David Cronenberg’s body horror thriller The Shrouds is out on the coasts today before an expansion next weekend. Vincent Cassel, Diane Kruger, Guy Pearce, and Sandrine Holt star in the Canadian filmmaker’s latest which played at Cannes and Toronto last year.
In the mid 2010s, the director had a minor awards run when 2005’s A History of Violence received Oscar nods for Supporting Actor (William Hurt) and Adapted Screenplay and Viggo Mortensen was up for lead Actor in 2007’s Eastern Promises. In recent years, Cronenberg projects Cosmopolis, Maps to the Stars, and Crimes of the Future have not been in the conversation.
That should hold true for The Shrouds as well with its 69% Rotten Tomatoes rating and 59 on Metacritic. My Oscar Prediction posts will continue…
And we are off to the races with my first Oscar predictions for the 98th Academy Awards.
We are a month and change removed from the 97th ceremony so let us begin some ridiculously early speculation! These are my inaugural glimpses at the four acting derbies, Director, and Picture. They have been unfolding on the blog over the next few days. I already posted my takes for the four acting races and director and they can be accessed here:
That brings us to the biggest race of all – Best Picture. When I did my first projections for BP for the 97th ceremony back in April of 2024, I correctly named two of the eventual ten nominees in Conclave and Dune: Part Two. Three others – Emilia Pérez, Nickel Boys, and Wicked – were listed in Other Possibilities. Five other contenders – winner Anora, The Brutalist, A Complete Unknown, I’m Still Here, and The Substance – were not yet on my radar screen.
Let’s get some caveats out of the way… it’s early. Some movies listed are likely to be pushed back or simply not turn out to be awards contenders. Others will rise up through the festival system much like Anora, Pérez, The Substance, and The Brutalist last time around.
This premiere post predicts part two of Wicked and part 3 of Avatar among the ten hopefuls as well as last year’s Toronto Film Festival People Choice’s winner The Life of Chuck. Unlike most prognosticators, I currently have Paul Thomas Anderson’s high profile One Battle After Another on the outside looking in. And while I don’t have Sinners in my ten, the 99% RT rating is really making me wonder. I came close to including it.
My initial ranked predictions in the six major races (as well as the screenplay competitions) will be posted soon. In the meantime, here’s the first glimpse at BP.
TODD’S FIRST OSCAR PREDICTIONS FOR BEST PICTURE AT THE 98TH ACADEMY AWARDS
Ben Affleck hopes to generate big box office numbers with The Accountant 2 on April 25th. Arriving eight and a half years after its predecessor, Gavin O’Connor returns to direct the action thriller with Jon Bernthal, Cynthia Addai-Robinson, Daniella Pineda, and J.K. Simmons in support.
First screened at South by Southwest last month, the sequel is drawing more complimentary reactions than the 2016 original. The Rotten Tomatoes and Metacritic ratings are 85% and 61 respectively compared to part 1’s 53% and 51.
Even with so-so reviews, The Accountant exceeded expectations with a $24 million opening and $86 million eventual domestic take. With several years to play on the basic cable circuit, anticipation for the sequel could mean a higher debut. However, there’s lots of competition so I’m projecting this post similar results.
The Accountant 2 opening weekend prediction: $24.3 million
Sinners, which reunites Michael B. Jordan with his Creed and Black Panther director Ryan Coogler, looks for a strong Easter weekend showing at multiplexes. Seeking to challenge A Minecraft Movie for the top spot, you can peruse my detailed prediction post on the vampire flick here:
It could be a real photo finish for the #1 slot. Sinners is holding at a remarkable 100% on Rotten Tomatoes and that should help build buzz. My mid 40s projection might equal box office supremacy.
Yet I have Minecraft barely managing bragging rights with a low 40s percent ease for a third week in first. The separation is less than $1.5 million between the leaders.
Holdovers in their sophomore frames should populate the rest of the top five via The King of Kings, The Amateur, and Warfare.
Here’s how I have it shaking out:
1. A Minecraft Movie
Predicted Gross: $46.1 million
2. Sinners
Predicted Gross: $44.8 million
3. The King of Kings
Predicted Gross: $12.7 million
4. The Amateur
Predicted Gross: $8.6 million
5. Warfare
Predicted Gross: $5.4 million
Box Office Results (April 11-13)
A Minecraft Movie mastered the charts once again with $78.5 million, on pace with my $77.9 million call. The video game based smash has amassed $278 million in just two weeks of release.
