As a morbidly obese English teacher attempting to reconnect with his daughter, Brendan Fraser’s performance in The Whale is next up in my Case Of posts.
The Case for Brendan Fraser:
After a three decade career with films as varied as Encino Man, George of the Jungle, Gods and Monsters, The Mummy, and Crash, Darren Aronofsky’s latest gave Fraser an acclaimed comeback narrative. Since the premiere in Venice, he’s been at the forefront of Best Actor chatter. This resulted in pending noms at SAG and BAFTA and a victory at the Critics Choice Awards.
The Case Against Brendan Fraser:
Reaction to the film itself has been as varied as the lead’s filmography. It missed a Best Picture and Adapted Screenplay nomination. The last Best Actor winner whose movie missed the BP cut is Jeff Bridges from Crazy Heart in 2009. Austin Butler (Elvis) and Colin Farrell (The Banshees of Inisherin), who each took the respective lead Actor competitions at the Golden Globes, don’t have that problem.
Previous Nominations:
None
The Verdict:
The narrative of a Fraser podium trip might be too enticing for voters to pass up. However, The Whale‘s divisive reaction throws real doubt as to whether he goes all the way.
My Case Of posts will continue with Kerry Condon in The Banshees of Inisherin!
If you missed the previous posts for the Actor hopefuls, you can peruse them here:
How reliable is the Director Guild of America (DGA) recipient as it pertains to the eventual Oscar winner for Best Director? In the 21st century, the match has been 19 of 22 times. In 2000, Ang Lee (Crouching Tiger, Hidden Dragon) took DGA and the Academy Award went to Steven Soderbergh for Traffic. Ben Affleck was the DGA recipient in 2012 for Argo though he didn’t get an Oscar nod. Ang Lee, for Life of Pi, took the gold instead. Sam Mendes (1917) was DGA in 2019, but Bong Joon-ho (Parasite) was the Academy’s choice. All others years corresponded in the century corresponded.
The DGA Award is revealed tomorrow night and here’s your nominees:
Daniels, Everything Everywhere All at Once
Todd Field, Tár
Joseph Kosinski, Top Gun: Maverick
Martin McDonagh, The Banshees of Inisherin
Steven Spielberg, The Fabelmans
There’s a 4/5 correlation with the Oscar nominees (par for the course). Kosinski is not in the Academy’s quintet while Ruben Ostlund (Triangle of Sadness) is. Therefore it’s safe to rule the Maverick maker out.
Neither Field nor McDonagh have taken any major precursors. The Daniels and Spielberg have. For the Daniels, they were the Critics Choice victors. At the Golden Globes, it was Spielberg. To call this is a two-person (or three technically) race seems accurate. Anyone else winning would be a considerable upset.
A little less than a month before the Oscar ceremony, I do believe Everything stands as your soft Oscar frontrunner. Spielberg saw a surprising omission at the BAFTAs where he didn’t even make their shortlist. Due to his legendary status, it would be foolish to discount him. However, I believe the momentum lies with Dan Kwan and Daniel Scheinert so…
Predicted DGA Winner(s):
The Daniels, Everything Everywhere All at Once
I’ll make my DGA commentary part of my recap post for the BAFTAs on Sunday evening. Stay tuned!
Lionsgate is hoping the Jesus Revolution picks up plenty of followers when it debuts February 24th. The faith based drama set in the 1970s is directed by Jon Erwin and Brent McCorkle. Erwin, along with his brother Andrew, are responsible for making such genre successes as Woodlawn, I Can Only Imagine, and American Underdog. The cast includes Joel Courtney, Anna Grace Barlow, Jonathan Roumie, Kimberly Williams-Paisley, and Kelsey Grammer.
Christian themed pics are tricky to predict. They can often exceed expectations, but there’s a few that don’t match forecasts. The track history of the Erwins is more with the former. A gross exceeding $10 million is certainly doable. Underdog, focused on the rise of quarterback Kurt Warner, made $5.9 million in its premiere. However, it opened during Christmas weekend of 2021 when competition was fierce. I’ll say Revolution tops that figure while not hitting double digits.
