A contemporary Western set during the early days of COVID, Eddington is Ari Aster’s fourth feature which has premiered at Cannes prior to its July 18th stateside release. A24’s topical tale reunites Aster with his Beau Is Afraid lead Joaquin Phoenix along with Pedro Pascal, Luke Grimes, Deirdre O’Connell, Micheal Ward, Austin Butler, and Emma Stone.
The auteur’s career kicked off with Hereditary and Midsommar, two horror experiences that are among the genre’s best reviewed in recent years. Beau had a considerably more polarizing reaction and Eddington appears to be doing the same. Early reviews have this at 59% on Rotten Tomatoes with a 67 Metacritic.
While the strongest reviews are quite strong, the varied buzz from France likely means this won’t be a serious awards contender. My Oscar Prediction posts will continue…
Plenty of audience attention should be focused on Lilo & Stitch and Mission: Impossible – The Final Reckoning this Memorial Day weekend. However, Angel Studios will attempt to carve out a decent niche for The Last Rodeo over the long holiday frame. Neal McDonough (who co-scripted) plays a retired bull rider driven back into the ring. Mykelti Williamson, Sarah Jones, and Christopher McDonald costar with Jon Avnet directing.
Just five months ago McDonough partnered with the faith-based studio for Homestead. It made $6 million in its December start with $20 million overall domestically. Rodeo might lasso about the same amount from Friday to Sunday with a less extra when figuring Monday.
The Last Rodeo opening weekend prediction: $6.4 million (Friday to Monday); $7.8 million (Friday to Monday
The 8th and seemingly last installment of the franchise that first hit multiplexes in 1996 drops May 23rd with Mission: Impossible – The Final Reckoning. Tom Cruise is back in super spy mode with Christopher McQuarrie directing his fourth Mission in a row. Costars include Hayley Atwell, Ving Rhames, Simong Pegg, Henry Czerny, Angela Bassett, Esai Morales, Pom Klementieff, Holt McCallany, Janet McTeer, Nick Offerman, Hannah Waddingham, Shea Whigham, Greg Tarzan Davis, Charles Parnell, and Katy O’Brian.
With a gargantuan budget of reportedly $400 million, Paramount is banking on the series going out with a financial bang. The grosses of the previous three installments have been rather consistent. 2015’s Rogue Nation debuted to $55 million with a $195 million eventual domestic take. Fallout in 2018 came in with $61 million for starters and $220 million overall. 2023’s Dead Reckoning arrived with high expectations as it was pegged to bask in the afterglow of Top Gun: Maverick‘s massive grosses the summer before. It didn’t quite turn out that way with a $54 million premiere and $172 million stateside.
Final Reckoning should see increased numbers due to the finale status. While critical reaction is mostly positive (83% on RT), many reviews are saying it among the weakest of the octet. My hunch is the three-day is higher than Dead Reckoning with a four-day holiday total in the high 70s to low 80s.
Mission: Impossible – The Final Reckoning opening weekend prediction: $64.4 million (Friday to Sunday); $80.8 million (Friday to Monday)
Mission: Impossible – The Final Reckoning is the eighth feature in the franchise that kicked off nearly 30 years ago and looks to be Tom Cruise’s closing adventure as IMF agent Ethan Hunt. Christopher McQuarrie returns to direct his fourth M:I entry in a row. The supporting cast includes Hayley Atwell, Ving Rhames, Simon Pegg, Henry Czerny, Angela Bassett, Esai Morales, Pom Klementieff, Holt McCallany, Janet McTeer, Nick Offerman, Hannah Waddingham, Shea Whigham, Greg Tarzan Davis, Charles Parnell, and Katy O’Brian.
Opening over Memorial Day weekend, Reckoning has premiered at Cannes to mostly decent reviews with a note of caution. The Rotten Tomatoes score is 88% with Metacritic at 71. The latter score is telling as the two previous installments were at 87 (2018’s Fallout) and 81 (2023’s Dead Reckoning). While praising the action sequences, there are critical complaints about its length and excessive reliance on exposition.
