Category: Oscar: Case Of

Oscar movies

Oscars: The Case of Danielle Brooks in The Color Purple

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our second performer in Best Supporting Actress and that’s Danielle Brooks in Blitz Bazawule’s The Color Purple. Let’s get to it!

Previous Oscar Acting Nominations:

None

The Case for Danielle Brooks:

The role of Sofia in other Color Purple iterations earned Oprah Winfrey an Oscar nomination nearly four decades ago and nabbed Brooks a Tony nod when she played it on Broadway almost a decade back. Her showy role was expected to generate awards attention and she got in at the four highest profiles precursors (Globes, Critics Choice, SAG, BAFTA).

The Case Against Danielle Brooks:

The Orange is the New Black cast member lost the Globe and Critics Choice to Da’Vine Joy Randolph in The Holdovers. Furthermore, Purple has not been the Academy player that Warner Bros. hoped for. Brooks marks the picture’s sole nomination.

The Verdict:

Before Purple underperformed on the circuit, Brooks sat atop the projections of most prognosticators (include this one). She’s second or third now – definitely behind Randolph and probably Emily Blunt in Oppenheimer.

My Case Of posts will continue with Robert De Niro in Killers of the Flower Moon…

Oscars: The Case of Colman Domingo in Rustin

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our second performer in Best Actor and that’s Colman Domingo as Rustin. Let’s get to it!

Previous Oscar Acting Nominations:

None

The Case for Colman Domingo:

As the principal organizer of the March for Freedom Rally, Domingo’s turn as Bayard Rustin in George C. Wolfe’s Netflix biopic was identified early on as Academy bait. He’s been nominated in all the key precursors: Globes, SAG, Critics Choice, and BAFTA. It’s been a year of significant exposure with this, his supporting turn in The Color Purple, and the lead in Sing Sing (which premiered at Toronto and could garner awards attention for him next year).

The Case Against Colman Domingo:

The film itself did not become a contender in other categories. Domingo’s nod marks its sole nomination and he’s the only hopeful in Actor from a movie not up for BP. Paul Giamatti (The Holdovers) and Cillian Murphy (Oppenheimer) have emerged in the forerunning contests.

The Verdict:

Given the fact that Rustin never really approached BP vying status, it’s impressive that Domingo checked off all the major ceremonies (leaving Leonardo DiCaprio in Killers of the Flower Moon on the outside looking in). Don’t expect a rally of support for a major upset win.

My Case Of posts will continue with Danielle Brooks in The Color Purple…

Oscars: The Case of Lily Gladstone in Killers of the Flower Moon

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at our second performer in Best Actress and that’s Lily Gladstone in Killers of the Flower Moon. Let’s get to it!

Previous Oscar Acting Nominations:

None

The Case for Lily Gladstone:

After critically appreciated roles in Kelly Reichardt’s Certain Women and First Cow, Gladstone has been in the awards conversation since Martin Scorsese’s Killers of the Flower Moon was announced. Her work as Mollie Kyle in the historical epic won her the Golden Globe for Actress in Drama and the National Board of Review prize. That’s in addition to nominations at Critics Choice and SAG. Gladstone could make history as the first Native-American thespian to emerge victorious in the category.

The Case Against Lily Gladstone:

Any possibility of a sweep ended when Emma Stone took Critics Choice for Poor Things. Then there’s the shocking BAFTA omission. Gladstone did not make the cut for that show. Since 2010, only one Best Actress Oscar winner (Jessica Chastain for 2021’s The Eyes of Tammy Faye) has missed BAFTA. Killers also underperformed a bit with misses in Actor (Leonardo DiCaprio) and Adapted Screenplay.

The Verdict:

SAG on February 24th could offer a gigantic clue as to whether Gladstone or Stone are the soft frontrunner. That BAFTA snub sticks out. That said, Gladstone is a real contender.

My Case Of posts will continue with Colman Domingo in Rustin…

Oscars: The Case of Jonathan Glazer for The Zone of Interest

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at the Director quintet and it starts with Jonathan Glazer for The Zone of Interest. Let’s get to it!

Previous Directing Nominations:

None

The Case for Jonathan Glazer:

The English filmmaker’s fourth feature comes after three acclaimed predecessors: 2001’s Sexy Beast, 2004’s Birth, and 2014’s Under the Skin. The Holocaust drama is the frontrunner for Best International Feature Film and had a solid showing with five nominations. He hopes to follow in the footsteps of other directors in recent years who took the prize along with IFF like Alfonso Cuaròn (Roma) and Bong Joon-ho (Parasite).