Jesus Revolution opening weekend prediction: $8.7 million
The BAFTAs, Britain’s version of the Academy Awards, airs this Sunday (February 19) and it can often serve as a preview for where the Oscars will go. That holds true in same races more than others like the acting derbies.
In the past decade, 32 of the 40 winners in Actress, Actor, Supporting Actress, and Supporting Actor became Oscar recipients. That’s 8 out of the past 10 Actresses, 9 for 10 in Actor, 7 for 10 in Supporting Actress, and 8 for 10 in Supporting Actor.
It’s a different story for the grand prize. A mere 3 of 10 Best Film winners at BAFTA are BP victors at the Oscars – Argo, 12 Years a Slave, and Nomadland. The percentage goes up considerably for Director at 7/10.
I’m going to keep it simple here. I’ll give you the nominees and my predicted winner and a runner-up. Let’s get to it!
Best Film
All Quiet on the Western Front, The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, Tár
Predicted Winner: The Banshees of Inisherin
Runner-Up: Everything Everywhere All at Once
Best Director
Edward Berger (All Quiet on the Western Front), Park Chan-wook (Decision to Leave), Daniels (Everything Everywhere All at Once), Todd Field (Tár), Martin McDonagh (The Banshees of Inisherin)
Predicted Winner: Daniels, Everything Everywhere All at Once
Runner-Up: Todd Field, Tár
Best Actressin a Leading Role
Cate Blanchett (Tár), Viola Davis (The Woman King), Ana de Armas (Blonde), Danielle Deadwyler (Till), Emma Thompson (Good Luck to You, Leo Grande), Michelle Yeoh (Everything Everywhere All at Once)
Predicted Winner: Cate Blanchett, Tár
Runner-Up: Michelle Yeoh, Everything Everywhere All at Once
Best Actor in a Leading Role
Austin Butler (Elvis), Colin Farrell (The Banshees of Inisherin), Brendan Fraser (The Whale), Daryl McCormack (Good Luck to You, Leo Grande), Paul Mescal (Aftersun), Bill Nighy (Living)
Predicted Winner: Austin Butler, Elvis
Runner-Up: Colin Farrell, The Banshees of Inisherin
Best Actress in a Supporting Role
Angela Bassett (Black Panther: Wakanda Forever), Hong Chau (The Whale), Kerry Condon (The Banshees of Inisherin), Jamie Lee Curtis (Everywhere All at Once), Dolly de Leon (Triangle of Sadness), Carey Mulligan (She Said)
Predicted Winner: Kerry Condon, The Banshees of Inisherin
Runner-Up: Angela Bassett, Black Panther: Wakanda Forever
Best Actor in a Supporting Role
Brendan Gleeson (The Banshees of Inisherin), Barry Keoghan (The Banshees of Inisherin), Ke Huy Quan (Everything Everywhere All at Once), Eddie Redmayne (The Good Nurse), Albrecht Schuch (All Quiet on the Western Front), Micheal Ward (Empire of Light)
Predicted Winner: Ke Huy Quan, Everything Everywhere All at Once
Runner-Up: Brendan Gleeson, The Banshees of Inisherin
Best Original Screenplay
The Banshees of Inisherin, Everything Everywhere All at Once, The Fabelmans, Tár, Triangle of Sadness
Predicted Winner: The Banshees of Inisherin
Runner-Up: Everything Everywhere All at Once
Best Adapted Screenplay
All Quiet on the Western Front, Living, The Quiet Girl, She Said, The Whale
Predicted Winner: Living
Runner-Up: All Quiet on the Western Front
Best Animated Film
Guillermo del Toro’s Pinocchio, Marcel the Shell with Shoes On, Puss in Boots: The Last Wish, Turning Red
Predicted Winner: Guillermo del Toro’s Pinocchio
Runner-Up: Marcel the Shell with Shoes On
Best Film Not in the English Language
All Quiet on the Western Front, Argentina, 1985, Corsage, Decision to Leave, The Quiet Girl
Predicted Winner: All Quiet on the Western Front
Runner-Up: The Quiet Girl
Best Documentary
