As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the nominee #5 and that’s Josh Safdie’s Marty Supreme. If you missed my posts covering the previous four contenders, you can find them here:
Academy voters would be selecting one of the most widely seen nominees (it grossed more than arguable frontrunner One Battle After Another). The sports dramedy amassed a laudable eight additional nods including Safdie’s direction, his Original Screenplay with Ronald Bronstein, Casting, Cinematography, Costume Design, Editing, and Production Design. And of course there’s the nod for Marty himself, Timothée Chalamet, in lead Actor. It has landed BP placement in all noteworthy precursors – the Globes, PGA, Critics Choice, BAFTA, for its ensemble at SAG Actor, and Safdie at DGA.
The Case Against Marty Supreme:
It wasn’t as widely seen as the other arguable frontrunner Sinners. Supreme has yet to get a BP victory anywhere and it was a slight surprise that it missed other acting nominations besides Chalamet (supporting players Gwyneth Paltrow and especially Odessa A’Zion were thought to be possibilities).
The Verdict:
Marty Supreme is reminiscent of Hamnet, my previous Case Of post. It received a bounty of mentions but its best (and probably only) chance at gold is in the lead acting field. For Hamnet, it’s with Jessie Buckley in Actress and with Supreme where the third time could definitely be the charm for Chalamet.
My Case Of posts will continue with One Battle After Another…
Embarking on his Italian honeymoon alone after being left at the altar, Kevin James stars in Solo Mio on February 6th. The dramedy is co-directed by siblings Chuck and Dan Kinnane with a supporting cast including Alyson Hannigan, Nicole Grimaudio, Kim Coates, and Jonathan Roumie.
An Angel Studios release, this is James’s first headlining theatrical vehicle in over a decade (think Paul Blart: Mall Cop 2). Most everything in between has gone the streaming route. Can Solo drive any traffic to theaters? With a reported budget of only $4 million, profitability should be achieved.
I’ll say mid single digits is where it lands though it could manage only lower single digits in a worst case scenario.
Solo Mio opening weekend prediction: $5.7 million
For my The Strangers – Chapter 3 prediction, click here:
Olivia Colman headlines the irreverent and vulgarly romantic Sundance premiere Wicker from co-directors Alex Huston Fischer and Eleanor Wilson. As a Fisherwoman who builds herself a wooden boyfriend, the supporting cast includes Alexander Skarsgård (as said BF), Peter Dinklage, and Elizbeth Debicki.
Currently seeking distribution, Rotten Tomatoes is at 93% with 68 on Metacritic for the bawdy concoction. Three-time nominee and one-time winner Colman (for The Favourite) will probably assist in easily securing a release deal. Oscar attention will be harder to achieve though I do wonder if the Globes could bite in their Musical or Comedy competitions if a legit campaign is mounted. If nothing else, the BAFTAs are a possibility (maybe remote dependent on competition) for Colman. My Oscar Prediction posts will continue…
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the fourth nominee – Hamnet from Chloé Zhao. If you missed my posts covering the previous three contenders, you can find them here:
Arriving five years after Zhao’s Nomadland took home Best Picture, Director, and Actress, the filmmaker hopes to do the same with this gut-wrenching historical drama. Besides BP, it’s up in 7 other races including Director, Actress (Jessie Buckley), Adapted Screenplay, Casting, Costume Design, Original Score, and Production Design. The ensemble is nominated at the SAG Actor awards and it made the BP cut at Critics Choice and BAFTA. Perhaps most significantly, it beat out Sinners in a slight upset for Best Drama at the Golden Globes. 3 out of the last BP Academy winners also featured the Best Actress victor and Buckley is definitely the frontrunner.
The Case Against Hamnet:
Despite some decent arguments in the case for, One Battle After Another and Sinners are still seen as the favorites. Hamnet missed some notable competitions at the Oscars – Cinematography, Editing and Supporting Actor (Paul Mescal). Even at BAFTA (where it was expected to fare even better), it wasn’t nominated in Cinematography, Editing, or Casting. The Academy could feel they just honored Zhao.
