Blogger’s Note (05/15): My estimate has risen from $37.8 million to $45.8 million
Keanu Reeves is back in theaters next weekend as America’s favorite dog loving hitman when JohnWick: Chapter3 – Parabellum debuts. The action thriller hopes to build upon the momentum of 2017’s highly successful sequel. Chad Stahelski returns as director with familiar series faces including Laurence Fishburne, Lance Reddick, Ian McShane, and John Leguizamo. New stars in our third edition include Halle Berry, Mark Dacascos, Asia Kate Dillon, and Anjelica Huston.
Mr. Reeves found himself in an unexpected new franchise five years ago when JohnWick opened to $14 million with a $43 million overall domestic gross. While that might not seem like enough to automatically warrant a follow-up, the pic achieved critical kudos and cult status when it arrived on demand. Three years later, Chapter2 made $30 million for its start and $92 million total.
Parabellum has a solid shot at topping the opening weekend of its predecessor, which also garnered glowing reviews. I’ll say mid to high 30s is where this ends up.
JohnWick: Chapter3 – Parabellum opening weekend prediction: $45.8 million
Blogger’s Update (05/08): I am downgrading my Pikachu estimate from $74.8 million to $64.8 million and now giving Endgame a third weekend atop the charts
I’m predicting a photo finish as Avengers: Endgame gets legitimate competition in the form of PokemonDetectivePikachu featuring the vocal stylings of Ryan Reynolds this weekend. We also have a pair of comedies marketed to the female crowd: Anne Hathaway and Rebel Wilson in the DirtyRottenScoundrels remake TheHustle and Diane Keaton cheerleading flick Poms. In more limited release, there’s the biopic Tolkien with Nicholas Hoult. You can peruse my detailed prediction posts on each of the newcomers here:
About that photo finish… estimates for Pokemon are all over the map and they have been dropping a bit in recent days. I’ve landed with it having a debut in the mid 70s range. That puts it where I expect Endgame to be. If the record breaking superhero epic manages to top $68 million this weekend, it will achieve the second best third weekend of all time behind StarWars: TheForceAwakens. That would match what it did this past weekend (more on that below).
I’m giving Pikachu an ever so slight edge to nab the #1 spot. We shall see if that changes as the week goes on.
As for the fresh comedies, TheHustle and Poms should get the three and four spots, respectively. I’ve downgraded both of my forecasts today, especially after seeing the disappointing gross of LongShot.
Tolkien is only hitting a smallish 1300 screens and my $3.1 million projection leaves it outside the top five. Speaking of the five position, that could be interesting as TheIntruder, LongShot, and UglyDolls could all get it depending on their sophomore dips. I’ll give LongShot a minor edge.
And with that, my take on the weekend ahead:
1. Avengers: Endgame
Predicted Gross: $71.2 million
2. PokemonDetectivePikachu
Predicted Gross: $64.8 million
3. TheHustle
Predicted Gross: $13.4 million
4. Poms
Predicted Gross: $8.7 million
5. LongShot
Predicted Gross: $5.5 million
BoxOfficeResults (May3–5)
Avengers: Endgame finally found a record it couldn’t smash this weekend, though I’m sure Disney isn’t too upset about that. In its second weekend, it grossed $147.3 million and that fell under my $153.6 million estimate. That’s also just under the $149 million earned by TheForceAwakens in its second weekend, so it had to settle for runner-up record status. With $621 million in the bank, Endgame is already the #9 domestic earner in history. Even more impressively, the film is already #2 worldwide as it surpassed Titanic and is behind only Avatar.
All new titles came in under expectations. As predicted, thriller TheIntruder performed the best in second with $10.8 million. While quite a bit under my $15.2 million estimate, it’s a solid performance considering it cost a scant $8 million to produce.
LongShot with Seth Rogen and Charlize Theron couldn’t connect with audiences despite solid reviews. Its third place showing was only $9.7 million compared to my $13.1 million projection.
The news was even worse for the animated UglyDolls. It bombed in fourth with $8.6 million. I went higher at $13.8 million.
CaptainMarvel rounded out the top five with $4.2 million (I said $5.9 million). Total stands at $420 million.
