Oscars 2021: The Case of Jessie Buckley

My Case Of posts for the upcoming Oscars brings us to our first contestant in Supporting Actress and that’s Jessie Buckley in Maggie Gyllenhaal’s Netflix drama The Lost Daughter.

The Case for Jessie Buckley:

She’s been an actress on the upswing especially since 2019’s Wild Rose earned her a BAFTA nod and some Academy chatter that never materialized.  With recent appearances in other buzzy projects like I’m Thinking of Ending Things, HBO’s Chernobyl, and FX’s Fargo – Buckley could be exactly the kind of rising performer that the voters would honor.

The Case Against Jessie Buckley:

Buckley’s inclusion in the race was definitely a surprise and she got here without precursors like SAG, the Globes, and Critics Choice. Of the four acting derbies, this might be the easiest to predict and that’s for Ariana DeBose in West Side Story. 

Previous Nominations:

None

The Verdict:

The glaring lack of precursors makes Buckley a major outsider with this first nomination. Luckily for her, it might not be her last.

The Case Of posts will continue with our first hopeful in Supporting Actor – Ciaran Hinds in Belfast

Oscars 2021: The Case of Javier Bardem

Javier Bardem’s performance as Desi Arnaz in Aaron Sorkin’s Being the Ricardos is my first  Case Of post for the five Best Actor candidates.

The Case for Javier Bardem:

Nabbing his fourth nomination (and third in lead), the Supporting Actor winner for No Country for Old Men also picked up Golden Globe and SAG mentions.

The Case Against Javier Bardem:

The only nominations for Ricardos came in the acting races (alongside his costars Nicole Kidman and J.K. Simmons). It’s Kidman who easily stands the best chance after taking the Globe. Bardem’s slot in the competition was generally seen as the fifth one since Benedict Cumberbatch, Andrew Garfield, Will Smith, and Denzel Washington were seen as strong likelihoods.

Previous Nominations: 3

Before Night Falls (2000 – Actor); No Country for Old Men (2007 – Supporting Actor, WON)Biutiful (2010 – Actor)

The Verdict:

While he’s done well in precursors, Bardem stands little chance at picking up a second statue.

My Case Of posts will continue with the Supporting Actress hopefuls and that begins with Jessie Buckley in The Lost Daughter

Oscars 2021: The Case of Jessica Chastain

The first hopeful in a very interesting Best Actress competition is up next in my Case Of posts for the 94th Academy Awards and that’s Jessica Chastain for The Eyes of Tammy Faye. 

The Case for Jessica Chastain:

Of the five nominees in Actress, only Kristen Stewart (Spencer) and Chastain have yet to win an Oscar. Somewhat surprisingly, she’s only been nominated twice and the last time was nine years ago. There could already be a feeling that she’s overdue and Olivia Colman, Penelope Cruz, and Nicole Kidman have already won. Her embodiment of evangelist Tammy Faye Bakker (with its nominated makeup team) drew raves from critics and she received nods at the Golden Globes, SAG Awards, and Critics Choice Awards.

The Case Against Jessica Chastain:

The film itself did not draw raves with a middling 69% Rotten Tomatoes score. Furthermore, it was a bust at the box office with just over $2 million domestically.

Previous Nominations: 2

The Help (2011 – Supporting Actress); Zero Dark Thirty (2012 – Actress)

The Verdict:

Best Actress is wide open at this juncture. So-so reviews for the picture itself didn’t hurt Renee Zellweger in 2019 with Judy and it may not hurt Chastain. She’s a possibility to win, but then again, so are the others.

My Case of posts will continue with our first Best Actor nominee – Javier Bardem in Being the Ricardos

Oscars 2021: The Case of West Side Story

Steven Spielberg’s West Side Story remake is my final Case Of post for the ten Best Picture nominees at the upcoming Oscars. If you missed the nine previous entries, they’re here:

Oscars 2021: The Case of Belfast

Oscars 2021: The Case of CODA

Oscars 2021: The Case of Don’t Look Up

Oscars 2021: The Case of Drive My Car

Oscars 2021: The Case of Dune

Oscars 2021: The Case of King Richard

Oscars 2021: The Case of Licorice Pizza

Oscars 2021: The Case of Nightmare Alley

Oscars 2021: The Case of The Power of the Dog

The Case for West Side Story:

It would be a pretty cool storyline for Spielberg’s remake to win Best Picture 60 years after the 1961 version was nominated for 11 Academy Awards and won 10 (including BP). The 2021 retelling didn’t match the original with seven nods, but that’s still a decent haul.

The Case Against West Side Story:

Those seven nominations didn’t include some significant ones to nab a BP win – namely Adapted Screenplay and Film Editing. The last BP recipient that missed a writing mention was 1997’s Titanic. The box office for this Story was very disappointing – earning $37 million domestically versus its reported $100 million budget.