Any hope that Final Reckoning could achieve above-the-line awards nominations as the series bids farewell has fallen by the wayside. On the other hand, predecessor Dead Reckoning was the first Mission to generate Oscar nods and they were in Sound and Visual Effects. This could do the same with Sound as perhaps a better possibility. As you may have seen, the Academy Awards will implement a category honoring stunt ensembles. However, that won’t be until 2028. The Mission‘s probably would’ve flourished in those competitions but it wasn’t to be. My Oscar Prediction posts will continue…
Blogger’s Update (05/21/25): I am upping my Lilo & Stitch estimate considerably from $118.6 million from Friday to Sunday and $143.7 million from Friday to Monday to $159.7 million for the three-day and $196.6 million for the four-day. That would easily be a new Memorial Day weekend record.
23 summers ago, Disney’s animated Lilo & Stitch narrowly opened in second to Minority Report with Tom Cruise. This Memorial Day weekend, the Mouse House’s live-action (and also animated) remake will attempt to outpace Cruise’s Mission: Impossible – The Final Reckoning. That’s a mission it should achieve with room to spare.
Dean Fleischer Camp, maker of the acclaimed Marcel the Shell with Shoes On, is behind the camera. Chris Sanders, who wrote and directed the 2002 original, still provides the voice of Stitch with Maia Keoloha as Lilo. The supporting cast includes Sydney Elizebeth Agudong, Billy Magnussen, Hannah Waddingham, Courtney B. Vance, Zach Galifianakis, Tia Carrere, Amy Hill, and Jason Scott Lee.
Expectations are high for a project that once was anticipated to be a Disney+ streaming premiere. Tracking suggests a nine digit performance over the holiday frame. The studio is no stranger to Memorial Day outputs and that includes these remakes. In 2019, Aladdin took in $91 million from Friday to Sunday and $116 million when factoring in Monday. Two years ago, The Little Mermaid made $95 million for the three-day and $118 million over four.
Lilo took in $273 million worldwide for its run nearly a quarter century ago and spawned direct-to-video sequels. A nostalgia factor and a dearth of competition for family audiences (as A Minecraft Movie winds down) could mean an even stronger opening than the aforementioned titles. I’ll say it manages to get close to $120 million from Friday to Sunday and over $140 million adding Monday. That would give it the second all-time Memorial weekend behind Top Gun: Maverick (more Cruise comparisons!) and just ahead of Disney’s Pirates of the Caribbean: Dead Men’s Chest.
Lilo & Stitch opening weekend prediction: $159.7 million (Friday to Sunday); $196.6 million (Friday to Monday)
For my Mission: Impossible – The Final Reckoning prediction, click here:
Blogger’s Update (05/14): Two days before its premiere, I am doing a significant upgrade on Final Destinaition from $35.2 million to $44.2 million
Final Destination Bloodlines looks to inject some life into multiplexes with the franchise returning after 14 dormant years. We also have music superstar Abel Tesfaye (better known as The Weeknd) headlining the musical thriller Hurry Up Tomorrow. My detailed prediction posts on the newcomers can be accessed here:
Bloodlines should be another winner for Warner Bros after the massive success of A Minecraft Movie and Sinners (the studio might account for 60 percent of the high 5 this weekend). I have the sixth entry in the series achieving the strongest start yet in the mid 30s.
As for Hurry Up Tomorrow (which also costars Jenna Ortega and Barry Keoghan), it’s tricky to figure how many of The Weeknd’s fans will turn out this week(e)nd. Buzz seems quiet and it could fall anywhere between fourth and sixth place.
The New Avengers (recently known as Thunderbolts*) should drop to the runner-up slot after two weeks on top. The MCU adventure may see a dip in the low to mid 40s. Sinners looks to place third while Minecraft and The Accountant 2 could duke it out for 4th (depending on where Tomorrow falls).
Here’s how I see the top 6 shaking out:
1. Final Destination Bloodlines
Predicted Gross: $42.2 million
2. The New Avengers
Predicted Gross: $18.1 million
3. Sinners
Predicted Gross: $15.9 million
4. A Minecraft Movie
Predicted Gross: $5.2 million
5. The Accountant 2
Predicted Gross: $4.6 million
6. Hurry Up Tomorrow
Predicted Gross: $4.5 million
Box Office Results (May 9-11)
The New Avengers had a rather typical MCU slide at 56% with $32.3 million in its second outing. That’s on pace with my $33.8 million call. The decline is a bit more than Shang-Chi and the Legend of the Ten Rings with 54% but not as steep as the 62% that befell Eternals.