Premiering at the Tribeca Film Festival over the weekend, the comedic fantasy Yesterday comes with plenty of behind the scenes players with awards credentials. The high concept story imagines a world where the songs of The Beatles have all been forgotten, except by a young aspiring songwriter (Himesh Patel). It’s his duty to re-educate the populace about the Fab Four. Costars include Lily James, Kate McKinnon, and Ed Sheeran (playing himself).
The aforementioned pedigree starts at the top. Director Danny Boyle has had one of the most eclectic filmographies in memory. His works include a Best Picture winner (2008’s SlumdogMillionaire) and a nominee two years later (127Hours). They also include cult favorites such as Trainspotting, the acclaimed zombie tales 28DaysLater and 28WeeksLater, and sci-fi thriller Sunshine. There’s also SteveJobs, which never materialized as the awards contender that prognosticators thought it could be.
Additionally, the screenplay comes from Richard Curtis. He received an Oscar nod 25 years ago for FourWeddingsandaFuneral. Other written works of note include NottingHill, BridgetJones’sDiary, and LoveActually.
As you can see, it’s pretty clear why Yesterday could be looked at as an Oscar player today due to the talent involved. Yet after its festival debut ahead of its June release, reviews are telling a different story. Some are positive, but others are decidedly not. Some critics are breaking out their best Beatles puns with one stating it never quite comes together.
Bottom line: we’ll see if Yesterday can manage to be a profitable crowd pleaser, but don’t expect this to be a factor come with nominations down the line. My Oscar Watch posts will continue…
His fantastical literary works have made billions at the box office and now J.R.R. Tolkien gets the biopic treatment next weekend. Set during World War I, Tolkien casts Nicholas Hoult in the title role of the famed author behind LordoftheRings and TheHobbit. Finnish director Dome Karukoski is behind the camera and costars include Lily Collins, Colm Meaney, and Derek Jacobi.
This is a rare headlining role for Hoult, sandwiched between supporting parts in TheFavourite and X–Men: DarkPhoenix. Critics have been decidedly mixed and its Rotten Tomatoes score stands at 54%.
The film has the distinction of being the first Fox Searchlight project distributed by new owner Disney. With zero awards buzz and a smallish theater count of approximately 1300, Tolkien will likely struggle to even see $5 million. Just because its subject matter’s novels are box office gold doesn’t mean this will be.
Tolkien opening weekend prediction: $3.1 million
For my PokemonDetectivePikachu prediction, click here:
STX Entertainment is hoping an older female audience will turn out next weekend to cheer on Poms. The comedy is headlined by Diane Keaton as a recent retirement community resident who starts a cheerleading squad. Costars include Jacki Weaver, Pam Grier, Rhea Perlman, Celia Watson, Alisha Boe, and Bruce McGill. Zara Hayes directs.
The film is hopeful to become a counter programming option amidst lots of expensive summer blockbusters. However, competition for a female audience is there as TheHustle opens against it and LongShot will be in its second weekend. By skewing a bit older with its target audience, Poms is looking to tap into BookClub money.
That movie opened last May to $13.5 million on roughly the same number of screens that this is. It legged out nicely to $68 million. I don’t have Poms jumping that high and I’m forecasting high single digits to low double digits as it hopes for small drops in the weekends ahead.
Poms opening weekend prediction: $8.7 million
For my PokemonDetectivePikachu prediction, click here:
A remake of a remake, MGM is hoping moviegoers want to do TheHustle next weekend. The pic updates the Steve Martin/Michael Caine comedy DirtyRottenScoundrels, which itself was a reworking of the 1964 Marlon Brando/David Niven effort BedtimeStory. Anne Hathaway and Rebel Wilson are the newest pair of con artists. The supporting cast includes Alex Sharp, Tim Blake Nelson, and Dean Norris. Chris Addison directs.
Hathaway hasn’t headlined a high-profile laugher since 2015’s TheIntern, which made $17 million for its start. Wilson, on the other hand, starred in Isn’tItRomantic earlier this year and that debuted at $14.2 million. I like that comp better and I’ll throw in another: 2015’s HotPursuit with Reese Witherspoon and Sofia Vergara. It opened in mid May as well with $13.9 million.
That sounds about right here with a so-so low teens take.
