Best Picture: A Look Back

A few weeks ago, I posted look backs at major categories at the Oscars from 1990 to the present. I’ve covered all four acting races and if you missed it, you can peruse them here:

https://toddmthatcher.com/2018/11/04/best-actor-a-look-back/

https://toddmthatcher.com/2018/10/31/best-actress-a-look-back/

https://toddmthatcher.com/2018/10/25/best-supporting-actor-a-look-back/

https://toddmthatcher.com/2018/10/20/best-supporting-actress-a-look-back/

In each post, I review what I’d classify as the three least surprising winners, as well as the three biggest upsets. And I select what I believe are the strongest and weakest overall fields.

Today on the blog, we arrive at the Big Daddy – Best Picture. It’s important to remember that hindsight doesn’t come into play here. For instance, Forrest Gump won the top prize in 1994. Since then, many believe fellow nominees Pulp Fiction or The Shawshank Redemption should have won. Yet the Gump victory was not an upset at the time. Same goes for 1990 when Dances with Wolves bested GoodFellas.

Let’s begin with a reminder of each winner since 1990:

1990 – Dances with Wolves

1991 – The Silence of the Lambs

1992 – Unforgiven

1993 – Schindler’s List

1994 – Forrest Gump

1995 – Braveheart

1996 – The English Patient

1997 – Titanic

1998 – Shakespeare in Love

1999 – American Beauty

2000 – Gladiator

2001 – A Beautiful Mind

2002 – Chicago

2003 – Lord of the Rings: Return of the King

2004 – Million Dollar Baby

2005 – Crash

2006 – The Departed

2007 – No Country for Old Men

2008 – Slumdog Millionaire

2009 – The Hurt Locker

2010 – The King’s Speech

2011 – The Artist

2012 – Argo

2013 – 12 Years a Slave

2014 – Birdman

2015 – Spotlight

2016 – Moonlight

2017 – The Shape of Water

We start with my three least surprising winners:

3. Lord of the Rings: Return of the King (2003)

Peter Jackson’s final entry in the acclaimed trilogy seemed due for a win after the first two installments were nominated, but lost to A Beautiful Mind and Chicago. This was as much a recognition for the entire franchise and by 2003, it was obvious the Academy would move in that direction.

2. Titanic (1997)

James Cameron’s epic was plagued with rumors of a troubled shoot and the possibility seemed real that it could be a costly flop. The opposite occurred as Titanic became the highest grossing motion picture of all time upon its release. It seemed clear that Oscar love would follow.

1. Schindler’s List (1993)

Capping an amazing year which saw Steven Spielberg direct Jurassic Park over the summer, his Holocaust feature Schindler’s List became the undeniable front-runner at its end of year release. Winning all significant precursors, this was a shoo-in selection.

Now to the upsets. In my view, there were four very real ones and I had to leave one out. That would be 1995 when Braveheart emerged victorious over the favored Apollo 13 and Sense and Sensibility. Yet there’s 3 others that I feel top it.

3. Moonlight (2016)

La La Land appeared ready to pick up the gold after its filmmaker Damien Chazelle and lead actress Emma Stone had already won. And it looked like the script was being followed when Warren Beatty and Faye Dunaway actually announced the musical as Best Picture. Perhaps Oscar’s largest controversy followed as the wrong envelope was given and the Barry Jenkins effort Moonlight had actually won. Correct envelopes or not, the Moonlight victory was still unexpected given the La La momentum.

2. Shakespeare in Love (1998)

All eyes were on Spielberg’s World War II epic Saving Private Ryan to win as Spielberg had already picked up his second statue for directing. Shakespeare rewrote that script and few saw it coming.

1. Crash (2005)

Here is perhaps the most surprising BP winner in history. Ang Lee’s Brokeback Mountain was the strong favorite when the Paul Haggis race relations drama took it. Even presenter Jack Nicholson looked shocked when he read the envelope.

And now the fields. That’s a bit tough because just under a decade ago, the Academy switched from five finite nominees to anywhere between five and ten (nine being the most common). For weakest, I’m going with 2011 when there were 9. While there’s some quality picks like The Artist, The Descendants, Hugo, Midnight in Paris, Moneyball, and The Tree of Life – I feel even some of them might have missed the cut in stronger years. And I think that certainly applies to Extremely Loud & Incredibly Close, The Help, and War Horse.

For strongest, I will go with the aforementioned 1994. Pulp Fiction and Shawshank are indeed two of the most impressive cinematic contributions in recent times. Winner Gump and other nominees Quiz Show and Four Weddings and a Funeral filled out the slate.

