Author: toddmthatcher

2018 Weekly Oscar Predictions: October 18th Edition

Back at it again with my weekly Thursday predictions in the major categories for this year’s Oscars! Here’s some tidbits about developments over the past week:

  • Damien Chazelle’s First Man experienced a lackluster liftoff at the box office this past weekend with just $16 million (about $5 million or so below expectations). Will this alter its course for numerous nominations? Short answer: probably not. However, I do have it dropping spots in Picture, Director, and Actor while still predicting nods for all three. Claire Foy remains at #2 behind Regina King (If Beale Street Could Talk) for Supporting Actress.
  • Speaking of that category, it will finally confirmed this week regarding placement of performers for The Favourite. Olivia Colman will compete in lead Actress with Emma Stone and Rachel Weisz in Supporting. As I have projected for weeks, I think that bodes well for all three actresses in garnering nods.
  • Beautiful Boy performed very well in limited release last week and I have vaulted Timothee Chalamet back to the #1 spot in the fluid Supporting Actor race.

And with that – here’s where I think Oscar standings are at this moment in time…

Best Picture

1. A Star Is Born (Previous Ranking: 1)

2. Roma (PR: 2)

3. The Favourite (PR: 4)

4. Green Book (PR: 5)

5. First Man (PR: 3)

6. BlacKkKlansman (PR: 6)

7. If Beale Street Could Talk (PR: 7)

8. Black Panther (PR: 8)

9. Vice (PR: 9)

Other Possibilities:

10. Can You Ever Forgive Me? (PR: 11)

11. Widows (PR: 10)

12. The Mule (PR: 12)

13. Crazy Rich Asians (PR: 15)

14. Mary Queen of Scots (PR: 16)

15. On the Basis of Sex (PR: 17)

16. Boy Erased (PR: 14)

17. The Ballad of Buster Scruggs (PR: 13)

18. Mary Poppins Returns (PR: 18)

19. Leave No Trace (PR: 19)

20. Eighth Grade (PR: 22)

21. Bohemian Rhapsody (PR: 25)

22. Beautiful Boy (PR: 23)

23. The Hate U Give (PR: Not Ranked)

24. A Quiet Place (PR: Not Ranked)

25. The Front Runner (PR: 24)

Dropped Out:

At Eternity’s Gate

The Sisters Brothers

Best Director

1. Alfonso Cuaron, Roma (PR: 1)

2. Bradley Cooper, A Star Is Born (PR: 2)

3. Yorgos Lanthimos, The Favourite (PR: 5)

4. Damien Chazelle, First Man (PR: 3)

5. Spike Lee, BlacKkKlansman (PR: 4)

Other Possibilities:

6. Barry Jenkins, If Beale Street Could Talk (PR: 6)

7. Peter Farrelly, Green Book (PR: 7)

8. Adam McKay, Vice (PR: 8)

9. Ryan Coogler, Black Panther (PR: 10)

10. Marielle Heller, Can You Ever Forgive Me? (PR: 11)

11. Steve McQueen, Widows (PR: 13)

12. Clint Eastwood, The Mule (PR: 12)

13. Josie Rourke, Mary Queen of Scots (PR: 14)

14. Joel and Ethan Coen, The Ballad of Buster Scruggs (PR: 9)

15. Jon M. Chu, Crazy Rich Asians (PR: Not Ranked)

Dropped Out:

Joel Edgerton, Boy Erased

Best Actor

1. Bradley Cooper, A Star Is Born (PR: 1)

2. Christian Bale, Vice (PR: 2)

3. Viggo Mortensen, Green Book (PR: 3)

4. Rami Malek, Bohemian Rhapsody (PR: 5)

5. Ryan Gosling, First Man (PR: 4)

Other Possibilities:

6. Willem Dafoe, At Eternity’s Gate (PR: 6)

7. Robert Redford, The Old Man & The Gun (PR: 7)

8. Steve Carell, Beautiful Boy (PR: 9)

9. Clint Eastwood, The Mule (PR: 8)

10. Hugh Jackman, The Front Runner (PR: 11)

11. Ethan Hawke, First Reformed (PR: 10)

12. Lucas Hedges, Ben Is Back (PR: Not Ranked)

13. Ben Foster, Leave No Trace (PR: 15)

14. John David Washington, BlacKkKlansman (PR: 14)

15. Lucas Hedges, Boy Erased (PR: 12)

Dropped Out:

