My Undesirable Friends: Part I – Last Air in Moscow has a runtime to match the length of its title and it might have a shot at a Best Documentary Feature nom at the Oscars. Russian born filmmaker Julia Loktev helms the exploration of mostly female journalists in her native country. Clocking in at 324 minutes, Moscow was first screened at the New York Film Festival in 2024 before playing other fests this year.
As precursors have begun to name their best of’s, visibility has risen for the five-hour (so far) project. It won best doc at the Gotham Awards and New York Film Critics Circle this week. Recently the Critics’ Choice Documentary voters nominated it for their Best Political Documentary though it lost to The Alabama Solution. Rotten Tomatoes stands at 100% with Metacritic at 94.
The documentary branch at the Academy can be tough to predict. I haven’t had Moscow in my top 10 possibilities for the race, but don’t be surprised if that changes in my next update this weekend. With precursors and those reviews, discounting it might be a mistake. My Oscar Prediction posts will continue…
Five Nights at Freddy’s 2 looks to challenge Zootopia 2 for box office supremacy as anime offering Jujutsu Kaisen: Execution is also unveiled. You can peruse my detailed prediction posts on the newcomers for the post Thanksgiving frame here:
I am not sold on Freddy’s 2 despite its predecessor’s sizzling $80 million start two years ago. As I explained in my write-up, I suspect a decent portion of its fanbase won’t turn up and my mid to high 30s take gives it runner-up status.
As for Jujutsu Kaisen: Execution, the genre has been on fire lately but this pre-screening of the TV show’s forthcoming third season may settle for fourth place and mid single digits.
Considering my reservations about Freddy’s, that would leave Zootopia 2 in first after an impressive premiere (more on that below). A mid 50s drop should be on the way.
Wicked: For Good‘s third frame decline could be even more pronounced for third position while Now You See Me: Now You Don’t should complete the top five in a sequel heavy lineup.
Here’s how I see it playing out:
1. Zootopia 2
Predicted Gross: $43.1 million
2. Five Nights at Freddy’s 2
Predicted Gross: $36.5 million
3. Wicked: For Good
Predicted Gross: $23.2 million
4. Jujutsu Kaisen: Execution
Predicted Gross: $6.4 million
5. Now You See Me: Now You Don’t
Predicted Gross: $3.6 million
Box Office Results (November 28-30)
Zootopia 2, as projected, easily managed the second best Turkey weekend opening behind Disney’s Moana 2 from last year. It also scored huge in China which helped contribute to it having the best animated worldwide debut of all time and the fourth best overall. With $100.2 million from Friday to Sunday and $158.8 million domestically since Wednesday, it did fall below my respective takes of $112.4 million and $184.3 million. Admittedly I took the over.
I should’ve taken the under on Wicked: For Good. A year ago, part 1 eased a mere 28% in its Thanksgiving sophomore outing. The follow-up fell 58% to $61.7 million while I called for $82 million. Nevertheless its two-week tally stands at a soaring $269 million.
Now You See Me: Now You Don’t was third in weekend #3 with $6.9 million, a tad ahead of my $6.2 million prediction for $49 million thus far.
Predator: Badlands was fourth in its fourth go-round with $4.8 million (I said $4.6 million). The franchise entry has $85 million in its coffers as it should come close to nine digits stateside.
The Running Man rounded out the top five with $3.7 million, in line with my $3.4 million forecast for an underwhelming $34 million in three weeks.
Finally, rom com Eternity with Miles Teller and Elizabeth Olsen was sixth out of the gate with $3.1 million over the traditional weekend and $5.2 million since Wednesday. That’s in range with my respective takes of $3 million and $4.4 million.
Nigerian family drama My Father’s Shadow has been playing the festival circuit for months beginning at Cannes and continuing to Toronto. It marks the directorial debut of Akinola Davies Jr. and stars Sope Dirisu with Godwin Chiemerie Egbo and Chibuike Marvellous Egbo as his sons. The United Kingdom has submitted it as the hopeful for Best International Feature Film.
The Brits may have chosen wisely. Shadow is receiving early kudos from other awards bodies. It was given a special award for its first-time filmmaker at Cannes. At the British Independent Film Awards, it was up in 12 categories and won Best Director. And tonight at the Gothams, it went 2 for 2 with Breakthrough Director and a surprise victory for Dirisu for Outstanding Lead Performance.
