Month: February 2025

February 21-23 Box Office Predictions

The Monkey looks to swing a strong second place showing while The Unbreakable Boy hopes to break into the top five this weekend. Captain America: Brave New World should repeat in first. My detailed prediction posts on the newcomers can be accessed here:

The Monkey Box Office Prediction
The Unbreakable Boy Box Office Prediction

Based on a Stephen King short story, The Monkey marks Osgood Perkins’s follow-up to last summer’s surprise hit Longlegs. I have this opening shy of $20 million which would put it in firmly in second.

Father-son drama The Unbreakable Boy with Zachary Levi seems like it’s getting dumped by distributor Lionsgate and my $3 million estimate puts it outside of the high 5.

Captain America: Brave New World performed in line with expectations over the Valentine’s/Presidents Day long weekend (more on that below). It also received the worst Cinemascore (B-) of any MCU title thus far. That could mean a decline in the mid 60s or even 70% (similar to the drop for Ant-Man and the Wasp: Quantumania) could be at hand.

Paddington in Peru and Dog Man should each dip a spot to 3rd and 4th with Heart Eyes rounding out the top five.

Here’s how I envision it playing out:

1. Captain America: Brave New World

Predicted Gross: $29.6 million

2. The Monkey

Predicted Gross: $18.2 million

3. Paddington in Peru

Predicted Gross: $8.9 million

4. Dog Man

Predicted Gross: $7.1 million

5. Heart Eyes

Predicted Gross: $4.9 million

Box Office Results (February 14-17)

Captain America: Brave New World was the 35th Marvel Cinematic Universe experience and it was the 35th to debut atop the charts. The Friday to Sunday traditional weekend gross was $89.8 million with $100 million when factoring in President’s Day. That’s not as commanding as plenty of other MCU fare, but it surpassed my respective $78.9 million and $90.7 million estimates. As mentioned, that troubling audience reaction should mean substantial drops ahead.

Paddington in Peru kicked off in second place with $12.7 million from Friday to Sunday and $16 million for the four-day compared to my projections of $14.8 million and $17 million. The film is making the bulk of its bounty overseas though it could experience smallish declines in upcoming frames (its Cinemascore was an A).

Dog Man was third with $13.4 million (I said $14.1 million) as the animated tale brought its three-week total to $70 million.

The biggest surprise of the weekend was horror comedy Heart Eyes actually increasing its gross in weekend #2 with $10.8 million for fourth position. My radar was way off as I only had it pegged at $5.8 million. The overall tally stands at $22 million.

Chinese animated fantasy Ne Zha 2 was fifth with $8.3 million and I did not do a projection for it. That towers over its 2019 predecessor which premiered to just over one million.

Finally, Mufasa: The Lion King was sixth with $5.3 million (I said $5 million) for $241 million in its nine weeks.

And that does it for now, folks! Until next time…

Oscars: The Case of Mikey Madison in Anora

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our third entry in Best Actress and that’s Mikey Madison in Sean Baker’s Anora. If you missed my posts covering Cynthia Erivo (Wicked) and Karla Sofia Gascón (Emilia Pérez), they’re linked at the bottom.

Previous Acting Oscar Nominations:

None

The Case for Mikey Madison:

She’s the titular character in arguably the Best Picture frontrunner. and Cannes Palme d’Or recipient. The 25-year-old has been nominated at the Golden Globes, Critics Choice, SAG, and BAFTA. Just yesterday, she won the BAFTA in an unexpected development over the favored Demi Moore (The Substance).

The Case Against Mikey Madison:

Her BAFTA trophy was a bit of a surprise because Moore was victorious over her at the Globes and Critics Choice. Moore’s narrative might be too enticing for Academy voters to ignore and they might figure Madison has plenty of time for a return engagement.

The Verdict:

This race definitely seems headed for a showdown between Madison and Moore. All eyes are on SAG this weekend to determine who might have the slight edge.

My Case Of posts will continue with the third hopeful in Best Actor and that’s Colman Domingo in Sing Sing…

Oscars: The Case of Cynthia Erivo in Wicked
Oscars: The Case of Karla Sofia Gascón in Emilia Pérez

Oscars: The Case of Brady Corbet for The Brutalist

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our second entry in Best Director and that’s Brady Corbet for The Brutalist. If you missed my post covering Sean Baker from Anora, it’s linked at the bottom.

