Author: toddmthatcher

Venice Makes Room for Next Door

The 2024 Venice Film Festival has wrapped production with a bit of a surprise ending. Pedro Almodóvar’s English language debut The Room Next Door has taken the Golden Lion (equivalent to Best Picture) in Italy. The relationship drama starring Julianne Moore and Tilda Swinton has received positive reviews (95% RT), but the general consensus is they might not have been strong enough for this particular prize.

What does that mean for its Oscar chances? Well, it certainly helps exposure prior to its December 20th limited stateside start and nationwide expansion in January. Five of the past seven Golden Lion recipients have ended up nabbing BP nods – The Shape of Water (winner), Roma, Joker, Nomadland (winner), and Poor Things.

Venice spreads the wealth when it comes to the victors. The Silver Lion designation (equivalent to Best Director) was bestowed to Brady Corbet for The Brutalist. The Holocaust survivor epic was the breakout of the fest with its awards possibilities going through the roof. It could become a major player at the 97th Academy Awards and Corbet’s inclusion here proves it. On the other hand, this was probably the betting odds favorite for the Lion and didn’t get there.

The Volpi Cups go to Actor and Actress. The former went to Vincent Lindon for The Quiet Son. It’s doubtful that he’ll be a factor in the Academy’s race. In the past decade, two Volpi Actor winners have garnered Oscar nods (Willem Dafoe for At Eternity’s Gate and Colin Farrell in The Banshees of Inisherin).

In Best Actress, the story could be different with Nicole Kidman being named for Babygirl. Seeking her sixth Academy nom, she was unable to accept the Venice award due to her mother’s passing. At the Oscars, Best Actress is starting to look crowded. Yet A24 is likely to mount a spirited campaign for the performer. Half of the previous the Actress honorees have made the Academy’s cut: winners Emma Stone (La La Land) and Olivia Colman (The Favourite) in addition to Vanessa Kirby (Pieces of a Woman), Penélope Cruz (Parallel Mothers), and Cate Blanchett (Tár).

Keep checking the blog for rolling awards coverage!

Oscar Predictions: The Last Showgirl

The Last Showgirl has hit the Toronto Film Festival with an iconic Canadian actress in the limelight. From director Gia Coppola (granddaughter of Francis, niece of Sofia), Baywatch star Pamela Anderson headlines as an aging Vegas performer. The supporting cast includes Jamie Lee Curtis, Dave Bautista, Brenda Song, Billie Lourd, and Kiernan Shipka.

Early word-of-mouth indicates Anderson nails her leading role. It’s safe to say she’s come a long way since Barb Wire nearly 30 years ago. Showgirl has yet to find a stateside buyer so there’s no guarantee that it’s out by the end of 2024. Assuming it does make the domestic cut this year, Anderson’s viability in Best Actress could depend on who picks up distribution. A spirited campaign could put her in the mix. Curtis is also being called a scene stealer. However, her win only two ceremonies back for Everything Everywhere All at Once might hinder her exposure.

Reviews for the picture itself are more mixed. Anderson is probably on the outside looking in, but let’s see how this plays out before passing final judgment. My Oscar Prediction posts will continue…

Beetlejuice Beetlejuice Review

Beetlejuice Beetlejuice, the 36 years in the making sequel to the inventive original, finds ways to capture the spirit of what long ago preceded it. On the other hand, Tim Burton’s follow-up is just 12 minutes longer than the first. Unfortunately it feels about 30 minutes longer as it’s packed with too many characters and storylines. Busier is not better in this paranormal case.

Speaking of the paranormal, Lydia Deetz (Winona Ryder) was last seen as the death obsessed teen back in ’88 who was able to see the ghosts of the dearly departed couple who owned the house she moved into. Now she hosts a popular talk show where she helps guests conjure lost loved ones. Lydia has a conniving boyfriend who’s also her producer (a delightfully smarmy Justin Theroux) and an estranged daughter Astrid (Jenna Ortega) at boarding school. She also has visions of the demented “bio-exorcist” squared title character (Michael Keaton) who tried to marry her way back when.