All That Breathes, All the Beauty and the Bloodshed, Fire of Love, Moonage Daydream, Navalny
Predicted Winner: Fire of Love
Runner-Up: Navalny
Best Casting
Aftersun, All Quiet on the Western Front, Elvis, Everything Everywhere All at Once, Triangle of Sadness
Predicted Winner: Everything Everywhere All at Once
Runner-Up: Elvis
Best Cinematography
All Quiet on the Western Front, The Batman, Elvis, Empire of Light, Top Gun: Maverick
Predicted Winner: All Quiet on the Western Front
Runner-Up: Elvis
Best Costume Design
All Quiet on the Western Front, Amsterdam, Babylon, Elvis, Mrs. Harris Goes to Paris
Predicted Winner: Elvis
Runner-Up: Mrs. Harris Goes to Paris
Best Editing
All Quiet on the Western Front, The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, Top Gun: Maverick
Predicted Winner: Everything Everywhere All at Once
Runner-Up: Top Gun: Maverick
Best Make-Up & Hair
All Quiet on the Western Front, The Batman, Elvis, Roald Dahl’s Matilda the Musical, The Whale
Predicted Winner: The Whale
Runner-Up: Elvis
Best Original Score
All Quiet on the Western Front, Babylon, The Banshees of Inisherin, Everything Everywhere All at Once, Guillermo del Toro’s Pinocchio
Predicted Winner:Babylon
Runner-Up: All Quiet on the Western Front
Best Production Design
All Quiet on the Western Front, Babylon, The Batman, Elvis, Guillermo del Toro’s Pinocchio
Predicted Winner: All Quiet on the Western Front
Runner-Up: Babylon
Best Sound
All Quiet on the Western Front, Avatar: The Way of Water, Elvis, Tár, Top Gun: Maverick
Predicted Winner: All Quiet on the Western Front
Runner-Up: Top Gun: Maverick
Best Special Visual Effects
All Quiet on the Western Front, Avatar: The Way of Water, The Batman, Everything Everywhere All at Once, Top Gun: Maverick
Predicted Winner: Avatar: The Way of Water
Runner-Up: Top Gun: Maverick
Outstanding British Film
Aftersun, The Banshees of Inisherin, Brian and Charles, Empire of Light, Good Luck to You, Leo Grande, Living, Roald Dahl’s Matilda the Musical, See How They Run, The Swimmers, The Wonder
Predicted Winner: The Banshees of Inisherin
Runner-Up: Aftersun
Outstanding Debut by a British Writer, Director or Producer
Aftersun, Blue Jean, Electric Malady, Good Luck to You, Leo Grande, Rebellion
Predicted Winner: Aftersun
Runner-Up: Good Luck to You, Leo Grande
That equates to these movies generating these numbers in terms of wins:
4 Wins
All Quiet on the Western Front, The Banshees of Inisherin, Everything Everywhere All at Once
2 Wins
Elvis
1 Win
Aftersun, Avatar: The Way of Water, Babylon, Fire of Love, Guillermo del Toro’s Pinocchio, Living, Tár, The Whale
As a down on her luck lottery winner who blew through the cash, Andrea Riseborough’s much discussed Best Actress nomination for To Leslie is next up in my Case Of posts.
The Case for Andrea Riseborough:
Even a week before Oscar nods came out, Riseborough (known for roles in mainstream and indie fare including Oblivion, Battle of the Sexes, and Mandy) was on no one’s radar screen for this small budget drama. Then a grassroots campaign emerged with shout-outs from fellow competitor Cate Blanchett and others. Most didn’t think she’d manage to get in, but lo and behold it happened. So it that can happen… why not a victory?
The Case Against Andrea Riseborough:
Well, there’s plenty of reasons why there probably won’t be a win. She was mentioned in zero precursors. The unconventional campaign for her to make the quintet – fairly or unfairly – has been criticized. And Blanchett (Tár) and Michelle Yeoh (Everything Everywhere All at Once) appear to be in a two-person race for the gold.
