Oscars 2021: The Case of Licorice Pizza

We’ve reached our seventh movie for my Case Of posts focused on the ten Best Picture hopefuls and it brings us to Paul Thomas Anderson’s Licorice Pizza. If you missed my earlier ones, you can find them here:

Oscars 2021: The Case of Belfast

Oscars 2021: The Case of CODA

Oscars 2021: The Case of Don’t Look Up

Oscars 2021: The Case of Drive My Car

Oscars 2021: The Case of Dune

Oscars 2021: The Case of King Richard

The Case for Licorice Pizza:

Between his producing credits, direction, and screenplays – Anderson had already received 8 Oscar nominations without a victory (2007’s There Will Be Blood and 2017’s Phantom Thread were up for BP). He adds three more with Pizza for Picture, Director, and Original Screenplay. The Academy might feel that it’s time to honor one of the most acclaimed filmmakers of the past quarter century.

The Case Against Licorice Pizza:

Note that I only mentioned three overall nods and that ties the lowest of the 10 contenders along with CODA. This failed to nab mentions in other key categories – many thought Alana Haim could sneak in for Actress and lots of prognosticators (including myself) had Bradley Cooper getting a Supporting Actor nomination. Furthermore, its exclusion in Editing is notable (historically no BP winners get the big prize without competing in that race).

The Verdict:

The best hope for Pizza to get a piece of the Oscar pie is in Original Screenplay where it appears to be in a fierce competition with Belfast. Don’t expect a BP delivery.

My Case Of posts will continue with Nightmare Alley

Oscars 2021: The Case of King Richard

Reinaldo Marcus Green’s King Richard is the next film to be served up in my Case Of posts focused on 2021’s Best Picture nominees. For my takes on the other five entries thus far, you can peruse them here:

Oscars 2021: The Case of Belfast

Oscars 2021: The Case of CODA

Oscars 2021: The Case of Don’t Look Up

Oscars 2021: The Case of Drive My Car

Oscars 2021: The Case of Dune

The Case for King Richard

The uplifting tale of Richard Williams (Will Smith) and his tutelage of Venus and Serena hit all its expected categories on nomination morning: Picture, Actor, Supporting Actress (Aunjanue Ellis), Original Screenplay, Editing, and Original Song (courtesy of Beyonce). It’s an easy movie to like and if Academy voters are in feel good mode, they could court this one for attention.

The Case Against King Richard:

There’s other feel good choices with Belfast and CODA. Green showing up in Best Director would have been an indicator of strength, but it didn’t materialize. Richard also struggled at the box office (it simultaneously premiered on HBO Max). The best opportunity it has for a win is with Smith, who might make it to the podium in Actor on his third try.

The Verdict

Smith definitely has the strongest chance to feel the Richard love. It’s a long shot for BP.

My Case Of posts will continue with Licorice Pizza

Oscars 2021: The Case of Dune

Denis Villeneuve’s Dune brings us to the halfway point of my ten Case Of posts for the Best Picture contenders. If you missed the first four, you can access them here:

Oscars 2021: The Case of Belfast

Oscars 2021: The Case of CODA

Oscars 2021: The Case of Don’t Look Up

Oscars 2021: The Case of Drive My Car

The Case for Dune:

If the Academy’s voters are looking to honor the nominee that garnered the highest box office returns, they can do so here as the sci-fi epic made $107 million domestically while being simultaneously available on HBO Max. Dune stands as the second most nominated film of 2021 with 10 mentions including Adapted Screenplay and a number of tech nods that it’s expected to win.

The Case Against Dune:

Many anticipated that this would garner the most mentions on Oscar nomination morning, but it fell short by two to The Power of the Dog. In doing so, Dune missed a major race when Villeneuve surprisingly failed to make the director cut. Quite simply, it’s hard to imagine this taking the big prize without its filmmaker being acknowledged.

The Verdict:

Dune should have no trouble winning some Oscars next month. Sound and Visual Effects are likely in the bag and Cinematography, Costume Design, Editing, Makeup and Hairstyling, Original Score, and Production Design are all feasible. Picture seems out of reach and voters will have another chance to honor it (and its director) with the forthcoming sequel.

My Case Of posts will continue with King Richard

Oscars 2021: The Case of Don’t Look Up

My Case Of posts for the 10 Best Picture nominees is down to our third entry and that’s Adam McKay’s end of the world black comedy Don’t Look Up. If you missed the first two covering Belfast and CODA, you can find them here:

Oscars 2021: The Case of Belfast

Oscars 2021: The Case of CODA

The Case for Don’t Look Up

The Netflix property has probably received more social media chatter and buzz than any of the other hopefuls (with the possible exception of Dune). The streaming numbers were said to be massive so it is certainly one of the most widely seen contenders. For McKay, it marks his third BP nominee in a row behind 2015’s The Big Short and 2018’s Vice. 