The Verdict:
Buckley is in good shape unless upcoming precursors change the narrative. The movie itself might be in third when it comes to rankings. Despite the Globe win, I’d say it’s a distant third.
My Case Of posts will continue with fifth nominee Marty Supreme…
The easiest prediction to make for the 98th Academy Awards is that the winner of Best Documentary Feature is a Sundance Film Festival premiere. Why? All five nominated titles (The Alabama Solution, Come See Me in the Good Light, Cutting Through Rocks, Mr. Nobody Against Putin, The Perfect Neighbor) were initially screened at the 2025 Park City event. The year before that, it was 4 of the 5 contending Sundance docs.
Once Upon a Time in Harlem is one you’ll be hearing about. David Greaves directs a project that was started over five decades ago by his late father William (a celebrated filmmaker himself). It focuses on a 1970s gathering of 1920s/30s artists from the NYC neighborhood. Early reviews are raves with 100% on Rotten Tomatoes and 96 on Metacritic. Called a vitally important historical document, this could be nominated and it may emerge victorious.
Having said that, the documentary branch from the Academy can be a head scratching group to nail down. I only managed 1 for 5 in my forecast for this year’s race. Even with that caveat, it would be shocking if Harlem is not in the conversation for the 99th ceremony. My Oscar Prediction posts will continue…
The Strangers – Chapter 3 is (naturally) the fifth feature in the nearly two-decade old horror franchise and it opens February 6th. To add more context, it is the culmination of this specific trilogy in the series from director Renny Harlin. Chapter 1 arrived in 2024 with Chapter 2 dropping only four months ago. Madelaine Petsch, Gabriel Basso, Ema Horvath, and Richard Brake star.
In 2008, the first Strangers (as in very first) was a sleeper hit that made $20 million in weekend #1 and $52 million domestically. None of the three follow-ups have matched it. 2018’s The Strangers: Prey at Night barely topped $10 million out of the gate with just under $25 million stateside. Chapter 1 managed nearly $12 million and an overall tally of $35 million. Chapter 2 easily saw franchise lows with a $5.8 million start and $15 million total.
Diminishing returns could certainly continue. I see no valid argument why this would top its predecessor and I’ll put it about a million below.
The Strangers – Chapter 3 opening weekend prediction: $4.9 million
As we do every year on the blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. We have arrived at the third nominee in the biggest race of all and that’s Guillermo del Toro’s Frankenstein. If you missed my posts covering Bugonia and F1, you can find them here:
Del Toro’s dream project, arriving eight years after The Shape of Water won BP and director, amassed an impressive nine nominations. Those additional 8 mentions are Supporting Actor (Jacob Elordi), Adapted Screenplay, Cinematography, Costume Design, Makeup and Hairstyling, Original Score, Production Design, and Sound. The Netflix production has shown up in significant precursors including SAG Actor ensemble, Critics Choice, PGA, and the Globes. Del Toro is up at DGA and Elordi won Supporting Actor at Critics Choice.
The Case Against Frankenstein:
There are no Picture wins at the aforementioned precursors and it missed the Best Film quintet at BAFTA. The omission from the Brits confirms that Frankenstein is probably 6th among the contending ten. While the nine nominations are noteworthy, Del Toro missing Director and no nod in Film Editing are significant.
The Verdict:
It’s alive in races such as Costume Design, Makeup and Hairstyling, and Production Design. Not in Best Picture.
My Case Of posts will continue with Chloé Zhao’s Hamnet…
Three new features could fill the top 3 slots to close out January and begin February. We have Sam Raimi’s horror thriller Send Help, video game based sci-fi pic Iron Lung, and Jason Statham’s latest action effort Shelter all seeking viewers. You can peruse my detailed prediction posts on the trio here:
All of them have the potential to exceed my expectations, but I’m giving Send Help (with mostly impressive reviews) the edge with a gross in the low teens.