When Lydia’s father Charles (Jeffrey Jones, not in the film but his character cleverly is) passes, Lydia and her unorthodox posse travel back to quaint Winter River, Connecticut for the funeral. That includes oddly artistic stepmom Delia (Catherine O’Hara). Astrid, who doesn’t believe in ghosts despite the Deetz history but shares mom’s downbeat worldview, meets an intriguing outcast and potential love interest Jeremy (Arthur Conti). She is additionally primed for introduction for Mr. Juice if his name is iconically uttered three times.

Beetlejuice has his own familial issues. Ex-wife Delores (Monica Bellucci) is stalking him in the afterlife so he’s desperately looking to join the physical world and wed Lydia after their first ceremony was indefinitely postponed. Willem Dafoe turns up as a detective in the hereafter. His qualifications to be a sleuth? He’s a former B actor who played one on TV!

There’s a lot going on in Beetlejuice Beetlejuice and the first act is a slight slog to establish all the subplots. Once that occurs, I thought one in particular could’ve been jettisoned completely and that’s the ‘Juice/Delores angle. Dafoe is having a ball but his screen time feels superfluous.

Some of what going on is reminiscent of the darkly amusing pleasures that Beetlejuice brought. Ryder and O’Hara (who’s always a joy) slip effortlessly into their characters and Ortega is a fine addition (she’s had her practice on Netflix’s Wednesday which Burton is a creative force behind). There’s plenty of fun PG-13 level gross visual effects and of course Keaton is reliable for some highlights.

So where are Barbara (Geena Davis) and Richard (Alec Baldwin) – the Maitlands from part 1? The sequel cheekily explains their absence in a flippant manner. I kind of appreciated that this backstory isn’t delved into. After all, this film is plenty crowded. That said, the Maitlands were the audience’s conduit to the bizarro world that Burton and company constructed. It’s an aspect that is missing here. Beetlejuice Beetlejuice is on track intermittently even if its soul can feel departed.

**1/2 (out of four)

The Killer’s Game Box Office Prediction

Lionsgate is looking for heavy multiplex play for The Killer’s Game when it opens September 13th. The action comedy from director J.J. Perry stars Dave Bautista as an assassin fending off competitors. Sofia Boutella, Terry Crews, Bautista’s Guardians of the Galaxy costar Pom Klementieff, Scott Adkins, Marko Zaror, and Ben Kingsley costar.

It’s been a rough go for Lionsgate recently. In August, the studio had two of the summer’s biggest busts with Borderlands and The Crow. I don’t see Game reversing their fortunes in early autumn. Out on approximately 2500 screens, mid single digits seems likely.

The Killer’s Game opening weekend prediction: $3.7 million

For my Speak No Evil prediction, click here:

Speak No Evil Box Office Prediction

Oscar Predictions: The Friend

The Friend played Telluride and is about to hit Toronto and the dramedy has found some allies already. Based on the novel by Sigrid Nunez, the team known as Siegel & McGehee direct. They are known for indie pics such as The Deep End, What Maisie Knew, and Montana Story. Naomi Watts is a writer caring for her late mentor’s dog. Supporting work comes from Bill Murray (as said mentor), Sarah Pidgeon, Constance Wu, Ann Dowd, Owen Teague, and Carla Gugino. There’s also what’s said to be a terrific performance by Great Dane Bing as Apollo.

Several critics, while saying The Friend is formulaic, also say it often rises above similar doggie tales. Early buzz indicates it earns the tears of audience members. The Rotten Tomatoes score is 100% with Metacritic at 70.