Previous Nominations:
None
The Verdict:
The biggest surprise of the 20 contestants in the four acting derbies, Riseborough’s inclusion could lead to changes in the Academy’s campaign rules or could revolutionize how small distributors mount their campaigns. It’s doubtful the end result of the nomination itself is a win.
My Case Of posts will continue with Brendan Fraser in The Whale!
For my write-ups on Riseborough’s fellow nominees, click here:
Cocaine Bear gets the animalistic truth in advertising award (previously held by Snakes on a Plane) as it blows into theaters on February 24th. Inspired by the true story of a creature who ingested the drug dropped by smugglers in Tennessee circa 1985, Elizabeth Banks directs. The cast (besides the bear) includes Keri Russell, O’Shea Jackson Jr., Alden Ehrenreich, Christian Convery, Brooklyn Prince, Jesse Tyler Ferguson, Isiah Whitlock Jr., Margo Martindale, and the late Ray Liotta.
The Universal release has garnered plenty of attention to the stranger than fiction storyline. Reviews aren’t available yet and they could determine how high this gets. While the advertising campaign has been robust, its appeal might be somewhat limited.
At best, I could see this reaching high teens. Bear could also struggle to reach double digits under a worst case scenario. I’ll split the difference.
Cocaine Bear opening weekend prediction: $14.3 million
Martin McDonagh’s direction of The Banshees of Inisherin is next up for the quintet in that category in my Case Of posts.
The Case for Martin McDonagh:
When a movie has a legit shot at winning Best Picture and the filmmaker is nominated, he’s got a chance. That’s the case here. For the tragicomedy, the acclaimed director/playwright has been nominated in the key precursors DGA, Golden Globes, BAFTA, and Critics Choice.
The Case Against Martin McDonagh:
At Critics Choice, the Daniels (Everything Everywhere All at Once) won. At the Globes, it was Steven Spielberg (The Fabelmans). McDonagh’s victory at the Globes came in screenplay and that could occur with the Academy (where he’s been nominated twice before for written works In Bruges and Three Billboards Outside Ebbing, Missouri).
Previous Nominations:
None for direction
Six other nominations for Live-Action Short Film (Six Shooter, 2005, WON); Original Screenplay (In Bruges, 2008); Picture and Original Screenplay (Three Billboards Outside Ebbing, Missouri), Picture and Original Screenplay (The Banshees of Inisherin)
The Verdict:
A sweeping Banshees night still could leave McDonagh out in director in favor of the Daniels or Spielberg. He could take screenplay instead under that scenario.
My Case Of posts will continue with Andrea Riseborough in To Leslie!
If you missed my other Director write-ups, they can accessed here:
The MCU hopes for enlarged returns for Ant-Man and the Wasp: Quantumania when its debuts Friday. This is the third film in the franchise with Paul Rudd and Evangeline Lilly as the title heroes with Jonathan Majors making his debut as villainous Kang.
31 pictures into the cinematic universe that began with Iron Man (2008), Marvel’s multi-billion grossing series has seen its share of Oscar nominations. This is particularly true in Visual Effects where 13 features have been up and none have yet to win (Black Panther: Wakanda Forever is unlikely to break that stat next month with competition from Avatar: The Way of Water).
None of the MCU’s previous nods belong to Quantumania predecessors Ant-Man (2015) or Ant-Man and the Wasp (2018). Based on reviews today, that stat should also stay intact. While Majors is picking up decent reviews, the pic is currently at 55% on Rotten Tomatoes. That’s the second lowest score of any MCU title (Eternals is 47%). By comparison, the original Ant-Man hit 83% and the sequel had 87%. Bottom line: the chances for any awards attention is quite small. My Oscar Prediction posts will continue…
Brian Tyree Henry’s performance in Causeway as a mechanic struggling with his involvement in a family tragedy is next up in my Case Of posts for the Supporting Actor hopefuls.
The Case for Brian Tyree Henry:
After critically appreciated roles in Widows and If Beale Street Could Talk and being singled out in genre fare such as Godzilla vs. Kong and Bullet Train, he earned his strongest reviews yet for the Apple TV drama costarring Jennifer Lawrence. He’s also up for a Critics Choice nod.