After a streak in which none of their 21st century submitted features made the cut in the international race, the UK took top honors two years ago for The Zone of Interest. Last year, Santosh made the shortlist but not the final quintet. With 97% on Rotten Tomatoes and an 85 Metacritic, Shadow could be gathering buzz at the right time.
Some key caveats as the aforementioned ceremonies aren’t exactly reliable Oscar precursors. There’s also the matter of IFF being quite crowded with more high-profile titles including Sentimental Value, It Was Just an Accident (which also received some Gotham love), The Secret Agent, and No Other Choice. However, if Shadow makes this year’s shortlist, it could be a trendy pick. My Oscar Prediction posts will continue…
A couple of months back, Benny Safdie’s The Smashing Machine played the festival circuit prior to its release and saw its awards prospects tumble. Benny’s brother Josh (they made Good Time and Uncut Gems together among others) goes solo with Marty Supreme on Christmas Day. After a “surprise” showing at the New York Film Festival last month, the review embargo is lifted today. Unlike Machine, Marty should be a smash at the Oscars and elsewhere.
The 1950s set dramedy features Timothée Chalamet in the title role (as an ambitious ping pong star) with an eclectic supporting cast including Gwyneth Paltrow, Odessa A’Zion, Kevin O’Leary (of Shark Tank fame), Tyler Okonma (better known as Tyler, the Creator), Abel Ferrara, and Fran Drescher.
Early reaction from the Big Apple indicated this should be a major player at the Academy Awards and today’s critical reaction solidifies the buzz. Rotten Tomatoes is at 96% with 88 on Metacritic. Supreme has been perched in my top 5 possibilities for Best Picture throughout 2025 and that appears to be the right call. Like One Battle After Another, Hamnet, Sinners, and Sentimental Value – this is a BP prediction that you should feel comfortable writing in ink.
That same logic certainly applies to Chalamet in what many write-ups are calling career best work. He will turn 30 two days after Supreme‘s release, but he is going for nomination #3 after 2017’s Call Me by Your Name and last year’s A Complete Unknown. I’ve had him ranked 1st for months based on the notion that this seems like an awards friendly role. Chalamet was also the likely runner-up for Best Actor at the 97th ceremony when he fell short to Adrien Brody in The Brutalist. There is competition for the gold at the 98th production, especially from Battle‘s Leonardo DiCaprio and maybe Wagner Moura (The Secret Agent) and Ethan Hawke (Blue Moon). Yet the third time could definitely be the charm for Mr. Supreme.
Supporting Actress is tough to pinpoint. A’Zion is being called the breakout performance while Paltrow is being heralded for a comeback role. All scenarios are possible as they could both get in or cancel each other out. It makes it trickier that there’s potential double nominees for Sentimental Value with Elle Fanning and Inga Ibsdotter Lilleass and perhaps Sinners with Wunmi Mosaku and Hailee Steinfeld. If only one makes the cut, I’m a bit stumped as where the edge lies. I’ve had Paltrow ranked slightly above A’Zion. Precursors should assist in offering clues. Right now my gut says both do not make the quintet and one of them does. I could flip a coin at the moment between them.
As for other above the line races, Safdie’s inclusion in Director isn’t automatic but the embargo lapse makes me more confident he gets in. Original Screenplay (from Safdie and Ronald Bronstein) shouldn’t be a problem.
There is a number of possibilities in tech competitions and it starts with the new Best Casting award which Supreme (with its unexpected roster choices) looks tailor made for. The pic also seems viable in Best Cinematography (from two-time nominee Darius Khondji), Costume Design, Film Editing, Original Score, and Production Design. A best case scenario could even include Sound though I suspect several rivals could close that door.
This means the A24 release could rack up a dozen nods under the rosiest projections with high single digits seemingly happening. Wins might be hard to come by in a number of them, but its lead has boosted his chances even more with a month left in the calendar year. My Oscar Prediction posts will continue…
Palestine 36 is in limited release after playing the festival circuit and it hopes to become the nation’s third submission nominated for Best International Feature Film. The historical epic with ties to current events is from writer/director Annemarie Jacir with a cast including Hiam Abbass, Kamel El Basha, Yasmine Al Massri, Robert Aramayo, Liam Cunningham, and Jeremy Irons.