Still seeking domestic distribution, it remains to be seen whether this makes the 2024 cut. If so, Watts is getting plenty of applause. She’s a two-time nominee for 2003’s 21 Grams and 2012’s The Impossible. Becoming a contender isn’t an impossibility, but it is a stretch. There’s no Best Canine category so Bing doesn’t need his tux pressed. My Oscar Prediction posts will continue…

Oscar Predictions: Nutcrackers

The wildly unpredictable career of David Gordon Green stays wildly unpredictable with Nutcrackers, a family dramedy that opened the Toronto Film Festival yesterday. Mr. Green first captured the admiration of critics with the 2000 indie George Washington. He eventually moved onto stoner comedies like Pineapple Express and Your Highness and then some well-regarded grounded dramas like Joe and Stronger. As of late, he’s made sequels to horror classics in the newest Halloween trilogy and The Exorcist: Believer.

His latest is another genre u-turn with Ben Stiller as a career man who travels to Ohio to care for his four orphaned nephews. It marks Stiller’s first headlining role since The Meyerowitz Stories in 2017. Linda Cardellini, Tim Heidecker, and Edi Patterson costar.

Last year, TIFF’s premiere picture The Boy and the Heron started an Oscar journey that culminated in a Best Animated Feature victory. Obviously Nutcrackers won’t be eligible for that race. However, its chances of making any others are about as realistic. The Metacritic score is a ho-hum 55 at press time. That’s not going to lead to awards chatter. My Oscar Prediction posts will continue…

Speak No Evil Box Office Prediction

Blumhouse hopes for lucky results over the Friday the 13th weekend with Speak No Evil. The psychological thriller is a remake of an acclaimed 2022 Danish production. James Watkins, who helmed 2012’s The Woman in Black, directs with James McAvoy, Mackenzie Davis, Aisling Franciosi, and Scott McNairy starring.

Evil‘s opening weekend could be good due to lack of competition. Beetlejuice Beetlejuice will be in its sophomore frame and should easily be the reigning champ. However, Evil looks to appeal to genre fans in the teens for a second place start.

Whether that opening is low or higher teens is a question mark. Perhaps McAvoy’s previous successful psycho work (see Split) will help. A gross of $15 million or over is certainly doable, but I’ll put it just under.

Speak No Evil opening weekend prediction: $14.6 million

For my The Killer’s Game prediction, click here:

The Killer’s Game Box Office Prediction

Oscar Predictions – Joker: Folie à Deux

There are some genuine awards related surprises as it pertains to the Venice Film Festival debut for Joker: Folie à Deux today. It is not shocking that the Todd Phillips sequel to his billion plus 2019 grosser is garnering wildly divergent reactions. So did the original. I’m talking about some unexpected housekeeping items. For one, Lady Gaga’s performance as Harley Quinn is said to be a clear Supporting Actress play and not lead. In my updated Oscar predictions post yesterday, I slotted her for the first time (at #5) in Actress. That will obviously change. Another tidbit is that despite Deux being a musical, there doesn’t appear to be any original songs for consideration. I’ve listed a TBD tune in my quintet of forecasted contenders for several weeks. That, too, will be corrected when I updated Academy projections shortly (probably Sunday).

Prior to its October 4th stateside premiere (exactly five years after part one), the follow-up has premiered in Italy just like the last one did. The first Joker started its Oscar run by taking the Golden Lion (equivalent to Best Picture) in Venice. It ended up receiving a ceremony high 11 nominations at the 92nd Academy Awards including Picture, Director, Adapted Screenplay, and several tech races. Joaquin Phoenix received the gold statue in Best Actor eleven years after Heath Ledger won Supporting Actor as the same character in The Dark Knight. The Original Score by Hildur Guõnadóttit was also victorious.

Phoenix is back as the iconic comic book villain along with Gaga, a returning Zazie Beetz, Brendan Gleeson, and Catherine Keener supporting. Even more so than what took place a half decade ago, Folie appears to be drawing even more divisive word-of-mouth. The Metacritic score is 54 based on nearly 25 reviews thus far. Some are calling it brilliant while others are saying this is a huge misfire.

The Academy is unlikely to show the same affection that they did with Joker. BP, Director, and Actor seem improbable. I’ve yet to include Deux in my top 10 picks for BP and that doesn’t appear to be changing. Down the line races like Production Design, Costume Design, Makeup & Hairstyling, and Original Score (from Hildur again) could occur. Yet the Academy might just ignore this altogether or maybe throw it a bone in one or two of the aforementioned categories.

