Darren Aronofsky helms the late 90s set NYC crime thriller Caught Stealing, which Sony is hoping can nab some holiday weekend dollars when it debuts August 29th. Austin Butler, Regina King, Zoë Kravitz, Matt Smith, Liev Schreiber, Vincent D’Onofrio, Griffin Dunne, Bad Bunny, and Carol Kane are among the ensemble.
Said to be more audience friendly than most of Aronofsky’s efforts, Stealing still faces the same challenges that most late summer offerings do. Multiplexes are often a desolate place over the Labor Day frame. Buzz for this seems quiet and I suspect it may come in behind fellow newcomer The Roses.
Caught Stealing opening weekend prediction: $6.3 million (Friday to Monday estimate)
Celebrating its 50th anniversary is the OG summer blockbuster and it’s out in multiplexes over Labor Day weekend. That would be Steven Spielberg’s Jaws with Roy Scheider, Robert Shaw, Richard Dreyfuss, Lorraine Gary, Murray Hamilton, an unforgettable score, and a mechanical shark that sometimes worked and mostly didn’t.
Unquestionably one of the most influential and iconic pictures in cinematic history, it surpassed The Godfather in 1975 as the highest grossing movie ever (holding that record until Star Wars two years later).
Unadjusted for inflation, Spielberg’s first blockbuster stands at $477 million worldwide (nearly $3 billion in today’s bucks). The milestone birthday could add mid to possibly high single digits over the four-day holiday to its coffers.
Jaws 50th Anniversary opening weekend prediction: $5.6 million (Friday to Monday estimate)
Remaking Danny DeVito’s dark comedy The War of the Roses 36 years after its release, Jay Roach (the Austin Powers trilogy, Meet the Parents, Meet the Fockers) directs The Roses. Out August 29th, Benedict Cumberbatch and Olivia Colman headline as the divorcing title couple played by Michael Douglas and Kathleen Turner in 1989. Andy Samberg, Kate McKinnon, and Allison Janney costar.
The Searchlight release faces a thorny release date in the waning summer dog days. Early social word-of-mouth is encouraging. It stands a decent shot at having the highest debut over Labor Day weekend over Caught Stealing and the re-release of Jaws for its 50th anniversary.
That still might only mean higher single digits over its four-day holiday premiere.
The Roses opening weekend prediction: $7.9 million (Friday to Monday projection)
Michael Angelo Covino cowrites, directs, and costars in the rom com Splitsville, out this weekend in limited form and widely on September 5th from distributor Neon. It premiered at Cannes back in May. Dakota Johnson headlines along with her filmmaker, Adria Arjona, Kyle Marvin, Nicholas Braun, David Castaneda, O-T Fagbenie, and Charlie Gillespie.
Johnson’s second genre exercise this season (Materialists being the other), Splitsville is drawing mostly positive critical reaction. Rotten Tomatoes is 86% with Metacritic at 75. I do think Golden Globe attention in Best Musical/Comedy is at least a possibility, but the Academy is unlikely to consider it. My Oscar Prediction posts will continue…
You might not know it, but Ne Zha 2 is smashing records overseas before the A24 distributed English dub (featuring Michelle Yeoh among the voice cast) hits domestic venues this weekend. The animated Chinese fantasy is the follow-up to 2019’s original and comes from filmmaker Yang Yu, better known as Jiaozi.
The sequel was out in its home country in January before rolling out to additional territories throughout the winter and spring. With $2.2 billion in its coffers, Zha is already the highest grossing animated feature in history (surpassing Inside Out 2).
How will that translate to awards prospects? While it sports 96% on Rotten Tomatoes, the 63 Metacritic score indicates many reviews weren’t over the top in their praise. I will note that part one was China’s submission for Best International Feature Film back at the 92nd Academy Awards and it didn’t land a nom. That race seems out of reach for the 98th ceremony.
This could still manage to nab one of the five Best Animated Feature slots. Yet I’ll note that foreign competition is serious this time around with KPop Demon Hunters, Arco, and Scarlet among titles jockeying for position. My Oscar Prediction posts will continue…
David Mackenzie’s Relay was first seen at the Toronto Film Festival a year ago and is finally running theatrically this weekend. Riz Ahmed (best actor nominee for 2020’s Sound of Metal), Lily James, and Sam Worthington headline the thriller with Bleecker Street handling distribution.
In 2016, Mackenzie’s Hell or High Water nabbed numerous Academy noms including Best Picture. He’s since followed up with 2019’s Outlaw King and has heist flick Fuze slated for this year’s Toronto Film Festival.