The Case Against Jonathan Glazer:

Cuaròn and Joon-ho didn’t have to compete against the juggernaut that is Christopher Nolan for Oppenheimer. He is the far and away favorite. Glazer managed a BAFTA mention, but didn’t make the cut for Critics Choice, the Globes, or DGA.

The Verdict:

Barring a massive upset, Nolan towers over all competitors.

My Case Of posts will continue with Lily Gladstone in Killers of the Flower Moon…

Oscars: The Case of Sterling K. Brown in American Fiction

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at the Supporting Actor quintet and it starts with Sterling K. Brown in Cord Jefferson’s American Fiction. Let’s get to it!

Previous Oscar Acting Nominations:

None

The Case for Sterling K. Brown:

An Emmy and Globe winner for his small screen work on This Is Us, Brown breaks through with the Academy as Jeffrey Wright’s estranged brother in the BP contender. Fiction performed at the high end of its range on nomination morning with five and the Academy may wish to honor it somewhere. He made the cut at SAG and Critics Choice.

The Case Against Sterling K. Brown:

If voters do honor Fiction somewhere, it’s probably going to be in Adapted Screenplay. Brown did not get in at the Globes or BAFTA. And Robert Downey Jr. (Oppenheimer) has swept so far and is rightly seen as the favorite. In fact, in a recent interview, Brown himself said he anticipates RDJ taking the gold.

The Verdict:

This is not going to be a walk to the podium for Brown.

My Case Of posts will continue with Jonathan Glazer’s direction in The Zone of Interest…

Oscars: The Case of Emily Blunt in Oppenheimer

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at the Supporting Actress quintet and it starts with Emily Blunt in Oppenheimer. Let’s get to it!

Previous Oscar Acting Nominations:

None

The Case for Emily Blunt:

Despite an impressive filmography covering dramas, action/adventure pics, family fare, and horror hits – from Sicario and Edge of Tomorrow to A Quiet Place to Mary Poppins Returns and Jungle Cruise – Blunt has somehow never nabbed an Oscar nod until now for the BP frontrunner. That’s despite her six Golden Globes noms for feature films and four SAG mentions. There could be an overdue vibe occurring and Oppenheimer‘s coattails could be large. As the alcoholic wife of the title character, she’s landed recognition in key precursors like the Globes, SAG, BAFTA, and Critics Choice.

The Case Against Emily Blunt:

The Globes and Critics Choice have gone with Da’Vine Joy Randolph in The Holdovers and she is certainly the favorite. A SAG or BAFTA victory win may be needed to show any strength. Voters may honor her costars Cillian Murphy and Robert Downey Jr. in their races and that might feel like enough.

The Verdict:

For quite some time, I had Danielle Brooks (The Color Purple) as the runner-up to Randolph. I’d say the spot belongs to Blunt now. However, nothing has happened yet to show that Randolph is vulnerable.

My Case Of Posts will continue with Sterling K. Brown in American Fiction…

Oscars: The Case of Bradley Cooper in Maestro

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the five other big races. Today we arrive at the Actor quintet and it starts with Bradley Cooper in Maestro. Let’s get to it!

Previous Oscar Acting Nominations:

Silver Linings Playbook (2012, Actor); American Hustle (2013, Supporting Actor); American Sniper (2014, Actor); A Star Is Born (2018, Actor)

The Case for Bradley Cooper:

For his portrayal of the legendary EGOT recipient Leonard Bernstein in the Netflix production, Mr. Cooper has been nominated for BAFTA, Critics Choice, SAG, and the Globes. There could also be the feeling that he’s overdue as this marks his fifth acting nod with no hardware to show for it (just like Annette Bening in Nyad per my previous post).

The Case Against Bradley Cooper:

He didn’t win the Globe or Critics Choice as Paul Giamatti (The Holdovers) and Cillian Murphy (Oppenheimer) have split the prizes so far. While Maestro had a decent nomination morning, Cooper was not recognized for his direction. That’s what happened in 2018 when he got the Actor mention for Star (he would lose to Rami Malek in Bohemian Rhapsody), but not his behind the camera work. Of all the BP contenders, this has the lowest RT rating and there’s a feeling among some that Cooper is trying too hard in Maestro for the gold.

