Two and a half years ago, Blumhouse scored a sci-fi horror hit with the demonic doll tale M3GAN and now the inevitable sequel M3GAN 2.0 arrives June 27th. Gerard Johnstone returns to direct along with cast members Allison Williams, Violet McGraw, Brian Jordan Alvarez, Amie Donald (embodying the title character), and Jenna Davis (voicing her). New faces to the franchise include Jenna Davis, Ivanna Sakhno, Aristotle Athari, Timm Sharp, and Jemaine Clement.
In January of 2023, M3GAN rode a wave of buzz to a better than anticipated $30 million premiere and $95 million overall domestic take. Early projections have part 2 (.0) achieving around the same number. It absolutely could, but I have a nagging feeling it may fall short.
I suspect there might be casual viewers who aren’t clamoring to view the AI killer’s next moves. There was a bit of a novelty factor to the original that may not carry over to those same theater goers. Therefore I’m saying low to mid 20s is more likely.
M3GAN 2.0 opening weekend prediction: $21.7 million
F1 (or F1: The Movie) hopes to be #1 when it debuts June 27th. The racing drama comes from Top Gun: Maverick maker Joseph Kosinski with Brad Pitt in the lead. Damson Idris, Kerry Condon, Tobias Menzies, and Javier Bardem provide support.
There are some reports that the budget is around $300 million so profitability is a question mark. Its title sport is more popular overseas so Warner Bros is certainly banking on impressive foreign grosses. Reviews are mostly complimentary with 87% on Rotten Tomatoes and Metacritic at 70.
I believe the star power and solid word-of-mouth should be enough to power F1 to the top spot. $50 million plus would be a welcome sight for its studio considering the price tag. I’ll project it doesn’t quite get there.
28 Days Later from Danny Boyle reinvigorated its genre 22 years ago with 2007 sequel 28 Weeks Later also generating solid reviews. Now Boyle is back in the director’s seat this Friday with 28 Years Later and word-of-mouth is encouraging once again. It’s not often you see soulful and rich used to describe this type of feature and that’s the case here. The post-apocalyptic threequel stars Jodie Comer, Aaron-Taylor Johnson, Jack O’Connell, Alfie Williams, and Ralph Fiennes.
Some critics are praising this as a zombie flick classic with 95% on Rotten Tomatoes and a 78 Metacritic. That is currently the best RT score of the trilogy. Boyle, an Oscar winner for 2008’s Slumdog Millionaire, reunites with screenwriter Alex Garland (now a successful filmmaker who penned Academy nominated Ex Machina).
Since both gentlemen have been in the awards mix since their 28 Days collaboration over two decades ago, could Academy voters take a look at this? I doubt they will for Best Picture or other top of the line races. It’s not an impossibility, but one hindrance could be Ryan Coogler’s vampiric Sinners from earlier this year. That horror title seems destined for BP and directorial nods.
I do wonder if 28 Years could make a play in Makeup & Hairstyling. That might be its best shot for the franchise entering the Academy’s consciousness. My Oscar Prediction posts will continue…
Elio attempts to become the 20th Pixar offering to nab a Best Animated Feature nomination at the Academy Awards. Out this Friday, the sci-fi adventure is co-directed by Madeline Sharafian, Domee Shi, and Adrian Molina. The voice cast includes Yonas Kibreab, Zoe Saldaña, Remy Edgerly, Brad Garrett, Jameela Jamil, and Shirley Henderson.
Reviews are generally of the thumbs up variety, but not as laudatory as some other titles from Disney’s subsidiary. The Rotten Tomatoes score is 82% with Metacritic at 62. For comparisons sake, Pixar’s Elemental from two years ago was in that range with a 58 on Meta and 73% RT.
That was enough for Elemental to get one of the five Animated Feature slots. It should also be enough for Elio. However, I’m far less confident it will be the 11th winner of the prize. My Oscar Prediction posts will continue…
F1 (also styled as F1: The Movie) blasts into IMAX screens and other venues on June 27th, marking Joseph Kosinski’s theatrical follow-up to Top Gun: Maverick. The exploration of the Formula One World Championship is headlined by Brad Pitt with costars including Damson Idris, Kerry Condon, Tobias Menzies, and Javier Bardem.
Critics are mostly championing this an effective summer blockbuster with 84% on Rotten Tomatoes and a 67 Metacritic. There are some gripes about the screenplay and even quibbles with how the racing sequences are choreographed.
While Maverick was nominated in six categories at the 95th Academy Awards including Best Picture, F1‘s possibilities are more limited. Sound seems the most feasible with Cinematography, Editing, and Hans Zimmer’s Score having shots. BP is likely out of reach and same goes for the cast despite praise for Pitt and the relatively unknown (though not for long) Idris. My Oscar Prediction posts will continue…
Zombie threequel 28 Years Later from Danny Boyle and Disney/Pixar’s sci-fi adventure Elio debut this weekend and look to challenge How to Train Your Dragon from a second weekend atop the charts. You can peruse my detailed prediction posts on the newcomers here:
28 Years could over perform and challenge Dragon for box office bragging rights. $40M+ isn’t out of the question, but I’m projecting low to mid 30s.