TheHustle opening weekend prediction: $13.4 million
For my PokemonDetectivePikachu prediction, click here:
Blogger’s Update (05/08): I am downgrading my estimate from $74.8 million to $64.8 million
Ryan Reynolds hangs up the Deadpool costume for a bit in order to lend his voice to another hoped for franchise when PokemonDetectivePikachu debuts next weekend. Based on a 2016 video game, the Pokémon series has been thriving for nearly a quarter century in various iterations on Nintendo and on the big screen. Rob Letterman, who was behind the camera on Gulliver’sTravels and Goosebumps, directs. A mix of live-action and animation, the supporting cast includes Justice Smith, Kathryn Newton, Suki Waterhouse, Ken Watanabe, and Bill Nighy.
Warner Bros is certainly hoping a slew of follow-up features are in the cards. A sequel has already been commissioned. With Reynolds in the lead and the popularity of the source material, the studio might find itself in luck. Estimates for the opening weekend gross are wide-ranging – everywhere from $50 million to over $100 million. If it falls on the lower end of that spectrum, it may not top the box office due to the third weekend of the record-breaking Avengers: Endgame.
In 1999, Pokemon: TheFirstMovie opened to $31 million and ended up with $85 million. Sequel Pokemon: TheMovie2000 couldn’t replicate that success with a $19 million start and $43 overall gross. By 2001, the series had run out of gas when Pokemon3: TheMovie opened to $8 million and petered out at $17 million.
Expectations are different this time around. I’ll say Pikachu (The Movie) has an opening in the middle of its huge range and that’s about $10-15 million under what the first movie accomplished overall 20 years ago.
PokemonDetectivePikachu opening weekend prediction: $64.8 million
As we all catch our breath from the astounding debut of Avengers: Endgame, the first weekend of May brings three new titles all vying for second place behind Tony Stark and company. They are the animated UglyDolls, Seth Rogen/Charlize Theron comedy LongShot, and homeownership thriller TheIntruder with a demented Dennis Quaid. You can peruse my detailed prediction posts on each of them here:
All three films have legit chances at premiering in second. I’m skeptical about UglyDolls, even though the plush toys it’s based on are well-known. LongShot has reviews on its side, but could be more of a slow builder. That leaves TheIntruder and I do believe it could appeal to an older and African-American audience. Therefore I’ll say it becomes the silver medalist.
This brings us to the sophomore frame of Endgame. It broke basically every record there is over the weekend (more on that below). Predecessor InfinityWar dipped 55% last year. This might be a tad more front loaded, but probably not by much. I’ll give it a 57% slide. That means another record should be in store as my estimate puts it over the best all-time second weekend, which is StarWars: TheForceAwakens at $149 million.
And with that, my top 5 estimates for the weekend ahead:
1. Avengers: Endgame
Predicted Gross: $153.6 million
2. TheIntruder
Predicted Gross: $15.2 million
3. UglyDolls
Predicted Gross: $13.8 million
4. LongShot
Predicted Gross: $13.1 million
5. CaptainMarvel
Predicted Gross: $5.9 million
BoxOfficeResults (April26–28)
History was made this weekend as Avengers: Endgame rocketed past even the most lofty expectations and left record after record in its wake. The MCU epic took in an otherworldly $357.1 million, scorching my $289.6 million projection. That’s not only the biggest opening of all time… it’s $100 million more than previous holder Avengers: InfinityWar from last summer. The question as to whether it eventually surpasses the $936 million achieved by all-time domestic earner TheForceAwakens is real.
As if Endgame didn’t provide enough embarrassment of riches, CaptainMarvel climbed to second (thanks drive-ins) with $8.3 million (I said $8.7 million) for $413 million overall.
TheCurseofLaLlorona was third with $8 million compared to my higher $10 million forecast. The two-week tally is $41 million.
Breakthrough was fourth with $6.8 million (I said $6.3 million). Total is $26 million.
Shazam! rounded out the top five with $5.5 million. I was generous at $7.4 million. It’s at $131 million.
**There’s really no way to write a review of Avengers: Endgame without some minor spoilers. You may wish to read this post viewing…
The word “epic” can be overused by those who review movies like me, but it unquestionably applies to Avengers: Endgame. It’s epic in its running time (none of the other 21 MCU pics run three hours) and epic in the number of well-known thespians reprising their superhero and villain characters. It doesn’t seem feasible that so many characters could manage to coexist in this vast universe without seeming like a gimmick. If you happen to think predecessor InfinityWar was overcrowded, you’ll get whiplash here. Truth be told, there are moments when this borders on playing like a greatest hits reel based on what’s preceded it during the last eleven years.