Reviews for Relay are mostly satisfactory with 82% on Rotten Tomatoes and a 70 Metacritic. They’re not high enough for awards consideration and Bleecker is not exactly a force when it comes to campaigning anyway. My Oscar Prediction posts will continue…
We’re in the dog days of August as Weapons seeks to three-peat at #1 this weekend though a fascinating challenger could emerge depending on Netflix’s reporting. KPop Demon Hunters A Sing-Along Event looks to capitalize on its massively successful animated streaming numbers with a Saturday and Sunday engagement of theatrical screenings. We also have Ethan Coen’s dark comedy Honey Don’t! out. You can peruse my detailed prediction posts on the newbies here:
KPop Demon Hunters is already the highest viewed Netflix animated picture in history. The streamer decided to give it the silver screen sing-along treatment this Saturday and Sunday only. Here’s the catch: Netflix usually doesn’t report their numbers. I think they could make an exception due to the unprecedented nature of this release. If they do, I believe low teens is doable and maybe even more. If it manages to post a 1st or 2nd place debut, I would think Netflix would want the bragging rights. We shall see what they decide.
As for Don’t!, my lowly $1.8 million projection won’t get it in the top five regardless of whether KPop unveils its grosses. After receiving middling reviews from Cannes and being put out on a meager 1200 screens, look for this to fade rapidly.
That leaves holdovers and Weapons may see a drop in the mid 30s to repeat at #1. In fact, the top five should remain the same quintet if KPop isn’t in the mix. However, I suspect Nobody 2 might have the largest percentage drop and that could result in a fall from third to fifth (or fourth to sixth). That would allow The Fantastic Four: First Steps and The Bad Guys 2 to each rise a spot with Freakier Friday either remaining runner-up or being third.
Here’s my top 6 take with the caveat that KPop‘s placement might not occur:
1. Weapons
Predicted Gross: $16.1 million
**2. KPop Demon Hunters A Sing-Along Event
Predicted Gross: $13.8 million
3. Freakier Friday
Predicted Gross: $8.7 million
4. The Fantastic Four: First Steps
Predicted Gross: $5.8 million
5. The Bad Guys 2
Predicted Gross: $5.2 million
6. Nobody
Predicted Gross: $4.8 million
Box Office Results (August 15-17)
Weapons easily pummeled the competition yet again in its sophomore frame with $24.4 million, right in line with my $24.9 million call. Zach Cregger’s critically hailed horror thriller is up to $88 million after ten days.
Freakier Friday was second in weekend #2 with $14.2 million, slightly exceeding my forecast of $13 million. The Disney sequel has made $54 million.
Action sequel Nobody 2 with Bob Odenkirk opened at the lower end of expectations with $9.2 million, failing to catch my $11.3 million projection. While it managed to outdo its 2021 predecessor, the original faced COVID challenges.
The Fantastic Four: First Steps was fourth with $9 million (I said $7.5 million). The MCU pic’s tally is $247 million after four weeks.
The Bad Guys 2 rounded out the top five with $7.5 million. The 29% decline meant it surpassed my $5.5 million take. The animated sequel has earned $53 million in three weeks.
Out August 22nd, the dark detective comedy Honey Don’t! marks the second feature in Ethan Coen and wife Tricia Cooke’s self-proclaimed “lesbian B-movie trilogy”. The first was last year’s Drive-Away Dolls and the follow-up returns Margaret Qualley in a starring role. Costars include Aubrey Plaza, Charlie Day, Billy Eichner, and Chris Evans.
The Focus Features product debuted at Cannes to muted reactions. Rotten Tomatoes stands at just 42% with 46 on Metacritic. Looking at comps, Dolls is the glaringly obvious one. It debuted to a lowly $2.4 million in February 2024. That premiered on over 2200 screens while Don’t is scheduled for a mere 1200.
With scant buzz and middling reviews, I’m not even sure this reaches two bucks for starters.
Honey Don’t opening weekend prediction: $1.8 million
Currently on the big screen with The Fantastic Four: First Steps, Vanessa Kirby stars in Night Always Comes this weekend. Based on a 2021 bestseller by Willy Vlautin, the crime thriller is out on Netflix. The supporting cast includes Jennifer Jason Leigh, Zack Gottsagen, Stephen James, Randall Park, Julia Fox, Michael Kelly, and Eli Roth.
A previous Best Actress nominee for Pieces of a Woman (also a Netflix pickup), Kirby’s newest vehicle won’t drive awards talk. The Rotten Tomatoes score is 59% with Metacritic at 62 and that won’t cut it with voters. My Oscar Prediction posts will continue…
Writer/director Tony Tost’s Americana first screened way back in 2023 at the South by Southwest festival. Its lead actress Sydney Sweeney has become considerably more famous since then and the crime thriller is finally out this weekend. Paul Walter Hauser, Halsey, Eric Dane, Zach McClarnon, and Simon Rex are among the supporting players.
Initial reviews were stronger coming out of Austin, but have come down to Earth upon wider viewings. The Rotten Tomatoes score is 68% with Metacritic at 61. Sweeney, who’s been in the news due to commercials more than movies recently, might have a shot at awards chatter with sports drama Christy later this year. It won’t come via Americana. My Oscar Prediction posts will continue…
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