And that does it, folks! Hope you enjoyed my look back at Best Picture in modern times.

Halloween Movie Review

The latest Halloween installment has so much reverence for the 1978 original that it has no use for the multiple sequels that followed. It ignores them and that includes the ones where Laurie Strode (Jamie Lee Curtis) appeared. She’s not Michael’s sister. She’s not living under an assumed name while working at a boarding school 20 years after his night of havoc. This Halloween ignores all of that and is a direct sequel from what happened four decades ago.

It cheats a little with that. As you’ll recall, John Carpenter’s classic concluded with Michael Myers apparently still on the loose. Here we learn that he was apprehended and has been in custody for 40 years. His psychiatrist Dr. Loomis (Donald Pleasance) is long gone with a new doc (Haluk Bilginer) studying him. Michael is about to be transferred to a new facility on the night before his beloved title holiday (maybe picking a different day for that would have been wise). You can correctly guess whether that transfer is successful.

Laurie is still experiencing PTSD from her encounter in ‘78. She’s an alcoholic reclusive double divorcée estranged from daughter Karen (Judy Greer) and grandchild Allyson (Andi Matichak). Her off the beaten path home is a survivalist den. Karen strayed after her mother (wisely it turns out) taught her how to take down a monster. Michael’s breakout session provides the chance.

David Gordon Green directs and shares co-writing duties with Danny McBride and Jeff Fradley. They sprinkle the screenplay with nods to part one both large and small. This reimagining recognizes that providing Michael a lot of back story isn’t needed, as the sequels eventually did to a ridiculous degree. He’s The Shape… an unstoppable machine who perhaps cannot be taken out. Nick Castle, who donned the infamous mask 40 years back, returns. Carpenter is around as well – providing the iconic music.

Halloween is effective in spurts. It takes some time to get its motor running while the original was lean and mean. Some of Michael’s kills are fine examples of blunt force creativity. Curtis clearly loves the role of Laurie and she has a few memorable moments as a now badass grandma. She’s not just an unwilling victim anymore. Laurie wants Michael to escape so she can finish him off and that’s a welcome touch.

Yet in all honesty, the 2018 edition never rises too much above the level of the first sequel in 1981. It continues the story from the greatest slasher ever in a serviceable, sometimes scary, and far more spotty way. Of course, I never expected this to match what came with Carpenter’s low-budget vision. Perhaps I hoped it would have a little more running time where it came closer.

**1/2 (out of four)

 

The Rider Takes The Film Critics Cup

The National Society of Film Critics bestowed their best of 2018 awards today and it showcases another victory for Chloe Zhao’s western drama The Rider. The indie pic already won Best Picture at the Gotham Awards over some higher profile competition. With two top prize victories, is there any chance The Rider could gallop into Oscar contention?

That seems doubtful, but you never know. This particular critics branch has previously honored movies that the Academy ignored. Recent examples include 2013’s Inside Llewyn Davis from the Coen Brothers and 2014’s Goodbye to Language from legendary French filmmaker Jean-Luc Godard. It is worth noting that the winners in 2015 and 2016 (Spotlight, Moonlight) won the Oscar and last year’s Lady Bird was nominated.

In the Director race, it was another trophy for Alfonso Cuaron’s work in Roma. He already has achieved status as the Academy favorite. He also won for his cinematography.

Ethan Hawke received yet another critics prize here for Actor in First Reformed, as did Olivia Colman in Actress for The Favourite. The latter’s Oscar chances seem assured while Hawke is more of a mystery (I’ve got him in currently). Regina King’s SAG snub is seeming less and less important as she got another honor in Supporting Actress for If Beale Street Could Talk. And Steven Yeun added to his reviewer group awards here with his Supporting Actor role in Burning. He’s racked several up, but still appears to be a long shot for Academy inclusion. Same goes for Screenplay as the Society went with The Death of Stalin. I’ve yet to include it in my Adapted Screenplay projections. It’s possible, but it probably won’t get in.

So while it was another good day for The Rider, I’m still skeptical that will equate to Oscar attention.

 

The PGA Boosts Rhapsody

The Producers Guild of America (PGA) announced their nominees today for their 10 Best Pictures of 2018 and you better believe it comes with Oscar implications. The PGA Awards are correctly looked at as a major harbinger for the films likely to make the final cut of the Academy. Let’s look at the past five years. In 2013, eight of the nominated PGA pics got Oscar nominations. In 2014, 2015, and 2017 – it was seven. In 2016, that was number was nine. The math is a little tricky considering there’s always 10 PGA nominees and it fluctuates with the Academy (usually with eight or nine being the magic number).