The Dragon competition could be detrimental to Elio. Pixar has had luck with recent sequels like Inside Out 2. However, original content such as Elemental has struggled out of the gate. I’m estimating Elio premieres in the mid 20s and that would probably mean third place.
If Dragon declines around 50%, low 40s is where it would land and that would mean hitting #1 again after its fiery debut (more on that below).
Lilo & Stitch should be fourth while fifth could be a photo finish between the sophomore frame of Materialists and fifth frame of Mission: Impossible – The Final Reckoning.
Here’s how I see the top 6 playing out:
1. How to Train Your Dragon
Predicted Gross: $41.6 million
2. 28 Years Later
Predicted Gross: $33.7 million
3. Elio
Predicted Gross: $24.5 million
4. Lilo & Stitch
Predicted Gross: $8.1 million
5. Materialists
Predicted Gross: $6.6 million
6. Mission: Impossible – The Final Reckoning
Predicted Gross: $6.5 million
Box Office Predictions (June 13-15)
Friday the 13th certainly wasn’t unlucky for the live-action version of 2010’s How to Train Your Dragon. With mostly solid reviews and an A Cinemascore grade, the fourth flick in the series easily set a franchise high with $84.6 million. That’s right on track with my $84.3 million prediction and it is the fourth largest domestic kickoff of 2025. A sequel was already in the works.
Lilo & Stitch slipped to second after three weeks in 1st with $15.7 million, on pace with my $15.6 million call. The four-week tally is $366 million.
Celine Song’s Materialists with Dakota Johnson, Pedro Pascal, and Chris Evans slightly exceeded expectations with $12 million in third. That’s right in the neighborhood of my $11.4 million estimate as the rom com hopes to play well throughout the coming weeks. The B- Cinemascore could be cause for concern.
Mission: Impossible – The Final Reckoning was fourth with $10.5 million (I went lower at $9 million) for $166 million in four weeks.
At $9.7 million, John Wick spinoff Ballerina sputtered in weekend #2 with a 60% plummet for fifth. I was slightly more generous at $10.5 million.
Harry Melling and Alexander Skarsgård enter into an unconventional relationship in the British drama Pillion. From writer/director Harry Lighton in his feature debut, costars include Douglas Hodge, Lesley Sharp, Jack Shears, and Anthony Welsh.
After screening at Cannes last month, A24 picked up stateside distribution rights. At the French fest, the film won the Best Screenplay prize. Melling and Skarsgård are both being praised. It will be interesting to see if they’re both campaigned for in lead Actor.
A24 might be preoccupied with other titles including Marty Supreme and The Smashing Machine. I wouldn’t completely discount an Original Screenplay nod, but its distributor would need to make it a priority and that remains to be seen. Pillion should perform stronger at BAFTA where Outstanding British Film, Outstanding Debut by a British Writer, Director, or Producer, and writing and acting noms could occur. My Oscar Prediction posts will continue…
Deep Cover is available to stream on Amazon Prime Video today with Tom Kingsley directing and Jurassic World maker Colin Trevorrow among four credited with the script. The co-screenwriter’s dino lead Bryce Dallas Howard stars alongside Orlando Bloom, Nick Mohammed, Paddy Considine, Ian McShane, and Sean Bean.
This is not a remake of the 1992 Laurence Fishburne/Jeff Goldblum crime thriller that featured a banger of a title song from Dr. Dre and Snoop Dogg. Instead this British high concept action comedy is receiving decent marks with 95% on Rotten Tomatoes and a more down-to-earth 68 Metacritic. It won’t get near the Academy’s radar. I do wonder if it could get a push for BAFTA’s Best British Film. That might be a long shot, but not an impossibility. My Oscar Prediction posts will continue…
Julianne Moore is saddled with protecting her troubled daughter Sydney Sweeney in the crime thriller Echo Valley from director Michael Pearce. It begins showing on Apple TV+ tomorrow after a limited theatrical bow last weekend. Costars include Domhnall Gleeson, Kyle MacLachlan, and Fiona Shaw.
Critics are mostly not high on Valley with a 50% Rotten Tomatoes rating and 55 Metacritic. Despite the presence of five-time nominee and one-time Academy recipient Moore and the popular Ms. Sweeney, this is receiving scant buzz. Nevertheless it could do just fine via its streaming route, but this is not an awards pic. My Oscar Predictions posts will continue…
Elio is the latest offering from Disney/Pixar and the sci-fi family adventure rolls into multiplexes June 20th. Co-directed by Madeline Sharafian, Domee Shi (who helmed the studio’s Turning Red in 2022), and Adrian Molina, the voice cast includes Yonas Kibreab as the preteen title character, Zoe Saldaña, Remy Edgerly, Brad Garrett, Jameela Jamil, and Shirley Henderson.
Pixar, once as close to a sure thing as there is at the box office, has experienced ups and downs lately. Last summer’s Inside Out 2 was a smash with a $154 million premiere and $652 million domestic haul. Two summers ago, Elemental struggled out of the gate with a $29 million debut. It did eventually leg out to $154 million though that’s still fairly low for Pixar.
My hunch is that Elio starts out slow and it doesn’t help that How to Train Your Dragon will be in its second frame. It might come under what Elemental did and that means mid 20s.
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