Stephan James, If Beale Street Could Talk 

Best Actress

1. Lady Gaga, A Star Is Born (PR: 1)

2. Glenn Close, The Wife (PR: 2)

3. Olivia Colman, The Favourite (PR: 3)

4. Melissa McCarthy, Can You Ever Forgive Me? (PR: 4)

5. Yalitza Aparicio, Roma (PR: 5)

Other Possibilities:

6. Viola Davis, Widows (PR: 6)

7. Saoirse Ronan, Mary Queen of Scots (PR: 7)

8. Felicity Jones, On the Basis of Sex (PR: 8)

9. Julia Roberts, Ben Is Back (PR: 9)

10. Nicole Kidman, Destroyer (PR: 11)

11. Emily Blunt, Mary Poppins Returns (PR: 12)

12. Toni Collette, Hereditary (PR: 10)

13. Kiki Layne, If Beale Street Could Talk (PR: 14)

14. Carey Mulligan, Wildlife (PR: 13)

15. Elsie Fisher, Eighth Grade (PR: Not Ranked)

Dropped Out:

Keira Knightley, Colette

Best Supporting Actor

1. Timothee Chalamet, Beautiful Boy (PR: 3)

2. Mahershala Ali, Green Book (PR: 1)

3. Sam Elliot, A Star Is Born (PR: 2)

4. Richard E. Grant, Can You Ever Forgive Me? (PR: 4)

5. Sam Rockwell, Vice (PR: 5)

Other Possibilities:

6. Daniel Kaluuya, Widows (PR: 6)

7. Michael B. Jordan, Black Panther (PR: 8)

8. Adam Driver, BlacKkKlansman (PR: 7)

9. Steve Carell, Vice (PR: 9)

10. Nicholas Hoult, The Favourite (PR: 12)

11. Armie Hammer, On the Basis of Sex (PR: 10)

12. Russell Crowe, Boy Erased (PR: 11)

13. Russell Hornsby, The Hate U Give (PR: Not Ranked)

14. Robert Forster, What They Had (PR: Not Ranked)

15. Tim Blake Nelson, The Ballad of Buster Scruggs (PR: 13)

Dropped Out:

Brian Tyree Henry, If Beale Street Could Talk

Bradley Cooper, The Mule

Best Supporting Actress

1. Regina King, If Beale Street Could Talk (PR: 1)

2. Claire Foy, First Man (PR: 2)

3. Emma Stone, The Favourite (PR: 3)

4. Rachel Weisz, The Favourite (PR: 4)

5. Amy Adams, Vice (PR: 5)

Other Possibilities:

6. Natalie Portman, Vox Lux (PR: 6)

7. Marina de Tavira, Roma (PR: 8)

8. Michelle Yeoh, Crazy Rich Asians (PR: 7)

9. Nicole Kidman, Boy Erased (PR: 9)

10. Margot Robbie, Mary Queen of Scots (PR: 11)

11. Thomasin McKenzie, Leave No Trace (PR: 13)

12. Sissy Spacek, The Old Man & The Gun (PR: 10)

13. Rachel McAdams, Disobedience (PR: 14)

14. Kathy Bates, On the Basis of Sex (PR: 15)

15. Dianne Wiest, The Mule (PR: 12)

Best Adapted Screenplay

1. BlacKkKlansman (PR: 1)

2. If Beale Street Could Talk (PR: 2)

3. A Star Is Born (PR: 3)

4. Can You Ever Forgive Me? (PR: 4)

5. Widows (PR: 5)

Other Possibilities:

6. First Man (PR: 6)

7. Leave No Trace (PR: 7)

8. Crazy Rich Asians (PR: 8)

9. Boy Erased (PR: 9)

10. Mary Queen of Scots (PR: 10)

11. Beautiful Boy (PR: 14)

12. Black Panther (PR: 11)

13. The Hate U Give (PR: 12)

14. The Front Runner (PR: Not Ranked)

15. Disobedience (PR: 13)

Dropped Out:

Wildlife

Best Original Screenplay

1. Roma (PR: 1)

2. The Favourite (PR: 2)

3. Green Book (PR: 3)

4. Eighth Grade (PR: 5)

5. Vice (PR: 4)

Other Possibilities:

6. The Ballad of Buster Scruggs (PR: 6)

7. First Reformed (PR: 7)

8. On the Basis of Sex (PR: 10)

9. A Quiet Place (PR: 9)

10. The Mule (PR: 8)

11. Private Life (PR: 11)

12. Ben Is Back (PR: Not Ranked)

13. Stan and Ollie (PR: 14)

14. At Eternity’s Gate (PR: 12)

15. Sorry to Bother You (PR: Not Ranked)

Dropped Out:

Mid90s

Capernaum

Johnny English Strikes Again Box Office Prediction

Blogger’s Update (10/18): Reports have come out that this is only getting 500 screens next weekend. Therefore I am revising my estimate down from $2.7 million to just $1.3 million.

Rowan Atkinson’s bumbling spy is back on-screen next weekend when Johnny English Strikes Again hits theaters. This is the third entry in a franchise that began 15 years ago and saw a 2011 follow-up experience dwindling returns compared to the original. David Kerr directs with a supporting cast that includes Olga Kurylenko, Ben Miller, Jake Lacy, and Emma Thompson.

In the summer of 2003, Johnny English opened to $9.1 and a $28 million overall domestic gross. Eight years later, Johnny English Reborn managed just $3.8 million out of the gate and $8.3 million overall. The sequel’s total stateside earnings is under the opening gross of its predecessor. It is worth noting that these English sagas perform far better overseas, where each made $160 million overall.

I expect the lackluster returns to continue here for part 3, while it should continue more robust earnings in other parts of the globe. I’ll say Strikes Again strikes out here and doesn’t even match the unimpressive numbers of Reborn.

Johnny English Strikes Again opening weekend prediction: $1.3 million

For my Hunter Killer prediction, click here:

https://toddmthatcher.com/2018/10/16/hunter-killer-box-office-prediction/

For my Indivisible prediction, click here:

https://toddmthatcher.com/2018/10/22/indivisible-box-office-prediction/

Hunter Killer Box Office Prediction

Blogger’s Note (10/25/18): On the eve of its premiere, I am revising my estimate down from $10.2 million to $8.2 million

Gerard Butler headlines the action thriller Hunter Killer next weekend alongside Gary Oldman, Common, Linda Cardellini, and Toby Stephens. The submarine set pic comes out in the Halloween frame – which is typically a slow one at the box office. It will, at best, come in second to sophomore weekend for Halloween.

While there doesn’t seem to be much buzz for it, Butler has seen his recent efforts make a little more than anticipated. This includes Den of Thieves from earlier this year, which took in over $15 million. Even last year’s costly flop Geostorm still managed to make nearly $14 million.

I don’t see that kind of performance here, but I do think Killer could top double digits. On the other hand, it could debut on pace with something like Operation Finale from August. That action thriller didn’t even make $8 million over the long Labor Day frame.

This could be a bit high, but I’ve learned to spot Butler a couple million lately. I’ll say a gross between $10-$11 million is the likely scenario.

Hunter Killer opening weekend prediction: $8.2 million

For my Johnny English Strikes Again prediction, click here:

https://toddmthatcher.com/2018/10/17/johnny-english-strikes-again-box-office-prediction/

For my Indivisible prediction, click here:

https://toddmthatcher.com/2018/10/22/indivisible-box-office-prediction/

Box Office Predictions: October 19-21

Halloween looks to dominate the box office and slash all competition with a potentially record-setting opening. In order to do so, it would need to top the $80 million earned just days ago by Venom when it smashed the all-time October opening of all time. You can peruse my detailed prediction post in it here:

https://toddmthatcher.com/2018/10/09/halloween-box-office-prediction/

As you can see, I’ve got earning just north of $75 million. That puts it short of Venom, but easily at #2 as far as all-time debuts for the month (it only needs top the $55 million that Gravity took in five years ago). That shouldn’t be a problem at all.

While this weekend’s #1 pic is not in question, the holdover battle should be interesting as well. The Michael Myers appearance will likely made Venom lose at least half its audience and that could cause it to drop to third place after two weeks in first place. That means A Star Is Born should hold steady in second.