The Case Against Don’t Look Up:

That aforementioned chatter was definitely not all positive. Reviews were mixed and Up‘s 56% Rotten Tomatoes score is easily the worst of the lot (the next lowest is Nightmare Alley at 80%). While some viewers sang its praises, plenty more derided it. This also missed key races like Director and any of the actors involved (Leonardo DiCaprio was likely close but no cigar in Actor).

The Verdict:

Netflix could be well on its way to its inaugural BP statue and that would be for The Power of the Dog. Their other hopeful is too divisive to have a shot and its total of four nominations is on the low end of the scale.

My Case Of posts will continue with Drive My Car

Oscars 2021: The Case of CODA

My Case Of posts covering the ten nominees for Best Picture comes to my second entry and it’s for Sian Heder’s CODA. If you missed my first write-up on Belfast, it’s right here:

Oscars 2021: The Case of Belfast

The Case for CODA

When it premiered at Sundance all the way back in January 2021, CODA immediately made a splash and found itself in the midst of a bidding war (won by Apple TV). At that festival, it won the U.S. Grand Jury Prize and U.S. Dramatic Audience Award. Its momentum as a potential Oscar contender continued to pick up when it premiered on streaming over the summer. Of the ten BP hopefuls, it boasts the second highest Rotten Tomatoes score with 96% (behind only Drive My Car at 98%). With a meager budget of $10 million, it’s the kind of feel good story that voters could fall for.

The Cast Against CODA

Is it too small for the Academy to bestow its highest honor? Probably. CODA tied Licorice Pizza with the least amount of nods among the BP contenders at three. The only other mentions are for Troy Kotsur in Supporting Actor and Adapted Screenplay. For CODA to really have a chance, you’d think it would have nabbed Director or inclusions for Kotsur’s cast mates Emilia Jones and Marlee Matlin.

The Verdict

CODA‘s sturdiness in remaining a force throughout 2021 is laudable. However, it’s very much of a long shot for BP.

My Case Of posts will continue with Don’t Look Up

Oscars 2021: The Case of Belfast

Now that the nominations for 94th Academy Awards are out, I’m moving to the next phase of speculation. Welcome to my “Case Of” posts where I dive deeper into the contenders for Best Picture, Director, and the four acting categories.

Here’s how it works. Over the next few weeks before the March 27th ceremony airs, I’m doing individualized entries for the 35 hopefuls in the aforementioned races. With each one, I’ll make the best case for the movie or person winning as well as the case against them and a final verdict as I see it now.

It starts with the 10 BP nominees (alphabetically) before switching up between Director, Actress, Actor, Supporting Actress, and Supporting Actor. We begin with Kenneth Branagh’s Belfast:

The Case for Belfast

For several weeks after its premiere at the Telluride Film Festival, the Irish set coming of age tale and passion project from Branagh appeared to be out front in the BP derby. If Academy voters go with the feel good pic of the ten contenders, this could certainly come out on top (though it’s got competition with CODA and King Richard). Belfast had a decent showing on Tuesday morning with 7 nominations including key races like Director, Original Screenplay, and two supporting mentions for Judi Dench (surprisingly making the cut over costar Caitriona Balfe) and Ciaran Hinds.

The Case Against Belfast

The early buzz has waned a bit and much of that is due to The Power of the Dog. The Netflix drama amassed a better than expected 12 nods and is rightfully being called the frontrunner. Power has already shown early precursor love by winning Best Drama at the Golden Globes. And then there’s the categories where Belfast missed – Editing, Cinematography, and Production Design. This indicates that several Academy branches weren’t bowled over by it. Editing, in particular, is a major miss. It’s extremely rare for a BP winner not to make the final five for that one.

The Verdict

There’s certainly a path for Belfast to take the top prize and it likely sits at #2 behind Dog. However, I would say Dog is a heavy favorite and it might be hard for anything to overcome it.

My Case Of posts will continue with CODA

Oscars 2020: The Case of Lakeith Stanfield

The performance of Lakeith Stanfield in Shaka King’s Judas and the Black Messiah is last up in my Case Of posts for Supporting Actor hopefuls. For the previous four write-ups, you can find them here:

https://toddmthatcher.com/2021/04/01/oscars-2020-the-case-of-sacha-baron-cohen/

Oscars 2020: The Case of Daniel Kaluuya

Oscars 2020: The Case of Leslie Odom Jr.

Oscars 2020: The Case of Paul Raci

The Case for Lakeith Stanfield:

The past couple of years has brought Stanfield exposure in acclaimed projects ranging from Sorry to Bother You to Knives Out and Uncut Gems. His work here brought career best reviews in his burgeoning career.