The film debuted at the Toronto Film Festival where it received a prolonged ovation and traveled to the Tokyo International fest where it took the top prize. With a 100% rating on Rotten Tomatoes, the aforementioned resume would point to a possible nomination. It would join 2005’s Paradise Now and 2013’s Omar as Palestine’s other contenders (last year’s From Ground Zero was shortlisted but didn’t make the quintet).
Yet while all reviews are fresh, the 61 Metacritic score is more telling and this is a year where IFF is packed with hopefuls. I have yet to list this in my top 10 for possibilities and I don’t see that changing unless precursors change the dynamic. My Oscar Prediction posts will continue…
Jujutsu Kaisen: Execution hopes to continue a banner year for anime offerings when it hits domestic venues on December 5th. The fantasy effort from manga artist Gege Akutami is a prerelease for season 3 of the Kaisen TV series prior to its output in January.
Distributed via GKIDS stateside, Execution would love to approach the numbers achieved by Jujutsu Kaisen 0 back in March of 2022. Nearly four years ago, that Japanese action tale easily surpassed projections with an $18 million debut in the midst of the pandemic. That opening represented over half of its eventual $33 million take as this genre is typically front loaded.
Execution will be available for home viewing just a month after theatrical availability. That’s different than Kaisen 0 which was not directly part of the TV show. Therefore Execution is not expected to see the high teens haul that we witnessed in 2022 or a similar figure that Chainsaw Man -The Movie: Reze Arc accomplished in October. It could still manage about half of what the aforementioned kicked off with, but I’ll go with a little less.
Jujutsu Kaisen: Execution opening weekend prediction: $6.4 million
For my Five Nights at Freddy’s 2 prediction, click here:
Arriving in theaters exclusively two years after its predecessor did a simultaneous release on Peacock and in multiplexes, Five Nights at Freddy’s 2 is out December 5th. Based on the Scott Cawton created video game series, the horror sequel sees Emma Tammi back directing. Returning cast members include Josh Hutcherson, Elizabeth Lail, Piper Rubio, and Matthew Lillard. Newcomers to the mix are Skeet Ulrich, Wayne Knight, Mckenna Grace, and Teo Briones.
In October 2023, Freddy’s greatly exceeded expectations with a fab $80 million out of the gate despite it being available at home for paying customers. The front loaded debut yielded a $137 million overall domestic haul. That detail could be key as part 2 could struggle. Fans of the games were deeply divided about whether the original did its source material justice. They came out right away to see it but word-of-mouth fizzled and some casual moviegoers steered clear. Many may not turn up for a second reservation.
Estimates have this only earning half of what part 1 achieved. This is a bit reminiscent of the M3GAN franchise where the 2022 pic landed a potent and unanticipated $30 million debut and this year’s sequel petered out with only $10 million. I’ll say Freddy’s 2 only gets mid to maybe high 30s.
Five Nights at Freddy’s 2 opening weekend prediction: $36.5 million
For my Jujutsu Kaisen: Execution prediction, click here:
NuestraTierra (or Landmarks) marks the first documentary from acclaimed Argentine filmmaker Lucrecia Martel. It focuses on colonialism issues in her native country.
First screened at the Venice Film Festival in late August, Tierra moved to the London fest where it won Best Film last month. The doc continued its circuit run with the NYC fest and has racked up solid reviews along the way with 93% on Rotten Tomatoes and 81 on Metacritic.
While I haven’t featured it prominently in my 10 possibilities for Best Documentary Feature, the resume is there for Tierra to make a move. My Oscar Prediction posts will continue…
As they frequently do over the Thanksgiving holiday, Disney should reign supreme with an animated effort. In 2025, they’ll do it via Zootopia 2 which follows up the 2016 original. Jared Bush and Byron Howard are back directing. Returning voice work comes from Ginnifer Goodwin, Jason Bateman, Shakira, Idris Elba, Alan Tudyk, Bonnie Hunt, and Jenny Slate. Newcomers to the franchise include Ke Huy Quan, Fortune Feimster, Andy Samberg, David Strathairn, Patrick Warburton, Quinta Brunson, and Danny Trejo.