As you can see, it’s very safe to assume seven out of the ten PGA picks will get Oscar love. And here are those ten nominees:

BlacKkKlansman

Black Panther

Bohemian Rhapsody

Crazy Rich Asians

The Favourite

Green Book

A Quiet Place

Roma

A Star Is Born

Vice

Right off the bat, we have six flicks that appear to be sure things for the Academy. They are BlacKkKlansman, Black Panther, The Favourite, Green Book, Roma, and A Star Is Born. I would make the case that, at this point, Vice is the 7th. It got the most nods from the Hollywood Foreign Press Association for the Golden Globes and its inclusion here is important.

So there’s your seven. Yet the PGA announcements today cause me to consider the 8th. That’s Bohemian Rhapsody. In my weekly Oscar prediction posts, I haven’t included it in my projected Academy movies for Best Picture. I suspect that will change next Thursday. It managed a nod at the Globes for Best Drama. Despite mixed reviews, it’s a box office sensation and audiences dig it. I think it’s in and look for that change to be reflected next week.

Now to the omissions. The PGA selections left out If Beale Street Could Talk and First Man. Those are the two pictures that, as of yesterday, I still had being nominated by the Academy. I still feel Beale‘s road to Best Picture inclusion is fairly solid, though it’s far from a guarantee. I had it listed at #7 yesterday. Expect that to change.

As for First Man, I think it’s time for me to admit that it won’t land recognition from Oscar voters. It has simply failed to gain any significant precursor traction and that trend seems bound to continue. Other pictures could have received a boost from the PGA today and failed. They include Can You Ever Forgive Me?, First Reformed, and Eighth Grade. Also the nods today provide further evidence that Mary Poppins Returns could be in trouble. I took it out of my expected nominees two weeks ago and I don’t see that changing.

So what will be the PGA picks that don’t get Oscar nods? My guess would be Crazy Rich Asians and A Quiet Place, though it could happen. In short, we have more evidence today as to what the Academy will pick. And it’s a good day for Freddie Mercury and company.

2018 Golden Globe Winner Predictions

The highest profile Oscar precursor airs this Sunday with Andy Samberg and Sandra Oh sharing hosting duties. That means it’s time to roll out my predictions on who and what will win in the film categories. Truth be told, some of these races are fairly easy to pick. Others… not so much. Let’s break each category down with my final picks on the victors.

Best Drama

The Nominees: Black Panther, BlacKkKlansman, Bohemian Rhapsody, If Beale Street Could Talk, A Star Is Born

It was an interesting decision for Warner Bros. to place Star here instead of in Musical/Comedy. Even with that, I believe anything else winning would be an upset (BlacKkKlansman may have the best remote shot). Star is looked at as a soft front-runner at the big show down the line. I feel a win here will help solidify that.

Predicted Winner: A Star Is Born

Best Musical/Comedy

The Nominees: Crazy Rich Asians, The Favourite, Green Book, Mary Poppins Returns, Vice

Unlike Drama, this race is considerably tougher to project. Vice received the most nominations of any picture and that could mean something. However, critical reaction has been more mixed than originally anticipated. Mary Poppins Returns now seems to be a legitimate question mark as to Oscar inclusion for Picture and the competition is steep. The reward for Crazy Rich Asians is its nomination.

So, for me, this comes down to Green Book and The Favourite and it’s seriously a coin flip. I am giving a tiny edge to Green Book since it received a directing nomination, unlike The Favourite. 

Predicted Winner: Green Book

Best Director

The Nominees: Bradley Cooper (A Star Is Born), Alfonso Cuaron (Roma), Peter Farrelly (Green Book), Spike Lee (BlacKkKlansman), Adam McKay (Vice)

A win for Cooper or Lee is not out of the question, but Cuaron is the odds on favorite (as he is for the Academy). Roma was not eligible for inclusion in Drama since it’s a foreign pic. It will (spoiler alert for below!) be honored there and here.

Predicted Winner: Cuaron

Best Actor (Drama)

The Nominees: Bradley Cooper (A Star Is Born), Willem Dafoe (At Eternity’s Gate), Lucas Hedges (Boy Erased), Rami Malek (Bohemian Rhapsody), John David Washington (BlacKkKlansman)

The Best Actor drama race comes down to two performers who used their musical skills to dramatic effect: Cooper and Malek. I would not at all be surprised to see Malek’s Freddie Mercury pick up the trophy, but I’ll say the Star love extends here.