First Man had a rather lackluster debut (more on that below) and it hopes to experience a smallish decline in the low to mid 30s. If so, it should rank fourth with Goosebumps 2: Haunted Halloween not far behind.

The Hate U Give expands to approximately 2300 theaters after it’s performed well in limited fashion. I’ll put its gross at $6.7 million and that would leave it outside the top 5.

Here’s the top 5 predictions for the scary weekend ahead:

1. Halloween

Predicted Gross: $75.4 million

2. A Star Is Born

Predicted Gross: $19.2 million

3. Venom

Predicted Gross: $16.9 million

4. First Man

Predicted Gross: $10 million

5. Goosebumps 2: Haunted Halloween

Predicted Gross: $9.4 million

Box Office Results (October 12-14)

Venom and A Star Is Born continued to rule the charts while all newcomers came in with rather lackluster returns. Marvel’s Venom repeated in first with $35 million in its second weekend, managing to top my $31.2 million estimate. The comic book based hit has amassed $142 million thus far.

A Star Is Born, as expected, held up well in its sophomore frame with $28.4 million (right in line with my $28.3 million projection). It’s about to join the century club after two weeks with $94 million currently.

The biggest surprise of the weekend was First Man, which failed to achieve liftoff in third with a disappointing $16 million, well below my $23.5 million take. Damien Chazelle’s Oscar hopeful with Ryan Gosling will hope for smallish declines, but this is unquestionably a letdown.

Goosebumps 2: Haunted Halloween couldn’t match its predecessor’s mid 20s start. It debuted in fourth with a mediocre $15.8 million compared to my $17.3 million prediction.

Smallfoot rounded out the top five with $9 million (I said $8.9 million) to bring its tally to $57 million.

Finally, Bad Times at the El Royale failed to generate many check-ins as it opened in seventh place with $7.1 million, a tad under my $8 million estimate.

And that does it for now, folks! Until next time…

 

Eighth Grade Movie Review

It’s not often that I find myself rooting for a character as much as I did with Kayla Day in Bo Burnham’s directorial debut Eighth Grade. Played with vulnerable authenticity by newcomer Elsie Fisher, this is a coming-of-age story different from others we’ve seen before (The Edge of Seventeen is another recent winning example). What makes this rather unique is an occasional urgency of now as it explores social media fixation, anxiety, and even issues of consent that have dominated headlines over the past months.

Burnham is a comedian who made his mark online in YouTube videos. That’s what his main character is trying to do when we first meet her. Kayla is a shy thirteen year old who achieves the unfortunate distinction of being voted Most Quiet student. She’s about to graduate eighth grade and enter the awkward world of high school. Yet there’s still a bit of awkward middle school to go. Kayla posts faux inspirational streams that go mostly unseen where she offers the best advice she’s garnered at a young age. Not having many friends, Kayla’s daily interaction is with her kind single dad (Josh Hamilton, who has some fine moments).

Kayla is ready to branch out of her shell, but hasn’t figured out how. And there’s nothing about Fisher’s portrayal of her that feels the least bit fake. That’s a credit to the actress playing her and Burnham’s perceptive screenplay. One could think that’s a bit awkward itself coming from a male writer in his late twenties. However, Eighth Grade speaks to the uncomfortable nature we all found ourselves in back then. This includes a game of truth or dare with a senior boy that generates more suspense and heartache than expected.

The script includes some archetypes we anticipate in the genre. There’s the nerdy kid who crushes on Kayla. The heart-throb boy she crushes on who is only after one thing. Of course, there’s the popular girl who pays her zero attention. We’ve seen them often. We rarely see a depiction of a teen like Kayla with this much care and attention to detail. That’s what makes her character special and worth cheering for. No one is really watching Kayla at this point in her life, but we get the feeling she’ll be worth keeping an eye on as life goes on. Watching what Burnham does in showing her adolescent experience is well worth viewing.