Sinners held firm in second with $22.1 million, a tad shy of my $24 million prediction. Ryan Coogler’s latest has bitten off $215 million after four weeks.
A Minecraft Movie was third with $7.6 million (I said $8.9 million) as the blockbuster stands at a mighty $408 million in its six weeks of play.
The Accountant 2 held better than I assumed in weekend #3 with $6.7 million compared to my $4.6 million estimate. Ben Affleck’s sequel is up to $51 million.
Finally, I didn’t do a projection for micro-budgeted slasher flick Clown in a Cornfield. Yet it managed to be fifth with $3.6 million on over 2000 screens.
Lionsgate hopes that fans of The Weeknd turn out next weekend when Hurry Up Tomorrow drops May 16th. A companion piece to the singer’s sixth studio album released in late January, It Comes at Night and Waves director is behind the camera and co-wrote the screenplay with Abel Tesfaye (best known by the aforementioned stage name). Jenna Ortega and Barry Keoghan join the performer in the cast.
The musical thriller is unlikely to be The Weeknd’s Purple Rain though figuring how much of his fanbase will turn out is tricky. With a reported production budget of $20 million, it’ll hope to at least get to higher single digits at the start. I suspect many will save their money and watch on streaming.
Hurry Up Tomorrow opening weeknd (*) prediction: $4.5 million
For my Final Destination Bloodlines prediction, click here:
Dramedy Nonnas is available for order on Netflix this weekend with Vince Vaughn as a new restauranteur attempting to honor the legacy of his mother. Susan Sarandon, Lorraine Bracco, Talia Shire, and Brenda Vaccaro are the title characters cooking the food. Linda Cardellini, Drea de Matteo, Joe Manganiello, Michael Rispoli, and Campbell Scott are also part of the ensemble. Stephen Chbosky, known for The Perks of Being a Wallflower and Wonder, directs.
Several critics are being kind and complimenting the Nonnas’ heart. Rotten Tomatoes (which probably aren’t available for consumption in the pic’s venue) is at 79% with a more lukewarm 57 Metacritic rating. So despite some reviews saying this is likable enough, this shouldn’t be on the menu for awards prognosticators. My Oscar Prediction posts will continue…
Blogger’s Update (05/14): Two days before its premiere, I am doing an upgrade to my prediction from $35.2 million to $42.2 million
A quarter century after the original kicked off a fresh horror franchise, Final Destination Bloodlines logs into multiplexes on May 16th. The sixth Destination and first in nearly 14 years is co-directed by Zach Lipovsky and Adam Stein. Kaitlyn Santa Juana, Teo Briones, Richard Harmon, Owen Patrick Joyner, Anna Lore, Brec Bassinger, and the late Tony Todd make up the cast.
Warner Bros (hot off blockbusters A Minecraft Movie and Sinners) could have another success on their hands. Enough time has passed between entries that a nostalgia factor may be in play. It doesn’t hurt that competition is minimal as some heavier hitters are waiting until Memorial Day weekend and June.
The highest series opening belongs to 2009’s The Final Destination as that fourth entry started with $27 million. I believe Bloodlines should match or top that. My gut says take the over (UPDATE: way over)…
Final Destination Bloodlines opening weekend prediction: $42.2 million
Tim Robinson’s Netflix sketch series I Think You Should Leave with Tim Robinson has generated significant critical praise. His pic Friendship is following suit prior to its limited release on Friday and national expansion on Memorial Day weekend. Written and directed by Andrew DeYoung in his directorial debut, this was initially seen at the Toronto Film Festival last September. Robinson and Paul Rudd headline with Kate Mara, Jack Dylan Grazer, Josh Segarra, and Billy Bryk providing support.
Judging from the trailer, this looks like a comedy by way of A24 which picked up distribution following the Canadian premiere. The Rotten Tomatoes score is 93% with Metacritic at 77. Advertised as a more demented version of I Love You, Man, I don’t see this as an awards play. Despite the kudos, that notion likely extends to the Golden Globes in their Musical/Comedy races unless A24 goes all in with a campaign for Robinson. My Oscar Prediction posts will continue…
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