Disney hopes that audiences will love Captain America: Brave New World enough to give it a commanding start during the long weekend beginning with Valentine’s Day and concluding on Presidents’ Day. The 35th feature in the Marvel Cinematic Universe has Anthony Mackie, once the Falcon, donning the shield as the title character and replacing Chris Evans. Julius Onah directs with a supporting cast including Danny Ramirez, Shira Haas, Carl Lumbly, Xosha Roquemore, Jóhannes Haukur Jóhannesson, Giancarlo Esposito, Tim Blake Nelson, and Harrison Ford. That last cast member takes over the role of Thaddeus Ross (now the President of the United States) played in earlier MCU entries by the late William Hurt.
The fifth feature in Phase Five of this massive franchise, World finds the MCU in a unique place. Last year’s Deadpool & Wolverine was a massive blockbuster that took in $1.3 billion worldwide. On the flip side, there’s been recent under performers such as Eternals, Ant-Man and the Wasp: Quantumania, and The Marvels.
Earlier Captain America sagas with Evans were critically appreciated and made significant bucks. 2016’s Captain America: Civil War, the previous flick with the C.A. moniker, topped a billion globally. It didn’t hurt that it was essentially another Avengers tale. It made nearly $180 million on its opening weekend domestically.
Expectations are not as high nearly a decade later. The four-day tally should hover around $90 million. That’s where estimates are at and I don’t really see this significantly outdoing the anticipated range. In fact, falling slightly under wouldn’t shock me.
Captain America: Brave New World opening weekend prediction: $78.9 million (Friday to Sunday); $90.7 million (Friday to Monday)
Seven of the last 10 PGA top prize winners ended up winning Best Picture at the Oscars. The 36th edition of their awards ceremony takes place Saturday and the guild also honors documentary and animated features.
Let’s walk through all 3 races with my predicted winner and a runner-up and some brief commentary.
Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures
Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Pérez, A Real Pain, September 5, The Substance, Wicked
In this wide open BP derby, this is where momentum could truly be achieved (coupled with Critics Choice this weekend). I believe Dune, Pain, September, and Substance are the only nominees with no real shot. I’ve been consistent with The Brutalist being slotted first in my BP rankings over the last several weeks. I’ll stay with that, but if it comes up short here… the narrative could change.
PREDICTED WINNER: The Brutalist
Runner-Up: Emilia Pérez
Outstanding Producer of Animated Theatrical Motion Pictures
Flow, Inside Out 2, Moana 2, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot
Like this category at other awards shows, this should come to Flow v. Robot and I’m giving the latter an edge (unlike the Globes where I correctly called Flow).
PREDICTED WINNER: The Wild Robot
Runner-Up: Flow
Outstanding Producer of Documentrary Theatrical Motion Pictures
Gaucho Gaucho, Mediha, Mountain Queen: The Summits of Lhakpa Sherpa, Porcelain War, Super/Man: The Christopher Reeve Story, We Will Dance Again
PGA often marches to their own drum with the docs. That’s true this year as Porcelain War is the only feature listed among this group that’s also up for Oscar. Therefore it might be the safer bet, but I’m going with Super/Man.
PREDICTED WINNER: Super/Man: The Christopher Reeve Story
The Critics’ Choice Awards hold their 30th ceremony this Friday after being delayed nearly a month due to the California wildfires. The Chelsea Handler hosted affair could certainly provide clues as to where Oscar could go in various competitions.
For some context, here’s how many times the CCA victor in some high profile races have matched with the Academy in the previous decade:
Picture: 5/10
Director: 8/10
Actress: 6/10
Actor: 6/10
Supporting Actress: 8/10
Supporting Actor: 9/10
Unlike the Oscars where my speculation goes on for months and across scores of posts, this is quick and to the point. Here are my winner predictions with a runner-up named. I’ll have a recap up shortly after the show.