As for Lung and Shelter, I have them in a close race for the #2 position and both falling under $10 million. I’ll note that Lung‘s gamer fans and Statham’s previous grosses could suggest I’m underestimating.
Some might say for the same for Melania. Brett Ratner’s documentary about the First Lady is a question mark. I didn’t do an individual post for it. I’ll say $4.2 million and that would leave it outside the top 5.
After an unimpressive start, I look for Mercy to lose over half its audience with Avatar: Fire and Ash perhaps placing and Mercy in fifth. Here’s how I see it all shaking out:
1. Send Help
Predicted Gross: $13.5 million
2. Iron Lung
Predicted Gross: $8 million
3. Shelter
Predicted Gross: $6.9 million
4. Avatar: Fire and Ash
Predicted Gross: $4.9 million
5. Mercy
Predicted Gross: $4.7 million
6. Melania
Predicted Gross: $4.2 million
Box Office Results (January 23-25)
Bad weather, Seahawks, Rams, Patriots, and Broncos contributed to a dismal weekend as Mercy with Chris Pratt and Rebecca Ferguson did manage to become 2026’s first feature to hit #1. The poorly reviewed AI courtroom saga made $10.8 million compared to my $9.3 million prediction. Expect it to fade quickly.
Avatar: Fire and Ash, after five weeks in first, dropped to second with $6.4 million. I’ll note now that all holdovers experienced larger drops than I assumed. I had the James Cameron threequel at $9.8 million. The total is $377 million
Zootopia 2 was third with $5.3 million, under my $6.8 million call. The Disney sequel stands at $401 million after nine weeks.
The Housemaid was fourth with $3.9 million (I said $6.2 million) for a six-week tally of $115 million.
28 Years Later: The Bone Temple plummeted a massive 73% in its sophomore outing with $3.4 million. I was more generous at $5.5 million. At only $20 million in two weeks, it’s a dud despite impressive critical reaction.
Finally, Return to Silent Hill (another video game based offering) debuted in seventh with $3.2 million. It actually managed to exceed my $2.2 million projection.
Nominations for the 79th BAFTAs were unveiled five days after the Academy revealed their list. The Brits equivalent of the Oscars can often indicate which nominees and pictures are (or aren’t) having momentum in the general awards space.
Overall I went 92 for 122 (75%) in the feature-length categories. Let’s walk through each race with the hopefuls in contention, how I did, and some initial thoughts.
Best Film
Hamnet, Marty Supreme, One Battle After Another, Sentimental Value, Sinners
How I Did: 5/5 (!)
No surprise here as One Battle led all nominees with 14 and Sinners right behind with 13. It will probably come down to those two pics with Battle having an edge. I would say Hamnet is a spoiler but it missed some key races.
Best Director
Paul Thomas Anderson (One Battle After Another), Ryan Coogler (Sinners), Yorgos Lanthimos (Bugonia), Josh Safdie (Marty Supreme), Joachim Trier (Sentimental Value), Chloé Zhao (Hamnet)
How I Did: 6/6 (!)
The best film five and Lanthimos as I predicted. PTA is the favorite.
Best Actress
Jessie Buckley (Hamnet), Rose Byrne (If I Had Legs I’d Kick You), Kate Hudson (Song Sung Blue), Chase Infiniti (One Battle After Another), Renate Reinsve (Sentimental Value), Emma Stone (Bugonia)
How I Did: 5/6
I gotta stop leaving out Kate Hudson. She’s in over my upset selection of Andrea Riseborough (Dragonfly). Bet on Buckley.