***1/2 (out of four)

 

Skyscraper Movie Review

Rawson Marshall Thurber takes a break from directing comedies and Dwayne Johnson is on a hiatus from pairing with jungle animals in Skyscraper. Drawing clear inspiration from The Towering Inferno and Die Hard, the action thriller casts Johnson as Sawyer, an ex FBI agent who lost a leg in a hostage situation gone wrong. It didn’t all turn out badly though because he ends up marrying his surgeon (Neve Campbell) and they have two cute kids. Sawyer now works as a safety analyst for giant buildings and the biggest one has just been erected in Hong Kong by a billionaire entrepreneur (Chin Han). An occupational hazard develops when some terrorists led by Roland Møller set The Pearl (what the 200 plus story structure is named) on fire. Sawyer must then save his family from the burning. If you think one of his kids is asthmatic and the screenplay uses that overused cliché, you sure are right!

For a filmmaker who’s done Dodgeball: A True Underdog Story, We’re the Millers, and Central Intelligence (with Johnson), Thurber keeps this a mostly humor free experience – save for our protagonist’s affinity for duct tape. While I’ve already mentioned its most obvious influences, the climax pays homage to The Man with the Golden Gun, of all Bond pics. That one is on the lower end of 007 efforts and so is this as far as Johnson’s action output.

Skyscraper never bothers to develop worthwhile villains and that’s something Die Hard sure had. The Towering Inferno had cutting edge effects at its time. Not here. And, um, the aforementioned Bond movie had a main bad guy with a third nipple. So that’s something.

Johnson manages to exude some charm, but it can only go so far with this ultimate nondescript affair. I could say something obvious like “Skyscraper didn’t floor me”, but that would be as lame as putting in a kid with asthma.

** (out of four)

Oscar Watch: What They Had

A week from today, Bleecker Street releases What They Had in limited fashion. The film marks the directorial debut of Elizabeth Chomko (who also wrote the script) and centers on a family dealing with a mother diagnosed with Alzheimer’s. It premiered at Sundance back in January and features a cast including Hilary Swank (two-time winner for Boys Don’t Cry and Million Dollar Baby), Michael Shannon, Blythe Danner, Robert Forster, Taissa Farmiga, and Josh Lucas.

Early reviews have been positive and it stands at 92% on Rotten Tomatoes. That said, critical reaction likely isn’t strong enough to make this a player in Best Picture. What They Had could struggle generally to get noticed at all. Its best chances aren’t with Swank or Shannon, but with Danner and Forster. For them to get noticed, the picture will need to at least break through with audiences to a certain degree. That could be a tall order in the midst of more high-profile contenders.

Bottom line: while this is generating solid reviews, Had is a long shot for Academy attention. My Oscar watch posts will continue…

2018 Weekly Oscar Predictions: October 11th Edition

Back at ya with my weekly Oscar predictions! Here’s some tidbits that have transpired over the past seven days:

  • While the official review embargo has not lifted, Bohemian Rhapsody has screened and early word-of-mouth is out. Reaction for this film itself seems mixed and it has caused the Freddie Mercury biopic to drop to 25th in my BP rankings and out of my Original Screenplay possibilities. On the other hand, chatter about Rami Malek’s performance is terrific. For the first time, he enters my top 5 predicted Actor nominees, knocking out Willem Dafoe’s work in At Eternity’s Gate. One thing seems certain: the lead actor race is looking very crowded at the moment.
  • Speaking of that category, it was confirmed that Stephan James from If Beale Street Could Talk will be campaigned for in that category (I’ve had him listed in Supporting previously).
  • In Best Actress, I have switched Lady Gaga (A Star Is Born) back to #1 over runner-up Glenn Close in The Wife. This appears to be a close contest between the two at the moment.
  • There is still uncertainty about category placement for the three women of The Favourite. Some chatter has Emma Stone as the obvious Actress candidate along with Olivia Colman. Everyone seems to agree that Rachel Weisz will land in Supporting Actress. For now, I’m keeping Colman in Actress with Stone/Weisz in Supporting, but changes could happen.
  • Also in Supporting Actress, I am now listing Regina King (If Beale Street Could Talk) at #1 over Claire Foy (First Man).
  • Widows is just on the outside of my predicted nominees in a number of races including Picture, Actress (Viola Davis), and Supporting Actor (Daniel Kaluuya). I feel it will get nominated for something and I am including it in Adapted Screenplay over First Man.