The Verdict:

West Side Story is likely to repeat six decades later in one category with Ariana DeBose in Supporting Actress for the same role that Rita Moreno got a statue for. A BP repeat is far more unlikely.

While this concludes my Case Of posts for the BP contenders, we are far from done. I’ll now begin my write-ups for the hopefuls in Director and the four acting races (alternating alphabetically between them). That will start with Paul Thomas Anderson’s direction of Licorice Pizza

Oscars 2021: The Case of The Power of the Dog

Jane Campion’s The Power of the Dog is my ninth Case Of post covering the Best Picture nominees for the 2021 Academy Awards. If you missed the previous entries, you can access them here:

Oscars 2021: The Case of Belfast

Oscars 2021: The Case of CODA

Oscars 2021: The Case of Don’t Look Up

Oscars 2021: The Case of Drive My Car

Oscars 2021: The Case of Dune

Oscars 2021: The Case of King Richard

Oscars 2021: The Case of Licorice Pizza

Oscars 2021: The Case of Nightmare Alley

The Case for The Power of the Dog:

And it’s quite a case to be made. Last week, the Netflix period drama ruled Oscar nominations morning with an even better than expected 12 nods. It even garnered unexpected mentions in Sound and for Jesse Plemons in Supporting Actor (alongside his costars Benedict Cumberbatch, Kirsten Dunst, and Kodi Smit-McPhee). In doing so, Dog landed placements in all of the down the line races where a BP win is key: directing, performances, adapted screenplay, editing, and so forth. At the Golden Globes (where many were predicting a Belfast victory), it took Best Drama. It’s also been the beneficiary of numerous critics groups awards for Best Pic.

The Case Against The Power of the Dog:

Being the frontrunner doesn’t always pan out and we’ve seen it in three of the past five Oscars. Just ask La La Land (which lost to Moonlight in 2016), Roma (which fell to Green Book in 2018), and 1917 (which came up short to Parasite in 2019). Getting the most nominations also doesn’t mean you’re taking the big prize. Just ask Mank from last year. Or Joker two years ago. Or The Favourite or Roma from 2018.

The Verdict:

While the case against is somewhat persuasive, there’s no denying that Dog is unquestionably the favorite to win. Yet there’s compelling evidence that an upset is certainly feasible.

My Case Of posts will continue with West Side Story

Oscars 2021: The Case of Nightmare Alley

Nightmare Alley is next up in my Case Of posts for the ten 2021 Best Picture nominees. If you didn’t catch the previous entries, they can be accessed right here:

Oscars 2021: The Case of Belfast

Oscars 2021: The Case of CODA

Oscars 2021: The Case of Don’t Look Up

Oscars 2021: The Case of Drive My Car

Oscars 2021: The Case of Dune

Oscars 2021: The Case of King Richard

Oscars 2021: The Case of Licorice Pizza

The Case for Nightmare Alley:

The lat time that Guillermo del Toro made a movie, 2017’s The Shape of Water won 4 Oscars including Picture and Director…

The Case Against Nightmare Alley:

And that’s where the case for ends. Nightmare Alley is generally seen as the tenth picture that made the derby (it’s the only one I didn’t predict making the cut). It did land 4 nods (Picture, Cinematography, Costume Design, Production Design) and could manage to win an Oscar (especially Production Design). However, its challenges are many. While it materialized  in BP, there’s no mentions for Director, Adapted Screenplay, Editing, or any of the actors (only Cate Blanchett in Supporting Actress was considered a possibility). Alley has the second lowest Rotten Tomatoes score of the bunch at 80%. And it was a major box office disappointment domestically at only $11 million.

The Verdict

Of the 10 contenders, I would rank Alley 10th as far as it chances to reign supreme.

My Case Of posts will continue with The Power of the Dog

Oscars 2021: The Case of Licorice Pizza

We’ve reached our seventh movie for my Case Of posts focused on the ten Best Picture hopefuls and it brings us to Paul Thomas Anderson’s Licorice Pizza. If you missed my earlier ones, you can find them here:

Oscars 2021: The Case of Belfast

Oscars 2021: The Case of CODA

Oscars 2021: The Case of Don’t Look Up

Oscars 2021: The Case of Drive My Car

Oscars 2021: The Case of Dune

Oscars 2021: The Case of King Richard

The Case for Licorice Pizza:

Between his producing credits, direction, and screenplays – Anderson had already received 8 Oscar nominations without a victory (2007’s There Will Be Blood and 2017’s Phantom Thread were up for BP). He adds three more with Pizza for Picture, Director, and Original Screenplay. The Academy might feel that it’s time to honor one of the most acclaimed filmmakers of the past quarter century.