The Case Against Brian Tyree Henry:
In addition to missing out on precursors such as SAG, BAFTA, and the Golden Globes, Ke Huy Quan (Everything Everywhere All at Once) is the overwhelming favorite in the race. He represents the indie pic’s sole mention and he was a surprise addition on nomination morning.
Previous Nominations:
None
The Verdict:
Even if a major upset occurs in Supporting Actor, it’s highly doubtful Henry will be the cause of it.
My Case Of posts will continue with Martin McDonagh’s direction for The Banshees of Inisherin!
If you’ve missed the write-ups for the other Supporting Actors in the field, they can be found here:
Blogge’s Update (02/16): It has been announced that Magic Mike’s Last Dance is significantly increasing its screen count from 1500 venues to over 3000 in weekend #2. Therefore I’m upping my estimate from $4 million to $5.5 million along with giving slight bumps to Avatar and Puss in Boots. Ant-Man remains unchanged.
The Marvel Cinematic Universe begins Phase Five as their 31st picture Ant-Man and the Wasp: Quantumania looks to easily have the biggest debut since Avatar: The Way of Water. We also have low-budget British slasher Winnie-the-Pooh: Blood and Honey straying far from its Disney version out on Wednesday. You can peruse my detailed prediction posts on the duo here:
Keep in mind that this is a holiday weekend so my projections are for Friday to Monday. Ant-Man and the Wasp from 2018 built upon the premiere of the 2015 original – $75 million vs. $57 million. Quantumania should continue that trend with a four-day haul of over $100 million.
The rest of the top five should be holdovers and I have Magic Mike’s Last Dance sliding the furthest from 1st to 5th after a shaky start (more on that below). That said, Winnie is a potential spoiler. Reportedly shot for under $100k, it could capture the attention of horror fans and exceed my estimate of $3.5 million from Friday to Monday and $4.7 million when factoring in Wednesday and Thursday. I currently have it just outside the high five. Keep an eye on this post. That could change by lock time on Thursday.
Here’s how I envision the top 5 playing out:
1. Ant-Man and the Wasp: Quantumania
Predicted Gross: $109.1 million
2. Avatar: The Way of Water
Predicted Gross: $6.1 million
3. Puss in Boots: The Last Wish
Predicted Gross: $5.8 million
4. Magic Mike’s Last Dance
Predicted Gross: $5.5 million
5. 80 for Brady
Predicted Gross: $4.2 million
Box Office Results (February 10-12)
Moviegoers mostly stayed home this weekend and not just on Sunday for the Super Bowl and/or Rihanna concert. Everything came in a tad shy (or more than a tad in a couple of cases) of my predictions.
Magic Mike’s Last Dance was a muted #1 with $8.3 million. Warner Bros didn’t seem to have much faith in it as its release was on a scant 1500 screens. So while the per theater average surpassed predecessor Magic Mike XXL (2015), it fell far short in terms of actual gross. I said it would $10.7 million.
Avatar: The Way of Water rose a spot to second with $7.2 million, in line with my $7.5 million take as it hit $647 million. Per above, it should stay put in second this weekend.
The 25th anniversary re-release of Titanic couldn’t match my expectations. James Cameron’s first picture to become the highest grosser of all time added $6.7 million to its coffers. I thought it would be #1 and guesstimated $11.6 million. Don’t feel sorry for Leo and Kate. After a quarter century, it is now at a devilish $666 million stateside.
80 for Brady, with sturdy competition for the female demo with Magic Mike and Titanic, suffered in its sophomore outing with $5.8 million. I projected $8.1 million. The 54% plummet is a little troubling and it is now at $24 million after ten days.
Puss in Boots: The Last Wish rounded out the top five with $5.5 million (I said $5.6 million) for $158 million overall.
Finally, M. Night Shyamalan’s Knock at the Cabin was burned in weekend #2, falling from 1st to 6th. It plummeted 62% with $5.4 million (under my $5.9 million forecast) for a mere $23 million thus far.
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