Best Picture
Anora, The Brutalist, A Complete Unknown, Conclave, Dune: Part Two, Emilia Pérez, Nickel Boys, Sing Sing, The Substance, Wicked
PREDICTED WINNER – The Brutalist
Runner-Up: Anora
Best Director
Jacques Audiard (Emilia Pérez), Sean Baker (Anora), Edward Berger (Conclave), Jon M. Chu (Wicked), Brady Corbet (The Brutalist), Coralie Fargeat (The Substance), RaMell Ross (Nickel Boys), Denis Villeneuve (Dune: Part Two)
PREDICTED WINNER – Brady Corbet, The Brutalist
Runner-Up: Sean Baker, Anora
BEST ACTRESS
Cynthia Erivo (Wicked), Karla Sofia Gascón (Emilia Pérez), Marianne Jean-Baptiste (Hard Truths), Angelina Jolie (Maria), Mikey Madison (Anora), Demi Moore (The Substance)
PREDICTED WINNER – Mikey Madison, Anora
Runner-Up: Demi Moore, The Substance
BEST ACTOR
Adrien Brody (The Brutalist), Timothée Chalamet (A Complete Unknown), Daniel Craig (Queer), Colman Domingo (Sing Sing), Ralph Fiennes (Conclave), Hugh Grant (Heretic)
PREDICTED WINNER – Adrien Brody, The Brutalist
Runner-Up: Timothée Chalamet, A Complete Unknown
BEST SUPPORTING ACTRESS
Danielle Deadwyler (The Piano Lesson), Aunjanue Ellis-Taylor (Nickel Boys), Ariana Grande (Wicked), Margaret Qualley (The Substance), Isabella Rossellini (Conclave), Zoe Saldaña (Emilia Pérez)
PREDICTED WINNER – Zoe Saldaña, Emilia Pérez
Runner-Up: Ariana Grande, Wicked
BEST SUPPORTING ACTOR
Yura Borisov (Anora), Kieran Culkin (A Real Pain), Clarence Maclin (Sing Sing), Edward Norton (A Complete Unknown), Guy Pearce (The Brutalist), Denzel Washington (Gladiator II)
PREDICTED WINNER – Kieran Culkin, A Real Pain
Runner-Up: Edward Norton, A Complete Unknown
BEST ORIGINAL SCREENPLAY
Anora, The Brutalist, Challengers, A Real Pain, September 5, The Substance
PREDICTED WINNER – Anora
Runner-Up: The Brutalist
BEST ADAPTED SCREENPLAY
Conclave, Dune: Part Two, Emilia Pérez, Nickel Boys, Sing Sing, Wicked
PREDICTED WINNER – Conclave
Runner-Up: Nickel Boys
BEST FOREIGN LANGUAGE FILM
All We Imagine as Light, Emilia Pérez, Flow, I’m Still Here, Kneecap, The Seed of the Sacred Fig
PREDICTED WINNER – Emilia Pérez
Runner-Up: All We Imagine as Light
BEST ANIMATED FEATURE
Flow, Inside Out 2, Memoir of a Snail, Wallace & Gromit: Vengeance Most Fowl, The Wild Robot
PREDICTED WINNER – The Wild Robot
Runner-Up: Flow
BEST COMEDY
Deadpool & Wolverine, Hit Man, My Old Ass, A Real Pain, Saturday Night, Thelma
PREDICTED WINNER – A Real Pain
Runner-Up: Saturday Night
BEST YOUNG ACTOR/ACTRESS
Alyla Browne (Furiosa: A Mad Max Saga), Elliot Heffernan (Blitz), Maisy Stella (My Old Ass), Izaac Wang (Dídi), Alisha Weir (Abigail), Zoe Ziegler (Janet Planet)
PREDICTED WINNER – Izaac Wang, Dídi
Runner-Up: Elliot Heffernan, Blitz
BEST ACTING ENSEMBLE
Anora, Conclave, Emilia Pérez, Saturday Night, Sing Sing, Wicked
PREDICTED WINNER – Wicked
Runner-Up: Conclave
BEST CINEMATOGRAPHY
The Brutalist, Conclave, Dune: Part Two, Nickel Boys, Nosferatu, Wicked
PREDICTED WINNER – The Brutalist
Runner-Up: Dune: Part Two
BEST COSTUME DESIGN
Conclave, Dune: Part Two, Gladiator II, Maria, Nosferatu, Wicked
