover in Vanilla Sky.

So, all in all, other than some historical Actor and Actress winners, 2001 was a pretty blah year for the Academy. A Beautiful Mind is a solid flick, but definitely one of the least memorable Best Picture winners of recent years, as I see it.

Oscar History: 2000

The 21st century kicked off with an undeserving Best Picture winner in my view and my favorite picture of 2000 was left out of the Top Five.

I have always felt that Ridley Scott’s megahit Gladiator is overrated, but it managed to win Best Picture. It’s not that I didn’t like the movie, but I maintain that it simply isn’t the awards juggernaut that it turned out to be.

Gladiator would win out over two Steven Soderbergh movies, Traffic and Erin Brockovich, as well as Ang Lee’s Crouching Tiger, Hidden Dragon and Lasse Hallstrom’s Chocolat.

My vote would have gone to Cameron Crowe’s marvelous Almost Famous, which shouldn’t have been left off the nominees. It’s certainly my favorite pic of that year.

I also would’ve given serious consideration to Darren Aronofsky’s terrific drug drama Requiem for a Dream, as well as Mary Harron’s American Psycho.

While Picture and Director usually match, this wasn’t the case this time around. Soderbergh would win that category for Traffic. He was also nominated for Brockovich. The other nominees: Ridley Scott, Ang Lee, and Stephen Daldry for Billy Elliot.

Once again, I would’ve included Cameron Crowe and Darren Aronofsky, for sure. It’s worth noting that Traffic is probably my second favorite movie of 2000 after Famous.

Russell Crowe would win Best Actor for Gladiator. A fine performance to be sure, even though I think Crowe was more deserving of a win for Michael Mann’s The Insider, which came out the year before. He was nominated, but Kevin Spacey in American Beauty took home the gold. Other nominees: Javier Bardem in Before Night Falls, Tom Hanks in Cast Away, Ed Harris in Pollock, and Geoffrey Rush for Quills.

Some other names for consideration: Denzel Washington in Remember the Titans and Michael Douglas for Traffic or Wonder Boys. And I unquestionably would’ve included the brilliant work of Christian Bale in American Psycho.

The Best Actress race wasn’t much of a competition. Julia Roberts was the frontrunner from the get-go for Erin Brockovich. She would win out over Joan Allen in The Contender, Juliette Binoche in Chocolat, Ellen Burstyn in Requiem for a Dream, and Laura Linney in You Can Count on Me.

I’m a big fan of Sofia Coppola’s The Virgin Suicides and would’ve nominated Kirsten Dunst for her work in that picture. Other considerations: Michelle Rodriguez in Girlfight and Cate Blanchett for The Gift.

Benicio Del Toro would win Supporting Actor for his solid work in Traffic, beating out Jeff Bridges in The Contender, Willem Dafoe in Shadow of the Vampire, Albert Finney for Erin Brockovich, and Joaquin Phoenix for Gladiator.

I didn’t feel The Contender was a very good film, but I definitely would’ve nominated Gary Oldman instead of Jeff Bridges in this category for that movie. I also would’ve considered Will Patton for his understated and effective performance in Remember the Titans.

Marcia Gay Harden was a surprise winner for Supporting Actress for her work in Pollock. The favorite was Kate Hudson in Almost Famous. She should have won. Other nominees: Judi Dench in Chocolat, Frances McDormand for Almost Famous, and Julie Walters for Billy Elliot.

Erika Christensen was terrific as Michael Douglas’s drug-addicted daughter in Traffic, yet she was snubbed. And, as always, I like to shout out some comedic performers who are pretty much always ignored. For 2000, how about Amanda Peet’s breakout performance as a dental assistant/aspiring hitman in The Whole Nine Yards?

In summary, Gladiator managed to win in a year that had much better nominees and the Academy got it wrong in my opinion to start out the new century.

Oscar History: 1999

The 20th century ended on a high note when it came to movies. 1999 marked a year filled with high quality material, including a game changing picture that was only victorious in the technical categories.