Previous Directing Oscar Nominations:

None

The Case for Brady Corbet:

Mr. Corbet is going the Ron Howard route as a child actor turned acclaimed filmmaker and he’s already got hardware to show for it. Yesterday he took home the BAFTA for his direction to go with his Golden Globe from a few weeks back. While Picture and Director often match, it seems his behind the camera achievement for The Brutalist could win him the latter even if the film doesn’t take the top prize.

The Case Against Brady Corbet:

7 out of the last 10 Golden Globe directing winners won the Oscar. It’s also a 70% ratio over the past decade for BAFTA. For DGA, it is 9 out of the last 10 and Corbet didn’t win that one. Instead it was Sean Baker for Anora. He also came up short at Critics Choice where Jon M. Chu (Wicked) was the unexpected victor.

The Verdict:

Corbet seemed like a relatively safe bet before DGA. Now it feels like a coin flip between Baker and him.

My Case Of posts will continue the third hopeful in Best Actress and that’s Mikey Madison in Anora…

Oscars: The Case of Sean Baker for Anora

78th BAFTA Awards Reaction

The 78th British Academy Film Awards (or BAFTAs) have occurred across the pond. What will be the ripple effect for the Oscars in two weeks? Let’s get into it!

Last weekend, the PGA/DGA/Critics Choice Awards troika rightfully vaulted Sean Baker’s Anora to frontrunner status at the Academy Awards. My feeling (shared by plenty of prognosticators) is that Anora would have a tougher time taking top prize at BAFTA. That turned out to be true, but it did nab an award that could shake up another major competition.

Edward Berger’s Conclave is your BAFTA Best Film and I correctly called that. It wins two years after the director’s All Quiet on the Western Front did the same. A very important reminder: Best Picture at the Oscars and Best Film at BAFTA have matched just twice in the past decade. For those thinking this vaults Conclave into winning status in two weeks, think again. If it can be named Best Ensemble at SAG next weekend, chances improve.

Brady Corbet is Best Director for The Brutalist (another correct call). This adds intrigue to the Academy’s directorial competition as Sean Baker won DGA last weekend for Anora. They should battle it out for Oscar.

Overall I went 17 for 24 in my projections. Before I get into the acting derbies and screenplay contests, let’s do a quick review on where I went right elsewhere. Wallace & Gromit: Vengeance Most Fowl is the honoree for Animated Film while Emilia Pérez escaped its controversies to become Best Film Not in the English Language. The Brutalist took Cinematography and Original Score. Wicked is both your Costume Design and Production Design victor. Make Up & Hair went to The Substance. Conclave won Editing with Dune: Part Two emerging in Sound. Outstanding British Debut by a Writer, Director or Producer went to Kneecap with Conclave predictably taking Outstanding British Film.

Here’s where I went wrong in the down the line competitions. I went out on a limb with Better Man in Special Visual Effects and it was Dune: Part Two. In the Rising Star Competition, the Brits chose one of their own (David Jonsson) instead of Mikey Madison. Jonsson received plenty of complimentary notices in 2024 for Alien: Romulus. We are not done with Madison though.

In the newly created Children’s and Family Film race, it was Wallace & Gromit again and not my predicted The Wild Robot. And Anora aced Best Casting over Conclave. Finally, Super/Man: The Christopher Reeve Story is your Best Documentary despite not being up at Oscar. I went with No Other Land which is considered the soft Academy favorite.

Now let’s get to our acting and writing showdowns. In maybe the biggest upset of all, Jesse Eisenberg won Original Screenplay for A Real Pain. I had Anora projected with The Brutalist as my runner-up. Truth be told, my second runner-up would’ve been The Substance so Pain managing this was truly unexpected. On the other hand, Conclave is the Adapted Screenplay winner which was expected.