Back to Gaga. She was nominated in Actress for 2018’s A Star is Born and was expected to be up for 2021’s House of Gucci. She didn’t make the cut for Gucci. Supporting Actress could include heavy hitters like Zoe Saldaña and Selena Gomez from Emilia Pérez, Danielle Deadwyler (The Piano Lesson), Aunjanue Ellis-Taylor (Nickel Boys), and Tilda Swinton (The Room Next Door), among others whose films have yet to be unveiled. Gaga is getting good ink as Quinn, but there may not be room for her to get in the door. My Oscar Prediction posts will continue…

September 6-8 Box Office Predictions

The autumn cinematic season looks to spook up a massive debut with Beetlejuice Beetlejuice, Tim Burton’s long in the works sequel to his 1988 classic with Michael Keaton reprising his iconic role. My detailed prediction post on it can be accessed here:

Beetlejuice Beetlejuice Box Office Prediction

In order for Beetlejuice to set the all-time domestic September opening record, it would need to eclipse the $123 million achieved by 2017’s It. That could be a tall order but it is achievable. For second place, topping the $91 million earned by It‘s 2019 sequel is the assignment. My forecast gives Burton and company those bragging rights with room to spare.

The rest of the top five will belong to summer holdovers with Deadpool & Wolverine sliding to second. Spots 3-5 should be a close call between Reagan, Twisters, and Alien: Romulus. I have them in that order though the figures are basically interchangeable.

Here’s how I have it shaking out:

1. Beetlejuice Beetlejuice

Predicted Gross: $115.7 million

2. Deadpool & Wolverine

Predicted Gross: $9.8 million

3. Reagan

Predicted Gross: $4.8 million

4. Twisters

Predicted Gross: $4.7 million

5. Alien: Romulus

Predicted Gross: $4.5 million

Box Office Results (August 30-September 2)

A rather dull Labor Day weekend greeted multiplexes as Deadpool & Wolverine, in its sixth frame, stayed in first with $19.5 million. That’s a little more than my $18.3 million prediction as the MCU heavy hitter is up to $603 million.

Alien: Romulus was second with $11.6 million, under my $13.7 million prediction. The franchise’s latest entry is nearing the century mark at $91 million after three weeks.

The bright spot of the holiday for theaters was Ronald Reagan’s reemergence with Dennis Quaid playing him. Biopic Reagan was a solid third with $10.3 million, easily surpassing my meager $5.6 million take.

Fourth place belonged to Twisters with $9.8 million. It blew past my $6.8 million forecast in week 7 to bring its tally to $260 million.

It Ends with Us rounded out the top five with $9.3 million (I went with $10.2 million) for a pleasing four-week gross of $135 million.

Faith-based drama The Forge was sixth with $6.5 million (I said $7.2 million) for $16 million after two weeks.

Also in its sophomore frame, Blink Twice grossed $6.1 million for seventh. That’s in range with my $6.3 million projection and it has $16 million in its coffers.

Finally, Blumhouse horror flick AfrAId was DOA in ninth with just $4.4 million. I was kinder at $7.4 million.

And that does it for now, folks! Until next time…

Oscar Predictions: The End

Joshua Oppenheimer is best known for his Oscar nominated and acclaimed documentaries The Act of Killing and The Look of Silence, but he’s in fictional territory with The End. The post-apocalyptic musical (you read it right) premiered at Telluride and is en route to Toronto. Focused on a rich family in their underground bunker, the cast includes Tilda Swinton, George MacKay, Moses Ingram (said to be a scene stealer), and Michael Shannon.

Reviews out of Colorado are varied with some saying it doesn’t quite hit its satirical aims. Even if it releases stateside by the end of the year, I doubt this will be on the Academy’s radar. For Swinton, she’s got a Supporting Actress chance elsewhere in The Room Next Door. Oppenheimer’s non-doc debut? Don’t expect it to be, well, Oppenheimer. My Oscar Prediction posts will continue…