Jason Statham cranks out his latest action thriller A Working Man, clocking into multiplexes March 28th. The Amazon MGM production reunites the lead with The Beekeeper director David Ayer (also known for Fury and Suicide Squad). Michael Peña and David Harbour costar. The screenplay is co-scripted by Mr. Sylvester Stallone.
Working would be fortunate to ride the wave of buzz that Beekeeper managed (a sequel is in the works). That pic debuted with $16 million on its way to a $66 million overall domestic gross. This might get off to a rockier start, but lower double digits or teens is certainly possible.
A Working Man opening weekend prediction: $13.9 million
Snow White is the latest Disney live-action retelling of an animated classic and this time it’s for their first feature-length picture from 1937. Nearly 90 years later, Marc Webb directs the musical fantasy with Andrew Burnap, Ansu Kabia, Hadley Fraser, and Lorena Andrea in the supporting cast.
None of these remakes have broken through in top of the line categories. Plenty have received nominations and wins in Costume Design (Alice in Wonderland, Maleficent, Cinderella, Beauty and the Beast, Mulan, Cruella), Makeup and Hairstyling (Maleficent: Mistress of Evil, Cruella), Production Design (Alice in Wonderland, Beauty and the Beast), and Visual Effects (Alice in Wonderland, The Jungle Book, The Lion King, Mulan).
So will Snow White join that list of nominees or get blanked like Dumbo, Aladdin, and The Little Mermaid did? Reviews aren’t great with 48% on Rotten Tomatoes and a 47 Metacritic. Zegler, it should be said, is getting lots of praise and I wouldn’t totally discount an Actress nod in Musical/Comedy at the Golden Globes.
As for the Oscars, Zegler’s song “Waiting on a Wish” could contend in Original Song. Of the aforementioned races where other Mouse House properties have made cut, Costume Design could happen. Visual Effects, on the other hand, is drawing some complaints so I don’t foresee that as a possibility. My Oscar Prediction posts will continue…
Robert De Niro plays the dual roles of real-life Mafiosos Vito Genovese and Frank Costello in The Alto Knights, premiering this weekend. The crime drama reunites the star with Barry Levinson, who directed him in Sleepers, Wag the Dog, and The Wizard of Lies. Costars include Debra Messing, Cosmo Jarvis, Kathrine Narducci, and Michael Rispoli.
Critics are not singing Alto‘s praises. The Rotten Tomatoes score is 39% with Metacritic at 47. The March release date should’ve been a tipoff that De Niro won’t be receiving his ninth (or tenth) acting nominations. Same goes for any other categories. My Oscar Prediction posts will continue…
Hollywood hopes that Disney’s live-action remake of Snow White can wake up a sleepy box office this weekend while The Alto Knights with a double dose of Robert De Niro also debuts. You can peruse my detailed prediction posts on the newcomers here:
With Rachel Zegler in the title role and Gal Gadot as the Evil Queen, there’s no doubt Snow White will dwarf all competitors. The question is by how much. A best case scenario might be around $60 million though it could bottom out in the mid to high 30s. I’m giving it high 40s. While that’s nothing to sneeze at, it’s not that happy a result for the Mouse House considering most of their other live-action retellings far outpaced that figure.
Mr. De Niro portrays two real-life gangsters in the period piece Knights. Warner Bros hasn’t given it much of a marketing push. My lower to mid single digits forecast could put it anywhere from second to sixth.
Holdovers Novocaine (the current champ), Black Bag, Captain America: Brave New World, and Mickey 17 should all generate similar earnings. In fact, I have #2 and #6 separated by only half a million bucks. That’s with Novocaine dwindling just over 50% and Black Bag falling in the high 40s in its sophomore frame. Captain America is likely to experience the smallest decline.
Here’s how I have the top 6 playing out:
1. Snow White
Predicted Gross: $49.6 million
2. Novocaine
Predicted Gross: $4.1 million
3. Captain America: Brave New World
Predicted Gross: $4.1 million
4. Black Bag
Predicted Gross: $4 million
5. The Alto Knights
Predicted Gross: $3.7 million
6. Mickey 17
Predicted Gross: $3.6 million
Box Office Results (March 14-16)
It was a painful weekend in multiplexes as no feature topped $10 million. Novocaine with Jack Quaid had muted bragging rights in 1st with $8.8 million. Failing to match my $9.8 million prediction, look for this to fade quickly with a meh B Cinemascore.
Also sporting a B Cinemascore was Steven Soderbergh’s Black Bag with Cate Blanchett and Michael Fassbender. The spy thriller was second with $7.6 million, just over my $7.3 million projection.
Bong Joon-ho’s Mickey 17 suffered a considerable 61% drop and was third with $7.4 million. I was a tad more generous to the Robert Pattinson sci-fi satire at $8.1 million. The two-week tally is an unimpressive $33 million.
Captain America: Brave New World was fourth at $5.6 million (I said $5.7 million) for a five-week total of $185 million and $200 million domestic looking achievable.
The Day the Earth Blew Up: A Looney Tunes Movie rounded out the top five with a mere $3.1 million compared to my $3.8 million estimate for the animated offering.
Robert De Niro pulls double duty as real-life mobsters Vito Genovese and Frank Costello in The Alto Knights on March 21st. The crime drama from director Barry Levinson rolls into approximately 2500 venues with Debra Messing, Cosmo Jarvis, Kathrine Narducci, and Michael Rispoli in the supporting cast. Nicholas Pileggi, who wrote the source material for De Niro’s classic GoodFellas, penned the screenplay.
Warner Bros isn’t putting much marketing muscle behind this. Originally slated for February of last year, this is Levinson’s first theatrical project since the 2015 Bill Murray flop Rock the Kasbah. He did direct his star in HBO’s The Wizard of Lies back in 2017. Though De Niro is back in his most known genre, I’ll say Alto struggles to even hit $5 million as I analyze this.