Five newcomers filled the next spots with animated The King of Kings from Angel Studios outpacing its competitors. With an A+ Cinemascore, it was runner-up with $19.3 million. That’s falling shy of my $21.4 million estimate, but it’s still a terrific result.
The Amateur with Rami Malek was third with $14.8 million. That’s at the top of the anticipated range for the spy thriller and outdoes my $11.9 million prediction.
Warfare from Alex Garland and Iraq War vet Ray Mendoza managed fourth with $8.3 million, on target with my $8.5 million projection.
Blumhouse thriller Drop was fifth with a meh $7.3 million. I was close at $7.6 million. The B Cinemascore is decent for its genre though I’d look for this to fade quickly.
Finally, The Chosen: Last Supper – Part 3 took sixth with $6 million, I was a tad lower at $5.5 million.
Rom com remake The Wedding Banquet opens in theaters on Easter weekend from director Andrew Ahn. Arriving 22 years after Ang Lee’s acclaimed pic (which was nominated in the international race at the Oscars), the new version stars Bowen Yang, Lily Gladstone, Kelly Marie Tran, Han Gi-chan, Joan Chen, and Minari Supporting Actress winner Youn Yuh-jung.
After its premiere at the Sundance Film Festival in January, critical reaction was encouraging. The Rotten Tomatoes meter is at 97% with 72 on Metacritic. I don’t see this as an Academy contender for Bleecker Street (a distributor with a rough record at awards campaigning). Maybe they’ll give it a shot in the Musical/Comedy race at the Golden Globes, but they better up their game. My Oscar Prediction posts will continue…
Warner Bros appears to have a hit rising on their hands this Easter weekend via Sinners. The 1930s set vampire tale casts Michael B. Jordan as twin brothers returning to New Orleans to face blood sucking nemeses. Hailee Steinfeld, Miles Caton, Jack O’Connell, Wunmi Mosaku, Jayme Lawson, Omar Benson Miller, Li Jun Li, and Delroy Lindo costar.
This is Jordan’s latest collaboration with his Creed and Black Panther director Ryan Coogler. Many critics are saying this is the filmmaker’s most accomplished work. That’s evidence by its rare 100% rating on Rotten Tomatoes (after 45 reviews) and 83 on Metacritic.
Sinners is not the type of genre exercise that typically generates awards attention. Yet it might be hard for voters to ignore the praise (and likely incoming box office bounty). For down-the-line attention, Ludwig Göransson’s score is being singled out and he’s already a two-time Academy victor for Black Panther and Oppenheimer. He could certainly be nominated again for his composing. I wouldn’t discount nods in Sound and maybe even Production Design.
So could Sinners score above-the-line mentions? I think it’s possible, but I wouldn’t predict it at the moment. Best Picture, Director, and Original Screenplay could materialize depending on how competition shakes out in the months ahead. My Oscar Prediction posts will continue…
They say a picture is worth a thousand words and it is apparently worth millions upon millions of votes in G20. A shot of now President Danielle Sutton (Viola Davis) rescuing a child during the Iraq War two decades earlier is what prompted her rise to the highest office in the land. This picture is not really about that. Instead it’s a run-of-the-mill streamer that fails to capitalize on its casting or location.
We first meet President Sutton in the throws of a domestic crisis. Her teenage daughter Serena (Marsai Martin) has slipped past the security perimeter of the White House to go clubbing and the media picked up on it. The mother-daughter drama shifts to South Africa as they travel there for the title summit. The First Gentleman (Anthony Anderson) and Serena’s little brother (Christopher Farrar) accompany.
Other members of the Presidential entourage included lead Secret Service agent Manny (Ramón Rodriguez) and the Treasury Secretary (Elizabeth Marvel) while the VP (Clark Gregg) is back stateside. If you don’t figure out who might not have POTUS’s best interests in mind early on, you might fail 101 in this cinematic universe.
Mercenary Edward Rutledge (Antony Starr of The Boys and Twitter meme fame) and his band of goons certainly aren’t on her side. They hijack the proceedings with a plan to crash the world economy while enriching themselves through cryptocurrency. Digital cash is a weirdly overarching theme in the screenplay that lists four writers. President Sutton is G20’ing to promote a plan helping African farmers via access to the technology. I half expected “Brought to you by bitcoin” to crawl across the bottom of the screen.
Unlucky for Rutledge, the Commander-in-Chief’s military background allows to her go all John McClane throughout the Cape Town hotel. Manny, the British Prime Minister (Douglas Hodge), South Korean First Lady (MeeWha Alana Lee, providing a couple moments of sorely needed humor), and IMF chair (Sabrina Impacciatore) become her new kitchen cabinet as they fight off the villains in kitchens and ballrooms. The First Family is separated from the matriarch with the crypto bandits on their trail.