PREDICTED WINNER – Wicked
Runner-Up: Dune: Part Two
BEST EDITING
Anora, The Brutalist, Challengers, Conclave, Dune: Part Two, September 5
PREDICTED WINNER – Anora
Runner-Up: The Brutalist
BEST HAIR AND MAKEUP
Beetlejuice Beetlejuice, A Different Man, Dune: Part Two, Nosferatu, The Substance, Wicked
PREDICTED WINNER – The Substance
Runner-Up: Wicked
BEST PRODUCTION DESIGN
The Brutalist, Conclave, Dune: Part Two, Gladiator II, Nosferatu, Wicked
PREDICTED WINNER – Wicked
Runner-Up: Dune: Part Two
BEST SCORE
The Brutalist, Challengers, Conclave, Dune: Part Two, Emilia Pérez, The Wild Robot
PREDICTED WINNER – Challengers
Runner-Up: The Brutalist
BEST SONG
“Beautiful That Way” from The Last Showgirl; “Compress/Repress” from Challengers; “El Mal” from Emilia Pérez; “Harper and Will Go West” from Will & Harper; “Kiss the Sky” from The Wild Robot; “Mi Camino” from Emilia Pérez
PREDICTED WINNER – “El Mal” from Emilia Pérez
Runner-Up: “Compress/Repress” from Challengers
BEST VISUAL EFFECTS
Better Man, Dune: Part Two, Gladiator II, Kingdom of the Planet of the Apes, The Substance, Wicked
PREDICTED WINNER – Dune: Part Two
Runner-Up: Better Man
That means I’m projecting that these pictures win these numbers of CCAs:
4 Wins
The Brutalist
3 Wins
Anora, Emilia Pérez, Wicked
2 Wins
A Real Pain
1 Win
Challengers, Conclave, Dídi, Dune: Part Two, The Substance, The Wild Robot
Eva Victor is making her feature film directorial, screenwriting, and starring debut in Sorry, Baby. The drama centered around trauma costars Naomi Ackie, Lucas Hedges, John Carroll Lynch, Louis Cancelmi, and Kelly McCormack. It is one of the buzziest titles that premiered at Sundance.
With a Rotten Tomatoes score of 97% and an 88 Metacritic, A24 outbid competitors for distribution rights. Victor is being hailed as a welcome new voice to the silver screen. Her original screenplay could draw attention from the Academy. I would especially look for the Indie Spirit Awards to take notice of it and that could apply to multiple categories. My Oscar Prediction posts will continue…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered seven of the BP contenders and if you missed them, they are linked at the bottom of the post. The next entry is Nickel Boys from RaMell Ross.
The Case for Nickel Boys:
With 90% on Rotten Tomatoes and a 91 Metacritic, Nickel Boys has sat atop or near the top of many critics best of lists. Precursor attention in BP came from the Golden Globes and Critics Choice.
The Case Against Nickel Boys:
The Case for Nickel Boys above will be the shortest of the bunch. While it landed noms at the Globes and Critics Choice, victories are non-existent and it missed at BAFTA and didn’t make the PGA cut. It is up for only one more Oscar in Adapted Screenplay and therefore has the fewest nominations of all 10 BP hopefuls. That means no directing love for RaMell Ross and no acting contestants. This is not a recipe that equals BP.
The Verdict:
Don’t bet on Nickel as an argument could be made that it’s 10th of the 10 contenders in terms of winning possibility.