The Case Against Lakeith Stanfield:

His nomination came as a total surprise. For starters, Warner Bros campaigned for him in lead actor, but Academy voters went ahead and ignored that. Then there’s the matter of his costar Daniel Kaluuya (they were also in Get Out together). Kaluuya’s win seems assured next weekend as he’s had a clean sweep at the Golden Globes, Critics Choice Awards, SAG Awards, and BAFTA.

The Verdict

According to his own Twitter feed, Stanfield even seemed blindsided by his nod. Judas will probably only get one Oscar and it will be in this race. That will be for Stanfield’s costar.

My Case Of posts have concluded! Thanks to all who have perused all 33 of them. The next matter of business… final Oscar predictions and they’re coming your way very shortly!

Oscars 2020: The Case of Yuh-jung Youn

The Case Of posts for Supporting Actress hopefuls reaches its end with Yuh-jung Youn for Lee Isaac Chung’s Minari. If you missed the previous four posts, they’re available here:

Oscars 2020: The Case of Maria Bakalova

Oscars 2020: The Case of Glenn Close

Oscars 2020: The Case of Olivia Colman

Oscars 2020: The Case of Amanda Seyfried

The Case for Yuh-jung Youn:

Momentum. Already a legendary actress in South Korea, the 73-year-old has found American success with her role in Minari, which picked up a sturdy 6 nods on nomination morning. Youn has won the latest precursors to pick up steam with the SAG Awards and BAFTA.

The Case Against Yuh-jung Youn:

She has not fared as well with other precursors. Youn wasn’t nominated at the Golden Globes and lost the Critics Choice prize to Maria Bakalova (Borat Subsequent Moviefilm), who could be her stiffest competition. There’s also still the chance that the Academy will finally give Glenn Close (Hillbilly Elegy) her overdue trophy.

The Verdict

There was certainly a time where this acting race seemed like the biggest tossup. That has certainly been replaced by Best Actress. While I believe this category could go three different ways, Youn has emerged as the most likely candidate.

My Case Of posts will conclude with Lakeith Stanfield in Judas and the Black Messiah…

Oscars 2020: The Case of Steven Yeun

My Case Of posts in the Best Actor field at the Oscars reaches its end with Steven Yeun in Lee Isaac Chung’s Minari. If you didn’t catch the first four posts, you can find them here:

Oscars 2020: The Case of Riz Ahmed

https://toddmthatcher.com/2021/04/04/oscars-2020-the-case-of-chadwick-boseman/

https://toddmthatcher.com/2021/04/10/oscars-2020-the-case-of-anthony-hopkins/

Oscars 2020: The Case of Gary Oldman

The Case for Steven Yeun

The first Asian-American thespian to receive a Best Actor nomination, Yeun’s career has been on a hot streak lately and that includes a critically heralded supporting performance in 2018’s Burning. That work prompted some Oscar chatter that never came to fruition. Minari performed as well as expected (maybe even a bit better) with 6 nods including Yeun and his costar Yuh-jung Youn in Supporting Actress. He was also given nominations at the Critics Choice Awards and SAG Awards.

The Case Against Steven Yeun

Yeun was ignored at the Golden Globes. Best Actor appears to be a two-person competition between Chadwick Boseman (Ma Rainey’s Black Bottom) and Anthony Hopkins (The Father) and Yeun has yet to log a significant victory in the precursors.

The Verdict

Minari‘s best chance at a win in the major categories lies with Youn and not Yeun.

My Case Of posts will continue with Yeun’s costar Yuh-jung Youn…

Oscars 2020: The Case of Carey Mulligan

Carey Mulligan’s performance in Emerald Fennell’s Promising Young Woman wraps up my Case Of posts for the five Best Actress contenders. If you missed the first four, they can be read here:

Oscars 2020: The Case of Viola Davis

Oscars 2020: The Case of Andra Day

Oscars 2020: The Case of Vanessa Kirby

Oscars 2020: The Case of Frances McDormand

The Case for Carey Mulligan

Earning her second nomination following 2009’s An Education, Mulligan’s work here was part of Promising‘s five nominations. She’s managed nods in all the major precursors (with the surprising exception of BAFTA) and won the Critics Choice Award.

The Case Against Carey Mulligan

I predicted Mulligan to take the Golden Globe and she lost to Andra Day (The United States vs. Billie Holiday). I predicted her for the SAG Award and Viola Davis (Ma Rainey’s Black Bottom) took the prize. The wide open Best Actress race is hard to pin down.

The Verdict

Mulligan absolutely could win next week, but so could do Davis, Day, or McDormand. I’ll be going back and forth on this one until I make my final predictions on Wednesday.

My Case Of posts will continue with Steven Yeun in Minari…