Predicted Winner: Cooper

Best Actress (Drama)

The Nominees: Glenn Close (The Wife), Lady Gaga (A Star Is Born), Nicole Kidman (Destroyer), Melissa McCarthy (Can You Ever Forgive Me?), Rosamund Pike (A Private War)

Not long ago, the Globes bestowed Lady Gaga with an unexpected win for her TV work in “American Horror Story”. If they did that, I’ll say they honor her here for her breakthrough film role. Close is the only actress that provides potential competition.

Predicted Winner: Gaga

Best Actor (Musical/Comedy)

The Nominees: Christian Bale (Vice), Lin-Manuel Miranda (Mary Poppins Returns), Viggo Mortensen (Green Book), Robert Redford (The Old Man & The Gun), John C. Reilly (Stan & Ollie)

If the Hollywood Foreign Press goes crazy for Green Book, Mortensen could be a benefactor. Yet I suspect this is the most obvious category to give Vice a win for Bale’s acclaimed performance.

Predicted Winner: Bale

Best Actress (Musical/Comedy)

Emily Blunt (Mary Poppins Returns), Olivia Colman (The Favourite), Elsie Fisher (Eighth Grade), Charlize Theron (Tully), Constance Wu (Crazy Rich Asians)

This is Blunt v. Colman. With Poppins not quite getting all the box office/critics love that was expected, I lean Colman.

Predicted Winner: Colman

Best Supporting Actor

The Nominees: Mahershala Ali (Green Book), Timothee Chalamet (Beautiful Boy), Adam Driver (BlacKkKlansman), Richard E. Grant (Can You Ever Forgive Me?), Sam Rockwell (Vice)

The HFPA has had shockers in this race… Aaron Taylor-Johnson for Nocturnal Animals being a recent example. This is a tricky one. Other than Rockwell, I could see any name being called. I’m tempted to pick Grant, but I’ll go with Ali for a more safe choice (especially since it was Taylor-Johnson that unexpectedly beat him in 2016 for his Oscar-winning part in Moonlight).

Predicted Winner: Ali

Best Supporting Actress

The Nominees: Amy Adams (Vice), Claire Foy (First Man), Regina King (If Beale Street Could Talk), Emma Stone (The Favourite), Rachel Weisz (The Favourite)

These are the five women I currently have down for Oscar nods. I suspect The Favourite ladies will cancel themselves out. Foy would be an upset. Could the several Vice nods mean Adams is a factor? It certainly could, but I believe King’s performance in Beale (not withstanding her SAG snub) will emerge.

Predicted Winner: King

Best Screenplay

The Nominees: The Favourite, Green Book, If Beale Street Could Talk, Roma, Vice

Unlike the Oscar, the Globes do not divide this race between adapted and original screenplays. A Roma or Book win is feasible, but I’ll say The Favourite is the choice in this case.

Predicted Winner: The Favourite

Best Foreign Language Film

The Nominees: Capernaum, Girl, Never Look Away, Roma, Shoplifters

As already discussed, this is going to be Roma. Not much left to say.

Predicted Winner: Roma

Best Animated Feature Film

The Nominees: Incredibles 2, Isle of Dogs, Mirai, Ralph Breaks the Internet, Spider-Man: Into the Spider-Verse

It’s generally not wise to bet against Pixar and Incredibles 2 stands an excellent shot. I’m thinking the Globes may go against the grain though as Spidey is peaking at the right time with its very recent raves.

Predicted Winner: Spider-Man: Into the Spider-Verse

Best Original Score

The Nominees: Black Panther, First Man, Isle of Dogs, Mary Poppins Returns, A Quiet Place

Once again, I’m tempted to go with Disney and their iconic nanny as this is the only musical on here. However, I’ll say Justin Hurwitz’s acclaimed score for First Man lands the win.

Predicted Winner: First Man

Best Original Song

The Nominees: “All the Stars” from Black Panther, “Girl in the Movies” from Dumplin, “Requiem for a Private War” from A Private War, “Revelation” from Boy Erased, “Shallow” from A Star Is Born

It was unexpected that Poppins made no showing here (part of the reason I’m picking against it in Score). Regardless, there is an extremely obvious front-runner here and it’s Cooper and Gaga’s duet.

Predicted Winner: “Shallow” from A Star Is Born

My projections give Star a bright evening with four victories, with The Favourite, Green Book, and Roma all picking up two. I’ll have analysis up shortly after the ceremony as to how I did. Stay tuned!