The Verdict:

Cooper is third behind Murphy and Giamatti. I don’t think his victory is an impossibility. Yet it looks to be a long shot unless he scores an upset at SAG or BAFTA. In other words, the O in EGOT should still be unfulfilled.

My Case Of posts will continue with Emily Blunt in Oppenheimer…

Oscars: The Case of Annette Bening in Nyad

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten BP contenders and now it alternates alphabetically between the hopefuls in the other five big races. Today we arrive at the Actress quintet and it starts with Annette Bening in Nyad. Let’s get to it!

Previous Oscar Acting Nominations:

The Grifters (1990, Supporting Actress); American Beauty (1999, Actress), Being Julia (2004, Actress), The Kids Are All Right (2010, Actress)

The Case for Annette Bening:

SAG and Globe nominations preceded this, but Bening’s potential ace in the hole could be the overdue factor. While costar Jodie Foster (up for Supporting Actress) is a two-time Oscar recipient, Bening is 0 for 4.

The Case Against Annette Bening:

She’s swimming upstream for the victory with Nyad. The picture itself is not an awards player beyond its two leads. Bening missed the cut at BAFTA and Critics Choice. Emma Stone (Poor Things) vs. Lily Gladstone (Killers of the Flower Moon) appears to be the showdown for the gold.

The Verdict:

The strong likelihood is Bening will be 0 for 5 come March 10th.

My Case Of posts will continue with our first write-up in Actor. That’s Bradley Cooper in Maestro…

Oscars: The Case of The Zone of Interest

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five big races. I’ve already covered nine of the BP nominees and they are linked at the bottom. This category’s posts conclude with Jonathan Glazer’s The Zone of Interest. Write-ups for the others are on deck!

The Case for The Zone of Interest:

After acclaimed features including Birth and Under the Skin, Glazer enters the awards zone with Interest. The German historical drama managed five nominations including Director, Adapted Screenplay, International Feature Film, and Sound. It’s had an impressive run at precursor nominations including the Globes in Drama and the PGA ten.

The Case Against The Zone of Interest:

Anatomy of a Fall has outshined it in victories with foreign races, including at the Globes and Critics Choice. It was definitely a question mark whether this would even make the cut at BP.

The Verdict:

Due to France choosing to submit The Taste of Things instead of Anatomy, Interest is the heavy favorite to take International Feature Film. That should be the only statue it picks up during the ceremony.

My Case Of posts will continue with Annette Bening in Nyad…

Oscars: The Case of American Fiction
Oscars: The Case of Anatomy of a Fall
Oscars: The Case of Barbie
Oscars: The Case of The Holdovers
Oscars: The Case of Killers of the Flower Moon
Oscars: The Case of Maestro
Oscars: The Case of Oppenheimer
Oscars: The Case of Past Lives
Oscars: The Case of Poor Things

Oscars: The Case of Poor Things

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five big races. I’ve already covered eight of the BP nominees. They are linked at the bottom of the post. Next up is Poor Things from Yorgos Lanthimos.

The Case for Poor Things:

After The Favourite generated 10 nominations in 2018, Lanthimos’s follow-up bested that by 1 with 11. The multi-genre affair scored the second most nods overall for this year’s ceremony behind Oppenheimer‘s 13. The others are for the direction, Actress (Emma Stone), Supporting Actor (Mark Ruffalo), Adapted Screenplay, Cinematography, Costume Design, Film Editing, Makeup and Hairstyling, Original Score, and Production Design. Truth be told, it didn’t really miss anywhere (though Willem Dafoe was probably close to getting in for Supporting Actor alongside his costars). It’s been nominated for top honors at key precursors like BAFTA and Critics Choice and won Musical/Comedy (over Barbie) at the Globes.

The Case Against Poor Things:

Poor Things might be a little too out there for even the Academy. More importantly, you have to place it in at least second position (maybe third after The Holdovers) behind strong frontrunner Oppenheimer.

The Verdict:

Just as The Favourite wasn’t, this isn’t the favorite for BP. Like The Favourite and Olivia Colman, it might yield a Best Actress winner in Emma Stone and some tech victories. This might also go home empty-handed.

My Case Of posts will continue with The Zone of Interest…

Oscars: The Case of American Fiction
Oscars: The Case of Anatomy of a Fall
Oscars: The Case of Barbie
Oscars: The Case of The Holdovers
Oscars: The Case of Killers of the Flower Moon
Oscars: The Case of Maestro
Oscars: The Case of Oppenheimer
Oscars: The Case of Past Lives