In Mike Flanagan’s The Life of Chuck, I found myself more emotionally invested in the concept than the characters. That doesn’t appear to be an accident as we ponder the big themes and equally sized swings taken by the adaptation of Stephen King’s novella. We’re meant to see ourselves in the experiences of the title character during his 39 years and they are great years as we’re told and occasionally shown. There are moments scattered throughout where the heart tugging feels effortless and others where the cosmic machinations emanating from its screenplay feels… something else. Not necessarily forced, but slightly underwhelming in its impact because of our limited time with Tom Hiddleston’s Chuck in his adult years. Ultimately I valued seeing highlights and lowlights of his journey.

The film is told in reverse chronology. It should be noted that a spoiler free review is challenging, but I’ll try my best. Chuck opens in act three of three with middle school teacher Marty (Chiwetel Ejiofor) presiding over a dwindling class size as natural disasters and other happenings are putting the planet on course for a seemingly slow death. His parent-teacher conferences are both sad and humorous and it affords David Dastmalchian with an amusing cameo. Sad and humorous are a fair description for this first/third act as Marty attempts to reconnect with his ex-wife, nurse Felicia (Karen Gillan). Much of the comedy comes from the bizarre sightings of Chuck Krantz (Tom Hiddleston). As the Earth crumbles, the bespectacled accountant appears to be the only constant. He pops up in TV ads and park benches and billboards thanking him for “39 Great Years!” No one seems to recall where they know him from or if they do and no one can explain his sudden omnipresence.

It’s in act two and when we meet the numbers cruncher in the flesh as Hiddleston and then younger versions played by Benjamin Pajak as a preteen and Jacob Tremblay as a near adult. This isn’t really a spoiler as we’re told by the Narrator (a delightfully droll Nick Offerman) that Chuck’s 39 years do not extend to 40. The third act explores an often tragic upbringing raised by Grandpa, or zayde, Albie (Mark Hamill) and kindly Grandma/bubbe Sarah (Mia Sara). From the latter is where Chuck develops a love for many forms of dance. From the former is where he is told to avoid dancing to the beat of his own drum in favor a safer route (like an accounting career). It’s in the middle sequence where grownup Chuck grooves to the rhythm of someone else’s drum and that easily gives us the picture’s strongest moments of pure joy.

Chuck features plenty of recognizable faces from iconic movies. There is no star as even Hiddleston’s title character has limited screen time. Of course, his elders are Luke Skywalker and Sloane from Ferris Bueller’s Day Off. Both shine as shapers of Chuck’s near four decades. Matthew Lillard and Carl Lumbly pop up as armageddon approaches in the first third while Heather Langenkamp (Nancy from A Nightmare on Elm Street) dispatches advice to young Chuck in the the last.

Once the overall concept is unlocked, it flirts with and sometimes falls victim to becoming anticlimactic. Chuck’s world may not provide a great near two hour viewing recounting his near 40. However, it still manages to pack enough pleasures and pathos that it feels consequential.

*** (out of four)