The Case Against Licorice Pizza:

Note that I only mentioned three overall nods and that ties the lowest of the 10 contenders along with CODA. This failed to nab mentions in other key categories – many thought Alana Haim could sneak in for Actress and lots of prognosticators (including myself) had Bradley Cooper getting a Supporting Actor nomination. Furthermore, its exclusion in Editing is notable (historically no BP winners get the big prize without competing in that race).

The Verdict:

The best hope for Pizza to get a piece of the Oscar pie is in Original Screenplay where it appears to be in a fierce competition with Belfast. Don’t expect a BP delivery.

My Case Of posts will continue with Nightmare Alley

Oscars 2021: The Case of King Richard

Reinaldo Marcus Green’s King Richard is the next film to be served up in my Case Of posts focused on 2021’s Best Picture nominees. For my takes on the other five entries thus far, you can peruse them here:

Oscars 2021: The Case of Belfast

Oscars 2021: The Case of CODA

Oscars 2021: The Case of Don’t Look Up

Oscars 2021: The Case of Drive My Car

Oscars 2021: The Case of Dune

The Case for King Richard

The uplifting tale of Richard Williams (Will Smith) and his tutelage of Venus and Serena hit all its expected categories on nomination morning: Picture, Actor, Supporting Actress (Aunjanue Ellis), Original Screenplay, Editing, and Original Song (courtesy of Beyonce). It’s an easy movie to like and if Academy voters are in feel good mode, they could court this one for attention.

The Case Against King Richard:

There’s other feel good choices with Belfast and CODA. Green showing up in Best Director would have been an indicator of strength, but it didn’t materialize. Richard also struggled at the box office (it simultaneously premiered on HBO Max). The best opportunity it has for a win is with Smith, who might make it to the podium in Actor on his third try.

The Verdict

Smith definitely has the strongest chance to feel the Richard love. It’s a long shot for BP.

My Case Of posts will continue with Licorice Pizza

Oscars 2021: The Case of Dune

Denis Villeneuve’s Dune brings us to the halfway point of my ten Case Of posts for the Best Picture contenders. If you missed the first four, you can access them here:

Oscars 2021: The Case of Belfast

Oscars 2021: The Case of CODA

Oscars 2021: The Case of Don’t Look Up

Oscars 2021: The Case of Drive My Car

The Case for Dune:

If the Academy’s voters are looking to honor the nominee that garnered the highest box office returns, they can do so here as the sci-fi epic made $107 million domestically while being simultaneously available on HBO Max. Dune stands as the second most nominated film of 2021 with 10 mentions including Adapted Screenplay and a number of tech nods that it’s expected to win.

The Case Against Dune:

Many anticipated that this would garner the most mentions on Oscar nomination morning, but it fell short by two to The Power of the Dog. In doing so, Dune missed a major race when Villeneuve surprisingly failed to make the director cut. Quite simply, it’s hard to imagine this taking the big prize without its filmmaker being acknowledged.

The Verdict:

Dune should have no trouble winning some Oscars next month. Sound and Visual Effects are likely in the bag and Cinematography, Costume Design, Editing, Makeup and Hairstyling, Original Score, and Production Design are all feasible. Picture seems out of reach and voters will have another chance to honor it (and its director) with the forthcoming sequel.

My Case Of posts will continue with King Richard

Oscars 2021: The Case of Don’t Look Up

My Case Of posts for the 10 Best Picture nominees is down to our third entry and that’s Adam McKay’s end of the world black comedy Don’t Look Up. If you missed the first two covering Belfast and CODA, you can find them here:

Oscars 2021: The Case of Belfast

Oscars 2021: The Case of CODA

The Case for Don’t Look Up

The Netflix property has probably received more social media chatter and buzz than any of the other hopefuls (with the possible exception of Dune). The streaming numbers were said to be massive so it is certainly one of the most widely seen contenders. For McKay, it marks his third BP nominee in a row behind 2015’s The Big Short and 2018’s Vice. 

The Case Against Don’t Look Up:

That aforementioned chatter was definitely not all positive. Reviews were mixed and Up‘s 56% Rotten Tomatoes score is easily the worst of the lot (the next lowest is Nightmare Alley at 80%). While some viewers sang its praises, plenty more derided it. This also missed key races like Director and any of the actors involved (Leonardo DiCaprio was likely close but no cigar in Actor).

The Verdict:

Netflix could be well on its way to its inaugural BP statue and that would be for The Power of the Dog. Their other hopeful is too divisive to have a shot and its total of four nominations is on the low end of the scale.

My Case Of posts will continue with Drive My Car