Three of the four frontrunners in the acting races made English podium walks today and solidified their positions. That would be Adrien Brody (The Brutalist) as Best Actor and Zoe Saldaña (Emilia Pérez) and Kieran Culkin (A Real Pain) in their respective supporting fields. For any of this trio to be denied a sweep, the SAG Awards would need to provide that disruption next weekend.

The other frontrunner after winning the Golden Globe and Critics Choice was Demi Moore in The Substance. Yet the BAFTAs went with Mikey Madison (Anora) and this sets up an unpredictable competition between them.

Bottom line: the BAFTAs made Best Actress and Director more intriguing while I wouldn’t read too much into the Conclave selection. Keep an eye on the blog for more speculation as we hurdle toward Oscar night.

Here’s the breakdown of movies that won BAFTAs:

4 Wins

The Brutalist, Conclave

2 Wins

Anora, Dune: Part Two, Emilia Pérez, A Real Pain, Wallace & Gromit: Vengeance Most Fowl, Wicked

1 Win

Kneecap, The Substance, Super/Man: The Christopher Reeve Story

Oscars: The Case of Kieran Culkin in A Real Pain

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our second entry in Best Supporting Actor and that’s Kieran Culkin in Jesse Eisenberg’s A Real Pain. If you missed my post covering Yura Borisov in Anora, it’s linked at the bottom.

Previous Acting Oscar Nominations:

None

The Case for Kieran Culkin:

Ever since A Real Pain premiered at Sundance over a year ago, Culkin has been considered a strong possibility for awards play. That narrative has carried over and intensified as the Succession Emmy winner has already picked up the Golden Globe and Critics Choice Award. He’s also vying for BAFTA and SAG.

The Case Against Kieran Culkin:

The fact that A Real Pain didn’t nab a BP nod from the Academy is a tad concerning. Christopher Plummer (Beginners) is the last Supporting Actor recipient whose film wasn’t up in the big race and that was 13 years ago.

The Verdict:

Culkin is unquestionably the favorite. If someone else snags BAFTA or SAG (say Edward Norton for A Complete Unknown or Guy Pearce in The Brutalist), it could get more interesting.

My Case Of posts will continue with the second hopeful in Best Director and that’s Brady Corbet for The Brutalist…

Oscars: The Case of Yura Borisov in Anora

Oscar Predictions: Mickey 17

Prior to its March 7th domestic release, Mickey 17 has debuted overseas at the Berlin Film Festival. The sci-fi satire is Bong Joon-ho’s eagerly awaited follow-up to 2019’s Parasite which dominated the 92nd Academy Award by taking Best Picture, Director, Original Screenplay, and International Feature Film. Originally slated for spring 2024, Mickey stars Robert Pattinson, Naomi Ackie, Steven Yeun, Toni Collette, and Mark Ruffalo.

Early reviews suggests this is more in line with Joon-ho’s Okja as opposed to Parasite. With 81% on Rotten Tomatoes and 74 on Metacritic, the acclaim isn’t as universal as the multiple Oscar winner. The release date would further suggest that Warner Bros won’t make this a major awards play (though this pattern did work for Dune: Part Two).

That said, some reaction is quite effusive. While Best Picture, Director, and Adapted Screenplay (it’s based on a 2022 Edward Ashton novel) could be a stretch, down the line tech races like Sound and Visual Effects could happen. My Oscar Prediction posts will continue…

The Unbreakable Boy Box Office Prediction

Zachary Levi headlines the true life father-son drama The Unbreakable Boy on February 21st. Jon Gunn, known for helming faith-based pics like The Case for Christ and last year’s Ordinary Angels, directs. The supporting cast includes Meghann Fahy, Jacob Laval, Drew Powell, Gavin Warren, and Patricia Heaton.

Boy has been sitting on the Lionsgate shelf for some time as it wrapped production in late 2020. That studio has had a slew of financial disappointments in recent months. While Ordinary Angels (also from Lionsgate) managed $6.5 million for its start, it had solid word-of-mouth and was released on 2800 screens. Early reports have Boy only rolling out in approximately 1300 venues. That should limit its potential as evidenced by my estimate.