 

Replicas Box Office Prediction


Keanu Reeves returns to science fiction territory next weekend with the release of Replicas. The thriller casts him as a neuroscientist who clones his family after they’re killed in an auto accident. Costars include Alice Eve, Thomas Middleditch, and John Ortiz. Jeffrey Nachmanoff, best known as the screenwriter for The Day After Tomorrow, directs.

While its lead has certainly had success in the genre (The Matrix), it hasn’t always been that way (Johnny Mnemonic anyone?). Reeves should have a hit at the box office this year, but that will come in May with John Wick: Parabellum. This effort appears to be getting the unceremonious January dump.

I’ll say Replicas gets low single digits and disappears quickly.

Replicas opening weekend prediction: $3.4 million

For my The Upside prediction, click here:

https://toddmthatcher.com/2019/01/02/the-upside-box-office-prediction/

For my A Dog’s Way Home prediction, click here:

https://toddmthatcher.com/2019/01/02/a-dogs-way-home-box-office-prediction/

2018 Weekly Oscar Predictions: January 3rd Edition

We are now 19 days away from Oscar nominations as the major precursors are set to air in short order. It begins with the Golden Globes on Sunday (look for my winner predictions for that ceremony on the blog tomorrow). My updated rankings this week reflect the following changes:

  • Emily Blunt’s starring role in Mary Poppins Returns is back in my predicted top five, ousting Yalitza Aparicio from Roma
  • In Documentary Feature, RBG falls out of my nominees for the first time and makes way for Shirkers
  • In Editing, it’s Black Panther in for BlacKkKlansman. This contributes to my tally of Panther getting the most nominations of any picture for the first time (over A Star Is Born)
  • In Makeup and Hairstyling, Border crosses the top 3 with Mary Queen of Scots on the outside looking in

Let’s get to it!

Best Picture

1. A Star Is Born (Previous Ranking: 1)

2. Roma (PR: 2)

3. The Favourite (PR: 3)

4. Green Book (PR: 4)

5. BlacKkKlansman (PR: 5)

6. Black Panther (PR: 6)

7. If Beale Street Could Talk (PR: 7)

8. Vice (PR: 8)

9. First Man (PR: 9)

Other Possibilities:

10. Bohemian Rhapsody (PR: 10)

11. Mary Poppins Returns (PR: 11)

12. Eighth Grade (PR: 14)

13. A Quiet Place (PR: 13)

14. Can You Ever Forgive Me? (PR: 12)

15. First Reformed (PR: 15)

Best Director

1. Alfonso Cuaron, Roma (PR: 1)

2. Bradley Cooper, A Star Is Born (PR: 2)

3. Spike Lee, BlacKkKlansman (PR: 3)

4. Yorgos Lanthimos, The Favourite (PR: 4)

5. Ryan Coogler, Black Panther (PR: 5)

Other Possibilities:

6. Peter Farrelly, Green Book (PR: 6)

7. Barry Jenkins, If Beale Street Could Talk (PR: 7)

8. Damien Chazelle, First Man (PR: 9)

9. Adam McKay, Vice (PR: 8)

10. Paul Schrader, First Reformed (PR: Not Ranked)

Dropped Out:

Marielle Heller, Can You Ever Forgive Me?

Best Actor

1. Bradley Cooper, A Star Is Born (PR: 1)

2. Christian Bale, Vice (PR: 2)

3. Viggo Mortensen, Green Book (PR: 4)

4. Rami Malek, Bohemian Rhapsody (PR: 3)

5. Ethan Hawke, First Reformed (PR: 5)

Other Possibilities:

6. John David Washington, BlacKkKlansman (PR: 6)

7. Willem Dafoe, At Eternity’s Gate (PR: 8)

8. Ryan Gosling, First Man (PR: 7)

9. Lucas Hedges, Boy Erased (PR: 10)

10. Robert Redford, The Old Man & The Gun (PR: 9)

Best Actress

1. Lady Gaga, A Star Is Born (PR: 1)

2. Olivia Colman, The Favourite (PR: 2)

3. Glenn Close, The Wife (PR: 3)

4. Melissa McCarthy, Can You Ever Forgive Me? (PR: 4)

5. Emily Blunt, Mary Poppins Returns (PR: 6)

Other Possibilities:

6. Yalitza Aparicio, Roma (PR: 5)

7. Toni Collette, Hereditary (PR: 7)

8. Nicole Kidman, Destroyer (PR: 8)

9. Elsie Fisher, Eighth Grade (PR: Not Ranked)

10. Julia Roberts, Ben Is Back (PR: 10)

Dropped Out:

Viola Davis, Widows

Best Supporting Actor

1. Mahershala Ali, Green Book (PR: 1)

2. Richard E. Grant, Can You Ever Forgive Me? (PR: 2)

3. Sam Elliot, A Star Is Born (PR: 3)

4. Adam Driver, BlacKkKlansman (PR: 4)

5. Timothee Chalamet, Beautiful Boy (PR: 5)

Other Possibilities:

6. Michael B. Jordan, Black Panther (PR: 6)

7. Sam Rockwell, Vice (PR: 7)

8. Nicholas Hoult, The Favourite (PR: 8)

9. Russell Hornsby, The Hate U Give (PR: 9)

10. Steven Yeun, Burning (PR: Not Ranked)

Dropped Out:

Brian Tyree Henry, If Beale Street Could Talk

Best Supporting Actress

1. Regina King, If Beale Street Could Talk (PR: 1)

2. Amy Adams, Vice (PR: 2)

3. Emma Stone, The Favourite (PR: 3)

4. Rachel Weisz, The Favourite (PR: 4)

5. Claire Foy, First Man (PR: 5)

Other Possibilities:

6. Margot Robbie, Mary Queen of Scots (PR: 6)

7. Emily Blunt, A Quiet Place (PR: 7)

8. Nicole Kidman, Boy Erased (PR: 8)

9. Thomasin McKenzie, Leave No Trace (PR: 9)

10. Marina De Tavira, Roma (PR: 10)

Best Adapted Screenplay

1. BlacKkKlansman (PR: 1)

2. A Star Is Born (PR: 2)

3. If Beale Street Could Talk (PR: 3)

4. Can You Ever Forgive Me? (PR: 4)

5. Black Panther (PR: 5)

Other Possibilities:

6. First Man (PR: 7)

7. Leave No Trace (PR: 6)

8. Crazy Rich Asians (PR: 8)

9. Widows (PR: 10)

10. The Hate U Give (PR: 9)

Best Original Screenplay

1. The Favourite (PR: 1)

2. Roma (PR: 2)

3. Green Book (PR: 3)

4. First Reformed (PR: 5)

5. Eighth Grade (PR: 4)

Other Possibilities:

6. Vice (PR: 6)

7. A Quiet Place (PR: 7)

8. Private Life (PR: 9)

9. Bohemian Rhapsody (PR: 8)

10. Cold War (PR: Not Ranked)

Dropped Out:

The Ballad of Buster Scruggs

Best Foreign Language Film

1. Roma (PR: 1)

2. Cold War (PR: 2)

3. Shoplifters (PR: 3)

4. Burning (PR: 4)

5. Capernaum (PR: 5)

Other Possibilities:

6. The Guilty (PR: 6)

7. Never Look Away (PR: 7)

8. Birds of Passage (PR: 8)

9. Ayka (PR: 9)

Best Animated Feature

1. Incredibles 2 (PR: 1)

2. Spider-Man: Into the Spider-Verse (PR: 2)

3. Isle of Dogs (PR: 4)

4. Ralph Breaks the Internet (PR: 3)

5. Mirai (PR: 5)

Other Possibilities:

6. Early Man (PR: 6)

7. The Grinch (PR: Not Ranked)

8. Smallfoot (PR: 7)

9. Lu Over the Wall (PR: 8)

10. Ruben Brandt, Collector (PR: 9)

Dropped Out:

Teen Titans Go! To the Movies

Best Documentary Feature

1. Won’t You Be My Neighbor? (PR: 1)

2. Free Solo (PR: 2)

3. Minding the Gap (PR: 4)

4. Three Identical Strangers (PR: 3)

5. Shirkers (PR: 7)

Other Possibilities:

6. RBG (PR: 5)

7. Hale County This Morning, This Evening (PR: 6)

8. Crime + Punishment (PR: 8)

9. Of Fathers and Sons (PR: 9)

10. On Her Shoulders (PR: Not Ranked)

Dropped Out:

Dark Money 

Best Film Editing

1. A Star Is Born (PR: 1)

2. First Man (PR: 3)

3. Roma (PR: 2)

4. Black Panther (PR: 7)

5. The Favourite (PR: 4)

Other Possibilities:

6. Vice (PR: 6)

7. BlacKkKlansman (PR: 5)

8. Widows (PR: 10)

9. A Quiet Place (PR: 9)

10. Mary Poppins Returns (PR: Not Ranked)

Dropped Out:

Green Book

Best Cinematography

1. Roma (PR: 1)

2. First Man (PR: 2)

3. A Star Is Born (PR: 3)

4. If Beale Street Could Talk (PR: 5)

5. The Favourite (PR: 4)

Other Possibilities:

6. Cold War (PR: 6)

7. Black Panther (PR: 7)

8. Mary Poppins Returns (PR: 10)

9. The Rider (PR: Not Ranked)

10. The Ballad of Buster Scruggs (PR: 8)

Dropped Out:

BlacKkKlansman

Best Production Design

1. The Favourite (PR: 1)

2. Black Panther (PR: 2)

3. Mary Poppins Returns (PR: 3)

4. First Man (PR: 4)

5. Roma (PR: 5)

Other Possibilities:

6. Mary Queen of Scots (PR: 7)

7. Crazy Rich Asians (PR: 8)

8. A Star Is Born (PR: 6)

9. Fantastic Beasts: The Crimes of Grindelwald (PR: 9)

10. BlacKkKlansman (PR: 10)

Best Costume Design

1. The Favourite (PR: 1)

2. Mary Poppins Returns (PR: 3)

3. Black Panther (PR: 2)

4. Mary Queen of Scots (PR: 4)

5. Fantastic Beasts: The Crimes of Grindelwald (PR: 5)

Other Possibilities:

6. Bohemian Rhapsody (PR: 7)

7. A Star Is Born (PR: 9)

8. Crazy Rich Asians (PR: 6)

9. Colette (PR: 10)

10. The Nutcracker and the Four Realms (PR: Not Ranked)

Dropped Out:

If Beale Street Could Talk

Best Makeup and Hairstyling

1. Vice (PR: 2)

2. Black Panther (PR: 1)

3. Border (PR: 4)

Other Possibilities:

4. Mary Queen of Scots (PR: 3)

5. Stan & Ollie (PR: 5)

6. Bohemian Rhapsody (PR: 6)

7. Suspiria (PR: 7)

Best Sound Editing

1. First Man (PR: 1)

2. A Quiet Place (PR: 2)

3. Black Panther (PR: 3)

4. A Star Is Born (PR: 5)

5. Roma (PR: 4)

Other Possibilities:

6. Mission: Impossible – Fallout (PR: 6)

7. Mary Poppins Returns (PR: 8)

8. Bohemian Rhapsody (PR: 9)

9. Ready Player One (PR: 7)

10. Incredibles 2 (PR: 10)

Best Sound Mixing

1. A Star Is Born (PR: 1)

2. First Man (PR: 2)

3. Black Panther (PR: 5)

4. A Quiet Place (PR: 3)

5. Mary Poppins Returns (PR: 4)

Other Possibilities:

6. Bohemian Rhapsody (PR: 7)

7. Mission: Impossible – Fallout (PR: 10)

8. Roma (PR: 6)

9. Ready Player One (PR: 9)

10. Incredibles 2 (PR: 8)

Best Visual Effects

1. First Man (PR: 4)

2. Avengers: Infinity War (PR: 1)

3. Black Panther (PR: 2)

4. Ready Player One (PR: 3)

5. Mary Poppins Returns (PR: 5)

Other Possibilities:

6. Solo: A Star Wars Story (PR: 6)

7. Jurassic World: Fallen Kingdom (PR: 8)

8. Welcome to Marwen (PR: 7)

9. Ant-Man and the Wasp (PR: 9)

10. Christopher Robin (PR: 10)

Best Original Score

1. First Man (PR: 2)

2. Mary Poppins Returns (PR: 5)

3. If Beale Street Could Talk (PR: 1)

4. Black Panther (PR: 3)

5. Isle of Dogs (PR: 5)

Other Possibilities:

6. BlacKkKlansman (PR: 4)

7. A Quiet Place (PR: 7)

8. The Ballad of Buster Scruggs (PR: 8)

9. Ready Player One (PR: 10)

10. Vice (PR: 9)

Best Original Song

1. “Shallow” from A Star Is Born (PR: 1)

2. “All the Stars” from Black Panther (PR: 2)

3. “Trip a Little Light Fantastic” from Mary Poppins Returns (PR: 4)

4. “I’ll Fight” from RBG (PR: 3)

5. “Girl in the Movies” from Dumplin (PR: 5)

Other Possibilities:

6. “The Place Where Lost Things Go” from Mary Poppins Returns (PR: 6)

7. “Revelation” from Boy Erased (PR: 7)

8. “OYAHTT” from Sorry to Bother You (PR: 10)

9. “When a Cowboy Trades His Spurs For Wings” from The Ballad of Buster Scruggs (PR: 8)

10. “We Won’t Move” from The Hate U Give (PR: 10)

And that breaks down to these movies getting the following number of nods:

12 Nominations

Black Panther

11 Nominations

A Star Is Born

10 Nominations

The Favourite

9 Nominations

First Man

8 Nominations

Roma

7 Nominations

Mary Poppins Returns

5 Nominations

If Beale Street Could Talk

4 Nominations

BlacKkKlansman, Green Book, Vice

3 Nominations

Can You Ever Forgive Me?