The Alto Knight opening weekend prediction: $3.7 million
Daniel Minahan is primarily known for his TV directorial work on Deadwood, Games of Thrones, and House of Cards. His efforts move to the big screen on April 25th with On Swift Horses. The period piece romantic drama stars Daisy Edgar-Jones of Where the Crawdads Sing fame and Saltburn‘s Jacob Elordi. Supporting players include Will Poulter, Diego Calva, and Sasha Calle.
Horses was first seen at the Toronto Film Festival last fall with Sony Pictures Classics snatching up distribution rights. There’s praise for the leads, production design, and cinematography. Yet the 67% Rotten Tomatoes meter and nearly identical 68 on Metacritic indicates the mixed reaction. Considering that coupled with the spring release date, don’t expect this to win, place, or show on the 2025 awards calendar. My Oscar Prediction posts will continue…
A decade after co-directing the acclaimed stop-motion drama Anomalisa with Charlie Kaufman, Duke Johnson’s follow-up is The Actor (out tomorrow). Based on a 2010 novel from Donald E. Westlake, André Holland is the titular NYC performer stuck in Ohio with amnesia. The 1950s set Neon release costars Gemma Chan, May Calamawy, Asim Chaudhry, Joe Cole, Fabien Frankel, Toby Jones, and Tracey Ullman.
Once seen as a potential awards contender for 2024, The Actor is being unceremoniously put out in mid-March with little fanfare. The Rotten Tomatoes meter is at 87%, but Metacritic’s 63 illustrates the more divided nature of reviews. A once over of critical reaction indicates this is unlikely to be remembered by the Academy next year. My Oscar Prediction posts will continue…
Disney looks to Snow White to earn a lot of green when it premieres March 21st. A live-action adaptation of the nearly 90-year-old first animated feature from the studio, Marc Webb directs with Rachel Zegler in the title role and Gal Gadot as the Evil Queen. The supporting cast includes Andrew Burnap, Ansu Kabia, Hadley Fraser, and Lorena Andrea.
The Mouse House has pumping out these remakes with regularity in the past decade. Some have gotten off to sizzling starts including The Jungle Book ($103 million), Beauty and the Beast ($174 million), Aladdin ($91 million), The Lion King ($191 million), and The Little Mermaid ($95 million). Cinderella from 2015 premiered to $67 million.
Snow White would be fortunate to hit any of those numbers and it could approach Cinderella territory. The slipper half empty narrative is something closer to Dumbo‘s sleepier opening from 2019 at $46 million. I’ll say it gets beyond that, but not by much.
Snow White opening weekend prediction: $49.6 million
Jack Quaid is unconventional hero Novocaine, Cate Blanchett and Michael Fassbender carry the romantic thriller Black Bag from Steven Soderbergh, and Daffy Duck and Porky Pig headline The Day the Earth Blew Up: A Looney Tunes Movie this weekend. You can peruse my detailed prediction posts on the new trio here:
It could be a battle for the #1 spot. I’m projecting no feature will top $10 million though I believe Novocaine has the best shot and that it manages first place with only mild bragging rights.
I foresee Mickey 17 suffering a significant drop in its sophomore frame after a so-so start (more on that below). A mid to high 50s plummet would put it in second or maybe even third.
Black Bag, generating impressive reviews, could outdo my third place number but the adult drama should face trouble bringing in a younger crowd.
Speaking of younger crowds, Looney Tunes hopes to cash in on its well-known animated stars. Yet this seems to be severely under marketed and I have it in fifth behind Captain America: Brave New World.
Here’s how I have the high five shaking out:
1. Novocaine
Predicted Gross: $9.8 million
2. Mickey 17
Predicted Gross: $8.1 million
3. Black Bag
Predicted Gross: $7.3 million
4. Captain America: Brave New World
Predicted Gross: $5.7 million
5. The Day the Earth Blew Up: A Looney Tunes Movie
Predicted Gross: $3.8 million
Box Office Results (March 7-9)
Bong Joon-ho’s Mickey 17 ended Captain America‘s three-week #1 reign with $19 million. Given the reported price tag of around $120 million, that’s not a result to brag about. However, the sci-fi satire with Robert Pattinson did surpass my $17.9 million prediction.
Captain America: Brave New World fell to second with $8.3 million. I was on target at $8.4 million. The MCU adventure now stands at $176 million.
Last Breath was third with $4 million, a bit lower than my $4.6 million forecast for the survival flick. The two-week take is $14 million.
The Monkey was fourth with $3.9 million (I said $3.4 million) for $31 million after three weeks.
Paddington in Peru rounded out the top five at $3.7 million and I incorrectly had it outside the leading quintet. The sequel’s four-week gross is $36 million.
Finally, Rule Breakers from Angel Studios stumbled in ninth with a paltry $1.5 million. I was far more generous at $3.7 million.
A24’s Death of a Unicorn has screened at South by Southwest prior to its March 28th theatrical premiere. The horror comedy from Alex Scharfman stars Paul Rudd and Jenna Ortega as a father-daughter who accidentally cause the title of the film to occur. This displeases another unicorn. The supporting cast includes Will Poulter, Téa Leoni, Richard E. Grant, and Anthony Carrigan.
Early reviews are complimentary mixed with so-so notices. The Rotten Tomatoes score is 70% with Metacritic at 60. Unicorn represents the latest feature in a growing eat the rich sub genre that includes Triangle of Sadness, The Menu, Glass Onion: A Knives Out Mystery, and Saltburn. Some of those titles received awards attention. Don’t expect Death to. My Oscar Prediction posts will continue…
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