The Unbreakable Boy opening weekend prediction: $3 million

For my The Monkey prediction, click here:

The Monkey Box Office Prediction

Oscars: The Case of Ariana Grande in Wicked

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our second entry in Best Supporting Actress and that’s Ariana Grande in Jon M. Chu’s Wicked. If you missed my post on Monica Barbaro in A Complete Unknown, it’s linked at the bottom.

Previous Acting Oscar Nominations:

None

The Case for Ariana Grande:

As Glinda the Good in the hugely popular adaptation of the stage play, Grande scored big love from audiences and critics. It resulted in nominations at the Globes, SAG, Critics Choice, and BAFTA. This is an opportunity for the Academy to recognize one of the most widely seen performances of the evening.

The Case Against Ariana Grande:

At the Globes and Critics Choice, she’s fallen short to another musical performance in Zoe Saldaña from Emilia Pérez.

The Verdict:

Grande is in the same boat as my previous post with Timothée Chalamet in A Complete Unknown. Both are considered the runner-ups because they’ve yet to win a significant precursor. Like Chalamet, I think Grande needs to take SAG in order to have any real shot of taking gold over Saldaña. She could score a mild upset if the recent Pérez controversy extends beyond Karla Sofia Gascón.

My Case Of posts will continue with the next contender in Supporting Actor and that’s Kieran Culkin in A Real Pain…

Oscars: The Case of Monica Barbaro in A Complete Unknown

Oscars: The Case of Timothée Chalamet in A Complete Unknown

As we do every year on this here blog, Oscar nominations lead to my Case Of series. What are they? Glad you asked. These are 35 posts covering the nominees for Picture, Director, and the four acting contests. For each one, I give you the case for the movie/director/actor winning and the case against it with a verdict tidying it up. It’s like a trial, but no one goes to prison.

It began with the ten Best Picture contenders and now alternates alphabetically between the hopefuls in the other five races. The BP nominee posts are up and they’re readily available for your perusing pleasure. Today is our second entry in Best Actor and that’s Timothée Chalamet in James Mangold’s A Complete Unknown. If you missed my post on Adrien Brody (The Brutalist), it’s linked at the bottom.

Previous Acting Oscar Nominations:

Best Actor (2017, Call Me by Your Name) – lost to Gary Oldman (Darkest Hour)

The Case for Timothée Chalamet:

He’s essentially Hollywood’s IT leading man of the moment coming off Wonka, Dune: Part Two, and this biopic where he embodies Bob Dylan. Plenty of critics have hailed it as career best work and he’s landed precursor nods everywhere that matter (Golden Globes, BAFTA, Critics Choice, SAG). Chalamet would make Oscar history as the youngest victor in this competition.

The Case Against Timothée Chalamet:

Adrien Brody (The Brutalist) has already taken the Globe and Critics Choice as he seeks his second gold statue. Side note – he’s the current record holder for youngest Best Actor recipient for The Pianist (2002). Voters might figure Chalamet will have other opportunities as his career progresses.

The Verdict:

Chalamet is rightly seen as the runner-up. If he can snag SAG next weekend, this becomes a race. If it goes to Brody, the sweep is likely on.

My Case Of posts will continue with our next Supporting Actress contender and that’s Ariana Grande in Wicked…

Oscars: The Case of Adrien Brody in The Brutalist

The Monkey Box Office Prediction

Neon looks for The Monkey to shine at the box office when it opens February 21st. Based on Stephen King’s 1980 short story, the horror flick is Osgood Perkins’ follow-up to his surprise hit Longlegs from last year. Theo James, Tatiana Maslany, Elijah Wood, Christian Convery, Colin O’Brien, Rohan Campbell, and Sarah Levy star.

Profitability shouldn’t be an issue considering the reported $10 million budget. Early reviews are at 87% on Rotten Tomatoes and 67 on Metacritic. In July of 2024, Longlegs kicked off to a robust $22 million on its way to a $74 million domestic haul.

There’s been lots of scary movies in recent weeks, but The Monkey could capitalize on its simple premise, decent buzz, and King/Perkins combo. It could get past what Longlegs accomplished though I’ll project under in the high teens or low 20s.

The Monkey opening weekend prediction: $18.2 million

For my The Unbreakable Boy prediction, click here:

The Unbreakable Boy Box Office Prediction