My Case Of posts will continue with The Substance…
Slasher flick Heart Eyes and action comedy Love Hurts hope to achieve audience affection this weekend while competing with holdovers and a little football game on Sunday. You can peruse my detailed prediction posts on the newcomers here:
Sony’s Heart Eyes looks to fright fest fans and teens and, in this genre, there’s always the possibility of exceeding expectations. It might get to the teens, but I have it in the lower double digits for a runner-up showing.
Recent supporting category Oscar winners Ke Huy Quan and Ariana DeBose (and Super Bowl victor Marshawn Lynch) tackle Love Hurts. Universal would heart a start in double digits and especially teens though I suspect it could struggle to get there. My estimate puts it in third.
As for holdovers, DreamWorks Animation’s Dog Man opened impressively (more on that below) and it should be top dog once again. The sophomore outing drop could be in the mid to high 40s.
Companion, despite a solid (at least for horror) B+ Cinemascore grade, may dip in the mid to high 40s as well with Mufasa: The Lion King and One of Them Days in a close call for fifth.
Here’s how I envision the top 6 shaking out:
1. Dog Man
Predicted Gross: $19.4 million
2. Heart Eyes
Predicted Gross: $10.8 million
3. Love Hurts
Predicted Gross: $7.1 million
4. Companion
Predicted Gross: $4.9 million
5. Mufasa: The Lion King
Predicted Gross: $4.6 million
6. One of Them Days
Predicted Gross: $4.4 million
Box Office Results (January 31-February 2)
Dog Man lapped all competitors with room to spare as the animated tale (tail?) based on Dav Pilkey’s works scored $36 million, well ahead of my $25.4 million projection. With an A Cinemascore grade, look for this to eye nine digits stateside.
Companion‘s second place showing was in line with expectations at $9.3 million, a tad under my $10.6 million call. The well-reviewed mix of horror, sci-fi, and satire only had a reported $15 million price tag so this is a decent result.
Mufasa: The Lion King was third with $6.3 million (I said $6.5 million), bringing the Disney property’s seven-week haul to $229 million.
Buddy comedy One of Them Days was fourth, holding up well in weekend #3 with $5.8 million (on target with my $6 million prediction). The total is $34 million,
Finally, as estimated, Flight Risk with Mark Wahlberg lost altitude in its second go-round. Plummeting from first to fifth, it made $5.4 million (a 53% ease). That’s close to my $5.7 million take as its ten-day earnings are $20 million.
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered six of the BP contenders and if you missed them, they are linked at the bottom of the post. Next up is I’m Still Here from Walter Salles.
The Case for I’m Still Here:
The Brazilian drama has been a critics favorite ever since it debuted in Venice where it won the Best Screenplay prize. The love is evidenced by the 95% Rotten Tomatoes score coupled with its 99% Audience Score on that site. It is a threat to win its other two nominations for International Feature Film and Actress (Fernanda Torres) based on the growing momentum.
The Case Against I’m Still Here:
It was unquestionably the surprise nominee on nomination morning that few (including me) predicted. Here missed the BP cut with precursors including the Golden Globes, Critics Choice, and BAFTA. While it was up for Foreign Film at the Globes, it lost to Emilia Pérez. This could just as easily go for 0 for 3 on Oscar night and I’d say it’s the frontrunner in none of its competitions. The 3 nominations is the second lowest of the 10 hopefuls (ahead of 2 for Nickel Boys). Salles hasn’t been nominated anywhere for his direction and that rarely bodes well for BP viability.
The Verdict:
While I’m Still Here is generating increased visibility, I’d say International Feature Film and not Best Picture is where it could emerge over Pérez (which has faced unwanted headlines in recent days due to Karla Sofia Gascón’s past social media history).