And with that, let’s get to it!

Best Picture

1. A Star Is Born (Previous Ranking: 1)

2. Roma (PR: 2)

3. First Man (PR: 3)

4. The Favourite (PR: 4)

5. Green Book (PR: 5)

6. BlacKkKlansman (PR: 6)

7. If Beale Street Could Talk (PR: 7)

8. Black Panther (PR: 8)

9. Vice (PR: 9)

Other Possibilities:

10. Widows (PR: 11)

11. Can You Ever Forgive Me? (PR: 10)

12. The Mule (PR: 15)

13. The Ballad of Buster Scruggs (PR: 16)

14. Boy Erased (PR: 12)

15. Crazy Rich Asians (PR: 14)

16. Mary Queen of Scots (PR: 13)

17. On the Basis of Sex (PR: 17)

18. Mary Poppins Returns (PR: 19)

19. Leave No Trace (PR: 23)

20. At Eternity’s Gate (PR: 20)

21. The Sisters Brothers (PR: 21)

22. Eighth Grade (PR: 25)

23. Beautiful Boy (PR: 22)

24. The Front Runner (PR: 24)

25. Bohemian Rhapsody (PR: 18)

Best Director

1. Alfonso Cuaron, Roma (PR: 1)

2. Bradley Cooper, A Star Is Born (PR: 2)

3. Damien Chazelle, First Man (PR: 3)

4. Spike Lee, BlacKkKlansman (PR: 4)

5. Yorgos Lanthimos, The Favourite (PR: 5)

Other Possibilities:

6. Barry Jenkins, If Beale Street Could Talk (PR: 6)

7. Peter Farrelly, Green Book (PR: 7)

8. Adam McKay, Vice (PR: 8)

9. Joel and Ethan Coen, The Ballad of Buster Scruggs (PR: 14)

10. Ryan Coogler, Black Panther (PR: 9)

11. Marielle Heller, Can You Ever Forgive Me? (PR: 10)

12. Clint Eastwood, The Mule (PR: 13)

13. Steve McQueen, Widows (PR: 11)

14. Josie Rourke, Mary Queen of Scots (PR: 12)

15. Joel Edgerton, Boy Erased (PR: 15)

Best Actor

1. Bradley Cooper, A Star Is Born (PR: 1)

2. Christian Bale, Vice (PR: 2)

3. Viggo Mortensen, Green Book (PR: 5)

4. Ryan Gosling, First Man (PR: 4)

5. Rami Malek, Bohemian Rhapsody (PR: 6)

Other Possibilities:

6. Willem Dafoe, At Eternity’s Gate (PR: 3)

7. Robert Redford, The Old Man & The Gun (PR: 7)

8. Clint Eastwood, The Mule (PR: 8)

9. Steve Carell, Beautiful Boy (PR: 11)

10. Ethan Hawke, First Reformed (PR: 10)

11. Hugh Jackman, The Front Runner (PR: 14)

12. Lucas Hedges, Boy Erased (PR: 9)

13. Stephan James, If Beale Street Could Talk (PR: Not Ranked)

14. John David Washington, BlacKkKlansman (PR: 13)

15. Ben Foster, Leave No Trace (PR: 12)

Dropped Out:

John C. Reilly, The Sisters Brothers (PR: 15)

Best Actress

1. Lady Gaga, A Star Is Born (PR: 2)

2. Glenn Close, The Wife (PR: 1)

3. Olivia Colman, The Favourite (PR: 3)

4. Melissa McCarthy, Can You Ever Forgive Me? (PR: 4)

5. Yalitza Aparicio, Roma (PR: 5)

Other Possibilities:

6. Viola Davis, Widows (PR: 6)

7. Saoirse Ronan, Mary Queen of Scots (PR: 8)

8. Felicity Jones, On the Basis of Sex (PR: 7)

9. Julia Roberts, Ben Is Back (PR: 11)

10. Toni Collette, Hereditary (PR: 10)

11. Nicole Kidman, Destroyer (PR: 9)

12. Emily Blunt, Mary Poppins Returns (PR: 13)

13. Carey Mulligan, Wildlife (PR: 14)

14. Kiki Layne, If Beale Street Could Talk (PR: 15)

15. Keira Knightley, Colette (PR: 12)

Best Supporting Actor

1. Mahershala Ali, Green Book (PR: 1)

2. Sam Elliot, A Star Is Born (PR: 3)

3. Timothee Chalamet, Beautiful Boy (PR: 2)

4. Richard E. Grant, Can You Ever Forgive Me? (PR: 4)

5. Sam Rockwell, Vice (PR: 5)

Other Possibilities:

6. Daniel Kaluuya, Widows (PR: 6)

7. Adam Driver, BlacKkKlansman (PR: 7)

8. Michael B. Jordan, Black Panther (PR: 8)

9. Steve Carell, Vice (PR: 9)

10.  Armie Hammer, On the Basis of Sex (PR: 13)

11. Russell Crowe, Boy Erased (PR: 10)

12. Nicholas Hoult, The Favourite (PR: 12)

13. Tim Blake Nelson, The Ballad of Buster Scruggs (PR: Not Ranked)

14. Brian Tyree Henry, If Beale Street Could Talk (PR: Not Ranked)

15. Bradley Cooper, The Mule (PR: Not Ranked)

Dropped Out:

John C. Reilly, Stan and Ollie

Jason Clarke, First Man

David Tennant, Mary Queen of Scots

Best Supporting Actress

1. Regina King, If Beale Street Could Talk (PR: 2)

2. Claire Foy, First Man (PR: 1)

3. Emma Stone, The Favourite (PR: 3)

4. Rachel Weisz, The Favourite (PR: 4)

5. Amy Adams, Vice (PR: 5)

Other Possibilities:

6. Natalie Portman, Vox Lux (PR: 6)

7. Michelle Yeoh, Crazy Rich Asians (PR: 8)

8. Marina de Tavira, Roma (PR: 10)

9. Nicole Kidman, Boy Erased (PR: 7)

10. Sissy Spacek, The Old Man & The Gun (PR: 9)

11. Margot Robbie, Mary Queen of Scots (PR: 11)

12. Dianne Wiest, The Mule (PR: 15)

13. Thomasin McKenzie, Leave No Trace (PR: 13)

14. Rachel McAdams, Disobedience (PR: 12)

15. Kathy Bates, On the Basis of Sex (PR: 14)

Best Adapted Screenplay

1. BlacKkKlansman (PR: 1)

2. If Beale Street Could Talk (PR: 2)

3. A Star Is Born (PR: 3)

4. Can You Ever Forgive Me? (PR: 5)

5. Widows (PR: 6)

Other Possibilities:

6. First Man (PR: 4)

7. Leave No Trace (PR: 7)

8. Crazy Rich Asians (PR: 8)

9. Boy Erased (PR: 9)

10. Mary Queen of Scots (PR: 11)

11. Black Panther (PR: 10)

12. The Hate U Give (PR: Not Ranked)

13. Disobedience (PR: 12)

14. Beautiful Boy (PR: 13)

15. Wildlife (PR: Not Ranked)

Dropped Out:

The Sisters Brothers

The Mule (Moved to Original Screenplay)

Best Original Screenplay

1. Roma (PR: 2)

2. The Favourite (PR: 1)

3. Green Book (PR: 3)

4. Vice (PR: 4)

5. Eighth Grade (PR: 5)

Other Possibilities:

6. The Ballad of Buster Scruggs (PR: 6)

7. First Reformed (PR: 7)

8. The Mule (PR: Not Ranked – moved from Adapted)

9. A Quiet Place (PR: 10)

10. On the Basis of Sex (PR: 9)

11. Private Life (PR: 11)

12. At Eternity’s Gate (PR: 8)

13. Mid90s (PR: Not Ranked)

14. Stan and Ollie (PR: 15)

15. Capernaum (PR: Not Ranked)

Dropped Out:

Hereditary

Bohemian Rhapsody

Ben Is Back

Halloween Box Office Prediction

Blogger’s Note (10/12/18): A week before its premiere, I’m revising my estimate up from $67.2 million to $75.4 million

Next weekend, the latest Halloween entry arrives in theaters and this one does so with a twist. While this is the 11th installment in the 40-year-old franchise, it ignores everything that happened in parts 2-10 and serves as a direct sequel to the 1978 John Carpenter classic. Jamie Lee Curtis returns as Laurie Strode with Nick Castle (the original Michael Myers) donning the mask once again. David Gordon Green, known for pics as varied as Pineapple Express and last year’s Boston Marathon drama Stronger, directs and is co-writer along with comedic actor Danny McBride. Blumhouse Productions is behind this and they have proven themselves as masters of making low-budget horror flicks hugely profitable ventures (the price tag is only a reported $10 million). Costars include Judy Greer, Andi Matichak, and Will Patton.