Sam Mendes’ American Beauty, the dysfunctional family drama, was the big winner.

It took Best Picture over The Cider House Rules, The Green Mile, The Insider, and The Sixth Sense. A very solid group of movies, to be sure.

And there’s plenty more that weren’t nominated that should have merited consideration. For starters, how about Spike Jonze’s completely original Being John Malkovich? 

Or Pixar’s Toy Story 2, which garnered even better reviews than its beloved predecessor?

Then there’s Fight Club, David Fincher’s terrific black comedy that drew mixed reaction upon its release, but has since become a classic.

And there’s that “game changing” movie. That would be the Wachowski’s The Matrix, one of the most influential sci-fi pictures of all time. It upped the bar for all similar genre pictures that have followed since.

Sam Mendes would take director honors for Beauty, over Lasse Hallstrom for Cider House, Spike Jonze for Malkovich, Michael Mann for The Insider, and M. Night Shyamalan for Sixth Sense. The odd man out: Frank Darabont, whose Green Mile got the Picture nomination. Certainly, the Wachowskis and Fincher should have been given a look. And there’s Paul Thomas Anderson, whose challenging yet often remarkable Magnolia marked his follow-up to 1997’s Boogie Nights. 1999 also saw legendary director Stanley Kubrick’s final film, the Tom Cruise/Nicole Kidman sexual drama Eyes Wide Shut. Kubrick died in March ’99 and his swan song was released four months later. It received mixed critical and audience reaction (personally, I thought it was pretty great).

The American Beauty love fest would continue in the Best Actor race, with Kevin Spacey picking up the trophy just four years after he won Supporting Actor for The Usual Suspects. Other nominees: Russell Crowe for his excellent work in The Insider, Richard Farnsworth in The Straight Story, Sean Penn in Sweet and Lowdown, and Denzel Washington in The Hurricane. I probably would have given the edge to Mr. Crowe, but certainly Spacey gave a fine performance.

While The Sixth Sense was honored in the supporting categories, Bruce Willis’s understated performance that anchored the film was not recognized. And in keeping with my common theme in these posts, I would’ve honored comedy here and nominated Eddie Murphy’s work in Bowfinger.

In 1999, Hilary Swank was mostly known for starring as The Next Karate Kid in a badly received 1994 sequel. This would all change by fall of ’99 when Swank starred in Boys Don’t Cry, an independent feature casting the actress as a transgender character who is brutally raped and beaten.

Swank would win Best Actress, beating out frontrunner Annette Bening in American Beauty, as well as Janet McTeer in Tumbleweeds, Julianne Moore in The End of the Affair, and Meryl Streep in Music of the Heart. 

Again, my feeling that comedy should be recognized would’ve extended to Reese Witherspoon’s fantastic performance in Alexander Payne’s Election.

The Supporting Actress race would recognize Angelina Jolie for her role in Girl, Interrupted. Other nominees: Toni Collette for The Sixth Sense, Catherine Keener in Being John Malkovich, Samantha Morton in Sweet and Lowdown, and Chloe Sevigny for Boys Don’t Cry.

Others that should have been considered: Cameron Diaz in Malkovich, Helena Bonham Carter in Fight Club, and Thora Birch, surprisingly shut out for American Beauty.

The Supporting Actor race was a close competition between Michael Caine in The Cider House Rules and Tom Cruise in Magnolia. Caine would take home the gold. Other nominees: Michael Clarke Duncan in The Green Mile, Jude Law in The Talented Mr. Ripley, and young Haley Joel Osment in Sixth Sense.

I definitely would have included John Malkovich for his work in (you guessed it!) Being John Malkovich. And on the subject of including comedic roles… um…. yeaaaaaah…. how about this guy (Gary Cole):

On a side note, the film that was expected to pick up all the technical categories in 1999 was the breathlessly awaited Star Wars Episode 1: The Phantom Menace. And then The Matrix came out with its mind boggling special effects work. The Matrix would earn awards for Editing, Visual Effects, Sound Editing, and Sound Mixing. Star Wars? Zero.