Best Actor
Robert Aramayo (I Swear), Timothée Chalamet (Marty Supreme), Leonardo DiCaprio (One Battle After Another), Ethan Hawke (Blue Moon), Michael B. Jordan (Sinners), Jesse Plemons (Bugonia)
How I Did: 5/6
Aramayo gets in over Pillion‘s Harry Melling. Chalamet could continue his sweep unless DiCaprio or Hawke upset.
Best Supporting Actress
Odessa A’Zion (Marty Supreme), Carey Mulligan (The Ballad of Wallis Island), Inga Ibsdotter Lilleass (Sentimental Value), Wunmi Mosaku (Sinners), Teyana Taylor (One Battle After Another), Emily Watson (Hamnet)
How I Did: 5/6
A genuine surprise as Amy Madigan (Weapons) is left out in favor of Mulligan. This is likely between Lilleass and Taylor.
Best Supporting Actor
Benicio del Toro (One Battle After Another), Jacob Elordi (Frankenstein), Paul Mescal (Hamnet), Peter Mullan (I Swear), Sean Penn (One Battle After Another), Stellan Skarsgård (Sentimental Value)
How I Did: 5/6
I had Stellan’s son Alexander Skarsgård (Pillion) joining the sextet and not Mullan. It’s Stellan who probably has the best odds.
Best Original Screenplay
I Swear, Marty Supreme, The Secret Agent, Sentimental Value, Sinners
How I Did: 4/5
The Secret Agent over Blue Moon. This is a Value v. Sinners derby.
Best Adapted Screenplay
The Ballad of Wallis Island, Bugonia, Hamnet, One Battle After Another, Pillion
How I Did: 4/5
Ballad over Frankenstein with OBAA out front.
Best Animated Feature
Elio, Little Amélie or the Character of Rain, Zootopia 2
How I Did: 1/3
I whiffed here. First of all, this race typically has four nominees. I had Arco, Demon Slayer, and KPop Demon Hunters and not Elio or Amélie (which was frankly an oversight on my part). It could win and so could Zootopia 2 which is the only flick I correctly called.
Best Documentary
Apocalypse in the Tropics, Cover-Up, Mr. Nobody Against Putin, The Perfect Neighbor, 2000 Meters to Andrivka
How I Did: 4/5
Some retribution after my 1/5 showing at the Oscars. I had Ocean with David Attenborough and not Cover-Up. I wouldn’t assume Neighbor takes this even though it’s the Oscar frontrunner. I actually think all five are viable.
Best Film Not in the English Language
It Was Just an Accident, The Secret Agent, Sentimental Value, Sirāt, The Voice of Hind Rajab
How I Did: 5/5 (!)
This matches the Academy’s quintet and, like that show, this is probably Agent or Value.
Best Casting
I Swear, Marty Supreme, One Battle After Another, Sentimental Value, Sinners
How I Did: 3/5
Hamnet (in a notable miss) or Sirāt are out with I Swear and Supreme in. A likely Sinners trophy.
Best Cinematography
Frankenstein, Marty Supreme, One Battle After Another, Sinners, Train Dreams
How I Did: 4/5
Frankenstein and not Hamnet in another interesting omission. I’ll note this is the only nom for Train Dreams as this should come down to Battle or Sinners.
Best Costume Design
Frankenstein, Hamnet, Marty Supreme, Sinners, Wicked: For Good
How I Did: 4/5
Unlike Oscar, Wicked managed to get some BAFTA attention (albeit limited). I had Downton Abbey: The Grand Finale and not Supreme (which had a solid day). Frankenstein may take this.
Best Editing
F1, A House of Dynamite, Marty Supreme, One Battle After Another, Sinners
How I Did: 3/5
Another Battle/Sinners race as F1 and Dynamite show up over Bugonia and (you guessed it) Hamnet.
Best Make Up and Hair
Frankenstein, Hamnet, Marty Supreme, Sinners, Wicked: For Good
How I Did: 3/5
A strange quintet as Hamnet gets an unexpected mention as does Supreme and not One Battle or (more surprisingly) The Smashing Machine. This should go to Frankenstein.