2 Nominations

A Quiet Place, First Reformed, Isle of Dogs

1 Nomination

Avengers: Infinity War, Beautiful Boy, Bohemian Rhapsody, Border, Burning, Capernaum, Cold War, Dumplin, Eighth Grade, Fantastic Beasts: The Crimes of Grindelwald, Free Solo, Incredibles 2, Mary Queen of Scots, Minding the Gap, Mirai, Ralph Breaks the Internet, RBG, Ready Player One, Shirkers, Shoplifters, Spider-Man: Into the Spider-Verse, Three Identical Strangers, The Wife, Won’t You Be My Neighbor?

A Dog’s Way Home Box Office Prediction

Sony Pictures is hoping A Dog’s Way Home will be a good boy next weekend when it hits theaters. The film tracks a pup trying to get back to his owner with a cast including Ashley Judd, Edward James Olmos, Alexandra Shipp, Wes Studi, and Bryce Dallas Howard voicing the adorable title character. Charles Martin Smith, who is no stranger to animal tales having made Dolphin Tale and its sequel, directs.

When looking at recent Hollywood canine creations, there’s a wide range of possibilities in comparisons. Two years ago, A Dog’s Purpose took in just over $18 million out of the gate. In the summer of 2017, Megan Leavey disappointed with just under $4 million. This past summer, Dog Days managed just $2.5 million.

My feeling is that this will perform closer to Purpose and not the other features mentioned. However, I’ll say a double digits to low teens range is as far as the opening leash goes.

A Dog’s Way Home opening weekend prediction: $12.8 million

For my The Upside prediction, click here:

https://toddmthatcher.com/2019/01/02/the-upside-box-office-prediction/

For my Replicas prediction, click here:

https://toddmthatcher.com/2019/01/03/replicas-box-office-prediction/

The Upside Box Office Prediction

An adaptation of the well-regarded 2011 French film The Intouchables, next weekend sees the long brewing release of the comedic drama The Upside. Kevin Hart stars as a former convict who starts working for a paraplegic billionaire played by Bryan Cranston. Nicole Kidman costars and Neil Burger (who recently made Limitless and Divergent) directs.

The Upside first premiered at the Toronto Film Festival way back in the fall of 2017 and was shelved for months when the Weinstein Company fell into its well publicized controversies. Critical reaction from Canada was mixed with a Rotten Tomatoes score of 55%.

Hart has been subject to his own negative publicity lately that resulted in his dropping out of hosting the Oscars. He’s been a consistently strong commodity at the box office over the past few years. However, that’s been with pictures played just for laughs without the dramatic elements. His potency in slightly more serious material is questionable.

A January release isn’t a major sign of confidence from its studio. I’ll say Hart and company could get this to high teens at its upside, but I suspect low double digits to teens is the likelihood.

The Upside opening weekend prediction: $11.6 million

For my A Dog’s Way Home prediction, click here:

https://toddmthatcher.com/2019/01/02/a-dogs-way-home-box-office-prediction/

For my Replicas prediction, click here:

https://toddmthatcher.com/2019/01/03/replicas-box-office-prediction/

Oscar Watch – How to Train Your Dragon: The Hidden World

We are just two days into the new year, but it’s already time for my first Oscar Watch post of 2019. That’s because How to Train Your Dragon: The Hidden World comes out in Australia tomorrow before its stateside release on February 22. Early reviews are out and the third and final installment of the Dreamworks Animation franchise is receiving solid ones. The action fantasy sequel stands at 100% currently on Rotten Tomatoes.

In 2010, the original Dragon nabbed a Best Animated Feature nod at the Oscars. Four years later, part 2 accomplished the same. Both pictures lost to titles coming from the mighty Mouse Factory – Toy Story 3 and Big Hero 6, respectively. The Disney competition will be fierce this year with Toy Story 4 and Frozen 2.

That said, even at this extraordinarily early date, the latest Dragon already looks like a serious contender for a nomination given the history of the series. My Oscar Watch posts will continue…