This is actually Curtis’s fifth time playing her iconic character when including Halloween II, 1998’s Halloween: H20, and Halloween: Resurrection. Just pay no mind to anything that happened to her in those follow-ups. The release date timed for the actual holiday and the return of the series best known player has created some serious buzz. So did its screening at the Toronto Film Festival where it premiered to solid reviews (Rotten Tomatoes is currently at 85%).

Add all that up and Halloween appears primed to scare up big business. The current record holder for biggest horror debut of all time belongs to last year’s It at $123 million and that mark seems unattainable. However, this seems poised to top 2018’s The Nun, which premiered with $53 million. I believe a mid 70s gross is where Laurie and Michael will stake their claim, which would give it the second highest October debut behind Venom. 

Halloween opening weekend prediction: $75.4 million

Box Office Predictions: October 12-14

A trio of newcomers open this weekend and face the considerable challenge of dislodging Venom and A Star Is Born from the top two spots. They are Damien Chazelle’s man on the moon tale First Man starring Ryan Gosling, family friendly sequel Goosebumps 2: Haunted Halloween, and Drew Goddard’s pulpy thriller Bad Times at the El Royale. You can peruse my detailed prediction posts on each of them here:

https://toddmthatcher.com/2018/10/02/first-man-box-office-prediction/

https://toddmthatcher.com/2018/10/03/goosebumps-2-haunted-halloween/

https://toddmthatcher.com/2018/10/03/bad-times-at-the-el-royale-box-office-prediction/

My mid 20s estimate for First Man will likely put it in third place, unless the second helping of Goosebumps manages to exceed expectations. If not, that newbie should place fourth with mid to high teens.

I’m not expecting much from the El Royale, despite mostly positive reviews. I believe it may only manage sixth place behind the third weekend of Smallfoot.

As for #1, that could get interesting. Venom easily scored the best October debut of all time (more on that below) while A Star Is Born met expectations. The second weekend drop for them could be quite different. While Venom could dip 60% or more, Star could see a fall in the smaller range of 30-35%. Assuming First Man doesn’t surpass projections, this could set up a close battle for first place among the returnees.

And with that, a top 6 take on the weekend ahead:

1. Venom

Predicted Gross: $31.2 million

2. A Star Is Born

Predicted Gross: $28.3 million

3. First Man

Predicted Gross: $23.5 million

4. Goosebumps 2: Haunted Halloween

Predicted Gross: $17.3 million

5. Smallfoot

Predicted Gross: $8.9 million

6. Bad Times at the El Royale

Predicted Gross: $8 million

Box Office Results (October 5–7)

Despite overwhelmingly negative reviews, comic book pic Venom with Tom Hardy obliterated the October opening record with $80.2 million. That gross exceeds the previous holder (Gravity) by nearly $25 million. It easily blew away my $62.5 million prediction. Even though a healthy drop seems probable this weekend, Sony has to be over the moon with this performance in a feature that is expected to start a franchise.

Bradley Cooper/Lady Gaga’s Oscar contender A Star Is Born got off to a rousing beginning in second with $42.9 million. While this is a bit under my $48.6 million estimate, it’s already made back its budget and looks to leg out solidly over the next several weeks. Counting its Tuesday and Wednesday special previews, it’s made $44.2 million.

Smallfoot was third in weekend #2 with $14.4 million. I was close at $13.6 million. The animated feature has grossed $42 million overall.

Night School fell from first to fourth with $12.5 million (I said $12.7 million) for a two-week total of $46 million.

The House with a Clock in Its Walls rounded out the top five with $7.3 million, on pace with my $7 million forecast. It’s earned $55 million thus far.

And that does it for now, folks! Until next time…