Yet Endgame figures out a rewarding way to stick the landing and honor the dozens of faces that we’ve spent billions of dollars visiting since 2008. At the conclusion of InfinityWar, bad guy Thanos (Josh Brolin) had collected his precious Infinity Stones and decimated half the intergalactic population into dramatic looking dust particles. What’s left is mostly the core of the OG Avengers – Tony Stark/Iron Man (Robert Downey Jr.), Steve Rogers/Captain America (Chris Evans), Thor (Chris Hemsworth), Bruce Banner/Hulk (Mark Ruffalo), and Black Widow (Scarlett Johansson). There’s others as Rocket (voice of Bradley Cooper) is the sole surviving Guardian of the Galaxy. And we have the two notable characters that were MIA last summer – Hawkeye (Jeremy Renner) and Ant-Man (Paul Rudd).
One might think this whole saga might be about the original band and some newer friends taking on Thanos. You would be wrong. Endgame has plenty of time bending tricks up its endless story arch sleeves. The first is an unexpected resolution that comes very early. However, that climax is just a set-up to further complications.
This is indeed a time travel movie in which the screenwriters almost sheepishly concede the contrived nature of such a device. The survivors set upon a course of multiple back in time ways to retrieve the Stones and bring back their loved ones. It doesn’t happen overnight and the lengthy nature of the plan coming together provides funny and poignant moments. Tony is off the grid with his beloved Pepper (Gwyneth Paltrow) and a new addition. Bruce is in full Hulk mode, but kindler and gentler. Thor is rounder and drunkenly grappling with his losses. Hawkeye is a full-blown vigilante. When the gang revs up their figurative DeLoreans, it gives us a chance to revisit lots of MCU personnel. And it’s a LOT of former players. Some are genuinely surprising. During this lengthy stretch, the film walks a fine line of not devolving into nostalgic sugar shock amidst the action sequences. By the final act, it rises above it.
We know the battle scenes will be well choreographed and well-directed (with the Russo Brothers handling duties once again). The final one is rather jaw dropping with the mixing of so many known quantities. Thanos is one of the stronger villains in MCU history and he remains so here, though there’s nothing fresh to add about his character. His daughter Nebula (Karen Gillan), on the other hand, continues her evolution as a fine addition to the roster.
The comic relief comes more from Thor as opposed to Ant-Man or Rocket and Hemsworth is up to the task. Captain America and Black Widow are given their emotional moments that we’re invested in from their backstories. To this writer, it’s Tony who’s always been the damaged beating heart of this franchise. The Marvel Cinematic Universe simply wouldn’t exist as it is without Downey Jr.’s brilliant work. That’s never changed. The quality of the movies he’s appeared in has. His performance has always been fantastic. If we’re ranking, I would put Endgame as an overall experience just under the first Avengers in 2012 and InfinityWar. I can’t promise that thinking about all the shifting time plot points might raise as many questions as answers. I won’t deny that its emotional payoff is real and we have Downey and an amazing group of technicians bringing these comics to life to thank for it.
Seth Rogen and Charlize Theron headline the improbable rom com LongShot, out in theaters next weekend. It marks the latest collaboration between Rogen and director Jonathan Levine after 50/50 and TheNightBefore (Levine’s latest was 2017’s Snatched). The film casts Theron as the U.S. Secretary of State who strikes up a romance with Rogen’s journalist. Costars include O’Shea Jackson Jr., June Diane Raphael, Andy Serkis, Alexander Skarsgard, and Lisa Kudrow.
Shot premiered in March at the South by Southwest Festival to favorable reviews and it stands at 88% on Rotten Tomatoes. A comparison to TheNightBefore is tricky. That pic opened in November 2015 on the weekend before Thanksgiving and against the finale of TheHungerGames franchise. The result was just a $9.8 million start (it legged out well the following holiday weekend).
I believe LongShot will top that number, but perhaps with low teens as it hopes for minimal drops in subsequent frames. If so, this could fall behind the debut grosses of its competition – TheIntruder and UglyDolls.
LongShot opening weekend prediction: $13.1 million