You can’t blame Viola Davis for wanting her own 90s style shoot-em-up and she does bring a dignified presence to this junk food. Mr. Starr is also an appropriately unhinged antagonist. The problem is the execution. The fight sequences aren’t memorable and this doesn’t even bother to make use of its gorgeous South African setting (perhaps budget constraints were the culprit). This could’ve been set in a Wichita Ramada Inn when you really think about it.
The tired screenplay keeps returning to what made Sutton the leader of the free world with the photo. The picture’s backstory made me curious if a worthwhile movie could’ve been made about that. It might’ve been more worthwhile than the images we’re left with in G20.
And we are off to the races with my first Oscar predictions for the 98th Academy Awards.
It is just over a month removed from the 97th ceremony so let us begin some ridiculously early speculation! These are my inaugural glimpses at the four acting derbies, Director, and Picture. They have been unfolding on the blog over the next few days. I already posted my take in the acting fields and they can be found here:
That brings us to Best Director. This is the one major race of these first six where I named none of the eventual nominees for 97th ceremony back in April of 2024. That means the winner Sean Baker (Anora) and the other quartet of contenders (Jacques Audiard for Emilia Pérez, Brady Corbet for The Brutalist, Coralie Fargeat for The Substance, James Mangold for A Complete Unknown) had yet to reach my radar screen. Two years ago, I already had eventual recipient Christopher Nolan (Oppenheimer) in my high five during the inaugural guesstimate.
Let’s get some caveats out of the way… it’s early. Some movies listed are likely to be pushed back or simply not turn out to be awards contenders. Others will rise up through the festival system much like Anora, Pérez, The Substance, and The Brutalist last time around.
This premiere post projects a return to competition for previous honoree Chloe Zhao with heavy hitters like Paul Thomas Anderson and Guillermo del Toro on the outside looking in.
Here’s the first snapshot with Best Picture up next!
TODD’S FIRST OSCAR PREDICTIONS FOR BEST DIRECTOR AT THE 98TH ACADEMY AWARDS
And we are off to the races with my first Oscar predictions for the 98th Academy Awards.
We are just over a month removed from the 97th ceremony so let us begin some ridiculously early speculation! These are my inaugural glimpses at the four acting derbies, Director, and Picture. They will unfold on the blog over the next few days. I already posted my take in the supporting fields and lead actor and they can be found here:
That brings us to Best Actress. When I gave you my first picks in April of 2024, I did not name any of the eventual nominees in my projected quintet (unlike the other acting races where I got at least one or two). Only Karla Sofia Gascón was listed as an other possibility for Emilia Pérez. The eventual winner Mikey Madison (Anora) and fellow nominees Cynthia Erivo (Wicked, whose category placement was uncertain at the time), Demi Moore (The Substance), and Fernanda Torres (I’m Still Here) had yet to reach my radar.
Let’s get some caveats out of the way… it’s early. Some movies listed are likely to be pushed back or simply not turn out to be awards contenders. Actresses listed here could end up being campaigned in supporting. And there will be movies we are not even anticipating that will rise up with performances currently not on the radar. This was clearly the case last year when Cannes vaulted Madison and Moore into an eventual tight competition for the victory.
This premiere post projects a repeat nod for Ms. Erivo for the second helping of Wicked in as many years and Julia Roberts back in the mix 25 years after taking this prize for Erin Brockovich.
Here’s the first snapshot with Best Director up next!
TODD’S FIRST OSCAR PREDICTIONS FOR BEST ACTRESS AT THE 98TH ACADEMY AWARDS
Inspired by a children’s book from Charles Dickens released some 60 plus years following his death, Angel Studios has the faith-based animated offering The King of Kings in multiplexes this weekend. Seong-ho Jang directs the bio of Jesus Christ with Oscar Isaac voicing him. Kenneth Branagh is Dickens with Uma Thurman, Mark Hamill, Pierce Brosnan, Roman Griffin Davis, Forest Whitaker, and Ben Kingsley also providing behind the mic contributions.
Early box office indicators show this might perform well in the pre-Easter frame. Reviews are so-so with 62% on Rotten Tomatoes and a 48 Metacritic. It likely doesn’t have a prayer for a nomination in Best Animated Feature at the Academy Awards and precursor ceremonies. My Oscar Prediction posts will continue…
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