At the 89th Academy Awards, Zootopia won Best Animated Feature against fellow studio competitor Moana and the acclaimed Kubo and the Two Strings. It opened early in the calendar (March) and maintained frontrunner status throughout the long awards season. Reviews were strong with 98% on Rotten Tomatoes and a 78 Metacritic.
The sequel is also generating solid critical reaction with 93% on RT and Metacritic at 73. Those numbers are sturdy enough that I’m confident Zootopia 2 has reserved a spot in the Animated Feature quintet. It also has a shot to be victorious like its predecessor. However, I’ve had it ranked in second position behind the cultural juggernaut that is Netflix’s KPop Demon Hunters. Overcoming that streaming phenomenon could be a tall order. It might be achievable but leaving it in second feels right unless precursors alter the narrative. My Oscar Prediction posts will continue…
Zootopia 2 seeks to rule the Thanksgiving box office while rom com Eternity opens and will just try and make the top 5. You can peruse my detailed prediction posts on the newcomers here:
Disney’s sequel to their 2016 Oscar-winning animated feature should easily the eclipse the $75 million debut of what came nine years ago. Zootopia 2 appears on track for the second highest Turkey frame behind the Mouse House’s own Moana 2 from last year.
As for Eternity, the heaven set pic with Miles Teller and Elizabeth Olsen may struggle out of the (pearly) gates on approximately 1500 screens. My projection leaves it outside the top five.
Speaking of the high five, I’m doing not doing an official estimate for Wake Up Dead Man: A Knives Out Mystery. The third entry in Rian Johnson’s murder mystery series with Daniel Craig, it is slated for selected theaters prior to its December 12th Netflix bow. Three years ago, predecessor Glass Onion kicked off over the same holiday frame in nearly 700 venues. Though Netflix doesn’t officially report its numbers, figures of just over $9 million (three-day) and $13 million (five-day) were unofficially given for that rollout prior to its streaming start. Because hard figures aren’t revealed (and due to uncertainty about Wake‘s actual screen count), I’m not projecting it. That said, don’t be surprised if the unofficial tally reveals a third place showing with similar grosses to Onion. Got all that?
Moving to the holdovers, Wicked: For Good flew high with 2025’s second largest opening (more on that below). The first Wicked premiered in the same weekend in 2024 and dropped a mere 28% over Thanksgiving. The likelihood is that For Good is more front loaded and it may ease in the low to mid 40s for what would essentially be the same numbers for its sophomore play.
Now You See Me: Now You Don’t, Predator: Badlands, and The Running Man should all move down a slot and here’s how I see it playing out:
1. Zootopia 2
Predicted Gross: $112.4 million (Friday to Sunday); $184.3 million (Wednesday to Sunday)
2. Wicked: For Good
Predicted Gross: $82 million
3. Now You See Me: Now You Don’t
Predicted Gross: $6.2 million
4. Predator: Badlands
Predicted Gross: $4.6 million
5. The Running Man
Predicted Gross: $3.4 million
6. Eternity
Predicted Gross: $3 million (Friday to Sunday); $4.4 million (Wednesday to Sunday)
Box Office Results (November 21-23)
Wicked: For Good may not have completely defied prognostications, but its $147 million debut is second only to A Minecraft Movie for the year. Part 2 of the witchy and wizardly saga didn’t match my $158.1 million call though it managed to outshine the $112.5 million achieved by part 1.
Now You See Me: Now You Don’t dropped to second with $8.9 million, in line with my $9.4 million prediction. The magic themed threequel has made off with $36 million.
Predator: Badlands was third in week 3 with $6.5 million compared to my $5.9 million take. It is up to $76 million overall.
In fourth position, The Running Man stumbled a steep 65% in weekend 2 with $5.7 million (I said $6.7 million) for just $26 million thus far.
Rental Family with Brendan Fraser, despite appreciative reviews and word-of-mouth, was fifth with a ho-hum $3.3 million. That is slightly above my $2.9 million estimate.
Finally, Finnish action sequel Sisu: Road to Revenge was sixth with an unimpressive $2.4 million. I gave it more credit at $4 million.
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