Opus, out March 14th from A24, marks the directorial debut of Mark Anthony Green. Unveiled at Sundance, the thriller stars The Bear‘s Ayo Edebiri as a journalist tasked with profiling a reclusive former pop star (John Malkovich) on his island full of sycophants. Juliette Lewis, Murray Bartlett, Amber Midthunder, Young Mazino, Tatanka Means, and Tony Hale are among supporting players.
Despite a cool sounding concept, critics are saying the execution doesn’t land. The Rotten Tomatoes meter and Metacritic score are each stalled at 41. This is one Sundance entry that will not be part of any awards conversations. My Oscar Prediction posts will continue…
Josh O’Connor is already an Emmy winner as a young Prince Charles from Netflix’s The Crown. He’s recently had acclaimed roles in La Chimera and Challengers and probably isn’t far away from his first silver screen awards bait role. Could that be Rebuilding?
Max Walker-Silverman’s drama casts O’Connor as a rancher displaced by wildfires. Costars include Meghann Fahy, Kali Reis, Lily LaTorre, and Amy Madigan. Reviews out of Sundance screenings are positive at 94% on RT and 76 on Metacritic. Some notices are strong enough that I wonder whether this could be an awards player with the right campaign. The timely nature of the subject matter should additionally be taken into consideration.
That chatter could extend to O’Connor and the lauded cinematography (a similar combo to Train Dreams which was also unveiled in Park City). My Oscar Prediction posts will continue…
As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.
It begins with the ten BP contenders and then alternates alphabetically between the hopefuls in the other five races. I’ve already covered the first half of the BP contenders and if you missed them, they are linked at the bottom of the post. Next up is Jacques Audiard’s Emilia Pérez.
The Case for Emilia Pérez:
This multi-genre mashup of music and crime mixed with social commentary has been at the forefront of awards attention since it debuted at Cannes last summer and took the Jury Prize. That’s essentially second place to the Palme d’Or which went to Anora. Pérez landed an Academy ceremony leading 13 nominations including Director, Actress (Karla Sofia Gascón), Supporting Actress (Zoe Saldaña), Adapted Screenplay, International Feature Film, Cinematography, Film Editing, Makeup & Hairstyling, Original Score, two in Original Song, and Sound. Precursor nods have been in abundance for BP at Critics Choice, BAFTA, and PGA and Best Ensemble at SAG. Mr. Audiard is in contention at DGA. At the Golden Globes, Pérez beat a field in Best Motion Picture (Musical or Comedy) that included fellow BP nominees Anora, The Substance, and Wicked.
The Case Against Emilia Pérez:
While festival crowds have lauded it, general audiences have not. Pérez sports an 18% audience score on Rotten Tomatoes while the next lowest among the BP hopefuls is The Substance at 75%. If you’re not buying the Tomato measuring accuracy of that stat, the critics aren’t over the moon either. The RT score of 73% is the least of the bunch with the next lowest being A Complete Unknown at 80%. The 71 Metacritic rating is second to bottom with Unknown at 70. There’s also the Netflix factor. The distributor has yet to win Best Picture and that could be due to voter aversion to the giant streaming service. Some believe this was a major factor at the 91st Academy Awards when Green Book took top honors over Roma. The movie with the leading amount of nominations has failed to win BP more often than not in the 21st century (14 out of 24 times). Additionally, I’m Still Here (with its unexpected Pic nom) has emerged as serious competition in International Feature Film where Pérez was seen as the easy frontrunner. Then there’s the events of the last week where Karla Sofia Gascón’s troubling social media posts from a few years back resurfaced. The story has dominated headlines in the trades and beyond and could hinder the frontrunner status it has held with pundits.
The Verdict:
Obviously a lot to unpack here. I have never had Pérez 1st in my BP rankings, but it’s undeniably a major threat to win. I fully understand why many do have it above the others (especially after the Globe victory). Yet for the lengthy information contained above in Case Against, I’m highly hesitant to push the chips in for it.
My Case Of posts will continue with I’m Still Here…
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