 

 

Oscar History: 1998

In 1989, Driving Miss Daisy was a surprise Best Picture winner over the frontrunner, Oliver Stone’s Born on the Fourth of July. In the 90s decade that followed, it could be said that every winner of the category was not a surprise at all:

Dances with Wolves in 1990. The Silence of the Lambs in 1991. Unforgiven in 1992. Schindler’s List in 1993. Forrest Gump in 1994 and Braveheart in 1995. The English Patient in 1996. Titanic in 1997.

This streak of non-surprises would end in 1998. Steven Spielberg’s Saving Private Ryan, his World War II epic, was the clear favorite to take home the gold. It didn’t turn out that way, however, when John Madden’s period drama Shakespeare in Love took Best Picture.

1998 was a rather weak year for films, not holding a candle to the great year that was 1997… or a really impressive year that would follow in 1999 (more on that year very soon). Besides Ryan, the other three nominees were Elizabeth, Life is Beautiful, and another World War II epic, Terence Malick’s The Thin Red Line.

As always, I have my own thoughts about movies that could have been included. Peter Weir’s The Truman Show represented Jim Carrey’s first (and best) foray into drama. Steven Soderbergh’s Out of Sight was a terrific crime caper that proved George Clooney was a true movie star and represents Jennifer Lopez’s best performance to date. And there’s the Coen Brothers brilliant comedy The Big Lebowski, which wouldn’t gain its deserved following until a little later on.

While Saving Private Ryan was not honored with Best Picture, Spielberg would win his second Best Director honor, beating out Madden, Peter Weir, Terence Malick, and Robert Benigni for Life is Beautiful.

Mr. Benigni, though, would provide two surprises in another major category. The Italian actor took home the Best Actor prize. His win was not expected at all, especially over frontrunners Ian McKellen for his wonderful performance in Gods and Monsters and Nick Nolte for his fine performance in Paul Schrader’s Affliction. Other nominees: Tom Hanks for Ryan and Edward Norton for his memorable role in American History X. The other surprise with Benigni’s win: his very exuberant acceptance of the award.

Other actors deserving of a nomination: well, there’s the aforementioned Jim Carrey for The Truman Show, George Clooney in Out of Sight, and, of course, Jeff Bridges for The Big Lebowski.

Gwyneth Paltrow would win Best Actress, as expected, for Shakespeare in Love. The four other nominees: Cate Blanchett for Elizabeth, Fernanda Montenegro for Central Station, Meryl Streep for One True Thing, and Emily Watson for Hilary and Jackie.

I mentioned J-Lo for her performance in Out of Sight. Others that could have been considered: Emma Thompson in Primary Colors and Kristin Scott Thomas in The Horse Whisperer. Once again, though, the Academy missed a golden chance to honor comedy and nominate Cameron Diaz for her hilarious turn in the Farrelly Brothers hit There’s Something About Mary.

Ed Harris was the frontrunner for the Supporting Actor race for his work in The Truman Show, but he would lose out to James Coburn for Affliction. The other nominees: Robert Duvall in A Civil Action, Geoffrey Rush in Shakespeare in Love, and Billy Bob Thornton for A Simple Plan.

Keeping with the Lebowski love, why not John Goodman’s uproarious turn as The Dude’s buddy? Also – Bill Murray for Rushmore and Don Cheadle for Out of Sight would’ve been high on my list.

A little history was made in the Supporting Actress race with its surprise winner, Judi Dench in Shakespeare in Love. She beat out frontrunners Kathy Bates in Primary Colors and Lynn Redgrave in Gods and Monsters, as well as Brenda Blethyn for Little Voice and Rachel Griffiths in Hilary and Jackie. The history? Dench had the least amount of screen time for any performer that won an Academy Award. Dench was on screen in Shakespeare for less than eight minutes!

Two more names that deserved consideration: Joan Allen (always wonderful) in Pleasantville and… of course, Julianne Moore for Lebowski.

All in all, 1998 represented a weak year at the Oscars that produced some truly surprising winners. Stay tuned for 1999!