Best Original Score
Bugonia, Frankenstein, Hamnet, One Battle After Another, Sinners
How I Did: 5/5 (!)
Sinners is the frontrunner.
Best Production Design
Frankenstein, Hamnet, Marty Supreme, One Battle After Another, Sinners
How I Did: 3/5
I had Bugonia and Wicked instead of Marty and Battle. Another probable win for Frankenstein.
Best Sound
F1, Frankenstein, One Battle After Another, Sinners, Warfare
How I Did: 3/5
Frankenstein/Warfare over Avatar: Fire and Ash/Wicked. Think Sinners with F1 spoiler possibility.
Best Special Visual Effects
Avatar: Fire and Ash, F1, Frankenstein, How to Train Your Dragon, The Lost Bus
How I Did: 4/5
Dragon, not Superman as Avatar is ahead.
Outstanding British Film
28 Years Later, The Ballad of Wallis Island, Bridget Jones: Mad About the Boy, Die, My Love, Hamnet, H is for Hawk, I Swear, Mr. Burton, Pillion, Steve
How I Did: 7/10
I went with Ballad of a Small Player, The Choral, and Warfare over Jones, Burton, and Steve. One would think Hamnet takes this though I Swear is viable as an upset pick.
Outstanding Debut by a British Writer, Director, or Producer
The Ceremony, My Father’s Shadow, Pillion, A Want in Her, Wasteman
How I Did: 3/5
Ceremony/Want over Oceans with David Attenborough and Urchin. Pillion should win.
Best Children’s + Family Film
Arco, Boong, Lilo + Stitch, Zootopia 2
How I Did: 2/4
Grow and How to Train Your Dragon miss and not Boong and Lilo with Zootopia out front.
That works out to the following movies getting these numbers of nominations:
14 Nominations
One Battle After Another
13 Nominations
Sinners
11 Nominatons
Hamnet, Marty Supreme
8 Nominations
Frankenstein, Sentimental Value
5 Nominations
Bugonia, I Swear
3 Nominations
The Ballad of Wallis Island, F1, Pillion
2 Nominations
The Secret Agent, Wicked: For Good, Zootopia 2
1 Nomination
28 Years Later, 2000 Meters to Andrivka, Apocalypse in the Tropics, Arco, Avatar: Fire and Ash, Bridget Jones: Mad About the Boy, Cover-Up, Blue Moon, Boong, The Ceremony, Die, My Love, Elio, H is for Hawk, A House of Dynamite, How to Train Your Dragon, If I Had Legs I’d Kick You, It Was Just an Accident, Lilo & Stitch, Little Amélie or the Character of Rain, The Lost Bus, Mr. Burton, Mr. Nobody Against Putin, My Father’s Shadow, The Perfect Neighbor, Sirāt, Song Sung Blue, Steve, Train Dreams, The Voice of Hind Rajab, A Want in Her, Warfare, Wasteman
The BAFTAs air February 22nd and you can expect a recap on the blog when that happens.
A remake of the 2020 Spanish comedy The People Upstairs, Olivia Wilde’s third directorial feature The Invite has screened at the Sundance Film Festival. The four-hander’s cast consists of Wilde, Seth Rogen, Edward Norton, and Penélope Cruz.
Early word-of-mouth suggests a distributor should snatch this up quickly. The Rotten Tomatoes rating is 93% with Metacritic at 74. Wilde has a double dose of raunchy material playing in Park City with I Want Your Sex also debuting. The Invite is nabbing slightly stronger reviews. The reaction is closer to Wilde’s behind the camera debut Booksmart rather than her sophomore effort Don’t Worry Darling. It may not translate to Oscar attention. However, with the right campaign and studio/streamer behind it, the Globes could take notice courtesy of their Musical or Comedy competitions. My Oscar Prediction posts will continue…
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